KIDS FIRST! has endorsed 2335 total VIDEO titles

Below are up to 26 of them

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This title is in the KIDS FIRST! Film Festival - it may not be a regular, endorsed title
FLIP'S FANTASTIC JOURNAL - PILOT EPISODE
FLIP'S FANTASTIC JOURNAL - PILOT EPISODE - SETH JACOBSON
Series: INDIE SHORT, AGES 5-8
Description - After at trip to the Natural History Museum and the dinosaur room, Flip and his friend Muzz dig for dinosaur bones in Muzz's backyard. Disappointed when they don't find any, Flip draws in his journal and imagines he travels to a place where dinosaur bones come alive and dance. In the second half of the pilot, there is a drawing lesson where Flip teaches kids how to draw his imaginary dinosaur friend, Crunch.
KIDS FIRST!® Adult Jurors say - I love the characters and bright animation style of Flip's Fantastic Journal. Running at just three minutes, this short film is entertaining, educational, and fast-moving--absolutely perfect for young audiences. It is amazing how much story and substance they manage to encompass in such a brief runtime.

The storyline follows Flip (voiced by Kennedy Rene) and his friend Muzz after a trip to the Natural History Museum. Inspired by the exhibits, they decide to dig for dinosaur bones in their backyard. When they come up empty-handed, Flip turns to his journal, using his imagination to travel to a magical place where dinosaur skeletons come alive and dance.

The show is very easy to follow and perfectly tailored to its target audience of 5 to 8-year-olds. The animation style and set designs are standout features, offering crisp, bright colors and shapes. Kennedy Rene brings an abundance of excitement and enthusiasm to the voice of Flip. I particularly love the celebration of journal writing, imaginative play, and the charming anthropomorphic dog characters that kids will easily relate to. The background music is equally exciting, driving the film forward at a brisk, engaging pace.

A unique highlight of the film is the second half, where Flip breaks the fourth wall to give the audience a drawing lesson. Using simple, recognizable shapes like circles, rectangles, zigzag lines, and the letter "M," he breaks down the artistic process into easy-to-follow steps. It is so well done that even an adult viewer will feel confident they can draw it! This segment is based on the proven educational work of artist and teacher Angelo DeCesare, whose "Flip" drawing method has been used in New York City schools for over 25 years. DeCesare serves as both the writer and director of this episode.

My favorite part is definitely the drawing instruction, though the film does end rather abruptly right after the lesson concludes. It simply stops without a formal wrap-up or credits sequence. However, everything else about this short is so wonderful and high-quality that it remains easy to recommend.

The show's message is to experience the world around you with friends to help shape your understanding, all while having fun.

I give Flip's Fantastic Journal 4 out of 5 stars and recommend it for ages 5 to 8.

By Selene W. and Julie S., KIDS FIRST!
KIDS FIRST!® Kid Jurors say - I love the characters and bright animation style of Flip's Fantastic Journal. Running at just three minutes, this short film is entertaining, educational, and fast-moving--absolutely perfect for young audiences. It is amazing how much story and substance they manage to encompass in such a brief runtime.

The storyline follows Flip (voiced by Kennedy Rene) and his friend Muzz after a trip to the Natural History Museum. Inspired by the exhibits, they decide to dig for dinosaur bones in their backyard. When they come up empty-handed, Flip turns to his journal, using his imagination to travel to a magical place where dinosaur skeletons come alive and dance.

The show is very easy to follow and perfectly tailored to its target audience of 5 to 8-year-olds. The animation style and set designs are standout features, offering crisp, bright colors and shapes. Kennedy Rene brings an abundance of excitement and enthusiasm to the voice of Flip. I particularly love the celebration of journal writing, imaginative play, and the charming anthropomorphic dog characters that kids will easily relate to. The background music is equally exciting, driving the film forward at a brisk, engaging pace.

A unique highlight of the film is the second half, where Flip breaks the fourth wall to give the audience a drawing lesson. Using simple, recognizable shapes like circles, rectangles, zigzag lines, and the letter "M," he breaks down the artistic process into easy-to-follow steps. It is so well done that even an adult viewer will feel confident they can draw it! This segment is based on the proven educational work of artist and teacher Angelo DeCesare, whose "Flip" drawing method has been used in New York City schools for over 25 years. DeCesare serves as both the writer and director of this episode.

My favorite part is definitely the drawing instruction, though the film does end rather abruptly right after the lesson concludes. It simply stops without a formal wrap-up or credits sequence. However, everything else about this short is so wonderful and high-quality that it remains easy to recommend.

The show's message is to experience the world around you with friends to help shape your understanding, all while having fun.

I give Flip's Fantastic Journal 4 out of 5 stars and recommend it for ages 5 to 8.

By Selene W. and Julie S., KIDS FIRST!
Runtime: 3 minutes Juror Recommended Age: 5-8 Suggested Retail Price: $ Media: VIDEO



This title is in the KIDS FIRST! Film Festival - it may not be a regular, endorsed title
CHIMALMANIMALS
CHIMALMANIMALS - LESLIE BORSANI
Series: FOREIGN SHORT, AGES 5 -12
Description - ChimalmaAnimals is a Mexican interdisciplinary short film for young audiences featuring five musical pieces inspired by real and imaginary animals. Performed by Tr�o Chimalma and accompanied by the poetry of Amaranta Caballero Prado, these multi-national compositions explore play, sound, and imagination. Through acoustic instruments, puppetry, and a rich sonic universe, the film effectively brings contemporary classical music to a brand-new generation.
KIDS FIRST!® Adult Jurors say - ChimalmAnimals is a captivating Mexican short film consisting of five musical pieces inspired by real and imaginary animals. Performed beautifully by Trio Chimalma and accompanied by the poetry of Amaranta Caballero Prado, this multi-national collaboration--featuring composers from Mexico, Brazil, Spain, and the United States--uses acoustic music, puppetry, and a rich sonic universe to introduce contemporary classical music to younger audiences. The dialogue is in Spanish with English subtitles.

The film is well-produced, featuring excellent camerawork, crisp audio recording, and delightful animal puppets that appear whenever music is played. The pacing is full of wonderful surprises; after showcasing brilliant musical performances, the film transitions into tutorials demonstrating how each instrument is played. I was thoroughly impressed by how these accomplished musicians could imitate animal sounds through their instruments, like recreating the sounds of birds or dragonflies.

Director Carlo Olmos Carrillo (from Guanajuato, Mexico) deserves immense credit for creating such an innovative, visionary project. A true highlight is when Heather plays the clarinet to perfectly mimic a dragonfly. The setting shifts gracefully between Mexico and a modern Broadway stage, keeping the visual backdrop engaging and inspiring.

The film's message is that music has the power to connect and bring people together.

I give ChimalmAnimals 4 out of 5 stars and recommend it for ages 5 to 12. By Hafsa H., KIDS FIRST!
KIDS FIRST!® Kid Jurors say - ChimalmAnimals is a captivating Mexican short film consisting of five musical pieces inspired by real and imaginary animals. Performed beautifully by Trio Chimalma and accompanied by the poetry of Amaranta Caballero Prado, this multi-national collaboration--featuring composers from Mexico, Brazil, Spain, and the United States--uses acoustic music, puppetry, and a rich sonic universe to introduce contemporary classical music to younger audiences. The dialogue is in Spanish with English subtitles.

The film is well-produced, featuring excellent camerawork, crisp audio recording, and delightful animal puppets that appear whenever music is played. The pacing is full of wonderful surprises; after showcasing brilliant musical performances, the film transitions into tutorials demonstrating how each instrument is played. I was thoroughly impressed by how these accomplished musicians could imitate animal sounds through their instruments, like recreating the sounds of birds or dragonflies.

Director Carlo Olmos Carrillo (from Guanajuato, Mexico) deserves immense credit for creating such an innovative, visionary project. A true highlight is when Heather plays the clarinet to perfectly mimic a dragonfly. The setting shifts gracefully between Mexico and a modern Broadway stage, keeping the visual backdrop engaging and inspiring.

The film's message is that music has the power to connect and bring people together.

I give ChimalmAnimals 4 out of 5 stars and recommend it for ages 5 to 12. By Hafsa H., KIDS FIRST!
Runtime: 30 minutes Juror Recommended Age: 5-12 Suggested Retail Price: $ Media: VIDEO



This title is in the KIDS FIRST! Film Festival - it may not be a regular, endorsed title
DREAMING
DREAMING - TEAGEN CHACON
Series: HIGH SCHOOL STUDENT SHORT, AGES 12-18
Description - Self-discovery and growth visualized through a surreal dream sequence.
KIDS FIRST!® Adult Jurors say - One of the most appealing aspects of the short film Dreaming is its editing. The shifting scenes beautifully mimic a subconscious state, making the audience feel as though they are inside the dream itself. Created entirely by a high school student, the story follows a protagonist who faces his fears within a dream sequence, prompting a powerful journey of self-discovery.

This project is truly a one-person show. Teagen Chacon deserves immense credit for taking on the roles of writer, director, producer, and lead actor. The plot flows smoothly across three distinct acts: Act 1 (Fatigue) establishes the protagonist falling asleep; Act 2 (Immersion) introduces his dream self or alter ego, who explains that they must interact to move forward; and Act 3 (Escape) shows the protagonist reclaiming control over his subconscious and letting go of his fears.

Technically, the film has a few shortcomings. The visual elements are just okay; both the initial outdoor scenes and the interior shots are dark and ill-defined, relying too heavily on ambient light rather than necessary ancillary lighting. Additionally, the audio levels jump around, with the background music frequently overpowering the opening monologue, requiring speaker adjustments. Despite these flaws, the dream sequence is visually convincing and effectively encourages viewers to contemplate how real-life worries manifest in their subconscious.

The film's ultimate message is that you cannot run away from your problems--they will follow you everywhere, even into your sleep. True progress only comes when you find the courage to face your fears and resolve your issues.

I give Dreaming 3.5 out of 5 stars and recommend it for ages 12 to 18, plus adults.

By Oyebisola O. and Julie S., KIDS FIRST!
KIDS FIRST!® Kid Jurors say - One of the most appealing aspects of the short film Dreaming is its editing. The shifting scenes beautifully mimic a subconscious state, making the audience feel as though they are inside the dream itself. Created entirely by a high school student, the story follows a protagonist who faces his fears within a dream sequence, prompting a powerful journey of self-discovery.

This project is truly a one-person show. Teagen Chacon deserves immense credit for taking on the roles of writer, director, producer, and lead actor. The plot flows smoothly across three distinct acts: Act 1 (Fatigue) establishes the protagonist falling asleep; Act 2 (Immersion) introduces his dream self or alter ego, who explains that they must interact to move forward; and Act 3 (Escape) shows the protagonist reclaiming control over his subconscious and letting go of his fears.

Technically, the film has a few shortcomings. The visual elements are just okay; both the initial outdoor scenes and the interior shots are dark and ill-defined, relying too heavily on ambient light rather than necessary ancillary lighting. Additionally, the audio levels jump around, with the background music frequently overpowering the opening monologue, requiring speaker adjustments. Despite these flaws, the dream sequence is visually convincing and effectively encourages viewers to contemplate how real-life worries manifest in their subconscious.

The film's ultimate message is that you cannot run away from your problems--they will follow you everywhere, even into your sleep. True progress only comes when you find the courage to face your fears and resolve your issues.

I give Dreaming 3.5 out of 5 stars and recommend it for ages 12 to 18, plus adults.

By Oyebisola O. and Julie S., KIDS FIRST!
Runtime: 14 minutes Juror Recommended Age: 12-18 Suggested Retail Price: $ Media: VIDEO



This title is in the KIDS FIRST! Film Festival - it may not be a regular, endorsed title
MAGPIE'S LEMONADE
MAGPIE'S LEMONADE - EMME ANAYA
Series: COLLEGE STUDENT SHORT, AGES 8-18
Description - Gerry, a delivery driver for Magpie's Lemonade, is offered his dream promotion to Lemonade Salesman. To earn the respect of the company's head, he accepts his first assignment: convince a resistant local stand, Kyle's Kool Lemonade, to corporate buy-in. Upon arrival, Gerry is quickly humbled by the young kid at the helm, Kyle, who makes him wait out a massive lunch rush. When Gerry finally pitches the corporate benefits, Kyle refuses to budge. As his sales pitch crumbles, the two sit on the sidewalk and discuss their differing business philosophies. Connecting with Kyle forces Gerry to realize how his pursuit of corporate approval has changed him. Ultimately, Gerry resigns from Magpie's to partner with Kyle, forging a new path together over fresh lemonade.
KIDS FIRST!® Adult Jurors say - I enjoyed the college student short film Magpie's Lemonade a lot! It features great world-building and an entertaining, easy-to-follow plot.

