{"id":65,"date":"2010-01-06T02:00:00","date_gmt":"2010-01-06T08:00:00","guid":{"rendered":"http:\/\/www.kidsfirst.org\/ranny\/2010\/01\/06\/avatar-review-by-moving-pictures-magazine\/"},"modified":"2010-01-06T02:00:00","modified_gmt":"2010-01-06T08:00:00","slug":"avatar-review-by-moving-pictures-magazine","status":"publish","type":"post","link":"https:\/\/www.kidsfirst.org\/ranny\/2010\/avatar-review-by-moving-pictures-magazine\/","title":{"rendered":"Avatar Review by Moving Pictures Magazine"},"content":{"rendered":"<table border=\"0\" cellpadding=\"0\" cellspacing=\"0\">\n<tbody>\n<tr>\n<td><b>Reviewed by Rick Klaw<\/b><br \/>(December 2009)<\/p>\n<p><b>Directed\/Written by:<\/b> James Cameron<br \/><b>Starring:<\/b> Sam Worthington, Zoe Saldana, Sigourney Weaver, Stephen Lang, Michelle Rodriguez, Giovanni Ribisi<\/p>\n<p>Twelve years after crafting the Oscar-winning best picture &#8220;Titanic&#8221; and nearly two decades since &#8220;Terminator 2,&#8221; director\/screenwriter\/producer James Cameron returns to the big screen and his science fiction roots with the much ballyhooed &#8220;Avatar.&#8221; Equipped with groundbreaking 3-D and graphics technology, Cameron&#8217;s nearly three-hour epic emerges as perhaps the most beautiful movie ever produced. <\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<table border=\"0\" cellpadding=\"0\" cellspacing=\"0\">\n<tbody>\n<tr>\n<td>\n<table align=\"left\" border=\"0\" cellpadding=\"0\" cellspacing=\"0\">\n<tbody>\n<tr>\n<td align=\"center\">\n<div><img loading=\"lazy\" decoding=\"async\" alt=\"Avatar; courtesy WETA and Twentieth Century Fox Film Corp.\" border=\"0\" height=\"250\" src=\"http:\/\/www.movingpicturesmagazine.com\/adx\/aspx\/adxGetMedia.aspx?DocID=6142,1200,620,1,Documents&amp;MediaID=11004&amp;Filename=Avatar_thanator.jpg\" width=\"444\" \/><\/div>\n<\/td>\n<\/tr>\n<tr>\n<td>\n<div>A Na\u2019vi warrior races into battle on a thanator, a fearsome panther-like creature native to Pandora; courtesy WETA and Twentieth Century Fox Film Corp.<\/div>\n<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<p>In the far future, Jake Sully (Sam Worthington), a wounded and paralyzed former U.S. Marine, travels to Pandora, a lush, jungle-covered extraterrestrial moon and home to a sentient humanoid race, the Na&#8217;vi. Approximately 10-feet tall with tails and sparkling blue skin, the Na&#8217;vi fight when a human corporation, backed by battalions of Marines, attempts to remove the indigenous people from their native lands. <\/p>\n<p>Unable to breathe the air on Pandora, human scientists create genetically-bred human-Na&#8217;vi hybrids known as Avatars. Jake participates in the Avatar program, which enables him to walk again though a new body. Sent deep into Pandora&#8217;s jungles as a scout, Jake encounters many of Pandora&#8217;s varied beauties and dangers. <\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<table border=\"0\" cellpadding=\"0\" cellspacing=\"0\">\n<tbody>\n<tr>\n<td>\n<table align=\"right\" border=\"0\" cellpadding=\"0\" cellspacing=\"0\">\n<tbody>\n<tr>\n<td align=\"center\">\n<div><img loading=\"lazy\" decoding=\"async\" alt=\"Avatar; photo by Mark Fellman and WETA, courtesy Twentieth Century Fox Film Corp.\" border=\"0\" height=\"250\" src=\"http:\/\/www.movingpicturesmagazine.com\/adx\/aspx\/adxGetMedia.aspx?DocID=6142,1200,620,1,Documents&amp;MediaID=11005&amp;Filename=Avatar_Worthington.jpg\" width=\"399\" \/><\/div>\n<\/td>\n<\/tr>\n<tr>\n<td>\n<div>Worthington: Jake (Sam Worthington) meets his avatar, a genetically engineered hybrid of human DNA mixed with DNA from the natives of Pandora; photo by Mark Fellman and WETA, courtesy Twentieth Century Fox Film Corp.<\/div>\n<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<p>Complete with contrived dialogue and a telegraphed plot, the hackneyed tale derives, almost fully-formed, via the 1950s and the far more compelling fiction of Jack Vance and Robert Heinlein. Offering little in character originality, Cameron borrows heavily from his previous sci-fi endeavors. Even one of his former stars, Sigourney Weaver, returns as the head scientist for the Avatar project. The adequate acting rarely excels and at times even devolves into stereotype.<\/p>\n<p>The world of the Na&#8217;vi, while intriguing, offers little that hasn&#8217;t been portrayed before. To his credit, the excellent combat scenes serve to remind filmgoers that Cameron belongs among the top tier of all-time action directors. None of this matters though. The true essence of &#8220;Avatar&#8221; rests with the impressive visual effects.