Description - After a long time a deaf boy meets his father again, who's a musician and does not speak sign language. Over a long weekend father and son realize they speak a common language through music. From Germany with dialogue in German; English subtitles
KIDS FIRST!® Adult Jurors say - I really like Tremolo. It's a very interesting film about a topic that needs to be talked about more. The plot is great and I especially love the acting by Thomas Jansen who portrays Georg, Aron's father.A deaf boy named Aron (Ben Kermer) goes to stay with his father (Thomas Jansen)) for a week. His father doesn't know sign language so the two of them find it very difficult to communicate or come to some kind of understanding. Georg is a musician and has a music room in his house. When Aron explores the room, the two of them discover that they share a love of music.
Ella Fitzgerald once said, "Music is the universal language... it brings people closer together." While I won't assume that Tremolo was based on this quote, I think the quote correlates really well with this film. Georg and Aron can't communicate because of their language barrier. Aron can't hear any spoken language and Georg doesn't know any sign language. But, believing that music is the universal language, Georg and Aron share a common language and I really love the way the film portrays their journey in understanding that.
The cinematography and camera work are very good -- all quality work and smart use of angles and focus. There is a small glitch around 15:34 so, if the film is accepted to the festival, a copy without that glitch would need to be provided. The setting at the dad's house is a house that looks like a typical middle class person's house. The music room looks like a music room might and suits the story. I really like that the film constantly switches between what a hearing person would hear to what a deaf person would hear. When Aron's parents are talking, we can hear them but Aron can't. When Aron bangs on drums or on pianos in the middle of the night, he hears muffled sounds while Aron's dad wakes up from all the loud discordant noise. It's as if Aron can hear what he's supposed to be hearing but he can't actually hear the sounds like a person with normal hearing can. He can hear a sound but it's muffled; he can't discern the finer points of the sounds. I absolutely love the scene where Aron's father realizes why Aron loves music so much. His face softens in a way that I immediately thought, "Wow, that's good acting." Of course it's not just the acting, the cinematography is very important in this scene. But I really am very impressed by Thomas Jansen. His performance is stunning. The screenplay is also very good and delivers a wonderful story. Aron loves music so much because music is that it's not just something you hear, music is something that makes you feel. It's something you CAN feel. You don't have to know what a song is about. The beat tells you that it's a slow song, or it's rock n' roll or jazz, that it's a sad song or a happy song. Even though Aron's deaf, he can feel the beat - he can feel the music through its vibrations. He can hear rock songs blaring through the speakers not through his ears but through the vibrations going up his body when he puts his hand to the speaker. Aron's father is a man with a deaf kid; he doesn't know sign language and is a musician. When Aron's father realizes that Aron likes music just like he does, it's an incredibly heartwarming scene. Originally, Aron's father thought that he would never get to share his passion with his son. But he can. True! Aron can't hear the music, but he can feel it. That's more important with music anyway. We all know there's a difference between listening to something and hearing something. I absolutely love this scene because it's the first time that Aron and his father truly bond. They do so over their shared love of music. They love it in different ways but it's something they have in common. It's an understanding. And that's beautiful to me.
I learned a lot about the deaf community from watching this film. I had never thought of an alarm clock that flashes lights instead of sounds. I never knew that deaf people can hear music. I remember playing Would You Rather with my friends and when we do that and someone says that they would rather be deaf than be blind, there's always someone that goes "yeah, but you would never be able to hear music again." This film made me rethink that; that deaf people can still feel the music, still feel beats, feel rhythms. This film opened my mind to a world I didn't know.
The film's message is to give insight into a world that hearing viewers are unaware of. The film makes us more aware of people with deafness and what they go through, what they feel or don't feel. This film spreads awareness, understanding, and insight into the world of people with hearing disabilities.
I give Tremolo 4.5 out of 5 stars and recommend it for ages 12 to 18, plus adults. By Alma K., KIDS FIRST!
KIDS FIRST!® Kid Jurors say - I really like Tremolo. It's a very interesting film about a topic that needs to be talked about more. The plot is great and I especially love the acting by Thomas Jansen who portrays Georg, Aron's father.
A deaf boy named Aron (Ben Kermer) goes to stay with his father (Thomas Jansen)) for a week. His father doesn't know sign language so the two of them find it very difficult to communicate or come to some kind of understanding. Georg is a musician and has a music room in his house. When Aron explores the room, the two of them discover that they share a love of music.
Ella Fitzgerald once said, "Music is the universal language... it brings people closer together." While I won't assume that Tremolo was based on this quote, I think the quote correlates really well with this film. Georg and Aron can't communicate because of their language barrier. Aron can't hear any spoken language and Georg doesn't know any sign language. But, believing that music is the universal language, Georg and Aron share a common language and I really love the way the film portrays their journey in understanding that.
The cinematography and camera work are very good -- all quality work and smart use of angles and focus. There is a small glitch around 15:34 so, if the film is accepted to the festival, a copy without that glitch would need to be provided. The setting at the dad's house is a house that looks like a typical middle class person's house. The music room looks like a music room might and suits the story. I really like that the film constantly switches between what a hearing person would hear to what a deaf person would hear. When Aron's parents are talking, we can hear them but Aron can't. When Aron bangs on drums or on pianos in the middle of the night, he hears muffled sounds while Aron's dad wakes up from all the loud discordant noise. It's as if Aron can hear what he's supposed to be hearing but he can't actually hear the sounds like a person with normal hearing can. He can hear a sound but it's muffled; he can't discern the finer points of the sounds. I absolutely love the scene where Aron's father realizes why Aron loves music so much. His face softens in a way that I immediately thought, "Wow, that's good acting." Of course it's not just the acting, the cinematography is very important in this scene. But I really am very impressed by Thomas Jansen. His performance is stunning. The screenplay is also very good and delivers a wonderful story. Aron loves music so much because music is that it's not just something you hear, music is something that makes you feel. It's something you CAN feel. You don't have to know what a song is about. The beat tells you that it's a slow song, or it's rock n' roll or jazz, that it's a sad song or a happy song. Even though Aron's deaf, he can feel the beat - he can feel the music through its vibrations. He can hear rock songs blaring through the speakers not through his ears but through the vibrations going up his body when he puts his hand to the speaker. Aron's father is a man with a deaf kid; he doesn't know sign language and is a musician. When Aron's father realizes that Aron likes music just like he does, it's an incredibly heartwarming scene. Originally, Aron's father thought that he would never get to share his passion with his son. But he can. True! Aron can't hear the music, but he can feel it. That's more important with music anyway. We all know there's a difference between listening to something and hearing something. I absolutely love this scene because it's the first time that Aron and his father truly bond. They do so over their shared love of music. They love it in different ways but it's something they have in common. It's an understanding. And that's beautiful to me.
I learned a lot about the deaf community from watching this film. I had never thought of an alarm clock that flashes lights instead of sounds. I never knew that deaf people can hear music. I remember playing Would You Rather with my friends and when we do that and someone says that they would rather be deaf than be blind, there's always someone that goes "yeah, but you would never be able to hear music again." This film made me rethink that; that deaf people can still feel the music, still feel beats, feel rhythms. This film opened my mind to a world I didn't know.
The film's message is to give insight into a world that hearing viewers are unaware of. The film makes us more aware of people with deafness and what they go through, what they feel or don't feel. This film spreads awareness, understanding, and insight into the world of people with hearing disabilities.
I give Tremolo 4.5 out of 5 stars and recommend it for ages 12 to 18, plus adults. By Alma K., KIDS FIRST!
Runtime: 21 minutes
Juror Recommended Age: 12-18
Suggested Retail Price: $
Media: VIDEO
COLOR OF AUTUMN - ALEXANDRA OLIVIA ENGELSON
Series: INDIE SHORT, AGES 8-12
Description - Inspired by a true story, in 1966 Chicago a sheltered Black eight-year-old is blindsided by cruel and casual racism while play grounding with white children. Narrative short film Color of Autumn depicts a precocious eight-year-old Black girl who lives with her hardworking parents and her adoring, wise grandmother in a quaint house on the Southside of Chicago. Nestled within the safety of her neighborhood and focused on the comforts and stresses of her family's hard-won middle class life, Dottie Grimsby has little awareness of racial tension or the isolation of segregation. But she is about to find out.
KIDS FIRST!® Adult Jurors say - I love the intention of this film with its racial and educational implications. One thing I like about this film is that it is narrated entirely from the actor's point of view, which is a unique and original way of telling the story.Inspired by a true story, in 1966, a young Black girl, Dottie (Ramiyah DeGray), resides with her parents and grandmother in a comfortable neighborhood on the South Side of Chicago. Being part of a middle-class family and living in a harmonious community, the girl did not experience racial discrimination or the hardships of segregation. The warmth and love of her family provided her with a happy childhood. However, as she grows up and interacts with white people, she begins to witness the harsh realities of the world.
The grown-up protagonist, Adult Dottie (Zealyne Marchelle Williams), remembers bits and pieces of his childhood. The production is exquisitely made, using warm colors to contrast with the nostalgic images. The camera angles and video style create a captivating visual experience, while the high-quality video lends a calming effect to the overall viewing experience. The sets and locations perfectly fit the story and the era. The entire film is shot around the scenes of the main character's life and the locations were carefully chosen to match the overall effect of the movie. For instance, at the beginning, the house is surrounded by flowers and a brightly colored tree. As the film transitions back to the main character's childhood, the tone of the entire movie changes to a yellowish-gray color. This change in color tone is maintained throughout the rest of the movie. The background music is well chosen in this film, with a variety of selections that really enhance the mood from scene to scene. The ending music is particularly insightful. Kudos to director Aimiende Negbenebor Sela for tackling a difficult topic. The most impactful part for me is the moment when Dottie is subjected to malicious discrimination and her friend courageously stands up for her. Witnessing a friend standing up for what is right is truly heartwarming. It is a reminder that by supporting each other and speaking up against injustices, we can make a positive impact on the world. I feel this movie is an important one for children to watch because they may be subjected to stereotyping associated with their race, which can lead to discriminatory treatment by their peers, including behavior can be harmful. Educating children about discrimination is important, especially before they encounter it personally.
The film's message is about how there is brutal racism, not just in 1966, but even in our world today, but there are also people who are brave enough to stand up against it and speak up for their friends. Be aware that there is definitely an unsavory of nasty racism and use of the "n" word.
I give Color of Autumn 4.5 out of 5 stars and recommend it for ages 12 to 18, plus adults. By Changyang L. and Julie S, KIDS FIRST!
