Ages 12-18 Titles from KIDS FIRST!

The film is well-produced, featuring excellent camerawork, crisp audio recording, and delightful animal puppets that appear whenever music is played. The pacing is full of wonderful surprises; after showcasing brilliant musical performances, the film transitions into tutorials demonstrating how each instrument is played. I was thoroughly impressed by how these accomplished musicians could imitate animal sounds through their instruments, like recreating the sounds of birds or dragonflies.

Director Carlo Olmos Carrillo (from Guanajuato, Mexico) deserves immense credit for creating such an innovative, visionary project. A true highlight is when Heather plays the clarinet to perfectly mimic a dragonfly. The setting shifts gracefully between Mexico and a modern Broadway stage, keeping the visual backdrop engaging and inspiring.

The film's message is that music has the power to connect and bring people together.

This project is truly a one-person show. Teagen Chacon deserves immense credit for taking on the roles of writer, director, producer, and lead actor. The plot flows smoothly across three distinct acts: Act 1 (Fatigue) establishes the protagonist falling asleep; Act 2 (Immersion) introduces his dream self or alter ego, who explains that they must interact to move forward; and Act 3 (Escape) shows the protagonist reclaiming control over his subconscious and letting go of his fears.

Technically, the film has a few shortcomings. The visual elements are just okay; both the initial outdoor scenes and the interior shots are dark and ill-defined, relying too heavily on ambient light rather than necessary ancillary lighting. Additionally, the audio levels jump around, with the background music frequently overpowering the opening monologue, requiring speaker adjustments. Despite these flaws, the dream sequence is visually convincing and effectively encourages viewers to contemplate how real-life worries manifest in their subconscious.

The film's ultimate message is that you cannot run away from your problems--they will follow you everywhere, even into your sleep. True progress only comes when you find the courage to face your fears and resolve your issues.

I give Dreaming 3.5 out of 5 stars and recommend it for ages 12 to 18, plus adults.

The storyline follows Gerry, a delivery driver for Magpie's Lemonade, who is offered a promotion to Lemonade Salesman. His first assignment is to convince a local stand, Kyle's Kool Lemonade, to join the corporate giant. Gerry is quickly shut down by the owner, Kyle, whose refusal is rooted in family tradition since his father used to run the stand. Set in a modern, "hyper-capitalistic world" where Magpie's owns almost all the children's lemonade stands, the film relies on sparse but effective background music, culminating in an upbeat, calming track at the end.

The performances are stellar. Zeke Bachman portrays Kyle as thoughtful and well-informed, while Rowan Harper plays Gerry with an endearing, clumsy desperation reminiscent of Adam Sandler. You can truly feel that Gerry's job is on the line through his excellent facial expressions. The costumes perfectly mirror this dynamic, charting Gerry's transition from a pink delivery uniform to an ill-fitting yellow suit, contrasting with Kyle's casual plaid shirt.

The camerawork is highly effective; a memorable shot of the duo sitting on the sidewalk on the exact same physical level beautifully visualizes their growing connection. Director and writer Jack Costello successfully highlights the importance of human connection, while production designer Hailey Pago creates authentic, realistic lemonade stands and signage that ground the fantasy world. Gerry is a fantastic protagonist, and his growth is wonderful to watch as he realizes that a job should be something you truly love, not just a means to an end.

Advisory Note: This film contains mild profanity (a character says "holy sh*t" at the 2:15 timestamp).

Emma & Emma is a short film that follows Emma, an actress, who wakes up to find her fourteen-year-old self crashing about her apartment. The older Emma (Alexandra Corin Johnston) and younger (Martha Shaw) spend the day learning about each other and their shared life. The younger Emma tries to push the older Emma, who has become disillusioned about life, into pursuing her dreams of becoming a famous actress, by convincing her to audition for a play, and she also serves as her emotional support. The film is entertaining and may encourage older viewers to think about their inner child and pursuing their dreams even when faced with uncertainty.

The camera work, audio recording and editing are all well executed. The actors are suitable to their roles and the sets are well selected. Alexandra Corin Johnson not only plays the older Emma, she is also the writer and director of this short film. The plot really drives this film. The film asks a pivotal question: what would you do if you met your younger self? When the two Emma's first meet here, there is confusion. However the two quickly bond; young Emma is optimistic and joyful, while older Emma is more cynical, and when asked what she is so afraid of, she replies "Everything! I am afraid of everything." I also like how the film addresses how to handle life when things don't go according to plan and encourages us to believe in ourselves and pursue our dreams.

The plot flows well; the two Emmas are relatable characters. However, one confusing plot hole is whether the younger Emma is a dream or an actual person, because while she is seen physically interacting with her older counterpart she also disappears and reappears. The casting is spot on; both actresses who play the Emmas seem very authentic. They have similar traits and mannerisms, and are dressed in coordinating outfits, which adds to the quality of the film. The background music is well selected, although it appears to be copyrighted music and we need to ask the filmmaker is they have licensed it. My favorite part is when Emma goes to her audition and nails it, with her younger self standing by her side - invisibly.

