Description - Twenty years after making their iconic turns as Miranda, Andy, Emily and Nigel--Meryl Streep, Anne Hathaway, Emily Blunt and Stanley Tucci return to the fashionable streets of New York City and the sleek offices of Runway Magazine in 20th Century Studios' "The Devil Wears Prada 2," the eagerly awaited sequel to the 2006 phenomenon that defined a generation.
KIDS FIRST!® Adult Jurors say - SEE YOUTH COMMENTS
KIDS FIRST!® Kid Jurors say - I was thrilled with the execution of The Devil Wears Prada 2, the highly anticipated sequel to the 2006 hit movie The Devil Wears Prada. The contemporary themes and dedication to its fashion roots allows the film to not only stand on its own, but thrive in its spotlight.The Devil Wears Prada 2 reintroduces us to the loveable Andy Sachs (Anne Hathaway), who is now 20 years older and has grown into herself as a well-respected journalist. But after a mass firing at her company and an even larger scandal at the infamous Runway (the world's most elite fashion magazine), Andy must reunite with her former boss Miranda Priestly (Meryl Streep) in order to save both her own job and Runway's future.
Sequels always make me slightly apprehensive. All too often they either try too hard to recreate the magic of the first film, or completely ignore its predecessor and fall flat for eager audiences. The Devil Wears Prada 2, however, did neither of these. Instead, it creates a refreshing storyline by adding themes that resonate with today's audience. The age of media, doom scrolling, and clicking-over-reading are central to its plot, which keeps it realistic to today's world. Additionally, its commitment to not just recreating, but rather reimagining its high-fashion visuals are phenomenal. There are many montages that show how today's fashion has developed from that of 2006. The styling, color palates, and silhouettes are all unique from its predecessor but accurate to real fashion trends of today, which kept me engaged and enthralled.
This film illustrates the importance of the delicate balance between preserving the past and integrating the future. It reminds us that, while tradition is important, so is opening our arms to what is to come, lest we be swept away by the past. Note that this film does have some profanity.
The Devil Wears Prada 2 gets 4 out of 5 stars from me and I recommend it for ages 12 to 18, plus adults. It releases in cinemas May 1, 2026.
By Adele N, KIDS FIRST! Film Critic, age 16
The Devil Wears Prada 2 not only lives up to the original, it surpasses it. The plot, the stakes, the drama, and the statement outfits have all gone up by 110% in the latest film.
The Devil Wears Prada 2 follows Andy Sachs (Anne Hathaway) as she loses her job at a newspaper due to budget cuts. After an impassioned speech at an award ceremony and a tip from someone special, Andy is offered the position of Senior Feature Editor by the owner of Runway. He brings her in to save the magazine from losing its credibility after a scandal from their coverage of a fast fashion company, and she's reunited with the creative power behind Runway Magazine: Miranda Priestly (Meryl Streep) and Nigel Kipling (Stanley Tucci).
If I had to take only one thing away from The Devil Wears Prada 2, it would be the message. The film really excels in addressing relevant issues of the modern-day fashion industry and journalism in general - specifically, how artistic industries lose their meaning and purpose when they have to appeal to owners to stay profitable, and to mass consumers of short-form content to stay relevant. The film has so much to say about that and weaves it into the story, creating a movie where actions speak louder than words. The film achieves this with artistic cinematography. The movie doesn't just show you what's going on, it uses its visuals to tell the story - every plant, painting, light fixture and, especially outfits, set the mood and hint about what is going to happen. It's subtle, and it ties the film together nicely. However, what really makes the film special is the character Andy. In her new position, she is really in her element. While I love this film, I feel the romantic subplot is underdeveloped and rushed, and there are a few situations that simply aren't believable. Other than that, I had an absolute blast!
The film's message is that you shouldn't lose yourself just to please others. Note that there is some mild profanity, death references and questionable business practices.
The Devil Wears Prada 2 gets 5 out of 5 stars from me and I recommend it for ages 12 to 18, plus adults. The Devil Wears Prada 2 releases in theatres on May 1, 2026.
By Valerie M., KIDS FIRST! Film Critic, Age 12
The Devil Wears Prada 2 is the sequel we didn't know we needed. I thoroughly enjoyed this film with its witty dialogue, lighthearted energy, and return of iconic characters. It's a great way to catch up on what our favorite fashionistas are up to today.
Twenty years after she left Runway, Andy Sachs (Anne Hathaway) is now the successful and award-wining journalist she always hoped to be. But after her company's budget is cut and her whole team is let go, she finds herself back where she started: working for Runway with the devil herself, Miranda Priestly (Meryl Streep), but now as the features editor. With scandals and unexpected changes to Runway, can she save the future of the magazine?
This sequel may not have been necessary, but is it worth the watch? Absolutely. The Devil Wears Prada 2 is shockingly funny - honestly, even funnier than the first. I was laughing out loud the entire time, whether it was from the references to the first film or the perfectly timed one-liners. Speaking of references, I recommend re-watching the first film before seeing this one so you can pick up on subtle Easter eggs you might miss if you blink (keep an eye out for any blue belts or cerulean sweaters in the background). There are also a ton of unexpected cameos from famous actors, athletes, influencers and singers to anticipate. Along with these cameos, the whole gang is back together, and it's so enjoyable to see their group dynamics and witness their interactions. We've got Andy (Anne Hathaway), Emily (Emily Blunt), Nigel (Stanley Tucci) and Miranda (Meryl Streep) working together and against each other, again. It's so wholesome seeing how some of the characters have changed: Andy now has her confidence, Emily has a new leadership role at a different company; Nigel has more command, albeit behind the scenes, and Miranda has calmed down just a bit. It's also interesting how Runway has evolved over the last two decades, from being a print magazine to becoming entirely digital. I congratulate the screenwriters for adapting these characters and the business to modern times, really connecting the audience immediately to the cast despite how long it's been since the first film's release.
The film reminds us to have ambition and resilience; to fight to achieve your dreams; and care for the people around you even if it's unreciprocated.
The Devil Wears Prada 2 gets 5 out of 5 stars from me and I recommend it for ages 12 to 18, plus adults of course. It comes out in theaters on May 1, 2026. Check it out!