The storyline follows Gerry, a delivery driver for Magpie's Lemonade, who is offered a promotion to Lemonade Salesman. His first assignment is to convince a local stand, Kyle's Kool Lemonade, to join the corporate giant. Gerry is quickly shut down by the owner, Kyle, whose refusal is rooted in family tradition since his father used to run the stand. Set in a modern, "hyper-capitalistic world" where Magpie's owns almost all the children's lemonade stands, the film relies on sparse but effective background music, culminating in an upbeat, calming track at the end.

The performances are stellar. Zeke Bachman portrays Kyle as thoughtful and well-informed, while Rowan Harper plays Gerry with an endearing, clumsy desperation reminiscent of Adam Sandler. You can truly feel that Gerry's job is on the line through his excellent facial expressions. The costumes perfectly mirror this dynamic, charting Gerry's transition from a pink delivery uniform to an ill-fitting yellow suit, contrasting with Kyle's casual plaid shirt.

The camerawork is highly effective; a memorable shot of the duo sitting on the sidewalk on the exact same physical level beautifully visualizes their growing connection. Director and writer Jack Costello successfully highlights the importance of human connection, while production designer Hailey Pago creates authentic, realistic lemonade stands and signage that ground the fantasy world. Gerry is a fantastic protagonist, and his growth is wonderful to watch as he realizes that a job should be something you truly love, not just a means to an end.

Advisory Note: This film contains mild profanity (a character says "holy sh*t" at the 2:15 timestamp).

I give Magpie's Lemonade 4 out of 5 stars and recommend it for ages 8 to 18. By Motunrayo A., KIDS FIRST!
KIDS FIRST!® Kid Jurors say - I enjoyed the college student short film Magpie's Lemonade a lot! It features great world-building and an entertaining, easy-to-follow plot.

The storyline follows Gerry, a delivery driver for Magpie's Lemonade, who is offered a promotion to Lemonade Salesman. His first assignment is to convince a local stand, Kyle's Kool Lemonade, to join the corporate giant. Gerry is quickly shut down by the owner, Kyle, whose refusal is rooted in family tradition since his father used to run the stand. Set in a modern, "hyper-capitalistic world" where Magpie's owns almost all the children's lemonade stands, the film relies on sparse but effective background music, culminating in an upbeat, calming track at the end.

The performances are stellar. Zeke Bachman portrays Kyle as thoughtful and well-informed, while Rowan Harper plays Gerry with an endearing, clumsy desperation reminiscent of Adam Sandler. You can truly feel that Gerry's job is on the line through his excellent facial expressions. The costumes perfectly mirror this dynamic, charting Gerry's transition from a pink delivery uniform to an ill-fitting yellow suit, contrasting with Kyle's casual plaid shirt.

The camerawork is highly effective; a memorable shot of the duo sitting on the sidewalk on the exact same physical level beautifully visualizes their growing connection. Director and writer Jack Costello successfully highlights the importance of human connection, while production designer Hailey Pago creates authentic, realistic lemonade stands and signage that ground the fantasy world. Gerry is a fantastic protagonist, and his growth is wonderful to watch as he realizes that a job should be something you truly love, not just a means to an end.

Advisory Note: This film contains mild profanity (a character says "holy sh*t" at the 2:15 timestamp).

I give Magpie's Lemonade 4 out of 5 stars and recommend it for ages 8 to 18. By Motunrayo A., KIDS FIRST!
Runtime: 10 minutes Juror Recommended Age: 8-18 Suggested Retail Price: $ Media: VIDEO



This title is in the KIDS FIRST! Film Festival - it may not be a regular, endorsed title
EMMA & EMMA
EMMA & EMMA - ALEXANDRA JOHNSTON
Series: INDIE SHORT, AGES 12 TO 18
Description - When disillusioned actress, Emma, finds her fourteen-year-old self mysteriously crashing in her apartment, she's forced to confront her dreams, fears, and the sparkle she's lost along the way. A whimsical, musical dramedy about self-reclamation, grief, and the courage to begin again.
KIDS FIRST!® Adult Jurors say - Two reasons that I find the film Emma & Emma appealing are that, first, it shows how anxiety and negativity affect a person and their mindset, making it hard for them to follow their dreams and achieve their goals. Second, the film also shows how, when a person interacts with their inner child, they can release some hard truths and also find the courage to move forward in the future.

Emma & Emma is a short film that follows Emma, an actress, who wakes up to find her fourteen-year-old self crashing about her apartment. The older Emma (Alexandra Corin Johnston) and younger (Martha Shaw) spend the day learning about each other and their shared life. The younger Emma tries to push the older Emma, who has become disillusioned about life, into pursuing her dreams of becoming a famous actress, by convincing her to audition for a play, and she also serves as her emotional support. The film is entertaining and may encourage older viewers to think about their inner child and pursuing their dreams even when faced with uncertainty.

The camera work, audio recording and editing are all well executed. The actors are suitable to their roles and the sets are well selected. Alexandra Corin Johnson not only plays the older Emma, she is also the writer and director of this short film. The plot really drives this film. The film asks a pivotal question: what would you do if you met your younger self? When the two Emma's first meet here, there is confusion. However the two quickly bond; young Emma is optimistic and joyful, while older Emma is more cynical, and when asked what she is so afraid of, she replies "Everything! I am afraid of everything." I also like how the film addresses how to handle life when things don't go according to plan and encourages us to believe in ourselves and pursue our dreams.

The plot flows well; the two Emmas are relatable characters. However, one confusing plot hole is whether the younger Emma is a dream or an actual person, because while she is seen physically interacting with her older counterpart she also disappears and reappears. The casting is spot on; both actresses who play the Emmas seem very authentic. They have similar traits and mannerisms, and are dressed in coordinating outfits, which adds to the quality of the film. The background music is well selected, although it appears to be copyrighted music and we need to ask the filmmaker is they have licensed it. My favorite part is when Emma goes to her audition and nails it, with her younger self standing by her side - invisibly.

The film's message is about believing in yourself and continuing to push forward even when frustrated and overwhelmed with life and how your inner child can help to heal and move forward with your life. The film deals with realistic topics such as the fear of failure and fear of the future. It is suitable for its intended audience, although there is some mild profanity and some alcohol use.

I give this film 4.5 out of 5 stars and recommend it for ages 12 to 18. By Oyebisola O., KIDS FIRST!
KIDS FIRST!® Kid Jurors say - Two reasons that I find the film Emma & Emma appealing are that, first, it shows how anxiety and negativity affect a person and their mindset, making it hard for them to follow their dreams and achieve their goals. Second, the film also shows how, when a person interacts with their inner child, they can release some hard truths and also find the courage to move forward in the future.

Emma & Emma is a short film that follows Emma, an actress, who wakes up to find her fourteen-year-old self crashing about her apartment. The older Emma (Alexandra Corin Johnston) and younger (Martha Shaw) spend the day learning about each other and their shared life. The younger Emma tries to push the older Emma, who has become disillusioned about life, into pursuing her dreams of becoming a famous actress, by convincing her to audition for a play, and she also serves as her emotional support. The film is entertaining and may encourage older viewers to think about their inner child and pursuing their dreams even when faced with uncertainty.

The camera work, audio recording and editing are all well executed. The actors are suitable to their roles and the sets are well selected. Alexandra Corin Johnson not only plays the older Emma, she is also the writer and director of this short film. The plot really drives this film. The film asks a pivotal question: what would you do if you met your younger self? When the two Emma's first meet here, there is confusion. However the two quickly bond; young Emma is optimistic and joyful, while older Emma is more cynical, and when asked what she is so afraid of, she replies "Everything! I am afraid of everything." I also like how the film addresses how to handle life when things don't go according to plan and encourages us to believe in ourselves and pursue our dreams.

The plot flows well; the two Emmas are relatable characters. However, one confusing plot hole is whether the younger Emma is a dream or an actual person, because while she is seen physically interacting with her older counterpart she also disappears and reappears. The casting is spot on; both actresses who play the Emmas seem very authentic. They have similar traits and mannerisms, and are dressed in coordinating outfits, which adds to the quality of the film. The background music is well selected, although it appears to be copyrighted music and we need to ask the filmmaker is they have licensed it. My favorite part is when Emma goes to her audition and nails it, with her younger self standing by her side - invisibly.

The film's message is about believing in yourself and continuing to push forward even when frustrated and overwhelmed with life and how your inner child can help to heal and move forward with your life. The film deals with realistic topics such as the fear of failure and fear of the future. It is suitable for its intended audience, although there is some mild profanity and some alcohol use.

I give this film 4.5 out of 5 stars and recommend it for ages 12 to 18. By Oyebisola O., KIDS FIRST!
Runtime: 200 minutes Juror Recommended Age: 12-18 Suggested Retail Price: $ Media: VIDEO



This title is in the KIDS FIRST! Film Festival - it may not be a regular, endorsed title
SPOTLIGHT
SPOTLIGHT - CHENG YING LIU
Series: FOREIGN ELEMENTARY STUDENT SHORT, AGES 5-8
Description - Set within a vibrant dance studio, this story captures the pure joy and transformative power of movement as dancers spin, sway, and leap with the vivid energy of peacocks and butterflies. Every graceful movement and wide smile reflects an open heart, where each rhythmic footstep ignites an unstoppable cheer and draws the dancers closer to their true artistry. Ultimately, this narrative is a celebration of artistic discovery, beautifully illustrating how a dedicated creative space allows individuals to unleash their inner passion and have the most precious time in the world.
KIDS FIRST!® Adult Jurors say - This is absolutely adorable. I love the animation and the narration, but most importantly, I love the storyline. It's biographical and authentic. One could fall in love with flamenco dancing from watching this. I give this film 4.5 out of 5 stars and recommend it for ages 5 to 8, plus adults. By Julie S., KIDS FIRST!
KIDS FIRST!® Kid Jurors say - This is absolutely adorable. I love the animation and the narration, but most importantly, I love the storyline. It's biographical and authentic. One could fall in love with flamenco dancing from watching this. I give this film 4.5 out of 5 stars and recommend it for ages 5 to 8, plus adults. By Julie S., KIDS FIRST!
Runtime: 5 minutes Juror Recommended Age: 5-8 Suggested Retail Price: $ Media: VIDEO


This title is in the KIDS FIRST! Film Festival - it may not be a regular, endorsed title
SUBSTANCE ABUSE AND ADDICTIVE BEHAVIOR IN TEENAGERS
SUBSTANCE ABUSE AND ADDICTIVE BEHAVIOR IN TEENAGERS - POWERSPLASH PROJECT
Series: DOCUMENTARY, AGES 12 - 18
Description - They say that substances do not belong in a teenage brain unless monitored and prescribed by a healthcare provider. True; but that's as effective as saying no. Perhaps, if we provide factual information, their choices may become clearer.
KIDS FIRST!® Adult Jurors say - Substance Abuse and Addictive Behavior in Teenagers delivers an eye-opening, powerful look at the devastating physical and emotional effects of hard drugs on youth and their families. While difficult to watch at times, the film successfully educates viewers on the realities of addiction, prevention, and recovery.

The narrative develops logically, explaining how substances alter the brain before introducing real-world case studies. It highlights how intersecting vulnerabilities--like peer pressure, mental health struggles, and family challenges--can lead to dependency, proving this crisis can affect anyone.

Visually, the documentary is deeply impactful. Close-up shots of adolescents staring blankly into the camera create an intense, uncomfortable mood. A recurring transition effect where faces dissolve into one another beautifully underscores how addiction touches a diverse cross-section of youth. The reenactments feel strikingly realistic, showing teenagers engaging with substances in everyday settings. While these scenes successfully demystify how easily youth get caught up in drug culture, the acting intensifies the film's cautionary message.