The film's message is about believing in yourself and continuing to push forward even when frustrated and overwhelmed with life and how your inner child can help to heal and move forward with your life. The film deals with realistic topics such as the fear of failure and fear of the future. It is suitable for its intended audience, although there is some mild profanity and some alcohol use.

The narrative develops logically, explaining how substances alter the brain before introducing real-world case studies. It highlights how intersecting vulnerabilities--like peer pressure, mental health struggles, and family challenges--can lead to dependency, proving this crisis can affect anyone.

Visually, the documentary is deeply impactful. Close-up shots of adolescents staring blankly into the camera create an intense, uncomfortable mood. A recurring transition effect where faces dissolve into one another beautifully underscores how addiction touches a diverse cross-section of youth. The reenactments feel strikingly realistic, showing teenagers engaging with substances in everyday settings. While these scenes successfully demystify how easily youth get caught up in drug culture, the acting intensifies the film's cautionary message.

The sound design enhances this unsettling atmosphere with eerie, suspenseful string music and a clock-ticking motif that builds psychological tension. Conversely, the narration feels a bit clinical and detached, giving the project a slightly didactic, PSA-like tone. A highlight occurs at the end, where the four stages of drug addiction are detailed through perfectly synchronized visuals and tense audio.

Advisory Note: This film contains highly realistic depictions of youth smoking, snorting, and injecting drugs, which may require parental guidance or post-viewing discussion to ensure viewers do not imitate these actions.

I give this film 3.5 out of 5 stars and recommend it for ages 12 to 18, plus adults.

The storyline is pretty simple - a new cat moves into the neighborhood and two cars compete for its attention. But hidden in there are all the idiosyncrasies that are either cat or human specific - from bringing food to the newbie to painting her portrait to pumping metal in order to get her attention. Even the credits are enjoyable and reflective about the personalities of the film's creators.

The storyline is about the instant chemistry between a food delivery driver and a customer which leaves them both regretful that they missed an opportunity to connect. Their friends give them poor advice on how to find each other. Can they discover the recipe to unite?

Love at first sight! Or at first food delivery. The plot is very relatable to anyone living in modern times. The plot develops in an easy to understand and natural way. Levi Hofman (Austin) plays the quirky part of his lovelorn character well. He is unbelievably quick to fall in love. He is advised that the best way to reconnect with the driver he fell for is to order from the company again, in hopes that she will return - bad advice. After a series of "the wrong person" I laughed as he gets ready for each prospective delivery. Charlotte Abney (Kiera) portrays her dash delivery character well and her level of frustration as she tries to find Austin again is equally humorous. For a 72 hour production, it stands up pretty well. The camera work, audio recording and editing all work well, without any glaring errors. The costumes and makeup work and are typical of what young people wear today. The sets and locations are typical homes and businesses you might find in any US city. The music feels modern and contemporary and works well as it's played in scene transitions. I particularly enjoyed the music playing under the credits. I love all the weird drivers that show up when Austin is ordering delivery constantly in order to find the girl. I enjoyed the costume changes Kiera wears in her various Austin encounter attempts. My favorite part is the ending when, against all odds, serendipity strikes.

The film's message is to not let chances slip away. Seize the moment and exert yourself or you will spend more time and energy later correcting your mistake.

Star Wars: The Mandalorian and Grogu finishes the storylines of the Mandalorian, Din-Djarin, and his Jedi turned apprentice turned adopted son, Din-Grogu. They are now working as independent contractors for the New Republic, when they are assigned a dangerous task for the siblings of Jabba the Hutt. This leads to a chaotic arena fight scene, a weaponless, underground fight in a lake with a giant snake, and so much more.

The story has amazing details throughout, most of which are involved with Grogu growing into his own man... or whatever species he is. There are many scenes in which we can see him almost becoming a smaller version of Yoda - from him meditating in the forest or walking with a cane to his next level capabilities with the force. We also see the smaller, but still valuable, detail of the title page starting with "The Mandalorian," then after a short pause bringing in "and Grogu." This goes to show that, up until now, Grogu has always been living in the Mandalorian's shadow, getting his fights fought for him. This is his moment to break out and show that he's not just "the child." Mando makes this passing of the baton clear when he says, "The old protect the young, and then the young protect the old." As Mando spent all of the Mandalorian TV series protecting Grogu, now it's time for Grogu to return the favor. The film has many hilarious moments, from Grogu repeatedly ramming a limp body into a hole that is not big enough, making an echoing clang sound each time, to the hilarious Anzellan dialogue scenes, with funny sounds of mixing English with Anzellan. Like most films in the Star Wars universe, the sets are truly spectacular. The designs made me feel like I was exploring a galaxy far, far away. From simple sets like the Mandalorian's house, to the more complicated one of the Jabba Twins Tree base, all of the sets look truly natural and fun.