By Katherine S., KIDS FIRST! Film Critic, age 18
The Devil Wears Prada 2 surprised me with how much I enjoyed watching the movie. It is a fashion feast for the eyes! I love how the storyline is fresh and new compared to the original and I liked seeing how each character has developed over the years.
Anne Hathaway returns as Andy Sachs, the young woman who left the fashion world for a career in journalism. After twenty years, she is reunited with Miranda Priestly (Meryl Streep) and Nigel (Stanley Tucci) who are still leading the fashion world at Runway and Emily Charlton (Emily Blunt) who is now at Dior. The fashion world is striving to remain relevant in a world rapidly changing with online content and AI.
The Devil Wears Prada 2 has a powerful storyline about how different business industries like fashion and journalism try to stay relevant and have to adjust to the changing needs of the world. Fashion is still the main aspect of the movie and the costumes are absolutely gorgeous. It is a lot more body positive than the first film and it is really funny when Miranda tries to make unacceptable comments and her assistant tries to stop her. I love when it features montages of everyone's outfits while they are in Italy. The storyline has a lot of suspense and conflict. Each of the actors brings life to the characters, making it really easy for viewers to become invested emotionally when things are difficult and wanting to celebrate with them when things go well. My favorite part is when Nigel gives his speech. I love this part because he has worked so hard for his recognition as a major contributor to Runway. The actors also bring a lot of humor to their characters, which makes the film really enjoyable to watch and each character is easy to relate to.
I love that the same messages from the first film remain true in this one. First of all, hard work, perseverance, and patience are valued traits. Also, the themes of being true to yourself and the value of friendship are still important. I like that the sequel also emphasizes how important it is to remain flexible and open to new opportunities in our fast-paced world. Parents should be advised there are some alcohol references and profanity.
The Devil Wears Prada 2 gets 5 out of 5 stars from me and I recommend it for ages 12 to 18, plus adults. The Devil Wears Prada 2 releases in theaters on May 1, 2026.
By Julie O. KIDS FIRST! Film Critic, age 13
Juror Recommended Age: 12-18
Suggested Retail Price: $
Media:
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DINA INOU - HASSE VAN NUNEN
Series: FOREIGN DOCUMENTARY SHORT, AGES 12-18
Description - Dina (17), born in the Netherlands to Moroccan parents, has always felt like a "fake Moroccan." Her first journey to Morocco sparks a profound quest to discover what truly defines her identity. As she explores an unfamiliar yet deeply recognizable world, she uncovers the beautiful, often painful stories within her family history. Dina's personal journey is mirrored by a diverse panel of various generations who share funny and moving insights on language and culture. Through traditional Riffian songs (izran) and the art of cooking, she learns that being "truly Moroccan" transcends birthplace or fluency. Dina Inou is a touching youth documentary about migration and tradition, illustrating that identity is ultimately found in the strength of family, shared stories, and the love that bridges generations.
KIDS FIRST!® Adult Jurors say - I really enjoyed the documentary Dina Inou. It is really well made and relatable - I can relate to Dina because my parents are also from Morocco.The storyline follows Dina, a 17 year-old-girl who was born in the Netherlands, but her parents are from Morocco and she has never been to Morocco. Because of this, Dina is called a fake Moroccan, so she decides to go to visit Morocco to learn about her Moroccan roots. Dina dresses in traditional Moroccan clothing and learns various Moroccan cultural practices with her grandmother and other family members while in Morocco.4 We are introduced to Dina, the main character in this film and follow her as she travels to Morocco. The camera work is very clear and professional. The rooftop shot of the rural Moroccan area is one of my favorite shots. I really enjoyed Dina's eagerness and willingness to learn more about her family's roots and culture, despite not being born there. Dina wears traditional Amazigh Moroccan cultural clothing - loose fitted clothing usually in red and white colors, with heavy silver accessories on top. The story takes place in a rural village in Morocco where Dina's parents' family live. I really like the traditional Amazigh song that Dina's grandmother sings. I commend the director, Fouzia El Hannouti, for his work in creating this documentary. He tells the story from Dina's point of view and we feel like we are getting an inside look. My favorite part is when Dina's grandmother is teaching her Moroccan culture and traditions.
The film's message is about the importance of knowing about our family's history, origin and culture.
I give Dina Inou 4.5 out of 5 stars and recommend it for ages 12 to 18, plus adults. By Hafsa H., KIDS FIRST!
KIDS FIRST!® Kid Jurors say - I really enjoyed the documentary Dina Inou. It is really well made and relatable - I can relate to Dina because my parents are also from Morocco.
The storyline follows Dina, a 17 year-old-girl who was born in the Netherlands, but her parents are from Morocco and she has never been to Morocco. Because of this, Dina is called a fake Moroccan, so she decides to go to visit Morocco to learn about her Moroccan roots. Dina dresses in traditional Moroccan clothing and learns various Moroccan cultural practices with her grandmother and other family members while in Morocco.4 We are introduced to Dina, the main character in this film and follow her as she travels to Morocco. The camera work is very clear and professional. The rooftop shot of the rural Moroccan area is one of my favorite shots. I really enjoyed Dina's eagerness and willingness to learn more about her family's roots and culture, despite not being born there. Dina wears traditional Amazigh Moroccan cultural clothing - loose fitted clothing usually in red and white colors, with heavy silver accessories on top. The story takes place in a rural village in Morocco where Dina's parents' family live. I really like the traditional Amazigh song that Dina's grandmother sings. I commend the director, Fouzia El Hannouti, for his work in creating this documentary. He tells the story from Dina's point of view and we feel like we are getting an inside look. My favorite part is when Dina's grandmother is teaching her Moroccan culture and traditions.
The film's message is about the importance of knowing about our family's history, origin and culture.
I give Dina Inou 4.5 out of 5 stars and recommend it for ages 12 to 18, plus adults. By Hafsa H., KIDS FIRST!
Juror Recommended Age: 12-18
Suggested Retail Price: $
Media:
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BIRDS OF A FEATHER - HELEN FARRELL
Series: INDIE SHORT, AGES 5-18
Description - A neurodivergent teenage boy with a fixation on birds navigates school bullying along with his first crush.