The sound design enhances this unsettling atmosphere with eerie, suspenseful string music and a clock-ticking motif that builds psychological tension. Conversely, the narration feels a bit clinical and detached, giving the project a slightly didactic, PSA-like tone. A highlight occurs at the end, where the four stages of drug addiction are detailed through perfectly synchronized visuals and tense audio.

Advisory Note: This film contains highly realistic depictions of youth smoking, snorting, and injecting drugs, which may require parental guidance or post-viewing discussion to ensure viewers do not imitate these actions.

I give this film 3.5 out of 5 stars and recommend it for ages 12 to 18, plus adults.

By Neo M., KIDS FIRST!
KIDS FIRST!® Kid Jurors say - Substance Abuse and Addictive Behavior in Teenagers delivers an eye-opening, powerful look at the devastating physical and emotional effects of hard drugs on youth and their families. While difficult to watch at times, the film successfully educates viewers on the realities of addiction, prevention, and recovery.

The narrative develops logically, explaining how substances alter the brain before introducing real-world case studies. It highlights how intersecting vulnerabilities--like peer pressure, mental health struggles, and family challenges--can lead to dependency, proving this crisis can affect anyone.

Visually, the documentary is deeply impactful. Close-up shots of adolescents staring blankly into the camera create an intense, uncomfortable mood. A recurring transition effect where faces dissolve into one another beautifully underscores how addiction touches a diverse cross-section of youth. The reenactments feel strikingly realistic, showing teenagers engaging with substances in everyday settings. While these scenes successfully demystify how easily youth get caught up in drug culture, the acting intensifies the film's cautionary message.

The sound design enhances this unsettling atmosphere with eerie, suspenseful string music and a clock-ticking motif that builds psychological tension. Conversely, the narration feels a bit clinical and detached, giving the project a slightly didactic, PSA-like tone. A highlight occurs at the end, where the four stages of drug addiction are detailed through perfectly synchronized visuals and tense audio.

Advisory Note: This film contains highly realistic depictions of youth smoking, snorting, and injecting drugs, which may require parental guidance or post-viewing discussion to ensure viewers do not imitate these actions.

I give this film 3.5 out of 5 stars and recommend it for ages 12 to 18, plus adults.

By Neo M., KIDS FIRST!
Runtime: 37 minutes Juror Recommended Age: 12-18 Suggested Retail Price: $ Media: VIDEO



This title is in the KIDS FIRST! Film Festival - it may not be a regular, endorsed title
NEW CAT ON THE BLOCK
NEW CAT ON THE BLOCK - KRISTEN DILLEHUNT
Series: HIGH SCHOOL ANIMATED SHORT, AGES 8-18
Description - Two cats compete for the attention of their new neighbor.
KIDS FIRST!® Adult Jurors say - Okey dokey, I just found my newest favorite film. This animated short by a team of high school students: Jude Laugelli, Abbott Le-Eldred, Conrad Sokolowksi, Cameron Steege, Finn Wilkinson - really knocks it out of the park. The animation is quirky, colorful and fun. I love how the characters are depicted and especially love the backgrounds - the cardboard balcony is terrific.

The storyline is pretty simple - a new cat moves into the neighborhood and two cars compete for its attention. But hidden in there are all the idiosyncrasies that are either cat or human specific - from bringing food to the newbie to painting her portrait to pumping metal in order to get her attention. Even the credits are enjoyable and reflective about the personalities of the film's creators.

I highly recommend this for any festival, for students or a general audience; give it 5 out of 5 stars and recommend it for ages 8 to 18. By Julie S., KIDS FIRST!
KIDS FIRST!® Kid Jurors say - Okey dokey, I just found my newest favorite film. This animated short by a team of high school students: Jude Laugelli, Abbott Le-Eldred, Conrad Sokolowksi, Cameron Steege, Finn Wilkinson - really knocks it out of the park. The animation is quirky, colorful and fun. I love how the characters are depicted and especially love the backgrounds - the cardboard balcony is terrific.

The storyline is pretty simple - a new cat moves into the neighborhood and two cars compete for its attention. But hidden in there are all the idiosyncrasies that are either cat or human specific - from bringing food to the newbie to painting her portrait to pumping metal in order to get her attention. Even the credits are enjoyable and reflective about the personalities of the film's creators.

I highly recommend this for any festival, for students or a general audience; give it 5 out of 5 stars and recommend it for ages 8 to 18. By Julie S., KIDS FIRST!
Runtime: 4 minutes Juror Recommended Age: 8-18 Suggested Retail Price: $ Media: VIDEO



This title is in the KIDS FIRST! Film Festival - it may not be a regular, endorsed title
WHEEL OF MISFORTUNE
WHEEL OF MISFORTUNE - KRISTEN DILLEHUNT
Series: MIDDLE SCHOOL STUDENT SHORT, AGES 5-12
Description - Three kids compete to avoid bizarre punishments on a new game show.
KIDS FIRST!® Adult Jurors say - Charming. I love this. Great acting; terrific concept; great script. This is suitable for our student film category - great humor and well made.

We give this 4.5 out of 5 stars and recommend it for ages 5 to 12. By Julie S., KIDS FIRST!
KIDS FIRST!® Kid Jurors say - Charming. I love this. Great acting; terrific concept; great script. This is suitable for our student film category - great humor and well made.

We give this 4.5 out of 5 stars and recommend it for ages 5 to 12. By Julie S., KIDS FIRST!
Runtime: 4 minutes Juror Recommended Age: 5-12 Suggested Retail Price: $ Media: VIDEO



This title is in the KIDS FIRST! Film Festival - it may not be a regular, endorsed title
DASHING
DASHING - KRISTEN DILLEHUNT
Series: HIGH SCHOOL STUDENT SHORT, AGES 12-18
Description - Sparks fly between a food delivery driver and her latest customer; will they be able to find each other again?
KIDS FIRST!® Adult Jurors say - I really like the premise of Dashing as it is totally relatable to a wide audience. Made by two high school students in just 72 hours, the story development and dialogue could be improved but the characters are thoroughly enjoyable.

The storyline is about the instant chemistry between a food delivery driver and a customer which leaves them both regretful that they missed an opportunity to connect. Their friends give them poor advice on how to find each other. Can they discover the recipe to unite?

Love at first sight! Or at first food delivery. The plot is very relatable to anyone living in modern times. The plot develops in an easy to understand and natural way. Levi Hofman (Austin) plays the quirky part of his lovelorn character well. He is unbelievably quick to fall in love. He is advised that the best way to reconnect with the driver he fell for is to order from the company again, in hopes that she will return - bad advice. After a series of "the wrong person" I laughed as he gets ready for each prospective delivery. Charlotte Abney (Kiera) portrays her dash delivery character well and her level of frustration as she tries to find Austin again is equally humorous. For a 72 hour production, it stands up pretty well. The camera work, audio recording and editing all work well, without any glaring errors. The costumes and makeup work and are typical of what young people wear today. The sets and locations are typical homes and businesses you might find in any US city. The music feels modern and contemporary and works well as it's played in scene transitions. I particularly enjoyed the music playing under the credits. I love all the weird drivers that show up when Austin is ordering delivery constantly in order to find the girl. I enjoyed the costume changes Kiera wears in her various Austin encounter attempts. My favorite part is the ending when, against all odds, serendipity strikes.

The film's message is to not let chances slip away. Seize the moment and exert yourself or you will spend more time and energy later correcting your mistake.

I give Dashing 4 out of 5 stars and recommend it for ages 12 to 18, plus adults. By Selene W., KIDS FIRST!
KIDS FIRST!® Kid Jurors say - I really like the premise of Dashing as it is totally relatable to a wide audience. Made by two high school students in just 72 hours, the story development and dialogue could be improved but the characters are thoroughly enjoyable.

The storyline is about the instant chemistry between a food delivery driver and a customer which leaves them both regretful that they missed an opportunity to connect. Their friends give them poor advice on how to find each other. Can they discover the recipe to unite?

Love at first sight! Or at first food delivery. The plot is very relatable to anyone living in modern times. The plot develops in an easy to understand and natural way. Levi Hofman (Austin) plays the quirky part of his lovelorn character well. He is unbelievably quick to fall in love. He is advised that the best way to reconnect with the driver he fell for is to order from the company again, in hopes that she will return - bad advice. After a series of "the wrong person" I laughed as he gets ready for each prospective delivery. Charlotte Abney (Kiera) portrays her dash delivery character well and her level of frustration as she tries to find Austin again is equally humorous. For a 72 hour production, it stands up pretty well. The camera work, audio recording and editing all work well, without any glaring errors. The costumes and makeup work and are typical of what young people wear today. The sets and locations are typical homes and businesses you might find in any US city. The music feels modern and contemporary and works well as it's played in scene transitions. I particularly enjoyed the music playing under the credits. I love all the weird drivers that show up when Austin is ordering delivery constantly in order to find the girl. I enjoyed the costume changes Kiera wears in her various Austin encounter attempts. My favorite part is the ending when, against all odds, serendipity strikes.

The film's message is to not let chances slip away. Seize the moment and exert yourself or you will spend more time and energy later correcting your mistake.

I give Dashing 4 out of 5 stars and recommend it for ages 12 to 18, plus adults. By Selene W., KIDS FIRST!
Runtime: 5 minutes Juror Recommended Age: 12-18 Suggested Retail Price: $ Media: VIDEO



This title is in the KIDS FIRST! Film Festival - it may not be a regular, endorsed title
BIRDS OF A FEATHER
BIRDS OF A FEATHER - HELEN FARRELL
Series: INDIE SHORT, AGES 5-18
Description - A neurodivergent teenage boy with a fixation on birds navigates school bullying along with his first crush.
KIDS FIRST!® Adult Jurors say - I enjoyed all the bird references and personality depictions in Birds of a Feather. Equating various personalities to their bird type and plumage is amusing.

The storyline follows a neurodivergent teenage boy who has a fixation on birds as he navigates school bullying at the same time he's dealing with his first crush.

This three minute animated film is compellingly created. The animation is simple but deeply reflective on the storyline. Helen Mavourneen Farrell delivers a narration that is wonderfully clear and articulate. However, the delivery feels a bit formal; a more relaxed, conversational approach would help younger viewers connect more deeply with the story. The protagonist, Darwin, is neurodivergent and has a fixation on birds. His bedroom is papered with images portraying birds' migratory patterns. We see him at school where the students speak and their heads are turned into the heads of the birds that they are most like - a clever way to portray their personalities. It's quite interesting how the animation, which is starkly drawn two dimensional, manages to portray various types of birds and their personalities. We observe how Darwin is beat up by the other students at school and when his parents meet with the teacher (a crow), they say, "He's such a strange bird." And the parents walk out with Darwin in tow. To address how to attract his crush, Birdie, he reaches for a book called, The Love Life Of Birds, and heads out to the school dance. His performance on the dance floor doesn't attract Birdie but it does attract a whole other group of girls who join him and dance all night and, in the end Darwin found his flock. What I enjoyed most are the various depictions of different personalities as different types of birds. This is such a clever device to use. My favorite scene is at the dance when Darwin is joined by the flock of girls on the dance floor.

The film's message is about finding your flock.

I give Birds of a Feather 3.5 out of 5 stars and recommend it for ages 8 to 12. By Selene W and Julie S., KIDS FIRST!
KIDS FIRST!® Kid Jurors say - I enjoyed all the bird references and personality depictions in Birds of a Feather. Equating various personalities to their bird type and plumage is amusing.

The storyline follows a neurodivergent teenage boy who has a fixation on birds as he navigates school bullying at the same time he's dealing with his first crush.

This three minute animated film is compellingly created. The animation is simple but deeply reflective on the storyline. Helen Mavourneen Farrell delivers a narration that is wonderfully clear and articulate. However, the delivery feels a bit formal; a more relaxed, conversational approach would help younger viewers connect more deeply with the story. The protagonist, Darwin, is neurodivergent and has a fixation on birds. His bedroom is papered with images portraying birds' migratory patterns. We see him at school where the students speak and their heads are turned into the heads of the birds that they are most like - a clever way to portray their personalities. It's quite interesting how the animation, which is starkly drawn two dimensional, manages to portray various types of birds and their personalities. We observe how Darwin is beat up by the other students at school and when his parents meet with the teacher (a crow), they say, "He's such a strange bird." And the parents walk out with Darwin in tow. To address how to attract his crush, Birdie, he reaches for a book called, The Love Life Of Birds, and heads out to the school dance. His performance on the dance floor doesn't attract Birdie but it does attract a whole other group of girls who join him and dance all night and, in the end Darwin found his flock. What I enjoyed most are the various depictions of different personalities as different types of birds. This is such a clever device to use. My favorite scene is at the dance when Darwin is joined by the flock of girls on the dance floor.