The film's main message is that you need to grow up and be your own person someday. It includes themes of family, togetherness, and coming of age (even at age 50). Parents should be aware that it includes some fighting and non-bloody violence, but also has many good role models and aspirational figures. For example, Din-Djarin says to Rotta the Hutt (Jeremey Allan White), "Fighting's not a sport, it's a last resort."

I give Star Wars: The Mandalorian and Grogu 5 out of 5 stars and recommend it for ages 12 to 18, plus adults. It releases in theaters on May 22, 2026. Make sure to check it out in IMAX for the full experience.

By Jackson N., KIDS FIRST! Film Critic, age 13

I love the movie Star Wars: The Mandalorian and Grogu! It captures the excitement and emotion that makes the Star Wars franchise so special and important to people. The film blends action, adventure, and heartfelt moments white continuing the story of Star Wars.

The storyline follows Din Djarin (Pedro Pascal), also known as The Mandalorian, a bounty hunter who protects the galaxy with his friend, Grogu. They travel across the stars after being given a seemingly impossible task. Din must continue protecting Grogu while becoming involved in conflicts that could affect the future of the galaxy. The film introduces new allies and rivals while still focusing on the emotional bond between the two main characters.

I particularly enjoyed the acting in this film. Pedro Pascal provides an incredible performance as Din Djarin, or the Mandalorian, bringing emotion and depth to the character even behind his helmet. Even though he is often hidden behind a helmet, he is able to express intense emotions through his voice and body language. Pascal gives Djarin a strength that he carries with himself, feeling heroic and realistic. He captures the protectiveness that the Mandalorian has for Grogu while also having loneliness about himself. Another actor who caught my eye is Jeremy Allen White, who plays Rotta the Hutt, the nephew of the evil Hutt empire rulers. He brings a new idea to the Hutt family, showing how they are not all set out to conquer the world. He layers his performance with emotions and vulnerability. Rotta is unpredictable and commands the attention of the audience throughout scenes. White brings a new fresh perspective on a previously established family and kinetic energy to Rotta that makes his scenes intense and memorable.

The film's message is that family is not determined solely by blood. Grogu sticks by The Mandalorian's side, as the latter protects the former. Rotta the Hutt strays from familial traditions, finding a new home with different people. Protecting the people you care about is one of the greatest responsibilities that one can have, and also one of the best.

I give Star Wars: The Mandalorian and Grogu 5 out of 5 stars and recommend it for ages 8 to 18, plus adults. Star Wars: The Mandalorian and Grogu releases in theatres and IMAX on May 22, 2026.

Star Wars: The Mandalorian and Grogu is an extremely entertaining story with amazing acting, CGI, and music. Every part of the film works perfectly to create a fun and breathtaking movie. It is never boring and it easy to get immersed in the story.

The storyline follows a bounty hunter, The Mandalorian (Pedro Pascal), and Grogu (David Acord) as, against their own morals; they are forced to help the Hut family find their kidnapped nephew, Rotta the Hut (Jeremy Allen White), in an attempt to find a new elusive target. However, they soon discover more secrets as they search for Rotta, encountering much more than they set out for.

The CGI in this movie is phenomenal; everything looks so realistic and adds a lot of suspense and sadness. It's easy to forget that the CGI creatures aren't actually there; making it easy to become immersed in the worlds the Mandalorian and Grogu visit. Rotta the Hut is extremely impressive and moves fluidly throughout the film. This is helped by the outstanding cast; everyone shows extreme talent but especially Pedro Pascal as The Mandalorian. He's tasked with interacting with the CGI creatures, yet, thanks to his acting, it seems like he's truly there with them. Another aspect of the film I really enjoyed is the sets -- they are all unbelievably beautiful and unique. Every location has its own style, leading to each being memorable in its own way. The sets are so stunning, especially when they're shown flying through the Outer Rim -- it looks gorgeous. The film is also incredibly funny - there were multiple times when I laughed out loud. Every joke lands perfectly, both physical and verbal, thanks to the cast and the writers. I especially like Grogu -- his physical comedy always got me to laugh. Another aspect of the film that I especially love is the music; it is gorgeous and enhances the tone of the various scenes. On the other hand, when the film is hopeful or the characters are winning a fight it's very upbeat and adds to the feeling of relief. I found myself entertained the entire way through the film and even got invested in characters such as Rotta, and I wanted the best for them thanks to every aspect of the film.

The message of Star Wars: The Mandalorian and Grogu is to take care of those around you, as you'll never know how they'll end up without you. Be forewarned that there is a lot of intense action, violence, and small amounts of gore.

I give Star Wars: The Mandalorian and Grogu 5 out of 5 stars and recommend for ages 12 to 18, plus adults. It releases in theaters on May 22, 2026.