KIDS FIRST!® Adult Jurors say - I enjoyed all the bird references and personality depictions in Birds of a Feather. Equating various personalities to their bird type and plumage is amusing.The storyline follows a neurodivergent teenage boy who has a fixation on birds as he navigates school bullying at the same time he's dealing with his first crush.
This three minute animated film is compellingly created. The animation is simple but deeply reflective on the storyline. Helen Mavourneen Farrell delivers a narration that is wonderfully clear and articulate. However, the delivery feels a bit formal; a more relaxed, conversational approach would help younger viewers connect more deeply with the story. The protagonist, Darwin, is neurodivergent and has a fixation on birds. His bedroom is papered with images portraying birds' migratory patterns. We see him at school where the students speak and their heads are turned into the heads of the birds that they are most like - a clever way to portray their personalities. It's quite interesting how the animation, which is starkly drawn two dimensional, manages to portray various types of birds and their personalities. We observe how Darwin is beat up by the other students at school and when his parents meet with the teacher (a crow), they say, "He's such a strange bird." And the parents walk out with Darwin in tow. To address how to attract his crush, Birdie, he reaches for a book called, The Love Life Of Birds, and heads out to the school dance. His performance on the dance floor doesn't attract Birdie but it does attract a whole other group of girls who join him and dance all night and, in the end Darwin found his flock. What I enjoyed most are the various depictions of different personalities as different types of birds. This is such a clever device to use. My favorite scene is at the dance when Darwin is joined by the flock of girls on the dance floor.
The film's message is about finding your flock.
I give Birds of a Feather 3.5 out of 5 stars and recommend it for ages 8 to 12. By Selene W and Julie S., KIDS FIRST!
KIDS FIRST!® Kid Jurors say - I enjoyed all the bird references and personality depictions in Birds of a Feather. Equating various personalities to their bird type and plumage is amusing.
The storyline follows a neurodivergent teenage boy who has a fixation on birds as he navigates school bullying at the same time he's dealing with his first crush.
This three minute animated film is compellingly created. The animation is simple but deeply reflective on the storyline. Helen Mavourneen Farrell delivers a narration that is wonderfully clear and articulate. However, the delivery feels a bit formal; a more relaxed, conversational approach would help younger viewers connect more deeply with the story. The protagonist, Darwin, is neurodivergent and has a fixation on birds. His bedroom is papered with images portraying birds' migratory patterns. We see him at school where the students speak and their heads are turned into the heads of the birds that they are most like - a clever way to portray their personalities. It's quite interesting how the animation, which is starkly drawn two dimensional, manages to portray various types of birds and their personalities. We observe how Darwin is beat up by the other students at school and when his parents meet with the teacher (a crow), they say, "He's such a strange bird." And the parents walk out with Darwin in tow. To address how to attract his crush, Birdie, he reaches for a book called, The Love Life Of Birds, and heads out to the school dance. His performance on the dance floor doesn't attract Birdie but it does attract a whole other group of girls who join him and dance all night and, in the end Darwin found his flock. What I enjoyed most are the various depictions of different personalities as different types of birds. This is such a clever device to use. My favorite scene is at the dance when Darwin is joined by the flock of girls on the dance floor.
The film's message is about finding your flock.
I give Birds of a Feather 3.5 out of 5 stars and recommend it for ages 8 to 12. By Selene W and Julie S., KIDS FIRST!
Runtime: 3 minutes
Juror Recommended Age: 5-18
Suggested Retail Price: $
Media: VIDEO
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WHERE KNOTS ARE UNDONE - MITALI MISHRA
Series: HIGH SCHOOL STUDENT DOCUMENTARY, AGES 12-18
Description - Deepti, Rajita, and Ritu are Indian women living in America, navigating the quiet tension between migration and memory. In their kitchens, food transcends routine to become a language of continuity--a way to preserve a heritage that risks being diluted by distance. As they prepare dishes shaped by inheritance, their personal journeys unfold, exploring the evolving expectations of what it means to be an "Indian woman." From Deepti's act of ancestral love to Rajita's memory-laden recipes, the film moves through cultural festivals and intimate anecdotes. Ultimately, it reveals how the ordinary act of cooking becomes a profound negotiation between belonging and displacement. In these kitchens, culture is not merely remembered; it is actively remade.
KIDS FIRST!® Adult Jurors say - I enjoyed the film, Where Knots are Undone. Deepti, Rajita, and Ritu are very entertaining and I learned a lot from their past experiences about what shaped them into who they are today. It is a very relatable film.This documentary, made by a high school student, follows Deepti, Rajita, and Ritu, Indian Women living in America who make food to remind them of the many holidays and gatherings with their families back in India. Each time they cook, they are preserving their culture, childhood memories, and much more. They began cooking meals and having friends over and that has made their new home feel similar to their previous home in India.
The story is very relatable. The three women discuss everything, from their first day in the U.S. all the way up to current day. The production is good, with good camera work and audio recording. I especially enjoyed the shots of the various dishes they make and the interspersement of recipes for what is being cooked. Deepti, Rajita, and Ritu are easy to relate to, whether you are an immigrant or not. I enjoyed their passion for cooking food that reminds them of their past memories and experiences. It's a way to preserve your culture and share it with others. This takes place in current times in the US, in the homes of the three women. In one scene, they wear traditional Indian clothing. The Indian background music adds to the cultural aspect of the film. This is not your typical "cooking show," this is truly a personal dive into these women's lives and how food is integral to it - for their families, their community, for themselves. My favorite part of the film is when Deepti, Rajita, and Ritu are all making food that represents their past. As they introduce the audience to dishes from their past, their stories unfold - journeys across countries, across expectations of what it means to be an "Indian woman." For Deepti, cooking is an act of love passed down through her mother's hand. For Rajita, food is about memory, each dish carrying the weight of lived experiences. The film explores how something as ordinary as a meal becomes a link between the past and the present. In these kitchens, culture is actively being remade on a daily basis. My hat's off to Mitali Mishra, the 17-year-old filmmaker. She truly captures the beauty of these women and their stories.