The film's message is about finding your flock.

I give Birds of a Feather 3.5 out of 5 stars and recommend it for ages 8 to 12. By Selene W and Julie S., KIDS FIRST!
Runtime: 3 minutes Juror Recommended Age: 5-18 Suggested Retail Price: $ Media: VIDEO



This title is in the KIDS FIRST! Film Festival - it may not be a regular, endorsed title
WHERE KNOTS ARE UNDONE
WHERE KNOTS ARE UNDONE - MITALI MISHRA
Series: HIGH SCHOOL STUDENT DOCUMENTARY, AGES 12-18
Description - Deepti, Rajita, and Ritu are Indian women living in America, navigating the quiet tension between migration and memory. In their kitchens, food transcends routine to become a language of continuity--a way to preserve a heritage that risks being diluted by distance. As they prepare dishes shaped by inheritance, their personal journeys unfold, exploring the evolving expectations of what it means to be an "Indian woman." From Deepti's act of ancestral love to Rajita's memory-laden recipes, the film moves through cultural festivals and intimate anecdotes. Ultimately, it reveals how the ordinary act of cooking becomes a profound negotiation between belonging and displacement. In these kitchens, culture is not merely remembered; it is actively remade.
KIDS FIRST!® Adult Jurors say - I enjoyed the film, Where Knots are Undone. Deepti, Rajita, and Ritu are very entertaining and I learned a lot from their past experiences about what shaped them into who they are today. It is a very relatable film.

This documentary, made by a high school student, follows Deepti, Rajita, and Ritu, Indian Women living in America who make food to remind them of the many holidays and gatherings with their families back in India. Each time they cook, they are preserving their culture, childhood memories, and much more. They began cooking meals and having friends over and that has made their new home feel similar to their previous home in India.

The story is very relatable. The three women discuss everything, from their first day in the U.S. all the way up to current day. The production is good, with good camera work and audio recording. I especially enjoyed the shots of the various dishes they make and the interspersement of recipes for what is being cooked. Deepti, Rajita, and Ritu are easy to relate to, whether you are an immigrant or not. I enjoyed their passion for cooking food that reminds them of their past memories and experiences. It's a way to preserve your culture and share it with others. This takes place in current times in the US, in the homes of the three women. In one scene, they wear traditional Indian clothing. The Indian background music adds to the cultural aspect of the film. This is not your typical "cooking show," this is truly a personal dive into these women's lives and how food is integral to it - for their families, their community, for themselves. My favorite part of the film is when Deepti, Rajita, and Ritu are all making food that represents their past. As they introduce the audience to dishes from their past, their stories unfold - journeys across countries, across expectations of what it means to be an "Indian woman." For Deepti, cooking is an act of love passed down through her mother's hand. For Rajita, food is about memory, each dish carrying the weight of lived experiences. The film explores how something as ordinary as a meal becomes a link between the past and the present. In these kitchens, culture is actively being remade on a daily basis. My hat's off to Mitali Mishra, the 17-year-old filmmaker. She truly captures the beauty of these women and their stories.

The film's message is that you have to loosen the knots that tie you to familiarity.

I give Where The Knots Are Undone 3.5 out of 5 stars and recommend it for ages 12 to 18. By Hafsa H., KIDS FIRST!
KIDS FIRST!® Kid Jurors say - I enjoyed the film, Where Knots are Undone. Deepti, Rajita, and Ritu are very entertaining and I learned a lot from their past experiences about what shaped them into who they are today. It is a very relatable film.

This documentary, made by a high school student, follows Deepti, Rajita, and Ritu, Indian Women living in America who make food to remind them of the many holidays and gatherings with their families back in India. Each time they cook, they are preserving their culture, childhood memories, and much more. They began cooking meals and having friends over and that has made their new home feel similar to their previous home in India.

The story is very relatable. The three women discuss everything, from their first day in the U.S. all the way up to current day. The production is good, with good camera work and audio recording. I especially enjoyed the shots of the various dishes they make and the interspersement of recipes for what is being cooked. Deepti, Rajita, and Ritu are easy to relate to, whether you are an immigrant or not. I enjoyed their passion for cooking food that reminds them of their past memories and experiences. It's a way to preserve your culture and share it with others. This takes place in current times in the US, in the homes of the three women. In one scene, they wear traditional Indian clothing. The Indian background music adds to the cultural aspect of the film. This is not your typical "cooking show," this is truly a personal dive into these women's lives and how food is integral to it - for their families, their community, for themselves. My favorite part of the film is when Deepti, Rajita, and Ritu are all making food that represents their past. As they introduce the audience to dishes from their past, their stories unfold - journeys across countries, across expectations of what it means to be an "Indian woman." For Deepti, cooking is an act of love passed down through her mother's hand. For Rajita, food is about memory, each dish carrying the weight of lived experiences. The film explores how something as ordinary as a meal becomes a link between the past and the present. In these kitchens, culture is actively being remade on a daily basis. My hat's off to Mitali Mishra, the 17-year-old filmmaker. She truly captures the beauty of these women and their stories.

The film's message is that you have to loosen the knots that tie you to familiarity.

I give Where The Knots Are Undone 3.5 out of 5 stars and recommend it for ages 12 to 18. By Hafsa H., KIDS FIRST!
Runtime: 17 minutes Juror Recommended Age: 12-18 Suggested Retail Price: $ Media: VIDEO



This title is in the KIDS FIRST! Film Festival - it may not be a regular, endorsed title
NOT MY DOG
NOT MY DOG - DANNY LEGARE
Series: INDIE FEATURE, AGES 8-12
Description - Twelve-year-old Bridget just wants to stay glued to her phone, but a forced errand to her father's barbershop takes an unexpected turn when a scruffy stray decides she is his person. Despite her insistence that he is "not my dog," the loyal companion follows her through the streets of Rockville, pushing her out of her shell and into real-life connections with her community. As the two navigate stubborn shopkeepers and local troublemakers, Bridget's annoyance shifts toward an unlikely bond. When animal control threatens to take the stray, she faces a life-changing choice: continue avoiding the world or step up for the one creature that refused to leave her side. NOT MY DOG is a heartfelt family adventure about responsibility, courage, and the transformative power of loyalty.
KIDS FIRST!® Adult Jurors say - Not My Dog triumphs in highlighting the pure unpredictability of life, interpreting a global phenomenon through a wide range of characters with varying backgrounds, while also showcasing how we can make the most of unexpected circumstances.

This is the story of 12-year-old Bridget (Rylie Pennington), who prefers to stay indoors and online, but is sent to drop her dad's lunch off at his workplace at her mom's request. On her way there, she is halted by a stray dog blocking her path. Even after feeding the dog to make him move, the dog continues to stay by Bridget's side, thus earning the name "Nudge" from her. As she meets all sorts of people across town and is pursued by animal control, Bridget is forced to contend with the challenges that come with having a dog, even when that dog is not hers.

The plot is relatable in that it does not shy away from the messiness of life, presenting a picture closer to that of the real world. People of different walks of life are represented in this film, each with their own way of navigating through the messiness. Whether it is shopkeepers, singers, or chess players, time and care is given to explore the facets of how they make their way through the world. Given how a general audience is similarly composed of such variety, it succeeds in appealing to a wide demographic. The camera work of the film works wonders in that it communicates the intent of each scene. By using a wide shot of Nudge when in Bridget's way, for instance, it relates the idea of distance to the audience without so much as a single word. Even holding on an angle, like when animal control trails behind Bridget and Nudge, illustrates the passage of time and allows the audience to feel what the characters are feeling in that moment.

Rylie Pennington's portrayal of Bridget perfectly captures the essence of a child who, while they may be stubborn at first, is open to accepting new challenges and reveling in them. What I especially find great about her performance is that she makes Bridget's gradual acceptance of Nudge clear in her tone and speech, which adds a sense of realism to the overall production. I also enjoyed the performance by the other cast members - who cumulatively bring impressive experience to the table. My favorite part of the film is when Bridget plays chess for the very first time, as the film relates the principles of chess to life. It helped me understand both how complicated life can be and how people can develop strategies to get through it all.

The film's message is to accept what life throws at you.

I give Not My Dog 5 out of 5 stars and recommend it for ages 5 to 18, plus adults. By Christian C., KIDS FIRST!
KIDS FIRST!® Kid Jurors say - Not My Dog triumphs in highlighting the pure unpredictability of life, interpreting a global phenomenon through a wide range of characters with varying backgrounds, while also showcasing how we can make the most of unexpected circumstances.

This is the story of 12-year-old Bridget (Rylie Pennington), who prefers to stay indoors and online, but is sent to drop her dad's lunch off at his workplace at her mom's request. On her way there, she is halted by a stray dog blocking her path. Even after feeding the dog to make him move, the dog continues to stay by Bridget's side, thus earning the name "Nudge" from her. As she meets all sorts of people across town and is pursued by animal control, Bridget is forced to contend with the challenges that come with having a dog, even when that dog is not hers.

The plot is relatable in that it does not shy away from the messiness of life, presenting a picture closer to that of the real world. People of different walks of life are represented in this film, each with their own way of navigating through the messiness. Whether it is shopkeepers, singers, or chess players, time and care is given to explore the facets of how they make their way through the world. Given how a general audience is similarly composed of such variety, it succeeds in appealing to a wide demographic. The camera work of the film works wonders in that it communicates the intent of each scene. By using a wide shot of Nudge when in Bridget's way, for instance, it relates the idea of distance to the audience without so much as a single word. Even holding on an angle, like when animal control trails behind Bridget and Nudge, illustrates the passage of time and allows the audience to feel what the characters are feeling in that moment.

Rylie Pennington's portrayal of Bridget perfectly captures the essence of a child who, while they may be stubborn at first, is open to accepting new challenges and reveling in them. What I especially find great about her performance is that she makes Bridget's gradual acceptance of Nudge clear in her tone and speech, which adds a sense of realism to the overall production. I also enjoyed the performance by the other cast members - who cumulatively bring impressive experience to the table. My favorite part of the film is when Bridget plays chess for the very first time, as the film relates the principles of chess to life. It helped me understand both how complicated life can be and how people can develop strategies to get through it all.

The film's message is to accept what life throws at you.

I give Not My Dog 5 out of 5 stars and recommend it for ages 5 to 18, plus adults. By Christian C., KIDS FIRST!
Runtime: 82 minutes Juror Recommended Age: 8-12 Suggested Retail Price: $ Media: VIDEO



This title is in the KIDS FIRST! Film Festival - it may not be a regular, endorsed title
WHALE 52: SUITE FOR MAN, BOY AND WHALE
WHALE 52: SUITE FOR MAN, BOY AND WHALE - EDWARD JORDON
Series: INDIE SHORT, AGES 8-18
Description - Magical Realism. A third-grade student who's selectively mute and a grieving 80-year-old school volunteer discover that some of the deepest conversations only require a single word.
KIDS FIRST!® Adult Jurors say - Wow! What an extraordinary film this is! I was deeply moved by Whale 52 - Suite for Man, Boy, and Whale, which reveals the tale of two people adrift and alone, struggling and misunderstood, and how they find each other--and themselves--through art and music.

This short film offers a visual representation of a cross-generational bond formed by Kaufman, a grieving 80-year-old musician (Bruce Vilanch), and Enam, a selectively mute third-grader (Parker Allana Hughes). Writer Edward Jordon draws a profound parallel with a real case in nature: a whale that emits a sound at a frequency of 52 Hertz, which no other animal in the ocean can hear, earning it the title of "the world's loneliest whale." A magical pen and journal enables Kaufman and Enam to communicate, until young Enam summons the courage to utter the one word that lifts the weight of the world off his tiny shoulders.

This film is less of a structured story than it is a metamorphic experience. The connection between Enam and Kaufman is visually developed using a blend of reality, thoughts, and abstract imagery. Produced and animated by two-time Oscar nominee Bill Plympton, the animation is truly a work of art--detailed and expressive in a way that allows the depth of the characters' feelings to shine through. The line between the metaphorical marine world and the real world is often intentionally blurred, creating beautiful moments like the characters riding on the back of the whale.