KIDS FIRST!® Kid Jurors say - I love the intention of this film with its racial and educational implications. One thing I like about this film is that it is narrated entirely from the actor's point of view, which is a unique and original way of telling the story.
Inspired by a true story, in 1966, a young Black girl, Dottie (Ramiyah DeGray), resides with her parents and grandmother in a comfortable neighborhood on the South Side of Chicago. Being part of a middle-class family and living in a harmonious community, the girl did not experience racial discrimination or the hardships of segregation. The warmth and love of her family provided her with a happy childhood. However, as she grows up and interacts with white people, she begins to witness the harsh realities of the world.
The grown-up protagonist, Adult Dottie (Zealyne Marchelle Williams), remembers bits and pieces of his childhood. The production is exquisitely made, using warm colors to contrast with the nostalgic images. The camera angles and video style create a captivating visual experience, while the high-quality video lends a calming effect to the overall viewing experience. The sets and locations perfectly fit the story and the era. The entire film is shot around the scenes of the main character's life and the locations were carefully chosen to match the overall effect of the movie. For instance, at the beginning, the house is surrounded by flowers and a brightly colored tree. As the film transitions back to the main character's childhood, the tone of the entire movie changes to a yellowish-gray color. This change in color tone is maintained throughout the rest of the movie. The background music is well chosen in this film, with a variety of selections that really enhance the mood from scene to scene. The ending music is particularly insightful. Kudos to director Aimiende Negbenebor Sela for tackling a difficult topic. The most impactful part for me is the moment when Dottie is subjected to malicious discrimination and her friend courageously stands up for her. Witnessing a friend standing up for what is right is truly heartwarming. It is a reminder that by supporting each other and speaking up against injustices, we can make a positive impact on the world. I feel this movie is an important one for children to watch because they may be subjected to stereotyping associated with their race, which can lead to discriminatory treatment by their peers, including behavior can be harmful. Educating children about discrimination is important, especially before they encounter it personally.
The film's message is about how there is brutal racism, not just in 1966, but even in our world today, but there are also people who are brave enough to stand up against it and speak up for their friends. Be aware that there is definitely an unsavory of nasty racism and use of the "n" word.
I give Color of Autumn 4.5 out of 5 stars and recommend it for ages 12 to 18, plus adults. By Changyang L. and Julie S, KIDS FIRST!
Runtime: 15 minutes
Juror Recommended Age: 8-12
Suggested Retail Price: $
Media: VIDEO
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GET ALONG - ISOLDE ASAL
Series: STUDENT SHORT, AGES 8-12
Description - At young koala Fred's home, there are often fights between his brothers and his father. When it gets noisy again, Fred runs crying to the playground, where he sees the lion girl Lizzy and the duck Mika. But the two soon leave the playground and Fred finds a coin in the sand. Mika realizes that she has lost her coin. Now they can't buy ice cream anymore. Back at the playground, they find Fred who has found that very coin. Lizzy wants to get the coin back....
KIDS FIRST!® Adult Jurors say - This is an impressive animation undertaking by a team of young students, ages 7 to 11. When showing it to a group of kids the same age, they like everything about it except that the characters have no "legs" - there is an empty space between their bodies or clothing and their feet - which is odd and, since everything else about them is realistic, doesn't make sense. However, we felt the storyline is strong enough to include it, but will warm programmers about it since it was a big issue with some kids when viewing it.The storyline is about sharing as one kid loses a coin, which is picked up by another and, in the end they learn to share.
The animation is well executed with the exception of "the missing legs" as described above. There is no narration so the background music plays an important role and is well suited for the film.
I give this film 3.5 out of 5 stars and recommend it for ages 5 to 12. By Julie S., KIDS FIRST!
KIDS FIRST!® Kid Jurors say - This is an impressive animation undertaking by a team of young students, ages 7 to 11. When showing it to a group of kids the same age, they like everything about it except that the characters have no "legs" - there is an empty space between their bodies or clothing and their feet - which is odd and, since everything else about them is realistic, doesn't make sense. However, we felt the storyline is strong enough to include it, but will warm programmers about it since it was a big issue with some kids when viewing it.
The storyline is about sharing as one kid loses a coin, which is picked up by another and, in the end they learn to share.
The animation is well executed with the exception of "the missing legs" as described above. There is no narration so the background music plays an important role and is well suited for the film.
I give this film 3.5 out of 5 stars and recommend it for ages 5 to 12. By Julie S., KIDS FIRST!
Runtime: 4 minutes
Juror Recommended Age: 8-12
Suggested Retail Price: $
Media: VIDEO
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PARK SLOPE PANICS - JACK HERMILLER
Series: INDIE SHORT, AGES 2-8
Description - We start out in Park Slope, a humble neighborhood, in which a man starts his day by taking his dog to Harmony Playground. The man carelessly lets the dog roam free. The dog notices a small rabbit and chases it through classic settings in Park Slope with the man hot on his heels, causing chaos along the way. The man's misfortune soon leads to a calming afternoon at Nitehawk Cinema.
KIDS FIRST!® Adult Jurors say - I loved watching Park Slope Panics! This short film is a cute and well-crafted stop motion LEGO animated film. It made me laugh and was really cool to watch.Park Slope Panics follows a dog owner who takes his dog to the park. The dog sees a rabbit and runs off wreaking havoc around the park, ruining a picnic, and causing another dog to get loose. The film is short and it's certainly a good watch.
It's cute and, because it's so short and stop-motion at that, there's not a whole lot of leeway to fully develop a story. This one is interesting and, given the time constraints, delivers. I'm a big fan of stop motion films and this is well put together. The movement of the dog running through the streets and even some of the swift movements and face changes of the LEGOS hit home. I love the use of sound effects in the film, from objects and movements in the town, to the dog barking. The sounds are realistic; you can tell they were self-produced which makes it cool, especially since it shows the commitment of the filmmaker to create unique sounds. There isn't much voice acting, just exclamatory sounds from the characters, the dog barking, and some small speaking lines. The creator, Jack, is the writer, director, editor, animator and star. His work speaks for itself - it's terrific. As someone who loves watching those kinds of films, I was impressed at the high quality of the stop motion work, and look forward to seeing more from Jack. My favorite part is just the stop motion LEGOS. This film doesn't have much of a message - it just follows a dog chasing a rabbit around a park. Perhaps the message is to keep an eye on your pets at a park because bad things can happen.
I give this film 4 out of 5 stars and recommend it for ages 2 to 8, plus adults. By Tiana S., KIDS FIRST!
KIDS FIRST!® Kid Jurors say - I loved watching Park Slope Panics! This short film is a cute and well-crafted stop motion LEGO animated film. It made me laugh and was really cool to watch.
Park Slope Panics follows a dog owner who takes his dog to the park. The dog sees a rabbit and runs off wreaking havoc around the park, ruining a picnic, and causing another dog to get loose. The film is short and it's certainly a good watch.
It's cute and, because it's so short and stop-motion at that, there's not a whole lot of leeway to fully develop a story. This one is interesting and, given the time constraints, delivers. I'm a big fan of stop motion films and this is well put together. The movement of the dog running through the streets and even some of the swift movements and face changes of the LEGOS hit home. I love the use of sound effects in the film, from objects and movements in the town, to the dog barking. The sounds are realistic; you can tell they were self-produced which makes it cool, especially since it shows the commitment of the filmmaker to create unique sounds. There isn't much voice acting, just exclamatory sounds from the characters, the dog barking, and some small speaking lines. The creator, Jack, is the writer, director, editor, animator and star. His work speaks for itself - it's terrific. As someone who loves watching those kinds of films, I was impressed at the high quality of the stop motion work, and look forward to seeing more from Jack. My favorite part is just the stop motion LEGOS. This film doesn't have much of a message - it just follows a dog chasing a rabbit around a park. Perhaps the message is to keep an eye on your pets at a park because bad things can happen.
I give this film 4 out of 5 stars and recommend it for ages 2 to 8, plus adults. By Tiana S., KIDS FIRST!
Runtime: 4 minutes
Juror Recommended Age: 2-8
Suggested Retail Price: $
Media: VIDEO
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SARNEVESHT - YASER TALEBI
Series: FOREIGN DOCUMENTARY, AGES 12-18
Description - After the death of her mother 18-year-old Sahar is left in charge of her poor, mentally disabled father in an isolated village in Iran. This observational portrait captures a young woman caught between traditional gender roles and her desire for self-determination.
KIDS FIRST!® Adult Jurors say - Very insightful documentary.Follows 18-year-old Sahar who is left in charge of her poor, mentally disabled father in an isolated village in Iran after her mother passes. This observational portrait captures a young woman caught between traditional gender roles and her desire for self-determination.
Beautifully shot. Terrific camera work, great audio, excellent acting, poignant subject.
I give this film 4.5 out of 5 stars and recommend it for ages 12 to 18, plus adults. By Julie S., KIDS FIRST!
KIDS FIRST!® Kid Jurors say - Very insightful documentary.
Follows 18-year-old Sahar who is left in charge of her poor, mentally disabled father in an isolated village in Iran after her mother passes. This observational portrait captures a young woman caught between traditional gender roles and her desire for self-determination.
Beautifully shot. Terrific camera work, great audio, excellent acting, poignant subject.
I give this film 4.5 out of 5 stars and recommend it for ages 12 to 18, plus adults. By Julie S., KIDS FIRST!
Runtime: 25 minutes
Juror Recommended Age: 12-18
Suggested Retail Price: $
Media: VIDEO
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LIA IRL - PILI MILI FILMS
Series: FOREIGN SHORT, AGES 8-12
Description - Young boy with learning difficulties befriends a voice-activated AI assistant that unknowingly prepares him for the real challenges of life.
KIDS FIRST!® Adult Jurors say - Lia IRL is a great representation of introverted and shy people, or people who may have trouble in terms of being social. I love that they used AI, which is a very modern way to create such a story that others can relate to. It is well thought out and presented.Lia IRL follows a boy named Simon who doesn't speak much around others. He receives a new phone from his parents with an AI Assistant on it named Lia. He tries to develop conversation with LIA as if she's a real person, but as AI assistants do, she only has a limited number of capabilities. Simon, with the help of LIA, gets social experience leading up to him making new friends.