The film's message is that you have to loosen the knots that tie you to familiarity.
I give Where The Knots Are Undone 3.5 out of 5 stars and recommend it for ages 12 to 18. By Hafsa H., KIDS FIRST!
KIDS FIRST!® Kid Jurors say - I enjoyed the film, Where Knots are Undone. Deepti, Rajita, and Ritu are very entertaining and I learned a lot from their past experiences about what shaped them into who they are today. It is a very relatable film.
This documentary, made by a high school student, follows Deepti, Rajita, and Ritu, Indian Women living in America who make food to remind them of the many holidays and gatherings with their families back in India. Each time they cook, they are preserving their culture, childhood memories, and much more. They began cooking meals and having friends over and that has made their new home feel similar to their previous home in India.
The story is very relatable. The three women discuss everything, from their first day in the U.S. all the way up to current day. The production is good, with good camera work and audio recording. I especially enjoyed the shots of the various dishes they make and the interspersement of recipes for what is being cooked. Deepti, Rajita, and Ritu are easy to relate to, whether you are an immigrant or not. I enjoyed their passion for cooking food that reminds them of their past memories and experiences. It's a way to preserve your culture and share it with others. This takes place in current times in the US, in the homes of the three women. In one scene, they wear traditional Indian clothing. The Indian background music adds to the cultural aspect of the film. This is not your typical "cooking show," this is truly a personal dive into these women's lives and how food is integral to it - for their families, their community, for themselves. My favorite part of the film is when Deepti, Rajita, and Ritu are all making food that represents their past. As they introduce the audience to dishes from their past, their stories unfold - journeys across countries, across expectations of what it means to be an "Indian woman." For Deepti, cooking is an act of love passed down through her mother's hand. For Rajita, food is about memory, each dish carrying the weight of lived experiences. The film explores how something as ordinary as a meal becomes a link between the past and the present. In these kitchens, culture is actively being remade on a daily basis. My hat's off to Mitali Mishra, the 17-year-old filmmaker. She truly captures the beauty of these women and their stories.
The film's message is that you have to loosen the knots that tie you to familiarity.
I give Where The Knots Are Undone 3.5 out of 5 stars and recommend it for ages 12 to 18. By Hafsa H., KIDS FIRST!
Runtime: 17 minutes
Juror Recommended Age: 12-18
Suggested Retail Price: $
Media: VIDEO
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NOT MY DOG - DANNY LEGARE
Series: INDIE FEATURE, AGES 8-12
Description - Twelve-year-old Bridget just wants to stay glued to her phone, but a forced errand to her father's barbershop takes an unexpected turn when a scruffy stray decides she is his person. Despite her insistence that he is "not my dog," the loyal companion follows her through the streets of Rockville, pushing her out of her shell and into real-life connections with her community. As the two navigate stubborn shopkeepers and local troublemakers, Bridget's annoyance shifts toward an unlikely bond. When animal control threatens to take the stray, she faces a life-changing choice: continue avoiding the world or step up for the one creature that refused to leave her side. NOT MY DOG is a heartfelt family adventure about responsibility, courage, and the transformative power of loyalty.
KIDS FIRST!® Adult Jurors say - Not My Dog triumphs in highlighting the pure unpredictability of life, interpreting a global phenomenon through a wide range of characters with varying backgrounds, while also showcasing how we can make the most of unexpected circumstances.This is the story of 12-year-old Bridget (Rylie Pennington), who prefers to stay indoors and online, but is sent to drop her dad's lunch off at his workplace at her mom's request. On her way there, she is halted by a stray dog blocking her path. Even after feeding the dog to make him move, the dog continues to stay by Bridget's side, thus earning the name "Nudge" from her. As she meets all sorts of people across town and is pursued by animal control, Bridget is forced to contend with the challenges that come with having a dog, even when that dog is not hers.
The plot is relatable in that it does not shy away from the messiness of life, presenting a picture closer to that of the real world. People of different walks of life are represented in this film, each with their own way of navigating through the messiness. Whether it is shopkeepers, singers, or chess players, time and care is given to explore the facets of how they make their way through the world. Given how a general audience is similarly composed of such variety, it succeeds in appealing to a wide demographic. The camera work of the film works wonders in that it communicates the intent of each scene. By using a wide shot of Nudge when in Bridget's way, for instance, it relates the idea of distance to the audience without so much as a single word. Even holding on an angle, like when animal control trails behind Bridget and Nudge, illustrates the passage of time and allows the audience to feel what the characters are feeling in that moment.
Rylie Pennington's portrayal of Bridget perfectly captures the essence of a child who, while they may be stubborn at first, is open to accepting new challenges and reveling in them. What I especially find great about her performance is that she makes Bridget's gradual acceptance of Nudge clear in her tone and speech, which adds a sense of realism to the overall production. I also enjoyed the performance by the other cast members - who cumulatively bring impressive experience to the table. My favorite part of the film is when Bridget plays chess for the very first time, as the film relates the principles of chess to life. It helped me understand both how complicated life can be and how people can develop strategies to get through it all.
The film's message is to accept what life throws at you.
I give Not My Dog 5 out of 5 stars and recommend it for ages 5 to 18, plus adults. By Christian C., KIDS FIRST!
KIDS FIRST!® Kid Jurors say - Not My Dog triumphs in highlighting the pure unpredictability of life, interpreting a global phenomenon through a wide range of characters with varying backgrounds, while also showcasing how we can make the most of unexpected circumstances.
This is the story of 12-year-old Bridget (Rylie Pennington), who prefers to stay indoors and online, but is sent to drop her dad's lunch off at his workplace at her mom's request. On her way there, she is halted by a stray dog blocking her path. Even after feeding the dog to make him move, the dog continues to stay by Bridget's side, thus earning the name "Nudge" from her. As she meets all sorts of people across town and is pursued by animal control, Bridget is forced to contend with the challenges that come with having a dog, even when that dog is not hers.