<\/p>\n<p>No stranger to special effects, Cameron created new advancements in that arena with several of his previous films, including both &#8220;Terminators,&#8221; &#8220;The Abyss&#8221; and &#8220;Titanic.&#8221; The 3-D and visual effects of &#8220;Avatar&#8221; far exceed anything previously seen. The extensive trailers fail to properly showcase the extent of the dazzling imagery, and offer only a glimpse of why this feature needs to be seen in the theater. Even with the lengthy running time, due primarily to the visuals, the movie doesn&#8217;t feel overly long. <\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<table align=\"right\" border=\"0\" cellpadding=\"0\" cellspacing=\"0\">\n<tbody>\n<tr>\n<td align=\"center\">\n<div><img loading=\"lazy\" decoding=\"async\" alt=\"Avatar; photo by Mark Fellman, courtesy Twentieth Century Fox Film Corp.\" border=\"0\" height=\"250\" src=\"http:\/\/www.movingpicturesmagazine.com\/adx\/aspx\/adxGetMedia.aspx?DocID=6142,1200,620,1,Documents&amp;MediaID=11006&amp;Filename=Avatar_BattlePlan.jpg\" width=\"375\" \/><\/div>\n<\/td>\n<\/tr>\n<tr>\n<td>\n<div>As an epic battle approaches, Jake (Sam Worthington, left), Grace (Sigourney Weaver), Trudy (Michelle Rodriguez) and Norm (Joel David Moore) plan their next move; photo by Mark Fellman, courtesy Twentieth Century Fox Film Corp.<\/div>\n<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<p>Unlike most directors, Cameron, for the most part, uses the 3-D subtly. Realistic sweat dripping of faces enhances the tension. By giving depth, a large ship interior becomes massive. The projection screens used on the ships are fully integrated and interact seamlessly with the crew. Lighter-than-air creatures have depth and mass. All these little touches breathe life into the very alien world of &#8220;Avatar.&#8221;<\/p>\n<p>The attractive Na&#8217;vi, conceived using a technology similar to that which created Gollum (in &#8220;Lord of the Rings&#8221;) and Peter Jackson&#8217;s giant ape in &#8220;King Kong,&#8221; retain a human-ness while simultaneously basking in their uniqueness. The entire Pandora landscape abounds in a lushness of detail, from the tiniest creatures to the humongous floating mountains.<\/p>\n<p>By fully embracing and understanding current technologies, Cameron has created a visual delight unlike any previous movie. Even with the story flaws, the drop-dead gorgeous &#8220;Avatar&#8221; provides unforgettable entertainment.<\/p>\n<p><i>Photo (top): <\/i><i>Neytiri (Zo\u00eb Saldana, right) teaches Jake (Sam Worthington) the skills he&#8217;ll need to survive on Pandora; courtesy WETA and Twentieth Century Fox Film Corp.<\/i><\/p>\n<p><a href=\"http:\/\/www.movingpicturesmagazine.com\/reviews\/movies\/avatar\"><i>http:\/\/www.movingpicturesmagazine.com\/reviews\/movies\/avatar&nbsp;<\/i><\/a><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Reviewed by Rick Klaw(December 2009) Directed\/Written by: James CameronStarring: Sam Worthington, Zoe Saldana, Sigourney Weaver, Stephen Lang, Michelle Rodriguez, Giovanni Ribisi Twelve years after crafting the Oscar-winning best picture &#8220;Titanic&#8221; and nearly two decades since &#8220;Terminator 2,&#8221; director\/screenwriter\/producer James Cameron returns to the big screen and his science fiction roots with the much ballyhooed &#8220;Avatar.&#8221; [&hellip;]<\/p>\n","protected":false},"author":15,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":false,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2}},"categories":[1],"tags":[],"class_list":["post-65","post","type-post","status-publish","format-standard","hentry","category-uncategorized"],"jetpack_publicize_connections":[],"jetpack_featured_media_url":"","jetpack_sharing_enabled":true,"jetpack_shortlink":"https:\/\/wp.me\/paSd8M-13","_links":{"self":[{"href":"https:\/\/www.kidsfirst.org\/ranny\/wp-json\/wp\/v2\/posts\/65","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.kidsfirst.org\/ranny\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.kidsfirst.org\/ranny\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.kidsfirst.org\/ranny\/wp-json\/wp\/v2\/users\/15"}],"replies":[{"embeddable":true,"href":"https:\/\/www.kidsfirst.org\/ranny\/wp-json\/wp\/v2\/comments?post=65"}],"version-history":[{"count":0,"href":"https:\/\/www.kidsfirst.org\/ranny\/wp-json\/wp\/v2\/posts\/65\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.kidsfirst.org\/ranny\/wp-json\/wp\/v2\/media?parent=65"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.kidsfirst.org\/ranny\/wp-json\/wp\/v2\/categories?post=65"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.kidsfirst.org\/ranny\/wp-json\/wp\/v2\/tags?post=65"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}