The plot follows George (Hugh Jackman) whose favorite pastime is reading murder mysteries to his beloved sheep. After sending several mysterious letters, George is found dead in his pasture. Just like the novels he has read them; the flock discovers this is indeed a murder. The self-proclaimed detective, Tim Derry (Nicholas Braun) is completely useless along with his unlikely friend, Elliot Mathews (Nicholas Galitzine) who is even less helpful. So, it's up to the flock to solve the murder before the contents of his will are followed through.

The best thing about The Sheep Detectives is the utter simplicity of the movie. Sometimes films are trying way too hard to cater to a younger audience. They try to be relatable, and it seems that most of the budget is spent on celebrity cameos instead of good screenwriting. This movie completely shatters that pattern. Where to even begin? Each character's development makes complete sense. Lily (Julia Louis-Dreyfus) is the leader of the sheep. She is confident but some of her values are misplaced. She often grapples with the fact that death exists and how heavy grief can feel. During the course of the film, she embraces community and learns to work through it with people she loves and trusts. Mopple (Chris O'Dowd) is my personal favorite character. The other sheep have the power to forget any event - every other sheep except for him. Chris O'Dowd excels at capturing Mopple's pain. He must carry all the painful memories that the rest of the flock chooses to forget because he cannot. O'Dowd adds some much-needed humor with this development, but he also adds just enough of the tragedy. Aside from the heartfelt moments in the movie, there is still a mystery.

I did feel that the movie sometimes focuses too much on ways to make me cry rather than the mystery itself. The main suspects quickly become the people named in George's will. But not enough time is spent getting to know the other characters so we have no reason to suspect them or not. Because of that, when the mystery is solved, the culprit's motive makes sense, but it is not as satisfying as it could have been. This is just a small thing, and it did not stop me from enjoying the film. This movie is an emotional rollercoaster; it is guaranteed to make anyone who watches it laugh, cry and fall in love with CGI sheep.

The film has themes of belonging, family and the importance of treating others with respect. It also explores grief, loss, and coping strategies. The sheep often choose to forget when something gets too difficult or hurts too much. By the end, Lily and Mopple realize that forgetting is not healthy and it's important to feel negative emotions, not just hide from them.

I give The Sheep Detectives 4.5 out of 5 stars and recommend it to kids ages 12 to 18, plus adults. It releases in theaters May 8, 2026.

By Zoey F, KIDS FIRST! Film Critic, age 14

I love this film! The Sheep Detectives is a heartwarming murder mystery that keeps you guessing "who did it" right up to the end. I found myself laughing and crying! The storyline is intriguing and the characters act very suspicious, making it so much more interesting to watch.

The Sheep Detectives is based on the book Three Bags Full: A Sheep Detective Story by Leonie Swann. It takes place in a fictional village, called Derrybrook, in England, and focuses on the lives of a herd of sheep, their shepherd (Hugh Jackman), and a few of the villagers. Two of the sheep Lily (Julia Louis-Dreyfus) and Mopple (Chris O'Dowd) help the local policeman (Nicolas Braun) solve a murder.

The storyline is well developed and I enjoy the pace of the film. I especially love the humor that is used from beginning to end and the use of a riddle to help solve the murder. I like that the sheep and human characters have similar storylines. Each has to deal with death, different personalities, challenges, and love. The film explores what makes individuals unique and how coming together as a community is rewarding. The voice actors for the sheep create characters that are easily relatable and complex. I love how they bring the sheep to life with sheep-like characteristics and well developed personalities. The human characters also have relatable personalities and demonstrate love, jealousy, ambition, and greed. The sheep and humans go through several experiences that make their characters grow and become more mature. My favorite part is learning the back story behind the independent and protective sheep named Sebastian (Bryan Cranston). This was my favorite part because I like how the events he experienced in his past helped shape how he interacts with the herd.

The film's message is that as long as we remember those we love, they are never truly gone. It also reminds us to be willing to accept help from unexpected places and how important it is to be kind and accepting of those who are different. Be aware that there are some alcohol references, mild violence between animals, and death.

I give The Sheep Detectives 5 out of 5 stars and I recommend it for ages 8 to 18, plus adults. The Sheep Detectives releases in theaters on May 8, 2026.

By Julie O. KIDS FIRST! Film Critic, age 13

I really loved watching The Sheep Detectives! This is a humorous, but profound murder mystery that is very heartfelt.

The storyline follows a flock of sheep who attempt to uncover the murder of their shepherd (Hugh Jackman) after he unexpectedly dies. The sheep find ways to communicate to the police officer (Nicholas Braun) every time they find a clue, which made me laugh because the way they show the humans is very funny.