The plot is relatable in that it does not shy away from the messiness of life, presenting a picture closer to that of the real world. People of different walks of life are represented in this film, each with their own way of navigating through the messiness. Whether it is shopkeepers, singers, or chess players, time and care is given to explore the facets of how they make their way through the world. Given how a general audience is similarly composed of such variety, it succeeds in appealing to a wide demographic. The camera work of the film works wonders in that it communicates the intent of each scene. By using a wide shot of Nudge when in Bridget's way, for instance, it relates the idea of distance to the audience without so much as a single word. Even holding on an angle, like when animal control trails behind Bridget and Nudge, illustrates the passage of time and allows the audience to feel what the characters are feeling in that moment.
Rylie Pennington's portrayal of Bridget perfectly captures the essence of a child who, while they may be stubborn at first, is open to accepting new challenges and reveling in them. What I especially find great about her performance is that she makes Bridget's gradual acceptance of Nudge clear in her tone and speech, which adds a sense of realism to the overall production. I also enjoyed the performance by the other cast members - who cumulatively bring impressive experience to the table. My favorite part of the film is when Bridget plays chess for the very first time, as the film relates the principles of chess to life. It helped me understand both how complicated life can be and how people can develop strategies to get through it all.
The film's message is to accept what life throws at you.
I give Not My Dog 5 out of 5 stars and recommend it for ages 5 to 18, plus adults. By Christian C., KIDS FIRST!
Runtime: 82 minutes
Juror Recommended Age: 8-12
Suggested Retail Price: $
Media: VIDEO
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WHALE 52: SUITE FOR MAN, BOY AND WHALE - EDWARD JORDON
Series: INDIE SHORT, AGES 8-18
Description - Magical Realism. A third-grade student who's selectively mute and a grieving 80-year-old school volunteer discover that some of the deepest conversations only require a single word.
KIDS FIRST!® Adult Jurors say - Wow! What an extraordinary film this is! I was deeply moved by Whale 52 - Suite for Man, Boy, and Whale, which reveals the tale of two people adrift and alone, struggling and misunderstood, and how they find each other--and themselves--through art and music.This short film offers a visual representation of a cross-generational bond formed by Kaufman, a grieving 80-year-old musician (Bruce Vilanch), and Enam, a selectively mute third-grader (Parker Allana Hughes). Writer Edward Jordon draws a profound parallel with a real case in nature: a whale that emits a sound at a frequency of 52 Hertz, which no other animal in the ocean can hear, earning it the title of "the world's loneliest whale." A magical pen and journal enables Kaufman and Enam to communicate, until young Enam summons the courage to utter the one word that lifts the weight of the world off his tiny shoulders.
This film is less of a structured story than it is a metamorphic experience. The connection between Enam and Kaufman is visually developed using a blend of reality, thoughts, and abstract imagery. Produced and animated by two-time Oscar nominee Bill Plympton, the animation is truly a work of art--detailed and expressive in a way that allows the depth of the characters' feelings to shine through. The line between the metaphorical marine world and the real world is often intentionally blurred, creating beautiful moments like the characters riding on the back of the whale.
The original musical score is an incredible masterpiece that mirrors the inner landscapes of the characters. Featuring work by Broadway conductor Charles Czarnecki and Grammy-winning cellist Zuill Bailey, much of the film's beauty and intensity comes from the music itself. I especially loved the scene transitions using a school of fish that starts out completely gray and becomes an increasingly vibrant rainbow each time they cross the screen.
As the story evolves, we learn it features an LGBTQ+ theme. Beautifully, the creators are donating a portion of the film's proceeds to The Trevor Project, an organization dedicated to suicide prevention and crisis intervention for LGBTQ+ young people.
The film's message is that sometimes lending someone a listening ear can make more of a difference than any words. People tend to enter our lives right when we need them.
I give Whale 52 - Suite for Man, Boy, and Whale 5 out of 5 stars and recommend it for ages 8 to 18, plus adults.
By Ruhi K., KIDS FIRST!
KIDS FIRST!® Kid Jurors say - Wow! What an extraordinary film this is! I was deeply moved by Whale 52 - Suite for Man, Boy, and Whale, which reveals the tale of two people adrift and alone, struggling and misunderstood, and how they find each other--and themselves--through art and music.
This short film offers a visual representation of a cross-generational bond formed by Kaufman, a grieving 80-year-old musician (Bruce Vilanch), and Enam, a selectively mute third-grader (Parker Allana Hughes). Writer Edward Jordon draws a profound parallel with a real case in nature: a whale that emits a sound at a frequency of 52 Hertz, which no other animal in the ocean can hear, earning it the title of "the world's loneliest whale." A magical pen and journal enables Kaufman and Enam to communicate, until young Enam summons the courage to utter the one word that lifts the weight of the world off his tiny shoulders.
This film is less of a structured story than it is a metamorphic experience. The connection between Enam and Kaufman is visually developed using a blend of reality, thoughts, and abstract imagery. Produced and animated by two-time Oscar nominee Bill Plympton, the animation is truly a work of art--detailed and expressive in a way that allows the depth of the characters' feelings to shine through. The line between the metaphorical marine world and the real world is often intentionally blurred, creating beautiful moments like the characters riding on the back of the whale.
The original musical score is an incredible masterpiece that mirrors the inner landscapes of the characters. Featuring work by Broadway conductor Charles Czarnecki and Grammy-winning cellist Zuill Bailey, much of the film's beauty and intensity comes from the music itself. I especially loved the scene transitions using a school of fish that starts out completely gray and becomes an increasingly vibrant rainbow each time they cross the screen.
As the story evolves, we learn it features an LGBTQ+ theme. Beautifully, the creators are donating a portion of the film's proceeds to The Trevor Project, an organization dedicated to suicide prevention and crisis intervention for LGBTQ+ young people.
The film's message is that sometimes lending someone a listening ear can make more of a difference than any words. People tend to enter our lives right when we need them.
I give Whale 52 - Suite for Man, Boy, and Whale 5 out of 5 stars and recommend it for ages 8 to 18, plus adults.
By Ruhi K., KIDS FIRST!