This film focuses on introverted people who have social anxiety or some form of a learning disorder. The plot has a good message but has some shortcomings. The beginning doesn't give us too much backstory on what the situation is. The film is cute though, and is a good watch. In terms of camera work, the film's scenes mostly consist of a wide view that shows Simon in the middle and you also get a sense of the world around him. It doesn't move around much, mostly it stays in one spot, focusing on the phone once in a while. Since the film focuses on a normal life, the costumes fit that standard with typical clothes a kid wears today. The sets are mostly in Simon's home and some other places that he has to go to that are mostly sports or school related. The character Simon goes from being distant and quiet at the beginning of the film to being happier and actually making a friend as the film develops. LIA becomes a friend and when she leaves, he is forced to make new friends. That experience ultimately helps him in terms of his social life and understanding of social life. The production team did well on this film. It is well made. My favorite part is when Simon is beating up his phone with the pillow and the feathers are flying everywhere. It is funny because Lia had turned into Larry, which he didn't want, and he ends up doing a lot of damage with it.
The film teaches people about social life. Especially for those who can relate to it on a different level, they will find connections of wanting to find a friend but having trouble doing so. In this case, when you do find a friend and you lose that person, it can be very upsetting. It shows us that and how, while it may be hard to make friends and you may lose friends, that's okay. You will eventually find a good friend that's worth it, helpful, and loyal.
I give Lia IRL 4 out of 5 stars and recommend it for ages 8 to 12. By Tiana S., KIDS FIRST!
KIDS FIRST!® Kid Jurors say - Lia IRL is a great representation of introverted and shy people, or people who may have trouble in terms of being social. I love that they used AI, which is a very modern way to create such a story that others can relate to. It is well thought out and presented.
Lia IRL follows a boy named Simon who doesn't speak much around others. He receives a new phone from his parents with an AI Assistant on it named Lia. He tries to develop conversation with LIA as if she's a real person, but as AI assistants do, she only has a limited number of capabilities. Simon, with the help of LIA, gets social experience leading up to him making new friends.
This film focuses on introverted people who have social anxiety or some form of a learning disorder. The plot has a good message but has some shortcomings. The beginning doesn't give us too much backstory on what the situation is. The film is cute though, and is a good watch. In terms of camera work, the film's scenes mostly consist of a wide view that shows Simon in the middle and you also get a sense of the world around him. It doesn't move around much, mostly it stays in one spot, focusing on the phone once in a while. Since the film focuses on a normal life, the costumes fit that standard with typical clothes a kid wears today. The sets are mostly in Simon's home and some other places that he has to go to that are mostly sports or school related. The character Simon goes from being distant and quiet at the beginning of the film to being happier and actually making a friend as the film develops. LIA becomes a friend and when she leaves, he is forced to make new friends. That experience ultimately helps him in terms of his social life and understanding of social life. The production team did well on this film. It is well made. My favorite part is when Simon is beating up his phone with the pillow and the feathers are flying everywhere. It is funny because Lia had turned into Larry, which he didn't want, and he ends up doing a lot of damage with it.
The film teaches people about social life. Especially for those who can relate to it on a different level, they will find connections of wanting to find a friend but having trouble doing so. In this case, when you do find a friend and you lose that person, it can be very upsetting. It shows us that and how, while it may be hard to make friends and you may lose friends, that's okay. You will eventually find a good friend that's worth it, helpful, and loyal.
I give Lia IRL 4 out of 5 stars and recommend it for ages 8 to 12. By Tiana S., KIDS FIRST!
Runtime: 14 minutes
Juror Recommended Age: 8-12
Suggested Retail Price: $
Media: VIDEO
 |
MY EMPATHY - SAGE DRAKE
Series: INDIE FEATURE, AGES 12-18
Description - A film that explores the current state of our planet and future. Produced by Angelita Bushey. Narrated by Rachel Amanda Bryant. Written and directed by Sage Christian Drake.
KIDS FIRST!® Adult Jurors say - My Empathy is an insightful film crafted with care, carrying a message that this generation needs to hear about the state of care, compassion, and kindness in our world today. Great storyline and filmmaking!With compelling interviews of people from all age groups, including children, and a clear and simple structure, the film examines various facets of society and social behavior and how technology, the pandemic, and other factors have changed/impacted our way of reacting to them.
The idea behind the film and its execution align beautifully; each interview conducted and featured in the film reveals something new about the human experience, our view of empathy and how that's changed over the years. It might be tough to digest for the first twenty minutes, as the filmmakers jump right into the material, but this is a must-watch for members of our modern society.
I love how Sage Christian Drake and his team adhered so strictly to the purist documentarian format of "interview + b-roll = great story" and don't focus on adding too much pizzazz to the film. The camerawork is standard for a documentary, with many medium shots for interviews. Interestingly, though, the entire film is in black-and-white (save for the b-roll used with the narrator Rachel Amanda Bryant's voice). This is perhaps intended to show how the world actually isn't so cut-and-dried and that empathy helps us not see the world in such absolutes. The sets suit the storyline; most are in and around an urban landscape to showcase our modernizing, cosmopolitan society. Music is used sparingly, only when b-roll is played on the screen while the narrator speaks. In these instances, the music beautifully accentuates the points made, adding tension when the narrator describes strife in society, and an air of happiness when something constructive or positive is discussed. Christina and Michael Larsen are my personal favorite subjects (among the many featured in My Empathy). Their clarity of thought and diversity of experiences really enriched my perspective on empathy in our modern society. Sage Christian Drake deserves so much praise for this innovative idea; it's a pleasure to watch this almost-social experiment play out on screen. The seven-person director of photography team also aced the cinematography of the film, using a simple format to convey a beautiful message. This is a very minute thing to notice, but I love how the film is partitioned into "chapters" of sorts, with headers for points made about empathy and its prevalence in the world. This makes the viewing experience very cohesive (as opposed to fragmenting it too much) and I never feel like the transitions between points are too jarring.
My Empathy shows viewers the state of empathy in the world; though it might seem like our compassion is dwindling in some contexts, we are still holding onto our goodness.
I give this film 4.5 out of 5 stars and recommend it for ages 12 to 18, plus adults. By Eshaan M., KIDS FIRST!
KIDS FIRST!® Kid Jurors say - My Empathy is an insightful film crafted with care, carrying a message that this generation needs to hear about the state of care, compassion, and kindness in our world today. Great storyline and filmmaking!
With compelling interviews of people from all age groups, including children, and a clear and simple structure, the film examines various facets of society and social behavior and how technology, the pandemic, and other factors have changed/impacted our way of reacting to them.
The idea behind the film and its execution align beautifully; each interview conducted and featured in the film reveals something new about the human experience, our view of empathy and how that's changed over the years. It might be tough to digest for the first twenty minutes, as the filmmakers jump right into the material, but this is a must-watch for members of our modern society.
I love how Sage Christian Drake and his team adhered so strictly to the purist documentarian format of "interview + b-roll = great story" and don't focus on adding too much pizzazz to the film. The camerawork is standard for a documentary, with many medium shots for interviews. Interestingly, though, the entire film is in black-and-white (save for the b-roll used with the narrator Rachel Amanda Bryant's voice). This is perhaps intended to show how the world actually isn't so cut-and-dried and that empathy helps us not see the world in such absolutes. The sets suit the storyline; most are in and around an urban landscape to showcase our modernizing, cosmopolitan society. Music is used sparingly, only when b-roll is played on the screen while the narrator speaks. In these instances, the music beautifully accentuates the points made, adding tension when the narrator describes strife in society, and an air of happiness when something constructive or positive is discussed. Christina and Michael Larsen are my personal favorite subjects (among the many featured in My Empathy). Their clarity of thought and diversity of experiences really enriched my perspective on empathy in our modern society. Sage Christian Drake deserves so much praise for this innovative idea; it's a pleasure to watch this almost-social experiment play out on screen. The seven-person director of photography team also aced the cinematography of the film, using a simple format to convey a beautiful message. This is a very minute thing to notice, but I love how the film is partitioned into "chapters" of sorts, with headers for points made about empathy and its prevalence in the world. This makes the viewing experience very cohesive (as opposed to fragmenting it too much) and I never feel like the transitions between points are too jarring.
My Empathy shows viewers the state of empathy in the world; though it might seem like our compassion is dwindling in some contexts, we are still holding onto our goodness.
I give this film 4.5 out of 5 stars and recommend it for ages 12 to 18, plus adults. By Eshaan M., KIDS FIRST!
Runtime: 98 minutes
Juror Recommended Age: 12-18
Suggested Retail Price: $
Media: VIDEO
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CHRISTMAS IN JULY - CHRISTOPHER EMMANUEL LONDON
Series: INDIE SHORT, AGES 8-12
Description - As her parents argue upstairs, wishful and naive Cassandra wishes that her family could go back to happier times. On the day her father is moving out, she has an idea to stop the constant fighting. With a bit of convincing, she is able to get her older sister, Kenya to assist her with her plan. As a last effort, the girls recreate their family Christmas traditions in hopes that it can end the fighting and stop their family from ripping apart.
KIDS FIRST!® Adult Jurors say - I love the message and the Christmas magic inspired by the girls in Christmas in July.This is a story about mending a family and how two girls take control to help foster change. It focuses on the relationship between the sisters and how they confront their parents about the stress that their fighting is causing them along with a reminder of the importance of family.
The story of a broken or hurting family is relatable to many kids. Two sisters hear their parents argue upstairs and the youngest, Cassandra, wishes that her family could return to happier times. On the day her father is moving out, she has an idea to stop the constant fighting by recreating the Christmas feeling of earlier years. Together with her older sister, Kenya, the girls confront their parents and work to unite their family by mending a family heirloom quilt. Working together they start to rebuild not only the quilt, but their family as well. I love how the girls collaborate to make their parents stop fighting and think of the effect of their arguments. The production quality is very good. Director of Photography, Esteban Quesada, really reveals the family members' emotions with all the close-ups in this short film. The set works well; the film takes place in a middle class family home. The background music and soundtrack truly add to the emotion in this film but they are not credited. The background music is well selected, whether conveying sadness or happiness like the upbeat Christmas song at the end during the credits. I really enjoyed the closeness of sisters Cassandra (Liliane Amina Hamilton) and Kenya (Suzanne Hillary Hamilton) who are sisters in real life. They have good chemistry with both their dad (Andrew Salmon) and their mom (Dana Pierce) and are all believable together as a family. The film is written and directed by Christopher Emmanuel London and you feel his message of hope in the storyline and the film. The sound is also very good thanks by Sound Operator Sergio Gutierrez and Lev Kovalenko. My favorite scene is when the family works together to mend their family heirloom quilt and make new positive memories. It gives you hope that they can live harmoniously together again if they want to.