The original musical score is an incredible masterpiece that mirrors the inner landscapes of the characters. Featuring work by Broadway conductor Charles Czarnecki and Grammy-winning cellist Zuill Bailey, much of the film's beauty and intensity comes from the music itself. I especially loved the scene transitions using a school of fish that starts out completely gray and becomes an increasingly vibrant rainbow each time they cross the screen.

As the story evolves, we learn it features an LGBTQ+ theme. Beautifully, the creators are donating a portion of the film's proceeds to The Trevor Project, an organization dedicated to suicide prevention and crisis intervention for LGBTQ+ young people.

The film's message is that sometimes lending someone a listening ear can make more of a difference than any words. People tend to enter our lives right when we need them.

I give Whale 52 - Suite for Man, Boy, and Whale 5 out of 5 stars and recommend it for ages 8 to 18, plus adults.

By Ruhi K., KIDS FIRST!
KIDS FIRST!® Kid Jurors say - Wow! What an extraordinary film this is! I was deeply moved by Whale 52 - Suite for Man, Boy, and Whale, which reveals the tale of two people adrift and alone, struggling and misunderstood, and how they find each other--and themselves--through art and music.

This short film offers a visual representation of a cross-generational bond formed by Kaufman, a grieving 80-year-old musician (Bruce Vilanch), and Enam, a selectively mute third-grader (Parker Allana Hughes). Writer Edward Jordon draws a profound parallel with a real case in nature: a whale that emits a sound at a frequency of 52 Hertz, which no other animal in the ocean can hear, earning it the title of "the world's loneliest whale." A magical pen and journal enables Kaufman and Enam to communicate, until young Enam summons the courage to utter the one word that lifts the weight of the world off his tiny shoulders.

This film is less of a structured story than it is a metamorphic experience. The connection between Enam and Kaufman is visually developed using a blend of reality, thoughts, and abstract imagery. Produced and animated by two-time Oscar nominee Bill Plympton, the animation is truly a work of art--detailed and expressive in a way that allows the depth of the characters' feelings to shine through. The line between the metaphorical marine world and the real world is often intentionally blurred, creating beautiful moments like the characters riding on the back of the whale.

The original musical score is an incredible masterpiece that mirrors the inner landscapes of the characters. Featuring work by Broadway conductor Charles Czarnecki and Grammy-winning cellist Zuill Bailey, much of the film's beauty and intensity comes from the music itself. I especially loved the scene transitions using a school of fish that starts out completely gray and becomes an increasingly vibrant rainbow each time they cross the screen.

As the story evolves, we learn it features an LGBTQ+ theme. Beautifully, the creators are donating a portion of the film's proceeds to The Trevor Project, an organization dedicated to suicide prevention and crisis intervention for LGBTQ+ young people.

The film's message is that sometimes lending someone a listening ear can make more of a difference than any words. People tend to enter our lives right when we need them.

I give Whale 52 - Suite for Man, Boy, and Whale 5 out of 5 stars and recommend it for ages 8 to 18, plus adults.

By Ruhi K., KIDS FIRST!
Runtime: 11 minutes Juror Recommended Age: 8-18 Suggested Retail Price: $ Media: VIDEO



This title is in the KIDS FIRST! Film Festival - it may not be a regular, endorsed title
BEFORE IT GOES QUIET
BEFORE IT GOES QUIET - LLANN DOSHI
Series: FOREIGN HIGH SCHOOL SHORT, AGES 12-18
Description - Confined to a bathroom, a teenage girl struggles to drown out her parents' relentless arguing. She slips beneath the surface of a filling bathtub, seeking refuge in a suspended state where she revisits fragments of her past--sunny days on a beach and the quiet stillness of lockdown. For a moment, the external noise recedes. However, a violent pounding on the door shatters the calm, forcing her to the surface just seconds from drowning. She emerges gasping, only to find the conflict outside remains raw and unrelenting. Standing soaked and shaken, she realizes that while she escaped the water, the turmoil within her--and the noise beyond the door--has not stopped.
KIDS FIRST!® Adult Jurors say - Before It Goes Quiet is a very well-constructed and intriguing film! It has an engaging plot, meaningful camera work, and a profound message.

The story follows a girl who decides to try to end her life by drowning herself in her bathtub. She shares parts of her life that are giving her anxiety and causing stress. There is a scene, after she tries to drown, in which she sees her future self, which causes her to snap out of it and get out of the bathtub. She talks to her parents about everything that has been going on in her head, and shares a powerful message.

The film, made by a high school student, is very relatable and easy to follow. The girl's thoughts and emotions feel realistic and connected to everyday life, which makes it easy to understand what she is going through. The plot develops in a logical way with each scene clearly leading to the next. The camera work is meaningful and well done. There are numerous shots, such as the ending in the mirror, that emphasize how she is hiding her true emotions behind a forced appearance of happiness, making her seem emotionally distant and disconnected from herself. The transition from her lying in the bathtub to her lying on the beach impresses me as well. She tries to escape reality, and then makes an important decision involving her will to live. Additionally, the extreme close-ups focusing on her face and hands capture her emotional suffering by forcing the audience to notice every small expression and movement, making her anxiety, sadness, and vulnerability feel more personal and intense.

Aanya Hirani gives an amazing performance portraying a teenage girl with troubling thoughts. Her acting comes across as very natural and realistic, which helps us connect with her struggles on a deeper level. Even during quieter scenes, her facial expressions and body language show feelings of loneliness, anxiety, and emotional exhaustion. The parents have minimal screen time, but their roles contribute strongly to the film's message by showing the lack of communication and emotional understanding within the family, which adds to the main character's sense of isolation. The bits and pieces of melancholy background music enhance each scene and strengthen the emotional thoughts of the young girl. The soft and emotional music helps create a sad and reflective mood, allowing the audience to better understand her loneliness, anxiety, and inner struggles. It also makes the scenes feel more personal and intimate, almost as if the viewer is experiencing her thoughts alongside her. The music works together with the visuals and dialogue to emphasize the emotional weight of the film and deepen the audience's connection to the character. Sixteen-year-old Ilann Doshi is the writer, director, cinematographer and editor of this film. He has created a powerful film, truly capturing the emotions of this young woman, from the script to the camera work to the background music and sounds - which are hauntingly intertwined. The film flows seamlessly from scene to scene; every line in the girl's internal speech depicts the emotions and tone of this moment, making the story emotionally powerful. The camera angles also enhance the vulnerability and emotional distress of the protagonist by focusing closely on her expressions and isolating her within certain shots, sometimes with the use of silence, which also helps the audience feel her loneliness and emotional pressure. The combination of strong directing, meaningful monologue, and thoughtful cinematography makes the film feel very personal and impactful. My favorite part is the ending scene where she paints a smile on the mirror to cover her face. The shot is very smooth and powerfully captures how she truly feels emotionally. By covering her reflection with a fake smile, a smiley face, the scene symbolizes how she hides her pain and pretends to be okay on the outside while struggling internally. The camera focusing on the lipstick-painted face while blurring her face reflection in the background further emphasizes her emotional disconnect and loss of identity, making the moment feel impactful and memorable.

The film's message is that you are more than your current pain. There is an incredible amount of life, beauty, and possibility awaiting you, even if you cannot see it in the moment. It shows kids doing risky things that kids might imitate; a girl tries to drown herself in her bathtub.

I give this film 4.5 out of 5 stars and recommend it for ages 12 to 18, plus adults. By Neo M., KIDS FIRST!
KIDS FIRST!® Kid Jurors say - Before It Goes Quiet is a very well-constructed and intriguing film! It has an engaging plot, meaningful camera work, and a profound message.

The story follows a girl who decides to try to end her life by drowning herself in her bathtub. She shares parts of her life that are giving her anxiety and causing stress. There is a scene, after she tries to drown, in which she sees her future self, which causes her to snap out of it and get out of the bathtub. She talks to her parents about everything that has been going on in her head, and shares a powerful message.

The film, made by a high school student, is very relatable and easy to follow. The girl's thoughts and emotions feel realistic and connected to everyday life, which makes it easy to understand what she is going through. The plot develops in a logical way with each scene clearly leading to the next. The camera work is meaningful and well done. There are numerous shots, such as the ending in the mirror, that emphasize how she is hiding her true emotions behind a forced appearance of happiness, making her seem emotionally distant and disconnected from herself. The transition from her lying in the bathtub to her lying on the beach impresses me as well. She tries to escape reality, and then makes an important decision involving her will to live. Additionally, the extreme close-ups focusing on her face and hands capture her emotional suffering by forcing the audience to notice every small expression and movement, making her anxiety, sadness, and vulnerability feel more personal and intense.

Aanya Hirani gives an amazing performance portraying a teenage girl with troubling thoughts. Her acting comes across as very natural and realistic, which helps us connect with her struggles on a deeper level. Even during quieter scenes, her facial expressions and body language show feelings of loneliness, anxiety, and emotional exhaustion. The parents have minimal screen time, but their roles contribute strongly to the film's message by showing the lack of communication and emotional understanding within the family, which adds to the main character's sense of isolation. The bits and pieces of melancholy background music enhance each scene and strengthen the emotional thoughts of the young girl. The soft and emotional music helps create a sad and reflective mood, allowing the audience to better understand her loneliness, anxiety, and inner struggles. It also makes the scenes feel more personal and intimate, almost as if the viewer is experiencing her thoughts alongside her. The music works together with the visuals and dialogue to emphasize the emotional weight of the film and deepen the audience's connection to the character. Sixteen-year-old Ilann Doshi is the writer, director, cinematographer and editor of this film. He has created a powerful film, truly capturing the emotions of this young woman, from the script to the camera work to the background music and sounds - which are hauntingly intertwined. The film flows seamlessly from scene to scene; every line in the girl's internal speech depicts the emotions and tone of this moment, making the story emotionally powerful. The camera angles also enhance the vulnerability and emotional distress of the protagonist by focusing closely on her expressions and isolating her within certain shots, sometimes with the use of silence, which also helps the audience feel her loneliness and emotional pressure. The combination of strong directing, meaningful monologue, and thoughtful cinematography makes the film feel very personal and impactful. My favorite part is the ending scene where she paints a smile on the mirror to cover her face. The shot is very smooth and powerfully captures how she truly feels emotionally. By covering her reflection with a fake smile, a smiley face, the scene symbolizes how she hides her pain and pretends to be okay on the outside while struggling internally. The camera focusing on the lipstick-painted face while blurring her face reflection in the background further emphasizes her emotional disconnect and loss of identity, making the moment feel impactful and memorable.

The film's message is that you are more than your current pain. There is an incredible amount of life, beauty, and possibility awaiting you, even if you cannot see it in the moment. It shows kids doing risky things that kids might imitate; a girl tries to drown herself in her bathtub.

I give this film 4.5 out of 5 stars and recommend it for ages 12 to 18, plus adults. By Neo M., KIDS FIRST!
Runtime: 8 minutes Juror Recommended Age: 12-18 Suggested Retail Price: $ Media: VIDEO



This title is in the KIDS FIRST! Film Festival - it may not be a regular, endorsed title
SKYWARD: THE SPORT ROCKETRY REVOLUTION
SKYWARD: THE SPORT ROCKETRY REVOLUTION - TARA GALLARDY
Series: INDIE DOCUMENTARY SHORT, AGES 8-18
Description - A story of ambition, mentorship, and innovation unfolds as the next generation of rocketeers take on national and international competitions, navigating the thrill and challenges of sport rocketry here in America.
KIDS FIRST!® Adult Jurors say - Skyward: The Sport Rocketry Revolution is a concise, tightly edited mini documentary that offers a clear window into the world of competitive model rocketry. The film centers on a father-daughter team as they prepare for and take part in an international rocketry competition in Serbia, giving the subject a personal angle without overcomplicating the scope.

While model rocketry may not be a universally gripping topic, the documentary presents it in an accessible and focused way. For viewers with even a passing familiarity with the hobby, there are moments of recognition that add a quiet layer of enjoyment -- the kind of "I know what they're talking about" connection that helps make a niche subject feel more immediate.