Runtime: 11 minutes
Juror Recommended Age: 8-18
Suggested Retail Price: $
Media: VIDEO
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BEFORE IT GOES QUIET - LLANN DOSHI
Series: FOREIGN HIGH SCHOOL SHORT, AGES 12-18
Description - Confined to a bathroom, a teenage girl struggles to drown out her parents' relentless arguing. She slips beneath the surface of a filling bathtub, seeking refuge in a suspended state where she revisits fragments of her past--sunny days on a beach and the quiet stillness of lockdown. For a moment, the external noise recedes. However, a violent pounding on the door shatters the calm, forcing her to the surface just seconds from drowning. She emerges gasping, only to find the conflict outside remains raw and unrelenting. Standing soaked and shaken, she realizes that while she escaped the water, the turmoil within her--and the noise beyond the door--has not stopped.
KIDS FIRST!® Adult Jurors say - Before It Goes Quiet is a very well-constructed and intriguing film! It has an engaging plot, meaningful camera work, and a profound message.The story follows a girl who decides to try to end her life by drowning herself in her bathtub. She shares parts of her life that are giving her anxiety and causing stress. There is a scene, after she tries to drown, in which she sees her future self, which causes her to snap out of it and get out of the bathtub. She talks to her parents about everything that has been going on in her head, and shares a powerful message.
The film, made by a high school student, is very relatable and easy to follow. The girl's thoughts and emotions feel realistic and connected to everyday life, which makes it easy to understand what she is going through. The plot develops in a logical way with each scene clearly leading to the next. The camera work is meaningful and well done. There are numerous shots, such as the ending in the mirror, that emphasize how she is hiding her true emotions behind a forced appearance of happiness, making her seem emotionally distant and disconnected from herself. The transition from her lying in the bathtub to her lying on the beach impresses me as well. She tries to escape reality, and then makes an important decision involving her will to live. Additionally, the extreme close-ups focusing on her face and hands capture her emotional suffering by forcing the audience to notice every small expression and movement, making her anxiety, sadness, and vulnerability feel more personal and intense.
Aanya Hirani gives an amazing performance portraying a teenage girl with troubling thoughts. Her acting comes across as very natural and realistic, which helps us connect with her struggles on a deeper level. Even during quieter scenes, her facial expressions and body language show feelings of loneliness, anxiety, and emotional exhaustion. The parents have minimal screen time, but their roles contribute strongly to the film's message by showing the lack of communication and emotional understanding within the family, which adds to the main character's sense of isolation. The bits and pieces of melancholy background music enhance each scene and strengthen the emotional thoughts of the young girl. The soft and emotional music helps create a sad and reflective mood, allowing the audience to better understand her loneliness, anxiety, and inner struggles. It also makes the scenes feel more personal and intimate, almost as if the viewer is experiencing her thoughts alongside her. The music works together with the visuals and dialogue to emphasize the emotional weight of the film and deepen the audience's connection to the character. Sixteen-year-old Ilann Doshi is the writer, director, cinematographer and editor of this film. He has created a powerful film, truly capturing the emotions of this young woman, from the script to the camera work to the background music and sounds - which are hauntingly intertwined. The film flows seamlessly from scene to scene; every line in the girl's internal speech depicts the emotions and tone of this moment, making the story emotionally powerful. The camera angles also enhance the vulnerability and emotional distress of the protagonist by focusing closely on her expressions and isolating her within certain shots, sometimes with the use of silence, which also helps the audience feel her loneliness and emotional pressure. The combination of strong directing, meaningful monologue, and thoughtful cinematography makes the film feel very personal and impactful. My favorite part is the ending scene where she paints a smile on the mirror to cover her face. The shot is very smooth and powerfully captures how she truly feels emotionally. By covering her reflection with a fake smile, a smiley face, the scene symbolizes how she hides her pain and pretends to be okay on the outside while struggling internally. The camera focusing on the lipstick-painted face while blurring her face reflection in the background further emphasizes her emotional disconnect and loss of identity, making the moment feel impactful and memorable.
The film's message is that you are more than your current pain. There is an incredible amount of life, beauty, and possibility awaiting you, even if you cannot see it in the moment. It shows kids doing risky things that kids might imitate; a girl tries to drown herself in her bathtub.
I give this film 4.5 out of 5 stars and recommend it for ages 12 to 18, plus adults. By Neo M., KIDS FIRST!
KIDS FIRST!® Kid Jurors say - Before It Goes Quiet is a very well-constructed and intriguing film! It has an engaging plot, meaningful camera work, and a profound message.
The story follows a girl who decides to try to end her life by drowning herself in her bathtub. She shares parts of her life that are giving her anxiety and causing stress. There is a scene, after she tries to drown, in which she sees her future self, which causes her to snap out of it and get out of the bathtub. She talks to her parents about everything that has been going on in her head, and shares a powerful message.
The film, made by a high school student, is very relatable and easy to follow. The girl's thoughts and emotions feel realistic and connected to everyday life, which makes it easy to understand what she is going through. The plot develops in a logical way with each scene clearly leading to the next. The camera work is meaningful and well done. There are numerous shots, such as the ending in the mirror, that emphasize how she is hiding her true emotions behind a forced appearance of happiness, making her seem emotionally distant and disconnected from herself. The transition from her lying in the bathtub to her lying on the beach impresses me as well. She tries to escape reality, and then makes an important decision involving her will to live. Additionally, the extreme close-ups focusing on her face and hands capture her emotional suffering by forcing the audience to notice every small expression and movement, making her anxiety, sadness, and vulnerability feel more personal and intense.