The movie is paced well and the plot develops with precision. I really love the animation of the sheep especially that of the lamb, which made me want a baby lamb because they are so cute. The actors' performances are very well executed; each actor skillfully plays their part. My favorite character is Sebastian, voiced by Bryan Cranston, because he goes through so much and has so much knowledge and, even though it doesn't seem like he cares for his friends, he would do anything for them. My favorite part is when the two main sheep, Lily (Julia Louis-Dreyfus) and Mopple (Chris O'Dowd) attempt to cross the street for the first time, while being led by Sebastian (Bryan Cranston) , a more experienced sheep. This scene is so funny because Sebastian easily crosses the street while Lily and Mopple have a hard time even touching the concrete.

The film's message is that you cannot judge a book by its cover. Be forewarned that there are death related topics discussed.

I give The Sheep Detectives 5 out of 5 stars and recommend it for ages 8 to 18, plus adults. It releases in theaters May 8, 2026.

The story follows a woodland creature, Ollie (Michael B. Jordan), who attempts to befriend a beautiful and colorful bird, Ivy (Juno Temple). As a kind gesture, he offers her some of the food that he and his family enjoy. Soon after, his father shares that the food source is running low and that they will not likely survive. Ollie and Ivy swap bodies, and they begin an adventure that helps them uncover secrets of the forest and bring the animals together.

I love the storyline and message of Swapped. In the village, each of the animals is isolated and congregates in separate groups. However, as Ollie and Ivy navigate their quest to find a way to return to their bodies, they learn that they need each other. While these creatures would likely have conflict in the real world, together they uncover and demonstrate that they are stronger together. There is an emphasis on the importance of not judging a character by the type of animal it is, but instead taking a moment to "walk in their shoes" and learn about who they are. In addition to the talented actors who play the main characters, Tracy Morgan plays Boogle, a seemingly endearing and kind fish who initially befriends Ollie and Ivy and gains their trust. Tracy Morgan is extremely versatile as he transitions from a playful fish to a more sinister role. I especially appreciate the honest dialogue when Ivy pointedly asks Ollie whether he does not trust her, and because of earlier events, he admits that he does not. I like how the characters experience opportunities to grow and develop.

The film's message is to avoid rushing to judge and to consider partnering with others instead of allowing biases or past experiences to shape future relationships. Throughout the story, there is some mild violence, including a few chase scenes that could potentially be upsetting to younger children.

I give Swapped 5 out of 5 stars and recommend it for ages 5 to 12. Swapped is available for streaming on Netflix beginning May 1, 2026.

By Drake G., KIDS First Film Critic, age 13

Whoa, Swapped is super weird in the BEST way possible--I love it! I seriously didn't expect to like it this much, but the animal body-swapping makes everything totally chaotic and hilarious. It's hysterical because the characters act so ridiculously in each other's bodies, and the animation looks awesome the whole time. It even has some emotional parts that kind of snuck up on me. Swapped is wild, funny, and actually has some heart.

Swapped is about a tiny woodland creature named Ollie (Michael B. Jordan), who is a Pookoo, and a majestic bird named Ivy (Juno Temple), who is a Javan, and they accidentally switch bodies. The problem is...they're basically enemies. Now they have to survive in the valley while stuck in each other's bodies. As they try to switch back, they go on a crazy adventure and start to understand each other.

The animation is, honestly, so cool--it's super colorful and looks almost like a nature documentary, but it's way more exciting and exotic. The characters are really beautiful too. Even though they're mystical creatures like Pookoos and Javans, they have so much detail that they feel real. The funniest part is how Ollie and Ivy still act like themselves after switching bodies--so, watching them struggle is hilarious. Michael B. Jordan and Juno Temple make the perfect voices for these two characters. The valley has awesome settings like sky, water, and even some intense fire scenes. There's also a fish named Boogle (Tracy Morgan), who adds mystery and humor, and you will just have to watch the film to understand him. My favorite part is when Ollie tries flying for the first time--it's a total mess but also kind of inspiring.

The film's message is about understanding others and not judging too quickly. It shows that even enemies can learn from each other. It's positive without feeling preachy and it makes you want to be kinder. There are a few intense moments and risky situations, but nothing too scary. Swapped hits all of the emotions while leaving you on the edge of your seat.

I give Swapped 5 out of 5 stars and recommend it for ages 8 to 12, plus adults. You can watch Swapped on Netflix starting May 1, 2026.

By Junior R., KIDS FIRST! Film Critic, age 12

I love Swapped. It is wonderful from every angle, but what stands out to me the most is the fantastic voice acting, the terrific animation, the entrancing storyline, and the amazing morals.

This story follows a woodland creature named Ollie (Michael B. Jordan) who blames himself for his civilization's downfall, and a bird named Ivy (Juno Temple) who is seen as annoying and controlling, when she's just trying to be a good big sister. When a freak accident happens forcing them to walk in each other's shoes, they must find a magical bud to return to their homes. As they embark on a journey through "The Valley," they make new friends like Boogle, a large fish (Cedric The Entertainer), and new enemies like the fire wolf (Cedric The Entertainer), the main antagonist of the film.