The film does not overstay its welcome, and its strength lies in its efficiency. It captures the preparation, competition, and family dynamic with enough detail to be engaging, while remaining compact and easy to follow.

I give Skyward: The Sport Rocketry Revolution 4 out of 5 stars and recommend it for ages 8 to 18, plus adults. By Andrew B., KIDS FIRST!
KIDS FIRST!® Kid Jurors say - Skyward: The Sport Rocketry Revolution is a concise, tightly edited mini documentary that offers a clear window into the world of competitive model rocketry. The film centers on a father-daughter team as they prepare for and take part in an international rocketry competition in Serbia, giving the subject a personal angle without overcomplicating the scope.

While model rocketry may not be a universally gripping topic, the documentary presents it in an accessible and focused way. For viewers with even a passing familiarity with the hobby, there are moments of recognition that add a quiet layer of enjoyment -- the kind of "I know what they're talking about" connection that helps make a niche subject feel more immediate.

The film does not overstay its welcome, and its strength lies in its efficiency. It captures the preparation, competition, and family dynamic with enough detail to be engaging, while remaining compact and easy to follow.

I give Skyward: The Sport Rocketry Revolution 4 out of 5 stars and recommend it for ages 8 to 18, plus adults. By Andrew B., KIDS FIRST!
Runtime: 15 minutes Juror Recommended Age: 8-18 Suggested Retail Price: $ Media: VIDEO



This title is in the KIDS FIRST! Film Festival - it may not be a regular, endorsed title
SISTERETTES MAGICAL ADVENTURE
SISTERETTES MAGICAL ADVENTURE - JAY MOORE-JOHNSON
Series: INDIE SHORT, AGES 5-18
Description - Ten-year-old twins Julia and Grace follow their dog, Ranger, through a mysterious forest portal into a magical realm. To their surprise, Ranger reveals he is a wizardly creature and the sisters are actually magical princesses. Armed with new wands, the twins conjure spells and explore this wondrous world--until they encounter dark forces using magic for evil. Grace must use her newfound powers to whisk them home just in time. Back in reality, they are left wondering: was it all a dream, or is their family dog truly a talking wizard? Join this enchanting adventure to discover the truth.
KIDS FIRST!® Adult Jurors say - I enjoyed "Sisterettes Magical Adventure" because of the bond between the sisters, Julia and Grace and their fun adventures to find their lost dog, Ranger.

The story follows Julia and Grace, 10-year old twin sisters, who take their dog, Ranger, out for a walk in the forest. As they're walking through the forest, they see a strange area that is covered up with a gold cloak; they unveil the cloak only to discover that it's a portal that their dog walks into and gets lost. They follow Ranger through the portal and, once they enter it, their clothing changes into princess gowns. They find Ranger, who has gained magical powers that allow him to speak like a normal human. However, they quickly discover that this new world isn't all fun and games, and evil lurks. Fortunately Grace employs her magic to help them escape in the nick of time. When they return, they question whether their experience was real or imagined.

Other than the talking dog, this plot is completely relatable and develops in a logical way. The camera work was good. I especially like the distant shots. Grace Johnson and Julia Johnson play the protagonists, Julia and Grace, and are quite adorable. They are fun and adventurous and quite enjoyable to watch. This is a family project with their mom, Jay Johnson, the writer, director and producer. (The girls are co-writers) I like the special effects, particularly the entrance into the portal. I like the pink and purple princess gowns and tiaras - they remind me of Disney princesses. This takes place in modern day time in a magical enchanted forest. The background music is very fitting and adds a bit of a magical touch to the film. My favorite part of the film is when Julia and Grace enter the portal and automatically are decked out as princesses.

The film's message is that adventure is worthwhile in itself.

I give "Sisterettes Magical Adventure" 3.5 out of 5 stars and recommend it for ages 8 to 12. By Hafsa H., KIDS FIRST!
KIDS FIRST!® Kid Jurors say - I enjoyed "Sisterettes Magical Adventure" because of the bond between the sisters, Julia and Grace and their fun adventures to find their lost dog, Ranger.

The story follows Julia and Grace, 10-year old twin sisters, who take their dog, Ranger, out for a walk in the forest. As they're walking through the forest, they see a strange area that is covered up with a gold cloak; they unveil the cloak only to discover that it's a portal that their dog walks into and gets lost. They follow Ranger through the portal and, once they enter it, their clothing changes into princess gowns. They find Ranger, who has gained magical powers that allow him to speak like a normal human. However, they quickly discover that this new world isn't all fun and games, and evil lurks. Fortunately Grace employs her magic to help them escape in the nick of time. When they return, they question whether their experience was real or imagined.

Other than the talking dog, this plot is completely relatable and develops in a logical way. The camera work was good. I especially like the distant shots. Grace Johnson and Julia Johnson play the protagonists, Julia and Grace, and are quite adorable. They are fun and adventurous and quite enjoyable to watch. This is a family project with their mom, Jay Johnson, the writer, director and producer. (The girls are co-writers) I like the special effects, particularly the entrance into the portal. I like the pink and purple princess gowns and tiaras - they remind me of Disney princesses. This takes place in modern day time in a magical enchanted forest. The background music is very fitting and adds a bit of a magical touch to the film. My favorite part of the film is when Julia and Grace enter the portal and automatically are decked out as princesses.

The film's message is that adventure is worthwhile in itself.

I give "Sisterettes Magical Adventure" 3.5 out of 5 stars and recommend it for ages 8 to 12. By Hafsa H., KIDS FIRST!
Runtime: 17 minutes Juror Recommended Age: 5-18 Suggested Retail Price: $ Media: VIDEO



This title is in the KIDS FIRST! Film Festival - it may not be a regular, endorsed title
CURIOUS INCIDENT OF EVERETT WILDER, THE
CURIOUS INCIDENT OF EVERETT WILDER, THE - BEN TOBIN
Series: INDIE SHORT, AGES 8-12
Description - The Curious Incident of Everett Wilder is the story of a lonely boy who encounters a jackalope at his birthday party in 1952. Following this curious incident, Everett becomes obsessed with catching the uncatchable horned rabbit. With the help of the enigmatic Lucy Hayworth, the secret of the jackalope will be revealed.
KIDS FIRST!® Adult Jurors say - Kudos to creator, Ben Tobin, for a thoughtful and insightful short film that pays homage to a quirky story featuring a quirky character and his pursuit of the magical jackalope.

Narrated by Lucy Payworth (Vanessa Libby), as an adult, as she reminisces about her childhood friend Everett (Nathaniel Ruth) who has a birthday party where he invites his toys, but no people, but secretly wishes for friends. All the same, he has quite the magical party, including meeting a magical bunny with horns -- a jackalope, which he would like to catch for Lucy Payworth (Ripley Dresser).

This fantasy story takes place in the early 1950s, beginning in Everett's backyard with its wide expanse of lawn where the birthday party takes place and a wooded area behind it where the jackalope mysteriously escapes to. Then, we see him inside his hose and at Lucy's which are decorated in 1940 d�cor from the furniture to the curtains. Everett and Lucy have one thing in common, they have both seen the jackalope, and they both like to do the bunny hop! The costumes also are time compliant; my favorite being Everett's argyle sweater and bowtie. The background music is extraordinary; it is an original score by Andres Soto and well suited to each scene. The visual effects are used sparingly, but are strong. I.e. When Everett chases the jackalope into the woods and it disappears in a wispy cloud. The special effects at the end when Everett finds the jackalope again and it is the size of a moose are quite striking! The camera work and audio recording are well done; so is the editing. My favorite part is the ending when grown up Everett and Luc are dancing together in the old house. Again, the scene is accompanied with beautiful music. The film is dedicated to Robert Parati (1927-2017), whom we don't know anything about but presume he made a huge impact on Ben Tobin's life.

The film is about the magic in the world, which is sometimes just slightly out of reach, but you can grasp it if you keep at it.

I give The Curious Incident of Everett Wilder 4 out of 5 stars and recommend it for ages 8 to 12, plus adults. By Evie K., and Julie S., KIDS FIRST!
KIDS FIRST!® Kid Jurors say - Kudos to creator, Ben Tobin, for a thoughtful and insightful short film that pays homage to a quirky story featuring a quirky character and his pursuit of the magical jackalope.

Narrated by Lucy Payworth (Vanessa Libby), as an adult, as she reminisces about her childhood friend Everett (Nathaniel Ruth) who has a birthday party where he invites his toys, but no people, but secretly wishes for friends. All the same, he has quite the magical party, including meeting a magical bunny with horns -- a jackalope, which he would like to catch for Lucy Payworth (Ripley Dresser).

This fantasy story takes place in the early 1950s, beginning in Everett's backyard with its wide expanse of lawn where the birthday party takes place and a wooded area behind it where the jackalope mysteriously escapes to. Then, we see him inside his hose and at Lucy's which are decorated in 1940 decor from the furniture to the curtains. Everett and Lucy have one thing in common, they have both seen the jackalope, and they both like to do the bunny hop! The costumes also are time compliant; my favorite being Everett's argyle sweater and bowtie. The background music is extraordinary; it is an original score by Andres Soto and well suited to each scene. The visual effects are used sparingly, but are strong. I.e. When Everett chases the jackalope into the woods and it disappears in a wispy cloud. The special effects at the end when Everett finds the jackalope again and it is the size of a moose are quite striking! The camera work and audio recording are well done; so is the editing. My favorite part is the ending when grown up Everett and Luc are dancing together in the old house. Again, the scene is accompanied with beautiful music. The film is dedicated to Robert Parati (1927-2017), whom we don't know anything about but presume he made a huge impact on Ben Tobin's life.

The film is about the magic in the world, which is sometimes just slightly out of reach, but you can grasp it if you keep at it.

I give The Curious Incident of Everett Wilder 4 out of 5 stars and recommend it for ages 8 to 12, plus adults. By Evie K., and Julie S., KIDS FIRST!
Runtime: 18 minutes Juror Recommended Age: 8-12 Suggested Retail Price: $ Media: VIDEO



This title is in the KIDS FIRST! Film Festival - it may not be a regular, endorsed title
SOVEREIGN FOR KIDS: MY FIRST HOLIDAY MOVIE
SOVEREIGN FOR KIDS: MY FIRST HOLIDAY MOVIE - INHALE STUDIOS
Series: INDIE SHORT, AGES 8-12
Description - When a viral hit by animated stars Earthe and Atreyu explodes online, the cousins leap from their 2D world into our reality to film a music video in a single day. Assisted by their 4D mentor, Miss Hallelujah, and the talented students of Jumoke Academy, the mission is on track until a catastrophic glitch threatens their grand finale. With the clock ticking, their only hope lies with "Code Name: Piper," a mysterious prototype designed to bridge the digital divide. Blending vibrant animation with live action, this fast-paced short is a whirlwind of original music and dimension-hopping mayhem. Featuring an all-star cast--including Heiress Harris, King Moore, Amiyah Cox, and Lil Rounds--this film is a high-energy race against time that proves some stars are too big for just one dimension.
KIDS FIRST!® Adult Jurors say - SOVEREIGN FoR KiDs: My First Holiday MOVIE is a vibrant, interactive animated short that follows cousins Earthe and Atreyu after their original song goes viral. Eager to film a music video, they enlist the help of their 4D mentor, Miss Hallelujah, and a team of industry "shakers and movers" from InHale Studios�. The journey takes them to Jumoke Academy in Hartford, CT, where they collaborate with energetic real-life students to complete their mission. However, a major technical glitch threatens their encore performance, leading to a high-stakes race against time.

The film stands out for its seamless blend of 2D animation and live-action reality. The "hip-hop and upbeat" soundtrack, featuring the inspiring track "New Year, New Me," drives the film's high energy and reinforces the message that the past does not define your future. Viewers will enjoy the unique interactive elements--such as pausing for a math equation--and the relatable, "childish" personalities of the lead characters.

With a powerful message about the strength found in asking for help, this modern adventure is both educational and entertaining. Note: The film includes flashing lights and shaking effects during "glitch" scenes, which may affect sensitive viewers. I give SOVEREIGN FoR KiDs: My First Holiday MOVIE 4 out of 5 stars and recommend it for ages 8 to 12.