Aanya Hirani gives an amazing performance portraying a teenage girl with troubling thoughts. Her acting comes across as very natural and realistic, which helps us connect with her struggles on a deeper level. Even during quieter scenes, her facial expressions and body language show feelings of loneliness, anxiety, and emotional exhaustion. The parents have minimal screen time, but their roles contribute strongly to the film's message by showing the lack of communication and emotional understanding within the family, which adds to the main character's sense of isolation. The bits and pieces of melancholy background music enhance each scene and strengthen the emotional thoughts of the young girl. The soft and emotional music helps create a sad and reflective mood, allowing the audience to better understand her loneliness, anxiety, and inner struggles. It also makes the scenes feel more personal and intimate, almost as if the viewer is experiencing her thoughts alongside her. The music works together with the visuals and dialogue to emphasize the emotional weight of the film and deepen the audience's connection to the character. Sixteen-year-old Ilann Doshi is the writer, director, cinematographer and editor of this film. He has created a powerful film, truly capturing the emotions of this young woman, from the script to the camera work to the background music and sounds - which are hauntingly intertwined. The film flows seamlessly from scene to scene; every line in the girl's internal speech depicts the emotions and tone of this moment, making the story emotionally powerful. The camera angles also enhance the vulnerability and emotional distress of the protagonist by focusing closely on her expressions and isolating her within certain shots, sometimes with the use of silence, which also helps the audience feel her loneliness and emotional pressure. The combination of strong directing, meaningful monologue, and thoughtful cinematography makes the film feel very personal and impactful. My favorite part is the ending scene where she paints a smile on the mirror to cover her face. The shot is very smooth and powerfully captures how she truly feels emotionally. By covering her reflection with a fake smile, a smiley face, the scene symbolizes how she hides her pain and pretends to be okay on the outside while struggling internally. The camera focusing on the lipstick-painted face while blurring her face reflection in the background further emphasizes her emotional disconnect and loss of identity, making the moment feel impactful and memorable.
The film's message is that you are more than your current pain. There is an incredible amount of life, beauty, and possibility awaiting you, even if you cannot see it in the moment. It shows kids doing risky things that kids might imitate; a girl tries to drown herself in her bathtub.
I give this film 4.5 out of 5 stars and recommend it for ages 12 to 18, plus adults. By Neo M., KIDS FIRST!
Runtime: 8 minutes
Juror Recommended Age: 12-18
Suggested Retail Price: $
Media: VIDEO
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WHERE EAGLETS GROW - ZUI YING PICTURE
Series: FOREIGN FEATURE, AGES 8-18
Description - Jiuha, a Yi ethnic boy, is a skilled basketball player and the hero of his friends. When their only ball breaks, he loses his status. His teacher announces the prize for an upcoming sheep-herding competition is a real basketball. Jiuha wins, but the ball is accidentally lost. To reclaim it and his friends' respect, he embarks on a lonely yet brave journey of growth.
KIDS FIRST!® Adult Jurors say - I like Where Eaglets Grow very much. It features a beautiful mountain setting that reflects the spectacular wonder of the Earth, balanced with many lighthearted, funny moments. The production values are outstanding--from the top-notch camerawork to the pristine audio recording and smooth editing--making this film a true work of art and spirituality.The story centers on Jihua, an accomplished young basketball player revered by his friends. When their only basketball pops, everything changes. Learning of an upcoming sheep-herding tournament where the grand prize is a new basketball, Jihua competes and wins. However, when the prized ball is lost, he undertakes a brave journey to retrieve it, making new friends and discovering what he truly values along the way. The dialogue is in Chinese with English subtitles.
This film offers a beautiful window into rural Chinese culture. The traditional attire is deeply tied to the mountain region, and as a new schoolteacher meets with the community, the audience gets to learn their unique stories. We see the authentic reality of their daily lives: cooking over open fires, weaving fabric on simple looms, tending to sheep, and playing music on simple flutes. The cinematography is gorgeous, showcasing majestic eagles soaring over sprawling vistas. A particularly moving scene features a mother sheep giving birth, highlighting Jihua's deep connection to his herd.
The child actors deliver incredibly believable performances, especially Yuanjian Wu as Jihua. While the entire cast is amazing, Jihua's fiercely loyal little brother stands out (though uncredited); their mutual care and supportive bond are heartwarming to watch. Set in a remote area untouched by the tech-infiltrated lives of modern cities, the film captures a simpler lifestyle focused on family and community well-being. The stunning background music beautifully reflects their heritage, and hearing the children join together at the end to sing a song taught by Jihua's late father is absolutely wonderful.
The film's message is that the true value of an object lies in the experiences and lessons you take away from it.
I give Where Eaglets Grow 5 out of 5 stars and recommend it for ages 5 to 12, plus adults. By Yun L., KIDS FIRST!
KIDS FIRST!® Kid Jurors say - I like Where Eaglets Grow very much. It features a beautiful mountain setting that reflects the spectacular wonder of the Earth, balanced with many lighthearted, funny moments. The production values are outstanding--from the top-notch camerawork to the pristine audio recording and smooth editing--making this film a true work of art and spirituality.
The story centers on Jihua, an accomplished young basketball player revered by his friends. When their only basketball pops, everything changes. Learning of an upcoming sheep-herding tournament where the grand prize is a new basketball, Jihua competes and wins. However, when the prized ball is lost, he undertakes a brave journey to retrieve it, making new friends and discovering what he truly values along the way. The dialogue is in Chinese with English subtitles.
This film offers a beautiful window into rural Chinese culture. The traditional attire is deeply tied to the mountain region, and as a new schoolteacher meets with the community, the audience gets to learn their unique stories. We see the authentic reality of their daily lives: cooking over open fires, weaving fabric on simple looms, tending to sheep, and playing music on simple flutes. The cinematography is gorgeous, showcasing majestic eagles soaring over sprawling vistas. A particularly moving scene features a mother sheep giving birth, highlighting Jihua's deep connection to his herd.
The child actors deliver incredibly believable performances, especially Yuanjian Wu as Jihua. While the entire cast is amazing, Jihua's fiercely loyal little brother stands out (though uncredited); their mutual care and supportive bond are heartwarming to watch. Set in a remote area untouched by the tech-infiltrated lives of modern cities, the film captures a simpler lifestyle focused on family and community well-being. The stunning background music beautifully reflects their heritage, and hearing the children join together at the end to sing a song taught by Jihua's late father is absolutely wonderful.
The film's message is that the true value of an object lies in the experiences and lessons you take away from it.
I give Where Eaglets Grow 5 out of 5 stars and recommend it for ages 5 to 12, plus adults. By Yun L., KIDS FIRST!
Juror Recommended Age: 8-18
Suggested Retail Price: $
Media:
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SKYWARD: THE SPORT ROCKETRY REVOLUTION - TARA GALLARDY
Series: INDIE DOCUMENTARY SHORT, AGES 8-18
Description - A story of ambition, mentorship, and innovation unfolds as the next generation of rocketeers take on national and international competitions, navigating the thrill and challenges of sport rocketry here in America.