This film is amazing. The voice acting is terrific -- Michael B. Jordan captures the emotions and complexities of his character wonderfully; it almost feels as if he's truly just a small creature trying to right his wrongs. Juno Temple expertly portrays a big sister trying to do right. And Cedric The Entertainer perfectly voices both of his roles, sounding like an innocent fish looking for a friend, and then capturing the cruelty of the fire wolf. The animation is fantastic. I watched in complete awe of the bright colors and abstract art style. Thom Roberts, the lead animator of this film, pours his soul into its animation. The entire animation department has really made a masterpiece with this movie. The storyline had me looping; I was excited, scared, happy and even cried. The script is awesome with twists and turns that had me spinning. I would think I knew what was going to happen, but it turned out I had no idea. The morals of the story are amazing -- they really stick with me, and I believe they'll resonate with others as well. My favorite part is when all the animals come together. This part gave me a deep sense of hope that one day humanity will join hands like that.

The film's message is that sometimes we must put aside our differences for the greater good, and it also reminds us that together we can get past any obstacle.

I give Swapped 5 out of 5 stars and recommend it for ages 5 to 18, plus adults. You can find it on Netflix beginning May 1, 2026.

Michael has notable sets that help the film come to life in front of a viewer's eyes. One of the most notable filming locations is the California street where the original Thriller music video was filmed; it is also where the music video for the film was shot. The Hayvenhurst Estate is used as the second home Michael lived in throughout the duration of the film. It is where Michael Jackson actually lived during his teen years. He also practiced some of his most famous dances at this location. My favorite scene is when Michael tells John Branca (Miles Teller) that he chooses him to look after his career. His first task was to fire Joseph as his personal manager. Branca asks why and Michael says, "quickly." It's interesting that Branca decides to fax Joseph to inform him that he is fired. My favorite character is Michael's mom, Katherine Jackson (Nia Long) because she supports him in whatever he does, while his father only supports Michael if he follows his plan. Katherine evens out the scale of the Jackson family dynamics.

The film's message is about the choices your family wants for you and what you want for yourself. The film shows what an impact people in a young child's life leave on them. It also shows how Michael had a family who understands him for who he is and not for being a big star. He has to give part of that understanding up to choose his own life path. Please note that there are some abusive scenes that may not be suitable for younger audiences.

I give Michael 5 out of 5 stars and recommend it for ages 12 to 18, plus adults. Michael releases in theaters on April 24, 2026.

By Harper B., KIDS FIRST! Film Critic, age 13

I am completely won over by Michael, a film that feels like being in the front row of one of Michael Jackson's concerts!

The story follows Michael Jackson's (Jaafar Jackson) musical career from 1960 with The Jackson Five to his 1987 release of "BAD." The film shows how Jackson has a hard time being himself because his dad, Joe Jackson (Colman Domingo), was so strict and in charge of everything. Sometimes, Michael doesn't feel like he fits in, so he uses books and animals to create Neverland, an imaginative place where he can just be happy and have fun. It also shows how Michael breaks big barriers throughout his career so more people can be seen and heard in the music industry. One intense scene is when his hair catches on fire during the 1983 Pepsi commercial accident, but then, Michael realizes he gets a second chance to keep doing what he loves.

It's amazing how Michael Jackson's talent is something everyone can enjoy. Some of my favorite parts of this film are when Michael adopts exotic animals and visits sick kids in hospitals because it shows how kind and gentle he is. He even has a giraffe and a llama at his home. It is also super cool that a real member of Michael's family, Jaafar Jackson, who is Jermaine Jackson's son, plays Michael in the film. His classic Michael Jackson dance moves like The Moonwalk and "Thriller" zombie dance are spectacular! All of Michael's iconic clothing such as his red leather "Beat It" jacket, rhinestone covered glove and penny loafers are highlighted. The realistic concert lighting is attention grabbing and the BOOMING sound is a fun special effect that makes everyone in the theater dance in their seats. My favorite scene is when the head of CBS (Mike Myers) calls MTV and basically demands MTV play Michael's videos, demonstrating how big and important he was becoming.

This film's message is about finding your own voice and following your heart to reach your dreams. Be true to yourself and never give up no matter what. Note that there are some mature scenes that may not be suitable for younger audiences.

Michael gets 5 out of 5 stars from me and I recommend it for ages 12 to 18, plus adults. The film releases to theaters on April 24, 2026.

By Ryker N., KIDS FIRST! Film Critic, age 10

We have all heard of Michael Jackson. We know him for hits like "Billie Jean" and "Thriller," and we love him for how he impacted music and the world... but with such greatness comes a story, a story which is perfectly shown in the film, Michael. This already record-breaking film is made for viewers and Moonwalkers to sing along, cry, laugh, and connect with Michael on a whole new level.