The film's message is about hope and a reminder that what is broken can be mended if everyone works together from a place of love.
I give Christmas in July 4.5 out of 5 stars and recommend it for ages 8 to 12. By Selene W., KIDS FIRST!
KIDS FIRST!® Kid Jurors say - love the message and the Christmas magic inspired by the girls in Christmas in July.
This is a story about mending a family and how two girls take control to help foster change. It focuses on the relationship between the sisters and how they confront their parents about the stress that their fighting is causing them along with a reminder of the importance of family.
The story of a broken or hurting family is relatable to many kids. Two sisters hear their parents argue upstairs and the youngest, Cassandra, wishes that her family could return to happier times. On the day her father is moving out, she has an idea to stop the constant fighting by recreating the Christmas feeling of earlier years. Together with her older sister, Kenya, the girls confront their parents and work to unite their family by mending a family heirloom quilt. Working together they start to rebuild not only the quilt, but their family as well. I love how the girls collaborate to make their parents stop fighting and think of the effect of their arguments. The production quality is very good. Director of Photography, Esteban Quesada, really reveals the family members' emotions with all the close-ups in this short film. The set works well; the film takes place in a middle class family home. The background music and soundtrack truly add to the emotion in this film but they are not credited. The background music is well selected, whether conveying sadness or happiness like the upbeat Christmas song at the end during the credits. I really enjoyed the closeness of sisters Cassandra (Liliane Amina Hamilton) and Kenya (Suzanne Hillary Hamilton) who are sisters in real life. They have good chemistry with both their dad (Andrew Salmon) and their mom (Dana Pierce) and are all believable together as a family. The film is written and directed by Christopher Emmanuel London and you feel his message of hope in the storyline and the film. The sound is also very good thanks by Sound Operator Sergio Gutierrez and Lev Kovalenko. My favorite scene is when the family works together to mend their family heirloom quilt and make new positive memories. It gives you hope that they can live harmoniously together again if they want to.
The film's message is about hope and a reminder that what is broken can be mended if everyone works together from a place of love.
I give Christmas in July 4.5 out of 5 stars and recommend it for ages 8 to 12. By Selene W., KIDS FIRST!
Runtime: 10 minutes
Juror Recommended Age: 8-12
Suggested Retail Price: $
Media: VIDEO
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CARDBOARD MAN - MOLLIE LOUISE WEISS
Series: STUDENT SHORT, AGES 5-18
Description - A superhero named Cardboard Man goes on a mission to find out who has stolen the world's packing tape.
KIDS FIRST!® Adult Jurors say - Cardboard Man is such a sweet film made by very creative teenagers! This short film has little bits of humor that make the movie better and the characters are also very interesting.This film starts off with breaking news: tape is being stolen from around the world! Soon, everyone relies on the town superhero, Cardboard Man. Along his journey, Cardboard Man encounters different people that help him find out who is stealing all of the tape. Can Cardboard Man stop this villain?
I like how, even though the film is 5 1/2 minutes, the producers manage to fit the entire plot of the film in, without cutting any important parts. It is very interesting to see how well all of the scenes fit together. The cinematography is great! I like how, in two different scenes, they make the movements of the first scene happen just before the second one starts. For example, in the scene with the three kids playing, the first scene shows the boy pointing his hand up, and then the scene afterwards shows the same action but he is starting to talk to his sister.
The costumes definitely fit the time period in this movie because, since it is set in the present time, the people are dressed like how people dress now. For example, in the beginning of the news scene, the news reporter is dressed exactly like how a news reporter on WBAL would dress. The locations suit the story since this helps watchers understand where the story is happening. For example, when Cardboard Man is talking to his neighbor at his house, the neighborhood helps the watcher understand that Cardboard Man is not talking to a person at the grocery store. The sound effects help develop the story because, surprisingly enough, they make you understand what Cardboard Man is thinking. For example, if you hear a 'ding', you understand that Cardboard Man agrees with something another person said.
There isn't much character growth in this, but one of the characters that is well written is Feta Thunberg (Mollie Weiss) because she has a certain "villain" charm that I like. She is evil, but she also acts nice. I like the theme song that the music composer (Ruth Weiss) made because it is a simple yet interesting song. My favorite character is Feta Thunberg because, as soon as she is introduced, she makes it clear that she does not want Cardboard Man to be successful, which is great because it shows she is confident in her actions.
The film's message is about how the right hero will save the day. In the end, Cardboard Man saves the day, no matter how many other people try to solve the tape shortage. I give Cardboard Man 4.5 out of 5 stars and recommend it for ages 5 to 18, plus adults. This film is super kid-friendly and will definitely keep everyone interested! By Ariadna P., KIDS FIRST!
KIDS FIRST!® Kid Jurors say - Cardboard Man is such a sweet film made by very creative teenagers! This short film has little bits of humor that make the movie better and the characters are also very interesting.
This film starts off with breaking news: tape is being stolen from around the world! Soon, everyone relies on the town superhero, Cardboard Man. Along his journey, Cardboard Man encounters different people that help him find out who is stealing all of the tape. Can Cardboard Man stop this villain?
I like how, even though the film is 5 1/2 minutes, the producers manage to fit the entire plot of the film in, without cutting any important parts. It is very interesting to see how well all of the scenes fit together. The cinematography is great! I like how, in two different scenes, they make the movements of the first scene happen just before the second one starts. For example, in the scene with the three kids playing, the first scene shows the boy pointing his hand up, and then the scene afterwards shows the same action but he is starting to talk to his sister.
The costumes definitely fit the time period in this movie because, since it is set in the present time, the people are dressed like how people dress now. For example, in the beginning of the news scene, the news reporter is dressed exactly like how a news reporter on WBAL would dress. The locations suit the story since this helps watchers understand where the story is happening. For example, when Cardboard Man is talking to his neighbor at his house, the neighborhood helps the watcher understand that Cardboard Man is not talking to a person at the grocery store. The sound effects help develop the story because, surprisingly enough, they make you understand what Cardboard Man is thinking. For example, if you hear a 'ding', you understand that Cardboard Man agrees with something another person said.
There isn't much character growth in this, but one of the characters that is well written is Feta Thunberg (Mollie Weiss) because she has a certain "villain" charm that I like. She is evil, but she also acts nice. I like the theme song that the music composer (Ruth Weiss) made because it is a simple yet interesting song. My favorite character is Feta Thunberg because, as soon as she is introduced, she makes it clear that she does not want Cardboard Man to be successful, which is great because it shows she is confident in her actions.
The film's message is about how the right hero will save the day. In the end, Cardboard Man saves the day, no matter how many other people try to solve the tape shortage. I give Cardboard Man 4.5 out of 5 stars and recommend it for ages 5 to 18, plus adults. This film is super kid-friendly and will definitely keep everyone interested! By Ariadna P., KIDS FIRST!
Runtime: 6 minutes
Juror Recommended Age: 5-18
Suggested Retail Price: $
Media: VIDEO
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GHOULASH - STEPHEN BURHOE
Series: INDIE SHORT, AGES 5-12
Description - A pair of trick or treaters find themselves about to the main course for some witches'' celebration feast. But they soon turn the tables on the villains.
KIDS FIRST!® Adult Jurors say - Ghoulash is adorable, from the costumes to the message about perseverance that we see throughout the film. The story starts with two young girls who go trick-or-treating. They stumble upon a large house, and soon, they are about to become two witches' main course for dinner. As the two girls are stuck in the house, they make a plan on how to get out of the house.I liked how the story continues to get more suspenseful every minute, it really hooked me in. The cinematography is excellent, I like the shots showing the girls walking up the stairs in a trance, it looks suspenseful. The sets and locations are great! Since it's Halloween and the kids are out trick-or-treating, it makes sense that the girls are at another house. The background music makes the film seem a lot more suspenseful. I also love the music at the end, when the witches are running away; it signifies that the problem is over. There are plenty of visual effects - ghosts and monsters - and they are all incredible. It feels that both girls earned more confidence throughout the film. At first, they were afraid of the witches, but in the end, the girls know what to do and are very clever on how to escape them. The costume designer did an amazing job, especially with the Halloween costumes. They resemble the Halloween costumes I wore when I was younger. My favorite part of the film is when the girls dress up as werewolves to scare the witches away. That is funny and adorable!
The message of this film is that perseverance is everything. Without perseverance, the girls would not have made it out of the house and escaped from the witches.
I give this film 5 out of 5 stars and recommend it for ages 5 to 12, plus adults. By Ari P., KIDS FIRST!
KIDS FIRST!® Kid Jurors say - Ghoulash is adorable, from the costumes to the message about perseverance that we see throughout the film. The story starts with two young girls who go trick-or-treating. They stumble upon a large house, and soon, they are about to become two witches' main course for dinner. As the two girls are stuck in the house, they make a plan on how to get out of the house.
I liked how the story continues to get more suspenseful every minute, it really hooked me in. The cinematography is excellent, I like the shots showing the girls walking up the stairs in a trance, it looks suspenseful. The sets and locations are great! Since it's Halloween and the kids are out trick-or-treating, it makes sense that the girls are at another house. The background music makes the film seem a lot more suspenseful. I also love the music at the end, when the witches are running away; it signifies that the problem is over. There are plenty of visual effects - ghosts and monsters - and they are all incredible. It feels that both girls earned more confidence throughout the film. At first, they were afraid of the witches, but in the end, the girls know what to do and are very clever on how to escape them. The costume designer did an amazing job, especially with the Halloween costumes. They resemble the Halloween costumes I wore when I was younger. My favorite part of the film is when the girls dress up as werewolves to scare the witches away. That is funny and adorable!
The message of this film is that perseverance is everything. Without perseverance, the girls would not have made it out of the house and escaped from the witches.
I give this film 5 out of 5 stars and recommend it for ages 5 to 12, plus adults. By Ari P., KIDS FIRST!
Runtime: 5 minutes
Juror Recommended Age: 5-12
Suggested Retail Price: $
Media: VIDEO
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BEYOND THE GATE - HUNTER NICKLESS
Series: INDIE SHORT, AGES 8-18
Description - Group of friends who love exploring abandon places come across an abandon school with a disturbing backstory and discover a dark secret that changes their lives.