KIDS FIRST!® Adult Jurors say - Skyward: The Sport Rocketry Revolution is a concise, tightly edited mini documentary that offers a clear window into the world of competitive model rocketry. The film centers on a father-daughter team as they prepare for and take part in an international rocketry competition in Serbia, giving the subject a personal angle without overcomplicating the scope.While model rocketry may not be a universally gripping topic, the documentary presents it in an accessible and focused way. For viewers with even a passing familiarity with the hobby, there are moments of recognition that add a quiet layer of enjoyment -- the kind of "I know what they're talking about" connection that helps make a niche subject feel more immediate.
The film does not overstay its welcome, and its strength lies in its efficiency. It captures the preparation, competition, and family dynamic with enough detail to be engaging, while remaining compact and easy to follow.
I give Skyward: The Sport Rocketry Revolution 4 out of 5 stars and recommend it for ages 8 to 18, plus adults. By Andrew B., KIDS FIRST!
KIDS FIRST!® Kid Jurors say - Skyward: The Sport Rocketry Revolution is a concise, tightly edited mini documentary that offers a clear window into the world of competitive model rocketry. The film centers on a father-daughter team as they prepare for and take part in an international rocketry competition in Serbia, giving the subject a personal angle without overcomplicating the scope.
While model rocketry may not be a universally gripping topic, the documentary presents it in an accessible and focused way. For viewers with even a passing familiarity with the hobby, there are moments of recognition that add a quiet layer of enjoyment -- the kind of "I know what they're talking about" connection that helps make a niche subject feel more immediate.
The film does not overstay its welcome, and its strength lies in its efficiency. It captures the preparation, competition, and family dynamic with enough detail to be engaging, while remaining compact and easy to follow.
I give Skyward: The Sport Rocketry Revolution 4 out of 5 stars and recommend it for ages 8 to 18, plus adults. By Andrew B., KIDS FIRST!
Runtime: 15 minutes
Juror Recommended Age: 8-18
Suggested Retail Price: $
Media: VIDEO
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SISTERETTES MAGICAL ADVENTURE - JAY MOORE-JOHNSON
Series: INDIE SHORT, AGES 5-18
Description - Ten-year-old twins Julia and Grace follow their dog, Ranger, through a mysterious forest portal into a magical realm. To their surprise, Ranger reveals he is a wizardly creature and the sisters are actually magical princesses. Armed with new wands, the twins conjure spells and explore this wondrous world--until they encounter dark forces using magic for evil. Grace must use her newfound powers to whisk them home just in time. Back in reality, they are left wondering: was it all a dream, or is their family dog truly a talking wizard? Join this enchanting adventure to discover the truth.
KIDS FIRST!® Adult Jurors say - I enjoyed "Sisterettes Magical Adventure" because of the bond between the sisters, Julia and Grace and their fun adventures to find their lost dog, Ranger.The story follows Julia and Grace, 10-year old twin sisters, who take their dog, Ranger, out for a walk in the forest. As they're walking through the forest, they see a strange area that is covered up with a gold cloak; they unveil the cloak only to discover that it's a portal that their dog walks into and gets lost. They follow Ranger through the portal and, once they enter it, their clothing changes into princess gowns. They find Ranger, who has gained magical powers that allow him to speak like a normal human. However, they quickly discover that this new world isn't all fun and games, and evil lurks. Fortunately Grace employs her magic to help them escape in the nick of time. When they return, they question whether their experience was real or imagined.
Other than the talking dog, this plot is completely relatable and develops in a logical way. The camera work was good. I especially like the distant shots. Grace Johnson and Julia Johnson play the protagonists, Julia and Grace, and are quite adorable. They are fun and adventurous and quite enjoyable to watch. This is a family project with their mom, Jay Johnson, the writer, director and producer. (The girls are co-writers) I like the special effects, particularly the entrance into the portal. I like the pink and purple princess gowns and tiaras - they remind me of Disney princesses. This takes place in modern day time in a magical enchanted forest. The background music is very fitting and adds a bit of a magical touch to the film. My favorite part of the film is when Julia and Grace enter the portal and automatically are decked out as princesses.
The film's message is that adventure is worthwhile in itself.
I give "Sisterettes Magical Adventure" 3.5 out of 5 stars and recommend it for ages 8 to 12. By Hafsa H., KIDS FIRST!
KIDS FIRST!® Kid Jurors say - I enjoyed "Sisterettes Magical Adventure" because of the bond between the sisters, Julia and Grace and their fun adventures to find their lost dog, Ranger.
The story follows Julia and Grace, 10-year old twin sisters, who take their dog, Ranger, out for a walk in the forest. As they're walking through the forest, they see a strange area that is covered up with a gold cloak; they unveil the cloak only to discover that it's a portal that their dog walks into and gets lost. They follow Ranger through the portal and, once they enter it, their clothing changes into princess gowns. They find Ranger, who has gained magical powers that allow him to speak like a normal human. However, they quickly discover that this new world isn't all fun and games, and evil lurks. Fortunately Grace employs her magic to help them escape in the nick of time. When they return, they question whether their experience was real or imagined.
Other than the talking dog, this plot is completely relatable and develops in a logical way. The camera work was good. I especially like the distant shots. Grace Johnson and Julia Johnson play the protagonists, Julia and Grace, and are quite adorable. They are fun and adventurous and quite enjoyable to watch. This is a family project with their mom, Jay Johnson, the writer, director and producer. (The girls are co-writers) I like the special effects, particularly the entrance into the portal. I like the pink and purple princess gowns and tiaras - they remind me of Disney princesses. This takes place in modern day time in a magical enchanted forest. The background music is very fitting and adds a bit of a magical touch to the film. My favorite part of the film is when Julia and Grace enter the portal and automatically are decked out as princesses.
The film's message is that adventure is worthwhile in itself.
I give "Sisterettes Magical Adventure" 3.5 out of 5 stars and recommend it for ages 8 to 12. By Hafsa H., KIDS FIRST!
Runtime: 17 minutes
Juror Recommended Age: 5-18
Suggested Retail Price: $
Media: VIDEO
