{"id":557,"date":"2018-03-02T17:36:09","date_gmt":"2018-03-03T00:36:09","guid":{"rendered":"http:\/\/www.kidsfirst.org\/juror\/blog\/?p=557"},"modified":"2018-03-02T17:36:09","modified_gmt":"2018-03-03T00:36:09","slug":"directors-close-up-a-wrinkle-in-time","status":"publish","type":"post","link":"https:\/\/www.kidsfirst.org\/juror\/blog\/2018\/directors-close-up-a-wrinkle-in-time\/","title":{"rendered":"Director\u2019s Close Up: A Wrinkle in Time"},"content":{"rendered":"<p><img loading=\"lazy\" decoding=\"async\" class=\"alignleft size-full wp-image-508\" src=\"http:\/\/www.kidsfirst.org\/juror\/blog\/wp-content\/uploads\/2018\/02\/DCUlogo-e1518207645549.jpg\" alt=\"\" width=\"200\" height=\"127\" \/>Week three of\u00a0<em>Director\u2019s Close-up<\/em>\u00a0featured many people from the new Disney film,\u00a0<em>A Wrinkle in Time<\/em>. Instead of focusing on acting, the panel focused on the many departments and resources it takes to make a big film of that proportion a reality. One of the most interesting discussions revolved around props. J.P. Jones, \u00a0prop master of the film, talked about the many small details that most viewers will never notice are put into the film. One anecdote shared is about one of the quilts used. He talked about looking far and wide for the perfect and how eventually he had an authentic African quilt made from scratch. Hair stylist Kimberly Kimble and VFX supervisor Richard McBride both talked about their personal lines of work and the challenges of trying to make the world they created real, but filled with a sense of noticeable fantasy.<\/p>\n<p>A true\u00a0eye-opener\u00a0was the discussion about the location. Director Ava Duvemay, Director of Photography Tobias A.\u00a0Schliessle\u00a0and Supervising Location Manager Alison A.\u00a0Taylor\u00a0talked about the difficulties of finding the perfect place to set the film in. Alison travelled up and down California looking for a place to shoot. Tobias had to make sure it was feasible to shoot there \u00a0and it was finally up to Ava to see if her vision matched the location. After hours of looking, they settled on the West Adams area \u2013 one of the oldest neighborhoods in Los Angeles. Tobias also talked about his part in making the film feel fantasy-like. He used camera setups that purposely made the world they created look somewhat fake and impossible.<\/p>\n<p><img loading=\"lazy\" decoding=\"async\" class=\"wp-image-558 alignright\" src=\"http:\/\/www.kidsfirst.org\/juror\/blog\/wp-content\/uploads\/2018\/03\/DirectorsCU.AvaDuvernay.jpg\" alt=\"\" width=\"132\" height=\"198\" srcset=\"https:\/\/www.kidsfirst.org\/juror\/blog\/wp-content\/uploads\/2018\/03\/DirectorsCU.AvaDuvernay.jpg 1024w, https:\/\/www.kidsfirst.org\/juror\/blog\/wp-content\/uploads\/2018\/03\/DirectorsCU.AvaDuvernay-200x300.jpg 200w, https:\/\/www.kidsfirst.org\/juror\/blog\/wp-content\/uploads\/2018\/03\/DirectorsCU.AvaDuvernay-768x1152.jpg 768w, https:\/\/www.kidsfirst.org\/juror\/blog\/wp-content\/uploads\/2018\/03\/DirectorsCU.AvaDuvernay-683x1024.jpg 683w\" sizes=\"auto, (max-width: 132px) 100vw, 132px\" \/><\/p>\n<p>Editor Spencer Averick and Composer Ramin Djawadi shared details about their work after the film was done with production. Spencer took a pile of clips and rearranged them into a flowing and unique story. Ramin took Spencer\u2019s work and carefully composed music for different parts, resulting in several final themes. Casting Director Aisha Coley shared a funny anecdote about trying to find the actor to play Charles Wallace. After\u00a0traveling\u00a0all over the world attempt<\/p>\n<p>ing to find the perfect kid, they found Deric McCabe in Burbank, who apparently lives three blocks from where the auditions took place. This story stuck out, not only because it perfectly portrays the\u00a0challenges of\u00a0the work of\u00a0good casting directors, but also shows that the answer can be quite literally under our nose (or in this case, three blocks from it).<\/p>\n<p>All of the crew members showed a common message. While the actors are a crucial part of the film, there is a whole part of movie-making rarely looked at which lives behind the camera. If it wasn\u2019t for their often unrecognized hard work, the actors wouldn\u2019t have films to act in and\u00a0viewers\u00a0would not be able to enjoy such a\u00a0masterpiece\u00a0as\u00a0<em>Wrinkle in Time. <\/em><\/p>\n<h6 style=\"text-align: right;\">Images courtesy of WireImage and Film Independent.<\/h6>\n<p><img loading=\"lazy\" decoding=\"async\" class=\"alignleft  wp-image-559\" src=\"http:\/\/www.kidsfirst.org\/juror\/blog\/wp-content\/uploads\/2018\/03\/Gerry.jpg\" alt=\"\" width=\"153\" height=\"200\" srcset=\"https:\/\/www.kidsfirst.org\/juror\/blog\/wp-content\/uploads\/2018\/03\/Gerry.jpg 440w, https:\/\/www.kidsfirst.org\/juror\/blog\/wp-content\/uploads\/2018\/03\/Gerry-229x300.jpg 229w\" sizes=\"auto, (max-width: 153px) 100vw, 153px\" \/><\/p>\n<p>By Gerry O., KIDS FIRST! Film Critic, age 15<\/p>\n<p>&nbsp;<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Week three of\u00a0Director\u2019s Close-up\u00a0featured many people from the new Disney film,\u00a0A Wrinkle in Time. Instead of focusing on acting, the panel focused on the many departments and resources it takes to make a big film of that proportion a reality. One of the most interesting discussions revolved around props. J.P. Jones, \u00a0prop master of the [&hellip;]<\/p>\n","protected":false},"author":3,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":false,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2}},"categories":[4],"tags":[],"class_list":["post-557","post","type-post","status-publish","format-standard","hentry","category-film-critics-blog"],"jetpack_publicize_connections":[],"jetpack_featured_media_url":"","jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/www.kidsfirst.org\/juror\/blog\/wp-json\/wp\/v2\/posts\/557","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.kidsfirst.org\/juror\/blog\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.kidsfirst.org\/juror\/blog\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.kidsfirst.org\/juror\/blog\/wp-json\/wp\/v2\/users\/3"}],"replies":[{"embeddable":true,"href":"https:\/\/www.kidsfirst.org\/juror\/blog\/wp-json\/wp\/v2\/comments?post=557"}],"version-history":[{"count":4,"href":"https:\/\/www.kidsfirst.org\/juror\/blog\/wp-json\/wp\/v2\/posts\/557\/revisions"}],"predecessor-version":[{"id":563,"href":"https:\/\/www.kidsfirst.org\/juror\/blog\/wp-json\/wp\/v2\/posts\/557\/revisions\/563"}],"wp:attachment":[{"href":"https:\/\/www.kidsfirst.org\/juror\/blog\/wp-json\/wp\/v2\/media?parent=557"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.kidsfirst.org\/juror\/blog\/wp-json\/wp\/v2\/categories?post=557"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.kidsfirst.org\/juror\/blog\/wp-json\/wp\/v2\/tags?post=557"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}