KIDS FIRST!® Adult Jurors say - I really like the story and the special effects in Beyond The Gate. I like the idea behind this film and its creativity.The story follows three high school friends who explore an abandoned high school which they would have attended if it hadn't closed. Suspicious circumstances and a dark secret add to their interest in exploring this location.
This is a great example of student filmmaking, using special effects. The production quality is really outstanding. Excellent high school student production, although I wish there was more suspense built up before the kids discover the glowing locker. I really like the distorted scenes where Jake and Megan are in another dimension or universe. The lighting is really good throughout and adds to the eeriness of the film. The sets and locations fit the story. The high school is too pristine for a building that was supposedly abandoned 10 years ago. The sound mixing is quite excellent; the dialogue is easy to hear and the sound effects are appropriately scary and add to the mystique of the film. The special effects by Hunter Nickless are amazing, especially for a high school student who has only made one previous film. Hunter made all the graphics and created the editing himself (overseen by teachers) and it is very impressive. The three key characters in the film are Jake (Sam Broome), Megan (Chance Hagen) and Madison (Lorelei Lee). The three actors seemed quite comfortable together and enjoy the humor shown by Jake. Hunter Nickless is the writer, director, producer, cinematographer, editor, special effects and sound designer of this film. This is his second film and I hope that he continues to learn about film production and brings his creative talents to the screen. My favorite scene is when Megan opens the locker and disappears to another dimension. I really love the graphics and special effects showing her and Jake's travel.
The film's message is that friend's stick together.
I give Beyond The Gate 4 out of 5 stars and recommend it for ages 8 to 18, plus adults. By Selene W., KIDS FIRST!
KIDS FIRST!® Kid Jurors say - I really like the story and the special effects in Beyond The Gate. I like the idea behind this film and its creativity.
The story follows three high school friends who explore an abandoned high school which they would have attended if it hadn't closed. Suspicious circumstances and a dark secret add to their interest in exploring this location.
This is a great example of student filmmaking, using special effects. The production quality is really outstanding. Excellent high school student production, although I wish there was more suspense built up before the kids discover the glowing locker. I really like the distorted scenes where Jake and Megan are in another dimension or universe. The lighting is really good throughout and adds to the eeriness of the film. The sets and locations fit the story. The high school is too pristine for a building that was supposedly abandoned 10 years ago. The sound mixing is quite excellent; the dialogue is easy to hear and the sound effects are appropriately scary and add to the mystique of the film. The special effects by Hunter Nickless are amazing, especially for a high school student who has only made one previous film. Hunter made all the graphics and created the editing himself (overseen by teachers) and it is very impressive. The three key characters in the film are Jake (Sam Broome), Megan (Chance Hagen) and Madison (Lorelei Lee). The three actors seemed quite comfortable together and enjoy the humor shown by Jake. Hunter Nickless is the writer, director, producer, cinematographer, editor, special effects and sound designer of this film. This is his second film and I hope that he continues to learn about film production and brings his creative talents to the screen. My favorite scene is when Megan opens the locker and disappears to another dimension. I really love the graphics and special effects showing her and Jake's travel.
The film's message is that friend's stick together.
I give Beyond The Gate 4 out of 5 stars and recommend it for ages 8 to 18, plus adults. By Selene W., KIDS FIRST!
Runtime: 6 minutes
Juror Recommended Age: 8-18
Suggested Retail Price: $
Media: VIDEO
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ONE MORE DAY - 1 SOUL PRODUCTION
Series: FOREIGN SHORT, AGES 12-18
Description - Maria, a visually impaired high school student, attends class on the first day of school hoping to go unnoticed, knowing that she will be reunited with certain classmates who do not make things easy for her.
KIDS FIRST!® Adult Jurors say - I like the story of One More Day, but I'm left confused. Do Maria's (Noa Flores Rodr�guez) classmates not know she's visually impaired? And how visually impaired is she? Her having this disability isn't revealed until the end of the film and the film makes it seem like she's color-blind but never specifically says exactly what her impairment is.The story follows Maria, a visually impaired high school student, going through her first day of school being picked on by some classmates who won't stop bothering her. She struggles with her disability, her bullies, and with her inability to understand that it's okay to ask for help sometimes.
This film has a really good storyline that brings attention to people with visual impairments and their struggles. However, it falls short on truly shining a light on this topic. I didn't understand that Maria had a visual impairment until the last minutes of the film and, even then it, is never explicitly stated - some viewers might not understand that Maria is visually impaired at all and rather just think that it's a story about a girl who gets picked on (take note that the bullies never mention her eyesight at all - they're bullying her for other reasons). The best piece of cinematography in the film are the effects when we see the world through different eyes. Instead of what we usually see, a colorful world, we see what Maria sees, a gray one. It's a great piece of cinematography and very interesting too. The locations suit the story. There's a street, multiple rooms at a school and an apartment. These locations are well chosen. There's a special visual effect that shows different visual impairments that plays before the film's ending showing the world - in all its colorful glory - turning into a dull gray. It shows us what Maria is seeing. In the credits, we see other types of color blindness and visual impairments. A cool effect that makes the viewer sympathize with, or at least understand better, people who have visual disabilities. Maria doesn't change much. After adamantly refusing the prospect of needing help, Maria eventually asks someone to help carry her lamp which gives me hope for her. However, throughout the entire film, she's constantly upset, which makes me believe this visual impairment of hers is something new or more recent. She's grieving what she lost - a world of color - at the beginning of the film and again at the end of the film. In the middle, she admits she needs a little help and she realizes it's okay to need and ask for help. That gives me hope that she'll one day come to see the beauty of her world - even without its colors. Carlos Puig Mund�, the director and writer, deserves a huge shoutout. He, like Maria, has a visual disability and therefore, like Maria, has had to learn how to survive in a world not made for people with such impairments. I think his story is really impressive and that there's a certain beauty to the fact that he's bringing to life the stories that occur to him. I like the scene at the end of the film where we can see what Maria sees this entire time. There's a vibrant world - full of color and then something shifts and we see it only in various shades of gray. It made me sad to look at. Color makes things interesting. Gray is boring. And it's also very hard to see anything specific when everything's gray. I felt horrible for Maria. Until that scene I didn't really understand what her disability was or why she needed a lamp.
The film's message is that it's okay to ask for help.The message is kind of lost when, immediately after that, the bullies bully her again. The second message of the film is to shine a light on people with disabilities, like Maria with her visual impairment. Be aware that it contains profanity, shows kids doing risky things that kids might imitate, and contains bullying.
I give One More Day 3.5 out of 5 stars and recommend it for ages 12 to 18, plus adults. This film would appeal particularly to those with visual impairment issues or other disabilities or have someone in their inner circle of friends and family with those issues.
By Alma K., KIDS FIRST!
KIDS FIRST!® Kid Jurors say - I like the story of One More Day, but I'm left confused. Do Maria's (Noa Flores Rodr�guez) classmates not know she's visually impaired? And how visually impaired is she? Her having this disability isn't revealed until the end of the film and the film makes it seem like she's color-blind but never specifically says exactly what her impairment is.
The story follows Maria, a visually impaired high school student, going through her first day of school being picked on by some classmates who won't stop bothering her. She struggles with her disability, her bullies, and with her inability to understand that it's okay to ask for help sometimes.
This film has a really good storyline that brings attention to people with visual impairments and their struggles. However, it falls short on truly shining a light on this topic. I didn't understand that Maria had a visual impairment until the last minutes of the film and, even then it, is never explicitly stated - some viewers might not understand that Maria is visually impaired at all and rather just think that it's a story about a girl who gets picked on (take note that the bullies never mention her eyesight at all - they're bullying her for other reasons). The best piece of cinematography in the film are the effects when we see the world through different eyes. Instead of what we usually see, a colorful world, we see what Maria sees, a gray one. It's a great piece of cinematography and very interesting too. The locations suit the story. There's a street, multiple rooms at a school and an apartment. These locations are well chosen. There's a special visual effect that shows different visual impairments that plays before the film's ending showing the world - in all its colorful glory - turning into a dull gray. It shows us what Maria is seeing. In the credits, we see other types of color blindness and visual impairments. A cool effect that makes the viewer sympathize with, or at least understand better, people who have visual disabilities. Maria doesn't change much. After adamantly refusing the prospect of needing help, Maria eventually asks someone to help carry her lamp which gives me hope for her. However, throughout the entire film, she's constantly upset, which makes me believe this visual impairment of hers is something new or more recent. She's grieving what she lost - a world of color - at the beginning of the film and again at the end of the film. In the middle, she admits she needs a little help and she realizes it's okay to need and ask for help. That gives me hope that she'll one day come to see the beauty of her world - even without its colors. Carlos Puig Mund�, the director and writer, deserves a huge shoutout. He, like Maria, has a visual disability and therefore, like Maria, has had to learn how to survive in a world not made for people with such impairments. I think his story is really impressive and that there's a certain beauty to the fact that he's bringing to life the stories that occur to him. I like the scene at the end of the film where we can see what Maria sees this entire time. There's a vibrant world - full of color and then something shifts and we see it only in various shades of gray. It made me sad to look at. Color makes things interesting. Gray is boring. And it's also very hard to see anything specific when everything's gray. I felt horrible for Maria. Until that scene I didn't really understand what her disability was or why she needed a lamp.
The film's message is that it's okay to ask for help.The message is kind of lost when, immediately after that, the bullies bully her again. The second message of the film is to shine a light on people with disabilities, like Maria with her visual impairment. Be aware that it contains profanity, shows kids doing risky things that kids might imitate, and contains bullying.
I give One More Day 3.5 out of 5 stars and recommend it for ages 12 to 18, plus adults. This film would appeal particularly to those with visual impairment issues or other disabilities or have someone in their inner circle of friends and family with those issues.
By Alma K., KIDS FIRST!
Runtime: 20 minutes
Juror Recommended Age: 12-18
Suggested Retail Price: $
Media: VIDEO
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DANCING SQUID - ERIC THOMAS
Series: INDIE ANIMATED SHORT, AGES 5-12
Description - Animated Squid dancing to Garage Band EDM
KIDS FIRST!® Adult Jurors say - This is a cute animated short that works as an interstitial.The film features two squid that dance around the screen. That's it. No storyline beyond that.
The animation is acceptable and would work well at a film festival as an interstitial.
I give this film 3.5 out of 5 stars and recommend it for ages 5 to 8. By Julie s., KIDS FIRST!
KIDS FIRST!® Kid Jurors say - This is a cute animated short that works as an interstitial.
The film features two squid that dance around the screen. That's it. No storyline beyond that.