By Zamyra G., KIDS FIRST!
KIDS FIRST!® Kid Jurors say - SOVEREIGN FoR KiDs: My First Holiday MOVIE is a vibrant, interactive animated short that follows cousins Earthe and Atreyu after their original song goes viral. Eager to film a music video, they enlist the help of their 4D mentor, Miss Hallelujah, and a team of industry "shakers and movers" from InHale Studios�. The journey takes them to Jumoke Academy in Hartford, CT, where they collaborate with energetic real-life students to complete their mission. However, a major technical glitch threatens their encore performance, leading to a high-stakes race against time.

The film stands out for its seamless blend of 2D animation and live-action reality. The "hip-hop and upbeat" soundtrack, featuring the inspiring track "New Year, New Me," drives the film's high energy and reinforces the message that the past does not define your future. Viewers will enjoy the unique interactive elements--such as pausing for a math equation--and the relatable, "childish" personalities of the lead characters.

With a powerful message about the strength found in asking for help, this modern adventure is both educational and entertaining. Note: The film includes flashing lights and shaking effects during "glitch" scenes, which may affect sensitive viewers. I give SOVEREIGN FoR KiDs: My First Holiday MOVIE 4 out of 5 stars and recommend it for ages 8 to 12.

By Zamyra G., KIDS FIRST!
Runtime: 25 minutes Juror Recommended Age: 8-12 Suggested Retail Price: $ Media: VIDEO



This title is in the KIDS FIRST! Film Festival - it may not be a regular, endorsed title
SMURFS SEASON 3, THE: REACHING FOR THE STARS - GAELLE KUBA DI VITA
Series: FOREIGN ANIMATED SHORT, AGES 5-8
Description - The Smurfs return for a high-energy Season Three, blending classic characters with a fresh burst of comedic energy from a new group of female Smurfs. While Gargamel remains the primary threat, he is now hilariously overwhelmed by his mischievous niece and nephew, as well as a formidable new dragon named Voltaire, whose icy breath can freeze anyone in his path. This season expands Peyo's colorful universe with even more villains and unpredictable adventures. In this featured episode, Monkey accidentally breaks Papa Smurf's telescope and sets off on a heartfelt quest to find a real star to make amends for the damage.
KIDS FIRST!® Adult Jurors say - In this high-energy installment, the Smurf Village prepares for the arrival of the "Vega Smurfolious Star," a celestial event Papa Smurf has awaited for 3,000 years. The mission is jeopardized when Monkey and Baby Smurf accidentally break the village telescope, sparking a race against time to repair it. Amidst the chaos, Monkey and a new Smurf friend must narrowly escape the clutches of Gargamel, leading to a triumphant finale where the community gathers to witness the rare star. The animation is exceptional, featuring crisp colors and whimsical backgrounds that bring the chaotic Smurf Village to life. The original score by Brad Breeck and Gabriel Hayes perfectly complements the action, from the tense forest chases to the imaginative moments where Monkey mistakes fireflies and geodes for stars. With its heartwarming message about the importance of family and friendship, this "smurfabulous" adventure is a visual delight that truly belongs on the big screen.

I give The Smurfs Season 3 - Reaching For The Stars 4.5 out of 5 stars and recommend it for ages 2 to 8, plus adults. By Evelyn K., KIDS FIRST!
KIDS FIRST!® Kid Jurors say - In this high-energy installment, the Smurf Village prepares for the arrival of the "Vega Smurfolious Star," a celestial event Papa Smurf has awaited for 3,000 years. The mission is jeopardized when Monkey and Baby Smurf accidentally break the village telescope, sparking a race against time to repair it. Amidst the chaos, Monkey and a new Smurf friend must narrowly escape the clutches of Gargamel, leading to a triumphant finale where the community gathers to witness the rare star. The animation is exceptional, featuring crisp colors and whimsical backgrounds that bring the chaotic Smurf Village to life. The original score by Brad Breeck and Gabriel Hayes perfectly complements the action, from the tense forest chases to the imaginative moments where Monkey mistakes fireflies and geodes for stars. With its heartwarming message about the importance of family and friendship, this "smurfabulous" adventure is a visual delight that truly belongs on the big screen.

I give The Smurfs Season 3 - Reaching For The Stars 4.5 out of 5 stars and recommend it for ages 2 to 8, plus adults. By Evelyn K., KIDS FIRST!
Runtime: 12 minutes Juror Recommended Age: 5-8 Suggested Retail Price: $ Media: VIDEO



This title is in the KIDS FIRST! Film Festival - it may not be a regular, endorsed title
CLARA TAKES THE WHEEL
CLARA TAKES THE WHEEL - SARA DUFOSSE
Series: FOREIGN SHORT, AGES 12-18
Description - Today is Clara's 17th birthday. Her father, Gilles, wants to keep her busy while he organizes her surprise party. He decides to take her to a deserted parking lot to carry on with her driving lessons. Alone in this small, confined cabin out in the middle of nowhere, things won't turn out the way Gilles had hoped.
KIDS FIRST!® Adult Jurors say - Clara Takes the Wheel is a poignantly observed, live-action short film that explores the delicate, often turbulent dynamics of a modern blended family. This compelling Belgian production boasts impressive technical execution, featuring sharp cinematography, crisp audio recording, and a tightly paced edit. Though the primary dialogue is in French with English subtitles, the universal emotional stakes transcend any language barrier, offering a highly relatable narrative for any teen or parent navigating life post-divorce.

The story unfolds on Clara's 17th birthday. In an effort to keep her occupied while he and her stepmother coordinate a secret surprise party, Clara's father insists on maintaining their normal routine by taking her to an abandoned parking lot for a driving lesson. However, under the surface of an ordinary birthday, tension quickly boils over. The high emotional stakes of the milestone day lead to a raw, authentic argument behind the wheel. Ultimately, the conflict gives way to mutual understanding and reconciliation, leading--et voil�--to the heartwarming surprise celebration.

The film serves as a beautiful, comforting reminder of the patience required to maintain family bonds through difficult transitions. It gently illustrates that even when parental efforts feel misguided or frustrating, they are often rooted in a deep desire to love and support.

I give Clara Takes the Wheel 3.5 out of 5 stars and recommend it for ages 12 to 18. By Janet S., KIDS FIRST!
KIDS FIRST!® Kid Jurors say - Clara Takes the Wheel is a poignantly observed, live-action short film that explores the delicate, often turbulent dynamics of a modern blended family. This compelling Belgian production boasts impressive technical execution, featuring sharp cinematography, crisp audio recording, and a tightly paced edit. Though the primary dialogue is in French with English subtitles, the universal emotional stakes transcend any language barrier, offering a highly relatable narrative for any teen or parent navigating life post-divorce.

The story unfolds on Clara's 17th birthday. In an effort to keep her occupied while he and her stepmother coordinate a secret surprise party, Clara's father insists on maintaining their normal routine by taking her to an abandoned parking lot for a driving lesson. However, under the surface of an ordinary birthday, tension quickly boils over. The high emotional stakes of the milestone day lead to a raw, authentic argument behind the wheel. Ultimately, the conflict gives way to mutual understanding and reconciliation, leading--et voil�--to the heartwarming surprise celebration.

The film serves as a beautiful, comforting reminder of the patience required to maintain family bonds through difficult transitions. It gently illustrates that even when parental efforts feel misguided or frustrating, they are often rooted in a deep desire to love and support.

I give Clara Takes the Wheel 3.5 out of 5 stars and recommend it for ages 12 to 18. By Janet S., KIDS FIRST!
Runtime: 15 minutes Juror Recommended Age: 12-18 Suggested Retail Price: $ Media: VIDEO



This title is in the KIDS FIRST! Film Festival - it may not be a regular, endorsed title
WHEN WOMEN STAND TALL
WHEN WOMEN STAND TALL - FANNY LE FLOCH-VERGNON, PRODUCTRICE
Series: FOREIGN INDIE ANIMATED SHORT, AGES 5-8
Description - Between the individual destinies of certain women who dared to defy prohibitions to live their dreams, and hard-won societal advances, Pomme and Fix discover what women have had to overcome, and are determined to make this hard-won freedom flourish even more!
KIDS FIRST!® Adult Jurors say - When Women Stand Tall is a masterfully crafted, vibrant animated short that delivers a captivating historical overview of the global struggle for women's rights. The narrative follows two curious children, Pomme and Fix, who embark on a time-traveling journey guided by a whimsical, luminescent entity. Together, they journey from the 1800s to the 2000s, witnessing the monumental obstacles women have courageously defied--from fighting for the ballot box to demanding financial independence. By the end of their journey, both the characters and the audience leave with their eyes wide open to the power of resilience.

The animation direction is nothing short of brilliant, utilizing a clever mix of visual textures to delineate past and present. While our young protagonists are animated in a clean, modern 2D format, the historical figures they encounter appear as beautifully textured, stylized paper cut-outs, evoking the feeling of a living history book. Their glowing guide--visualized as a charming cross between a friendly specter and an illuminated paper lantern--adds a delightful touch of magic realism to the adventure.

Produced by the renowned French network Canal+, this is a top-tier, exceptionally polished production. Backed by a large, talented crew, the film boasts flawless pacing, rich sound design, and an accessible, articulate English voice track that ensures seamless viewing for domestic audiences.

When Women Stand Tall is a rare gem that perfectly balances robust educational merit with pure entertainment value. It is a vital, inspiring addition to the KIDS FIRST! Film Festival lineup that will spark wonderful post-screening conversations among children and parents alike.

I give When Women Stand Tall 4.5 out of 5 stars and recommend it for ages 5 to 12. By Janet S., KIDS FIRST!
KIDS FIRST!® Kid Jurors say - When Women Stand Tall is a masterfully crafted, vibrant animated short that delivers a captivating historical overview of the global struggle for women's rights. The narrative follows two curious children, Pomme and Fix, who embark on a time-traveling journey guided by a whimsical, luminescent entity. Together, they journey from the 1800s to the 2000s, witnessing the monumental obstacles women have courageously defied--from fighting for the ballot box to demanding financial independence. By the end of their journey, both the characters and the audience leave with their eyes wide open to the power of resilience.

The animation direction is nothing short of brilliant, utilizing a clever mix of visual textures to delineate past and present. While our young protagonists are animated in a clean, modern 2D format, the historical figures they encounter appear as beautifully textured, stylized paper cut-outs, evoking the feeling of a living history book. Their glowing guide--visualized as a charming cross between a friendly specter and an illuminated paper lantern--adds a delightful touch of magic realism to the adventure.

Produced by the renowned French network Canal+, this is a top-tier, exceptionally polished production. Backed by a large, talented crew, the film boasts flawless pacing, rich sound design, and an accessible, articulate English voice track that ensures seamless viewing for domestic audiences.

When Women Stand Tall is a rare gem that perfectly balances robust educational merit with pure entertainment value. It is a vital, inspiring addition to the KIDS FIRST! Film Festival lineup that will spark wonderful post-screening conversations among children and parents alike.

I give When Women Stand Tall 4.5 out of 5 stars and recommend it for ages 5 to 12. By Janet S., KIDS FIRST!
Runtime: 11 minutes Juror Recommended Age: 5-8 Suggested Retail Price: $ Media: VIDEO



This title is in the KIDS FIRST! Film Festival - it may not be a regular, endorsed title
TAKOKUMA MINI THEATER
TAKOKUMA MINI THEATER - LEE CHIEH
Series: FOREIGN ANIMATED SHORT, AGES 5-8
Description - When imagination opens up, the world becomes wider. Join Takokuma and his friends on warm and playful everyday adventures through the changing seasons.
KIDS FIRST!® Adult Jurors say - Although geared toward young children, I thoroughly enjoyed Takokuma Mini Theater. This charming, dialogue-free animated series follows a fictional character named Takokuma (who is neither an octopus nor a bear) and his distinct animal friends--like a rabbit in a "22" hat and an orange raccoon in a tie--as they navigate adventures through the four seasons.

The episodic, mini-story format is perfect for toddlers. The plot focuses on relatable, everyday challenges like friendship and problem-solving. In one sweet segment, a hedgehog friend reads multiple books to learn how to bake a birthday cake. In another, Takokuma stays out in the winter cold too long trying to pick an apple, and his friends lovingly help him thaw out. The characters also participate in familiar seasonal traditions, like carving Halloween pumpkins and exchanging Christmas gifts.