Michael takes us on a journey through Michael Jackson's (Jaafar Jackson) life and career, starting as a child singing at clubs, and ultimately performing solo in huge stadiums filled with thousands of people. The story begins in the 60s, when young Michael (Juliano Valdi) and his brothers start their music careers with their father, Joseph Jackson (Coleman Domingo) and their mom, Katherine Jackson (Nia Long) managing them. It explores the depths of the fame that Michael experienced and the way he handled his personal life, as we watch him develop through the 60s, 70s and 80s, eventually becoming the solo artist we remember and loved, even today.

This is a film I would love to see again. The focus of the film is primarily on Michael Jackson and his family - his brothers in the Jackson Five, his parents, Joe and Katherine Jackson, John Branca (Miles Teller), and a few other important figures. The movie completely captured my attention from the very beginning, with the music, the lights, and the framing of every scene to give us an inside look at Jackson's personal life. Jaafar Jackson certainly brings a special take to his uncle's life. There have been lots of amazing impersonators of Michael Jackson, but Jaafar really nails the voice, personality, and truth behind who Michael was. Sometimes, when watching the screen and hearing the songs, I forget that it's not Michael. The film allowed me to look at Jackson's life differently as well. Getting a more in-depth look into his childhood with his father's values, his animal companionship, the loneliness he sometimes had to deal with, and the fear he grew up with really helped me understand him more. Michael said it when he was alive - that he truly didn't have much of a childhood. Watching the young version of him in the film definitely strikes an emotion, and made me connect with him as a child, and then an adult. I love the storytelling so much because it's drawn so heavily from his friends and family, making it more personal than what we have taken in from the media over the years. While I didn't really learn anything new, this movie opened my eyes to know more about who Michael Jackson truly was.

This film delivers so many amazing messages, from being true to yourself to not letting others' wants or opinions determine how you live. The message that stood out the most to me was after the Pepsi performance, where Michael's hair caught fire. It made Michael realize that life is really something that we have to enjoy and make our own, because so many things can go wrong and you might never know what that end-moment could be or if you'll get a second chance. It's a reminder to stay true to yourself and live the life you want - do what makes you feel happy. Be aware that there are some intense moments between Michael's dad, Joe and himself.

I give Michael 5 out of 5 stars and recommend it for ages 12 to 18, plus adults. It is available in theaters now so check it out.

The storyline follows Lorcan (Ely Solan), a teenage minotaur who is experiencing problems growing up. These problems consist of lashing out and being hypnotized into a trance. And, no matter what, Lorcan and his little brother Charlie (Billy Jenkins) decide that they're going on an adventure. The goals of this adventure is to figure out what's occurring with the island, defeat the rival enemies, Wesley (Michael Sheen) and Wesley Jr. (Elliot Grihault), and identify what's bothering Lorcan. In addition, Lorcan is trying to find his long lost, believed to be deceased, minotaur parents.

Lorcan and the island are experiencing problems from a shapeshifting mythical creature to the uncovered ruins that turn out to be a labyrinth. It's up to Lorcan, Charlie, Harper (Luciana Akpobaro), and Dana (Billie Boullet), to uncover the island's secrets, history, and Lorcan's destiny. This series speaks to young teenagers by not being too colorful. Many animated series suffer from having too much happening on the screen, but this one focuses on making jokes at the right time and playing it safe with the artwork. Sometimes that's exactly what a show needs to go from great to remarkable. The art and animation are what carries this series beyond mediocrity. There are so many times where the viewer can pause an episode and appreciate the calm and grounded style of the artwork. I love how Charlie's character is designed - his youthful innocence paired with his detective skills made me smile. The way he loves his brother is so heartwarming. Additionally, Dana and Harper have great chemistry and this ultimately helps Lorcan and Charlie more than they realize.

The show's lesson is that growing up can be very challenging and letting others help us isn't a death wish. In life sometimes being a real adult is realizing that teamwork makes the dreamwork.

I give My Brother The Minotaur 5 out of 5 stars and recommend it for ages 12 to 18 plus adults. It is available on Apple TV+ beginning April 24, 2026. So go check it now!

The Devil Wears Prada 2 reintroduces us to the loveable Andy Sachs (Anne Hathaway), who is now 20 years older and has grown into herself as a well-respected journalist. But after a mass firing at her company and an even larger scandal at the infamous Runway (the world's most elite fashion magazine), Andy must reunite with her former boss Miranda Priestly (Meryl Streep) in order to save both her own job and Runway's future.

Sequels always make me slightly apprehensive. All too often they either try too hard to recreate the magic of the first film, or completely ignore its predecessor and fall flat for eager audiences. The Devil Wears Prada 2, however, did neither of these. Instead, it creates a refreshing storyline by adding themes that resonate with today's audience. The age of media, doom scrolling, and clicking-over-reading are central to its plot, which keeps it realistic to today's world. Additionally, its commitment to not just recreating, but rather reimagining its high-fashion visuals are phenomenal. There are many montages that show how today's fashion has developed from that of 2006. The styling, color palates, and silhouettes are all unique from its predecessor but accurate to real fashion trends of today, which kept me engaged and enthralled.