The animation is acceptable and would work well at a film festival as an interstitial.
I give this film 3.5 out of 5 stars and recommend it for ages 5 to 8. By Julie s., KIDS FIRST!
Runtime: 1 minutes
Juror Recommended Age: 5-12
Suggested Retail Price: $
Media: VIDEO
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CAN HYDROPONIC FARMING HELP REDUCE THE EFFECTS OF CLIMATE CHANGE? - GREEN OUR PLANET
Series: INDIE SHORT, AGES 5-8
Description - "Can Hydroponic Farming Help Reduce the Effects of Climate Change?" is an entertaining and educational short film. Rachel and her remarkable robot companion, Rex, witness the dire consequences of climate change through news reports of devastating natural disasters. When Rex encounters an alien emissary, he embarks on a journey to a ruined world where pollution and climate change led to the collapse of an entire civilization. Returning to Earth the three main causes of global warming are reveal--electricity production, transportation, and wasteful agriculture--and stress the importance of transitioning to clean energy sources, electric transport, and hydroponic farming. Rex takes on the mission of educating robots and humans alike about combating climate change. The film ends with a global commitment to address the crisis and a poignant celebration of Rex's role in this vital endeavor, reminding us of the urgency to protect our planet from climate catastrophe.
KIDS FIRST!® Adult Jurors say - Can Hydroponic Farming Help Reduce the Effects of Climate Change?This film is certainly impactful in outlining climate change, its causes, and offers some amazing solutions on how to fix the world in which we live. The animated characters easily captivate and educate viewers making this a perfect film for elementary classrooms.
Can Hydroponic Farming Help Reduce the Effects of Climate Change? Is an animated short film which presents viewers with the problem of climate change and reasons for which it is occurring. Worried for their future on Earth, Rachel and her robot friend Rex ponder ways to improve the world that they live in. Rex's alien encounter and the journey that they take allows the robot to get a first hand perspective on the need for immediate change on Earth.
The title of this film is somewhat misleading as I expected to learn more about the technique of hydroponics as a solution to global warming. The story line is excellent, however most of the film focuses on climate change, rather than on hydroponics. I enjoyed the way in which the information is presented and the animation is perfect for early learners. The animation is engaging, making it fun for young viewers. The characters are effective in bringing focus and detail to the problems our generation is facing and easily allows kids to understand the bigger picture. Camera angles on the characters are eye level which are great allowing viewers to more easily connect with them.
The animated characters are brightly dressed and have an intriguing look to them. All characters appear sci-fi which are perfect for the story line. The animators mixed it up a bit by adding a variety of life forms as characters; humans, robots and aliens. Backgrounds include Earth, other planets, and outer space all of which are creative and very interesting. The other planets and outer space backgrounds are imaginative which helps to hold our interest. Those backgrounds depict a very depleted world plagued with overcrowding, pollution, and deforestation and send a powerful message to viewers. The choice of music for both the intro and outro doesn't seem to fit the film. Something more sci-fi or techno may have fit the film better. Other music throughout was appropriate, especially when giving scientific meanings of concepts being explained. Animated characters show good emotion allowing connection to viewers. Rachel is full of fear for the unknown and delivers her concerns appropriately given the circumstances. The alien in an attempt to give a call to action to make change for Earthlings, speaks in a monotone and direct manner which gives great importance to his words. Star power goes to Rex the robot, as he delivers great knowledge to viewers in such a fun and expressive way. It is obvious that director Kevin Leadingham has a true passion for entertaining, educating, and making positive change. This is an impactful short film that I hope finds its way into elementary classrooms everywhere. This film delivers such important education in a fun way and the film's message of making positive change is critical for future generations. Although I absolutely love the film's message, the animation, and the problems addressing climate change, I question whether the production values are high enough to screen it on the big screen. Its use might be restricted to online or classroom type viewing. Also, the title is misleading. The film's focus is more on the impact of climate change rather than on the solution of hydroponics. My favorite part of the film is its message which addresses the need for change. Humans are depleting valuable resources on Earth and if we are to make positive change for future generations, change is critical. Several solutions with proven positive results are possible but change starts with each of us.
I give this film 3.5 out of 5 stars and recommend it for ages 5 to 8. By Dominic D., KIDS FIRST!
KIDS FIRST!® Kid Jurors say - Can Hydroponic Farming Help Reduce the Effects of Climate Change?
This film is certainly impactful in outlining climate change, its causes, and offers some amazing solutions on how to fix the world in which we live. The animated characters easily captivate and educate viewers making this a perfect film for elementary classrooms.
Can Hydroponic Farming Help Reduce the Effects of Climate Change? Is an animated short film which presents viewers with the problem of climate change and reasons for which it is occurring. Worried for their future on Earth, Rachel and her robot friend Rex ponder ways to improve the world that they live in. Rex's alien encounter and the journey that they take allows the robot to get a first hand perspective on the need for immediate change on Earth.
The title of this film is somewhat misleading as I expected to learn more about the technique of hydroponics as a solution to global warming. The story line is excellent, however most of the film focuses on climate change, rather than on hydroponics. I enjoyed the way in which the information is presented and the animation is perfect for early learners. The animation is engaging, making it fun for young viewers. The characters are effective in bringing focus and detail to the problems our generation is facing and easily allows kids to understand the bigger picture. Camera angles on the characters are eye level which are great allowing viewers to more easily connect with them.
The animated characters are brightly dressed and have an intriguing look to them. All characters appear sci-fi which are perfect for the story line. The animators mixed it up a bit by adding a variety of life forms as characters; humans, robots and aliens. Backgrounds include Earth, other planets, and outer space all of which are creative and very interesting. The other planets and outer space backgrounds are imaginative which helps to hold our interest. Those backgrounds depict a very depleted world plagued with overcrowding, pollution, and deforestation and send a powerful message to viewers. The choice of music for both the intro and outro doesn't seem to fit the film. Something more sci-fi or techno may have fit the film better. Other music throughout was appropriate, especially when giving scientific meanings of concepts being explained. Animated characters show good emotion allowing connection to viewers. Rachel is full of fear for the unknown and delivers her concerns appropriately given the circumstances. The alien in an attempt to give a call to action to make change for Earthlings, speaks in a monotone and direct manner which gives great importance to his words. Star power goes to Rex the robot, as he delivers great knowledge to viewers in such a fun and expressive way. It is obvious that director Kevin Leadingham has a true passion for entertaining, educating, and making positive change. This is an impactful short film that I hope finds its way into elementary classrooms everywhere. This film delivers such important education in a fun way and the film's message of making positive change is critical for future generations. Although I absolutely love the film's message, the animation, and the problems addressing climate change, I question whether the production values are high enough to screen it on the big screen. Its use might be restricted to online or classroom type viewing. Also, the title is misleading. The film's focus is more on the impact of climate change rather than on the solution of hydroponics. My favorite part of the film is its message which addresses the need for change. Humans are depleting valuable resources on Earth and if we are to make positive change for future generations, change is critical. Several solutions with proven positive results are possible but change starts with each of us.
I give this film 3.5 out of 5 stars and recommend it for ages 5 to 8. By Dominic D., KIDS FIRST!
Runtime: 11 minutes
Juror Recommended Age: 5-8
Suggested Retail Price: $
Media: VIDEO
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I SQUISHED GRANDPA - LILY ANDREWS
Series: STUDENT SHORT, AGES 5-12
Description - Young Rose has a special relationship with her grandpa. However when Grandpa goes missing the day after telling a Rose an unsettling tale, she believes his disappearance may be her fault.
KIDS FIRST!® Adult Jurors say - I truly enjoyed I Squished Grandpa. It has an adorable main character and a suspenseful plot.This high school student film starts following a young girl named Rose (Rose Borden) who asks her grandpa for a bedtime story. Her grandpa agrees, and tells Rose about how grandparents shrink as they get older. Rose goes to bed, afraid, and wakes up the next morning not knowing where Grandpa is.
This film is definitely kid-friendly, and it resembles a "perfect" weekend with the grandparents. I like the suspense in the storyline. It makes good use of how dialogue with children can be confusing at times when grandpa tells Rose that older people start shrinking. That causes Rose to have nightmares and then, when she wakes up, we don't know where Grandpa has disappeared to, which starts a small adventure for her and us. The camera work is quite good and makes use of medium shots, long shots and close-ups. . One shot that stands out to me is when Rose is tossing and turning in her sleep. The camera really captures the worry on her face as she is sleeping. The sets and locations suit the story. I like how they contributed to Rose trying to find her grandpa, since she goes to a few different places searching for him - his bedroom, the pier, and other places. The sound effects stand out to me. When Rose is walking, she steps on a raspberry and it makes a squishing sound. This makes the audience think she squished something, and it made me think that perhaps Rose stepped on Grandpa! There isn't much character growth shown with any of the characters, but I love how, in the end, Rose realizes she didn't squish Grandpa. The costumes all stand out for me; they remind me of what I wore when I went to my grandparents' house. My favorite part of the film is when Grandpa comes back home, because it is so heartwarming to see Rose hugging her grandpa, knowing he is alright.
The film's message is to never jump to conclusions. Rose immediately thinks she squished her grandpa, which made her very worried, until she found out that he was okay.
I give this film 4.5 out of 5 stars and recommend it for ages 5 to 12, plus adults. By Ari P., KIDS FIRST!
KIDS FIRST!® Kid Jurors say - I truly enjoyed I Squished Grandpa. It has an adorable main character and a suspenseful plot.
This high school student film starts following a young girl named Rose (Rose Borden) who asks her grandpa for a bedtime story. Her grandpa agrees, and tells Rose about how grandparents shrink as they get older. Rose goes to bed, afraid, and wakes up the next morning not knowing where Grandpa is.
This film is definitely kid-friendly, and it resembles a "perfect" weekend with the grandparents. I like the suspense in the storyline. It makes good use of how dialogue with children can be confusing at times when grandpa tells Rose that older people start shrinking. That causes Rose to have nightmares and then, when she wakes up, we don't know where Grandpa has disappeared to, which starts a small adventure for her and us. The camera work is quite good and makes use of medium shots, long shots and close-ups. . One shot that stands out to me is when Rose is tossing and turning in her sleep. The camera really captures the worry on her face as she is sleeping. The sets and locations suit the story. I like how they contributed to Rose trying to find her grandpa, since she goes to a few different places searching for him - his bedroom, the pier, and other places. The sound effects stand out to me. When Rose is walking, she steps on a raspberry and it makes a squishing sound. This makes the audience think she squished something, and it made me think that perhaps Rose stepped on Grandpa! There isn't much character growth shown with any of the characters, but I love how, in the end, Rose realizes she didn't squish Grandpa. The costumes all stand out for me; they remind me of what I wore when I went to my grandparents' house. My favorite part of the film is when Grandpa comes back home, because it is so heartwarming to see Rose hugging her grandpa, knowing he is alright.