Director Wei Hsin Tsai, founder of Sunthingood Studio, intentionally designed Takokuma to express "genuine joy" in a taxing world. He beautifully proves that children's media can be deeply captivating without complex language or heavy storylines. Because there is no dialogue, the whimsical sound effects are imperative, perfectly conveying emotions like joy, confusion, and nervousness.

My favorite part is when the friends skip across river rocks. When they accidentally fall into the water, there is no conflict--they simply smile and continue enjoying their time together.

The show's message is that our differences are what make us unique. Even though the characters are all different species, they celebrate each other as best friends.

Originating in Taiwan, Takokuma Mini Theater makes a wonderful special-interest topic for Asian families, though its universal themes make it perfect for all children.

I give it 4.5 out of 5 stars and recommend it for ages 2 to 8, plus adults.

By Maica N., KIDS FIRST!
KIDS FIRST!® Kid Jurors say - Although geared toward young children, I thoroughly enjoyed Takokuma Mini Theater. This charming, dialogue-free animated series follows a fictional character named Takokuma (who is neither an octopus nor a bear) and his distinct animal friends--like a rabbit in a "22" hat and an orange raccoon in a tie--as they navigate adventures through the four seasons.

The episodic, mini-story format is perfect for toddlers. The plot focuses on relatable, everyday challenges like friendship and problem-solving. In one sweet segment, a hedgehog friend reads multiple books to learn how to bake a birthday cake. In another, Takokuma stays out in the winter cold too long trying to pick an apple, and his friends lovingly help him thaw out. The characters also participate in familiar seasonal traditions, like carving Halloween pumpkins and exchanging Christmas gifts.

Director Wei Hsin Tsai, founder of Sunthingood Studio, intentionally designed Takokuma to express "genuine joy" in a taxing world. He beautifully proves that children's media can be deeply captivating without complex language or heavy storylines. Because there is no dialogue, the whimsical sound effects are imperative, perfectly conveying emotions like joy, confusion, and nervousness.

My favorite part is when the friends skip across river rocks. When they accidentally fall into the water, there is no conflict--they simply smile and continue enjoying their time together.

The show's message is that our differences are what make us unique. Even though the characters are all different species, they celebrate each other as best friends.

Originating in Taiwan, Takokuma Mini Theater makes a wonderful special-interest topic for Asian families, though its universal themes make it perfect for all children.

I give it 4.5 out of 5 stars and recommend it for ages 2 to 8, plus adults.

By Maica N., KIDS FIRST!
Runtime: 30 minutes Juror Recommended Age: 5-8 Suggested Retail Price: $ Media: VIDEO



This title is in the KIDS FIRST! Film Festival - it may not be a regular, endorsed title
FAVOR, THE - INGRID PAOLA BONILLA RODRIGUEZ
Series: FOREIGN SHORT, AGES 8-12
Description - Wilmar, a shy but determined peasant boy, experiences first love while struggling to be accepted at school and valued for who he is. With the help of his best friend, he will face misunderstandings, prejudice and ridicule, discovering that being true to his roots is also an act of courage. A story that celebrates friendship, mischief, childhood and the dignity of rural life.
KIDS FIRST!® Adult Jurors say - The Favour is an engaging story about a country boy, Wilmar, finding his way in the larger world. This Colombian coming-of-age film, featuring Spanish dialogue with English subtitles, beautifully captures nature, friendship, and young love.

When Wilmar starts school, he struggles to fit in until a loyal friend stands up to bullies and helps him connect with a girl he likes. The film blends live action with clever animation interstitials and stunning shots of the countryside--from trickling water to vast mountains--that make the rural setting feel real. The cast, mostly non-professional actors, delivers incredibly natural performances. The lack of modern technology and the inclusion of realistic sound effects give the movie a timeless quality. My favorite moment is when Wilmar's friend defends him against being called a "hillbilly," showcasing genuine bravery.

The film's message highlights the importance of loyalty regardless of social status. I give The Favour 4 out of 5 stars and recommend it for ages 5 to 12. Note that it includes some risky activities that children might imitate. By Yun L., KIDS FIRST!
KIDS FIRST!® Kid Jurors say - The Favour is an engaging story about a country boy, Wilmar, finding his way in the larger world. This Colombian coming-of-age film, featuring Spanish dialogue with English subtitles, beautifully captures nature, friendship, and young love.

When Wilmar starts school, he struggles to fit in until a loyal friend stands up to bullies and helps him connect with a girl he likes. The film blends live action with clever animation interstitials and stunning shots of the countryside--from trickling water to vast mountains--that make the rural setting feel real. The cast, mostly non-professional actors, delivers incredibly natural performances. The lack of modern technology and the inclusion of realistic sound effects give the movie a timeless quality. My favorite moment is when Wilmar's friend defends him against being called a "hillbilly," showcasing genuine bravery.

The film's message highlights the importance of loyalty regardless of social status. I give The Favour 4 out of 5 stars and recommend it for ages 5 to 12. Note that it includes some risky activities that children might imitate. By Yun L., KIDS FIRST!
Runtime: 20 minutes Juror Recommended Age: 8-12 Suggested Retail Price: $ Media: VIDEO



This title is in the KIDS FIRST! Film Festival - it may not be a regular, endorsed title
FOUNTAIN OF YOUTH: BOYS & GIRLS CLUB
FOUNTAIN OF YOUTH: BOYS & GIRLS CLUB - STACY CUNNINGHAM
Series: INDIE SHORT, AGES 12-18
Description - As the Boys & Girls Club students prepare for a live talent show to showcase Student Youth of the Year, they discover they have been robbed!
KIDS FIRST!® Adult Jurors say - Fountain of Youth: Boys and Girls Club is comical and fun. It's not a student made film, but most of the key characters are young people. The plot is interesting, and there's a few twists taking place at the end.

The storyline follows a group of Boys & Girls Club students getting ready to put on a talent show when they discover that many items are missing. A singer is missing her microphone, and multiple performers are missing props and costume items. The crew sets out to discover what happened to those objects before the talent show starts.

The story revolves around a talent show and the missing props. The camera work, audio recording and editing are pretty good. The lighting could use some improvement, but it's entirely watchable. There's a good blend of long shots, closeups and medium shots. The acting is good enough to move the plot along, but we don't really get to know the characters or the events surrounding the story. The film takes place in a high school - in the auditorium and the classrooms where they rehearse. The writing stands out in this film with its witty dialogue. The comedy is my favorite part; it is some clever comedic writing. The end credits take up two minutes of the 8 minute film, which is unusual, but in this case, gives us more insight into the cast and crew, plus it has great music playing in the background. It is obvious that all the talent involved, from kid wrangler to director, to gaffer, to actors to the brown dog at the end, have all worked very hard to create this. I completely recommend it for a student film festival.

The film's message is that even animals always want to be surrounded by people and things they love.

I give Fountain of Youth: Boys & Girls Club 3.5 out of 5 stars and recommend it for ages 12 to 18. By Kyla C. and Julie S., KIDS FIRST!
KIDS FIRST!® Kid Jurors say - Fountain of Youth: Boys and Girls Club is comical and fun. It's not a student made film, but most of the key characters are young people. The plot is interesting, and there's a few twists taking place at the end.

The storyline follows a group of Boys & Girls Club students getting ready to put on a talent show when they discover that many items are missing. A singer is missing her microphone, and multiple performers are missing props and costume items. The crew sets out to discover what happened to those objects before the talent show starts.

The story revolves around a talent show and the missing props. The camera work, audio recording and editing are pretty good. The lighting could use some improvement, but it's entirely watchable. There's a good blend of long shots, closeups and medium shots. The acting is good enough to move the plot along, but we don't really get to know the characters or the events surrounding the story. The film takes place in a high school - in the auditorium and the classrooms where they rehearse. The writing stands out in this film with its witty dialogue. The comedy is my favorite part; it is some clever comedic writing. The end credits take up two minutes of the 8 minute film, which is unusual, but in this case, gives us more insight into the cast and crew, plus it has great music playing in the background. It is obvious that all the talent involved, from kid wrangler to director, to gaffer, to actors to the brown dog at the end, have all worked very hard to create this. I completely recommend it for a student film festival.

The film's message is that even animals always want to be surrounded by people and things they love.

I give Fountain of Youth: Boys & Girls Club 3.5 out of 5 stars and recommend it for ages 12 to 18. By Kyla C. and Julie S., KIDS FIRST!
Runtime: 8 minutes Juror Recommended Age: 12-18 Suggested Retail Price: $ Media: VIDEO



This title is in the KIDS FIRST! Film Festival - it may not be a regular, endorsed title
BEST DAY EVER
BEST DAY EVER - BERNE BROUDY
Series: INDIE DOCUMENTARY SHORT, AGES 12 TO 18
Description - Best Day Ever captures the powerful journeys of adaptive mountain bikers Greg Durso and Allie Bianchi as they conquer the rugged trails of rural Vermont. Far more than a sports documentary, the film highlights how they navigate the daily realities of disability with humor, grit, and an unbreakable sense of independence. Supported by a vibrant local riding community, Allie and Greg demonstrate how inclusive trails can dismantle ableism and foster deep connection. Their story serves as an inspiring blueprint for accessible recreation everywhere, proving that the right support and a bit of "attitude" can transform any challenge into the best day ever.
KIDS FIRST!® Adult Jurors say - Best Day Ever is an amazing documentary about a passionate group of adaptive mountain bikers, their friends, and a dedicated community of volunteers. The story centers on adaptive riders Greg Durso and Allie Bianchi as they embark on an incredible three-year journey to build the world's first-ever, fully adaptive mountain bike course in East Burke, Vermont. Over 200 volunteers show up weekly, transforming their hard work into an outstanding trail system that even includes the world's only adaptive Double Black Diamond course.

The documentary flows seamlessly and features outstanding camerawork. The thrilling close-ups of the adaptive bikers racing down the tracks are eye-opening, beautifully capturing the pure joy on their faces. Seeing how hard Greg, Allie, and the other riders work to overcome daily challenges and lead full, adventurous lives is utterly awe-inspiring.

The film also highlights the immense heart of the community. In one touching moment, Greg helps a non-disabled young man learn to ride an adaptive bike. Created by Richmond Mountain Trails, the film is directed by award-winning outdoor filmmakers Ben Knight (a former National Geographic Adventurer of the Year nominee) and Berne Broudy. Together, they expand our horizons by showing these riders flying down the trails.

This powerful film reminds us that we can accomplish amazing things, and even find a second family, when we work hard toward a common goal.

Advisory Note: Please be aware that the film contains a single instance of profanity; Greg Durso uses the "F" word once near the beginning of the movie.

I give Best Day Ever 5 out of 5 stars and recommend it for ages 12 to 18, plus adults. By Evie K., KIDS FIRST!
KIDS FIRST!® Kid Jurors say - Best Day Ever is an amazing documentary about a passionate group of adaptive mountain bikers, their friends, and a dedicated community of volunteers. The story centers on adaptive riders Greg Durso and Allie Bianchi as they embark on an incredible three-year journey to build the world's first-ever, fully adaptive mountain bike course in East Burke, Vermont. Over 200 volunteers show up weekly, transforming their hard work into an outstanding trail system that even includes the world's only adaptive Double Black Diamond course.

The documentary flows seamlessly and features outstanding camerawork. The thrilling close-ups of the adaptive bikers racing down the tracks are eye-opening, beautifully capturing the pure joy on their faces. Seeing how hard Greg, Allie, and the other riders work to overcome daily challenges and lead full, adventurous lives is utterly awe-inspiring.

The film also highlights the immense heart of the community. In one touching moment, Greg helps a non-disabled young man learn to ride an adaptive bike. Created by Richmond Mountain Trails, the film is directed by award-winning outdoor filmmakers Ben Knight (a former National Geographic Adventurer of the Year nominee) and Berne Broudy. Together, they expand our horizons by showing these riders flying down the trails.

This powerful film reminds us that we can accomplish amazing things, and even find a second family, when we work hard toward a common goal.

Advisory Note: Please be aware that the film contains a single instance of profanity; Greg Durso uses the "F" word once near the beginning of the movie.

I give Best Day Ever 5 out of 5 stars and recommend it for ages 12 to 18, plus adults. By Evie K., KIDS FIRST!
Runtime: 48 minutes Juror Recommended Age: 12-18 Suggested Retail Price: $ Media: VIDEO



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