The film's message is to never jump to conclusions. Rose immediately thinks she squished her grandpa, which made her very worried, until she found out that he was okay.
I give this film 4.5 out of 5 stars and recommend it for ages 5 to 12, plus adults. By Ari P., KIDS FIRST!
Runtime: 4 minutes
Juror Recommended Age: 5-12
Suggested Retail Price: $
Media: VIDEO
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DYING TO DEFROST - HEATHER ANN ABEYASEKERA
Series: FOREIGN SHORT, AGES 8-12
Description - This poor vampire has lived through the centuries, freezing down to the marrow! She's at the end of her tether and she's had enough. She's gonna do whatever it takes to feel the warmth on her skin, or it'll be the death of her, AGAIN!!
KIDS FIRST!® Adult Jurors say - What a fun, imaginative piece of fantasy although the timeline is a bit confusing since she wants to "go back" to being human, but this story starts at 16000 BC. when humans did not wear the attire shown here. But, that doesn't take away from the fun nature of this animated film.The storyline is about a poor vampire who has lived through the centuries, apparently in the basement of a house. She's gotten colder and colder every year and is fed up with it to the point that she is ready to do anything to get warm, including becoming human again. She visits an alchemist for a concoction to solve her problem and... you'll have to watch the film to find out what happens.
Fun animation, well executed. Love the color palette of purple, black and grey. The background music is noticeably an integral part of this film, enhancing her every movement and thought. The film is entirely non narrative, which makes the music even more important. With kids' interest in vampires keen right now, the topic is particularly relevant.
The film's message is to follow your goosebumps - I mean your desires - in order to get what you need.
I give this film 4 out of 5 stars and recommend it for ages 8 to 12, plus adults. By Julie S., KIDS FIRST!
KIDS FIRST!® Kid Jurors say - What a fun, imaginative piece of fantasy although the timeline is a bit confusing since she wants to "go back" to being human, but this story starts at 16000 BC. when humans did not wear the attire shown here. But, that doesn't take away from the fun nature of this animated film.
The storyline is about a poor vampire who has lived through the centuries, apparently in the basement of a house. She's gotten colder and colder every year and is fed up with it to the point that she is ready to do anything to get warm, including becoming human again. She visits an alchemist for a concoction to solve her problem and... you'll have to watch the film to find out what happens.
Fun animation, well executed. Love the color palette of purple, black and grey. The background music is noticeably an integral part of this film, enhancing her every movement and thought. The film is entirely non narrative, which makes the music even more important. With kids' interest in vampires keen right now, the topic is particularly relevant.
The film's message is to follow your goosebumps - I mean your desires - in order to get what you need.
I give this film 4 out of 5 stars and recommend it for ages 8 to 12, plus adults. By Julie S., KIDS FIRST!
Runtime: 4 minutes
Juror Recommended Age: 7-12
Suggested Retail Price: $
Media: VIDEO
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SCI-KIDS - JOHN XAVIER LAMBERT
Series: INDIE SHORT, AGES 8-12
Description - Four friends sneak into their school's science lab to make their favorite thing - slime! They soon discover that the secret ingredient that they used to make the slime has given them extraordinary brilliance in science, technology, engineering and math (S.T.E.M)! Excited about their newfound abilities, the Sci-Kids work together to avoid mayhem as they solve mysteries at the school.
KIDS FIRST!® Adult Jurors say - Sci-Kids is an awesome film with a great message. I really like the storyline and the cinematography.The story follows four friends who sneak into their school's science lab to make their favorite thing - slime! They soon discover that the secret ingredient that they used to make the slime has given them extraordinary brilliance in science, technology, engineering and math (S.T.E.M)! Excited about their newfound abilities, the Sci-kids work together to avoid mayhem as they solve mysteries at the school.
My hat is off to the director creating an entertaining and relevant film. The storyline is good, but very predictable. Kids do something wrong; get covered in mysterious goo; and gain special abilities -- this reminds me of every superhero story. I really like the cinematography, especially the shots when Javier is getting ready and transitions from outfit to outfit. I enjoyed the storyline, but did notice some flaws. For example, the mics pick up background noises like shoes brushing against the pavement. The background music stands out; the scene where the janitor is dancing is super fun. The cast all play their roles exceptionally well, especially Hunter Silverman who plays Mike, who sold every bit of his role with his facial expressions and the intonation of his voice. My favorite part is when the janitor is dancing; this scene was hilarious.
The film's message is that there is nothing you can't do. Be aware that it does contain bloody, gory acts of violence; shows negative behavior; and shows kids doing risky things that kids might imitate -- the kids sneak into the school during recess and make a mess.
I give this film 3.5 out of 5 stars and recommend it for ages 8 to 12. Reviewed by Gavin S., KIDS FIRST!
KIDS FIRST!® Kid Jurors say - Sci-Kids is an awesome film with a great message. I really like the storyline and the cinematography.
The story follows four friends who sneak into their school's science lab to make their favorite thing - slime! They soon discover that the secret ingredient that they used to make the slime has given them extraordinary brilliance in science, technology, engineering and math (S.T.E.M)! Excited about their newfound abilities, the Sci-kids work together to avoid mayhem as they solve mysteries at the school.
My hat is off to the director creating an entertaining and relevant film. The storyline is good, but very predictable. Kids do something wrong; get covered in mysterious goo; and gain special abilities -- this reminds me of every superhero story. I really like the cinematography, especially the shots when Javier is getting ready and transitions from outfit to outfit. I enjoyed the storyline, but did notice some flaws. For example, the mics pick up background noises like shoes brushing against the pavement. The background music stands out; the scene where the janitor is dancing is super fun. The cast all play their roles exceptionally well, especially Hunter Silverman who plays Mike, who sold every bit of his role with his facial expressions and the intonation of his voice. My favorite part is when the janitor is dancing; this scene was hilarious.
The film's message is that there is nothing you can't do. Be aware that it does contain bloody, gory acts of violence; shows negative behavior; and shows kids doing risky things that kids might imitate -- the kids sneak into the school during recess and make a mess.
I give this film 3.5 out of 5 stars and recommend it for ages 8 to 12. Reviewed by Gavin S., KIDS FIRST!
Runtime: 17 minutes
Juror Recommended Age: 8-12
Suggested Retail Price: $
Media: VIDEO
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DEATH OF A STAR - BRANDON WADE
Series: FOREIGN SHORT, AGES 8 -12
Description - Two NASA engineers work together one night on a failing Mars rover.
KIDS FIRST!® Adult Jurors say - I enjoyed Death Of A Star because of the ending shots -- they are wonderful shots with clear quality and a black and white effect. It also has a great message.The story follows two NASA engineers who work together to make a Mars Rover. After many failed attempts of making the Mars Rover, Alex (Eben Mahan) tells his colleague that he's been fired. After hearing the devastating news they decide to spend their time with one more space tour.
I like how unpredictable this storyline is. I would've never thought the two elders in the film are the two engineers. The cinematography is amazing; the shots are amazingly clear, especially the images at the end which are great. The visual effects of space nebulas are amazing. I love the shots of the Rover too! The majority of the film takes place in a lab and the lab set here is perfect for the film. The background music adds the dramatic effect, building to a crescendo at the height of Alex's frustrating monologue about having been fired. The actors, Eben Mahan and Angie Sandoval, play their roles exceptionally well from their facial expressions to the intonation of their voices, plus there is great chemistry between them. Although colleagues, it's clear that they care for each other and are respectful of each other's work. I love the ending shot. The love of the filmmaker, WadeBE, for the work of those at the NASA Houston Space Center is clear and he brings magic to the screen.
The film's message is that we are not our mistakes, and we can always learn from them and move on.
I give Death of a Star 4 out of 5 stars and recommend it for ages 8 to 12. By Gavin S., KIDS FIRST!
KIDS FIRST!® Kid Jurors say - I enjoyed Death Of A Star because of the ending shots -- they are wonderful shots with clear quality and a black and white effect. It also has a great message.
The story follows two NASA engineers who work together to make a Mars Rover. After many failed attempts of making the Mars Rover, Alex (Eben Mahan) tells his colleague that he's been fired. After hearing the devastating news they decide to spend their time with one more space tour.
I like how unpredictable this storyline is. I would've never thought the two elders in the film are the two engineers. The cinematography is amazing; the shots are amazingly clear, especially the images at the end which are great. The visual effects of space nebulas are amazing. I love the shots of the Rover too! The majority of the film takes place in a lab and the lab set here is perfect for the film. The background music adds the dramatic effect, building to a crescendo at the height of Alex's frustrating monologue about having been fired. The actors, Eben Mahan and Angie Sandoval, play their roles exceptionally well from their facial expressions to the intonation of their voices, plus there is great chemistry between them. Although colleagues, it's clear that they care for each other and are respectful of each other's work. I love the ending shot. The love of the filmmaker, WadeBE, for the work of those at the NASA Houston Space Center is clear and he brings magic to the screen.
The film's message is that we are not our mistakes, and we can always learn from them and move on.
I give Death of a Star 4 out of 5 stars and recommend it for ages 8 to 12. By Gavin S., KIDS FIRST!
Runtime: 10 minutes
Juror Recommended Age: 8-12
Suggested Retail Price: $
Media: VIDEO
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HOW TO MAKE A FILM ABOUT MY SON, JACK - MICHAEL PLEWA
Series: INDIE SHORT, AGES 5-12
Description - A short documentary covering everything a filmmaker needs to know about making a film about Jack, my 1-year-old son, who loves trucks, toys, and especially flowers. And what to say to Jack when making this film means you can't be with him as much as you wish. A filmmaker explores the pain and joy of being a working parent.
KIDS FIRST!® Adult Jurors say - What a charming sweet film as this father/filmmaker shares the ups and downs of making a film about his young son. It's clear that this is his first child as his naivete sort of jumps off the screen. Jack is completely adorable and I wanted to see more of him, not hear about how hard it was to shoot this film. But, there you go and there is so much joy watching Jack as he explores his world from his one and a half year perspective.How to Make a Film About My Son, Jack explores the complexities of a filmmaker trying to make a film about his young son. This documentary is a love letter from a father to his son - a snapshot in time.
The production quality is quite good with lots of beautiful shots, good lighting and good audio. The documentary is supposedly about Jack but, in reality, the story is more about the father and him experiencing fatherhood. Jack is an adorable subject. He does not effectively communicate at his age so the graphic interpretation of his communication on screen is most welcome. We see how much Jack enjoys flowers and, in fact, flower was one of his first words. I love the focus of some of the shots, especially those from Jack's perspective that are shot low to the ground. For example, Jack is running to pluck a dandelion and the camera is solely focused on the dandelion until Jack arrives and his hand grabs the flower. It's one of my favorite shots. The background music by Benjamin Pawlak is very soothing and fits this documentary quite well. The sound mix throughout the film is very good and the dialogue is very clear. The film's progression is a little confusing because the film starts showing Jack walking and running and then later shows him as an infant and beginning to crawl - later, it reverts to scenes of him walking and running once again. The film is directed and narrated by Michael Plewa, who is also Jack's father. My favorite scenes are those showing Jack's happiness as he looks and touches various flowers and other natural foliage.
The film's message is that being a father has moments of joy, sadness and difficulty and it's important to be present during all of them. I give this film 3.5 out of 5 stars and recommend it for ages 5 to 12, plus adults. By Selene W., KIDS FIRST!
KIDS FIRST!® Kid Jurors say - What a charming sweet film as this father/filmmaker shares the ups and downs of making a film about his young son. It's clear that this is his first child as his naivete sort of jumps off the screen. Jack is completely adorable and I wanted to see more of him, not hear about how hard it was to shoot this film. But, there you go and there is so much joy watching Jack as he explores his world from his one and a half year perspective.
How to Make a Film About My Son, Jack explores the complexities of a filmmaker trying to make a film about his young son. This documentary is a love letter from a father to his son - a snapshot in time.
The production quality is quite good with lots of beautiful shots, good lighting and good audio. The documentary is supposedly about Jack but, in reality, the story is more about the father and him experiencing fatherhood. Jack is an adorable subject. He does not effectively communicate at his age so the graphic interpretation of his communication on screen is most welcome. We see how much Jack enjoys flowers and, in fact, flower was one of his first words. I love the focus of some of the shots, especially those from Jack's perspective that are shot low to the ground. For example, Jack is running to pluck a dandelion and the camera is solely focused on the dandelion until Jack arrives and his hand grabs the flower. It's one of my favorite shots. The background music by Benjamin Pawlak is very soothing and fits this documentary quite well. The sound mix throughout the film is very good and the dialogue is very clear. The film's progression is a little confusing because the film starts showing Jack walking and running and then later shows him as an infant and beginning to crawl - later, it reverts to scenes of him walking and running once again. The film is directed and narrated by Michael Plewa, who is also Jack's father. My favorite scenes are those showing Jack's happiness as he looks and touches various flowers and other natural foliage.
The film's message is that being a father has moments of joy, sadness and difficulty and it's important to be present during all of them. I give this film 3.5 out of 5 stars and recommend it for ages 5 to 12, plus adults. By Selene W., KIDS FIRST!
Runtime: 9 minutes
Juror Recommended Age: 5-12
Suggested Retail Price: $
Media: VIDEO
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LUKI AND THE LIGHTS - TOBY COCHRAN
Series: INDIE SHORT, AGES 5-18
Description - LUKi, a charming and upbeat robot known for living life to the fullest, confronts a life-altering ALS diagnosis.Through the lens of LUKi's unwavering resilience, the story of his battle against ALS transforms into a testament to the human (and robotic) spirit's ability to find light even in the darkest of times. With every choice he makes, every smile he shares, and every second he cherishes, LUKi paints a vivid portrait of what it means to truly live, even as the sands of time slip through his grasp.
KIDS FIRST!® Adult Jurors say - I really enjoyed the short film Luki and the Lights. It's perfect for children who are coping with loss or diagnosis of a degenerative disease in themselves or a family member. The film is sad at times, but the main character's positive attitude towards his terminal diagnosis of ALS encourages kids to make lemonade when life hands you lemons!
The film follows Luki, a robot who enjoys playing soccer with his friends. One day, he notices that his arm is malfunctioning and that the light in it has gone out (the robots have lightbulbs in their bodies to symbolize life). Unfortunately, Luki learns that he has ALS, a disease with a bleak outlook - but, despite his deteriorating health, he shows how he can still make something wonderful out of any situation.
To begin with, I love how the robot, Luki, has so many human attributes and does so many human things from making his morning coffee to taking a shower to sleeping in a bed and living in a house, just like a human would do. It makes him very relatable. I like that the story is told not only from Luki's perspective, but also from that of his friends'. It reminds us that many people are affected by a bad diagnosis, and it's important to make happy memories with your loved ones while you can. I really like the art style for the animation - the color palette is bright and mostly warm. Several times during the movie, there is a shot of Luki's bedside table, showing the progress of the disease as he eventually struggles to switch his alarm clock off. These scenes are necessary to maintain consistency in the film. All the characters in the film are animated robots of different shapes and sizes. Luki is a human-like robot with a square head and a screen for a face, and he has lightbulbs all over his body. The light bulbs going out one by one are a fitting representation of deterioration because it is accurate without being too harsh. Although the film is animated, we see some beautiful landscapes of sunsets and grassy hills where Luki plays with his friends - this is the spot Luki ultimately chooses as his final resting place. The music throughout the film is uplifting, which helps us deal with a pretty sorrowful storyline. Happy music keeps the balance and makes for a wholesome film, rather than a downhearted one. The film has no actors, and there is no dialogue. However, Luki still undergoes character development. After his diagnosis he is sad and angry, but he manages to rise up and keep his mind open. He decides to do something proactive with his emotions and even builds himself a wheelchair he had previously resented. He learns to see the bright side of a bad situation when he challenges his friend to a race and wins because of his wheelchair. My favorite part of the movie is a scene after Luki's death. His friends take a walk in their favorite park, where there is now a bench dedicated to Luki. They play a game of soccer, just as they would have with their best friend. This is my favorite part because it shows recovery after a loss -- Luki's friends miss him, but they know Luki would want them to move on and find happiness again.
Luki and the Lights was written by Sascha and Anjo when Anjo was diagnosed with ALS to help their kids grasp what Anjo was going through. There is no cure for ALS at this time. This is a heartwarming film about learning to make the most out of what you have and living life to the fullest day by day. The world is an unfair place sometimes, but if you keep a positive mindset, nobody can stop you from having fun! Though Luki and the Lights is wholesome and may help a child process a loss or diagnosis, it is also emotionally heavy, as we watch the main character deteriorate and eventually die. There is nothing inappropriate about this film, but parents may want to consider how their own children will handle the content.
I give Luki and the Lights 4.5 out of 5 stars and recommend it for ages 5 to 18, plus adults. I recommend this film for a youth and family film festival because it is a beautiful story about overcoming loss and encourages viewers to keep a positive outlook on life. By Ella S., KIDS FIRST!
KIDS FIRST!® Kid Jurors say - I really enjoyed the short film Luki and the Lights. It's perfect for children who are coping with loss or diagnosis of a degenerative disease in themselves or a family member. The film is sad at times, but the main character's positive attitude towards his terminal diagnosis of ALS encourages kids to make lemonade when life hands you lemons!
The film follows Luki, a robot who enjoys playing soccer with his friends. One day, he notices that his arm is malfunctioning and that the light in it has gone out (the robots have lightbulbs in their bodies to symbolize life). Unfortunately, Luki learns that he has ALS, a disease with a bleak outlook - but, despite his deteriorating health, he shows how he can still make something wonderful out of any situation.
To begin with, I love how the robot, Luki, has so many human attributes and does so many human things from making his morning coffee to taking a shower to sleeping in a bed and living in a house, just like a human would do. It makes him very relatable. I like that the story is told not only from Luki's perspective, but also from that of his friends'. It reminds us that many people are affected by a bad diagnosis, and it's important to make happy memories with your loved ones while you can. I really like the art style for the animation - the color palette is bright and mostly warm. Several times during the movie, there is a shot of Luki's bedside table, showing the progress of the disease as he eventually struggles to switch his alarm clock off. These scenes are necessary to maintain consistency in the film. All the characters in the film are animated robots of different shapes and sizes. Luki is a human-like robot with a square head and a screen for a face, and he has lightbulbs all over his body. The light bulbs going out one by one are a fitting representation of deterioration because it is accurate without being too harsh. Although the film is animated, we see some beautiful landscapes of sunsets and grassy hills where Luki plays with his friends - this is the spot Luki ultimately chooses as his final resting place. The music throughout the film is uplifting, which helps us deal with a pretty sorrowful storyline. Happy music keeps the balance and makes for a wholesome film, rather than a downhearted one. The film has no actors, and there is no dialogue. However, Luki still undergoes character development. After his diagnosis he is sad and angry, but he manages to rise up and keep his mind open. He decides to do something proactive with his emotions and even builds himself a wheelchair he had previously resented. He learns to see the bright side of a bad situation when he challenges his friend to a race and wins because of his wheelchair. My favorite part of the movie is a scene after Luki's death. His friends take a walk in their favorite park, where there is now a bench dedicated to Luki. They play a game of soccer, just as they would have with their best friend. This is my favorite part because it shows recovery after a loss -- Luki's friends miss him, but they know Luki would want them to move on and find happiness again.
Luki and the Lights was written by Sascha and Anjo when Anjo was diagnosed with ALS to help their kids grasp what Anjo was going through. There is no cure for ALS at this time. This is a heartwarming film about learning to make the most out of what you have and living life to the fullest day by day. The world is an unfair place sometimes, but if you keep a positive mindset, nobody can stop you from having fun! Though Luki and the Lights is wholesome and may help a child process a loss or diagnosis, it is also emotionally heavy, as we watch the main character deteriorate and eventually die. There is nothing inappropriate about this film, but parents may want to consider how their own children will handle the content.
I give Luki and the Lights 4.5 out of 5 stars and recommend it for ages 5 to 18, plus adults. I recommend this film for a youth and family film festival because it is a beautiful story about overcoming loss and encourages viewers to keep a positive outlook on life. By Ella S., KIDS FIRST!
Runtime: 11 minutes
Juror Recommended Age: 5-18
Suggested Retail Price: $
Media: VIDEO