This film illustrates the importance of the delicate balance between preserving the past and integrating the future. It reminds us that, while tradition is important, so is opening our arms to what is to come, lest we be swept away by the past. Note that this film does have some profanity.

The Devil Wears Prada 2 gets 4 out of 5 stars from me and I recommend it for ages 12 to 18, plus adults. It releases in cinemas May 1, 2026.

By Adele N, KIDS FIRST! Film Critic, age 16

The Devil Wears Prada 2 not only lives up to the original, it surpasses it. The plot, the stakes, the drama, and the statement outfits have all gone up by 110% in the latest film.

The Devil Wears Prada 2 follows Andy Sachs (Anne Hathaway) as she loses her job at a newspaper due to budget cuts. After an impassioned speech at an award ceremony and a tip from someone special, Andy is offered the position of Senior Feature Editor by the owner of Runway. He brings her in to save the magazine from losing its credibility after a scandal from their coverage of a fast fashion company, and she's reunited with the creative power behind Runway Magazine: Miranda Priestly (Meryl Streep) and Nigel Kipling (Stanley Tucci).

If I had to take only one thing away from The Devil Wears Prada 2, it would be the message. The film really excels in addressing relevant issues of the modern-day fashion industry and journalism in general - specifically, how artistic industries lose their meaning and purpose when they have to appeal to owners to stay profitable, and to mass consumers of short-form content to stay relevant. The film has so much to say about that and weaves it into the story, creating a movie where actions speak louder than words. The film achieves this with artistic cinematography. The movie doesn't just show you what's going on, it uses its visuals to tell the story - every plant, painting, light fixture and, especially outfits, set the mood and hint about what is going to happen. It's subtle, and it ties the film together nicely. However, what really makes the film special is the character Andy. In her new position, she is really in her element. While I love this film, I feel the romantic subplot is underdeveloped and rushed, and there are a few situations that simply aren't believable. Other than that, I had an absolute blast!

The film's message is that you shouldn't lose yourself just to please others. Note that there is some mild profanity, death references and questionable business practices.

The Devil Wears Prada 2 gets 5 out of 5 stars from me and I recommend it for ages 12 to 18, plus adults. The Devil Wears Prada 2 releases in theatres on May 1, 2026.

By Valerie M., KIDS FIRST! Film Critic, Age 12

The Devil Wears Prada 2 is the sequel we didn't know we needed. I thoroughly enjoyed this film with its witty dialogue, lighthearted energy, and return of iconic characters. It's a great way to catch up on what our favorite fashionistas are up to today.

Twenty years after she left Runway, Andy Sachs (Anne Hathaway) is now the successful and award-wining journalist she always hoped to be. But after her company's budget is cut and her whole team is let go, she finds herself back where she started: working for Runway with the devil herself, Miranda Priestly (Meryl Streep), but now as the features editor. With scandals and unexpected changes to Runway, can she save the future of the magazine?

This sequel may not have been necessary, but is it worth the watch? Absolutely. The Devil Wears Prada 2 is shockingly funny - honestly, even funnier than the first. I was laughing out loud the entire time, whether it was from the references to the first film or the perfectly timed one-liners. Speaking of references, I recommend re-watching the first film before seeing this one so you can pick up on subtle Easter eggs you might miss if you blink (keep an eye out for any blue belts or cerulean sweaters in the background). There are also a ton of unexpected cameos from famous actors, athletes, influencers and singers to anticipate. Along with these cameos, the whole gang is back together, and it's so enjoyable to see their group dynamics and witness their interactions. We've got Andy (Anne Hathaway), Emily (Emily Blunt), Nigel (Stanley Tucci) and Miranda (Meryl Streep) working together and against each other, again. It's so wholesome seeing how some of the characters have changed: Andy now has her confidence, Emily has a new leadership role at a different company; Nigel has more command, albeit behind the scenes, and Miranda has calmed down just a bit. It's also interesting how Runway has evolved over the last two decades, from being a print magazine to becoming entirely digital. I congratulate the screenwriters for adapting these characters and the business to modern times, really connecting the audience immediately to the cast despite how long it's been since the first film's release.

The film reminds us to have ambition and resilience; to fight to achieve your dreams; and care for the people around you even if it's unreciprocated.

The Devil Wears Prada 2 gets 5 out of 5 stars from me and I recommend it for ages 12 to 18, plus adults of course. It comes out in theaters on May 1, 2026. Check it out!

By Katherine S., KIDS FIRST! Film Critic, age 18

The Devil Wears Prada 2 surprised me with how much I enjoyed watching the movie. It is a fashion feast for the eyes! I love how the storyline is fresh and new compared to the original and I liked seeing how each character has developed over the years.

Anne Hathaway returns as Andy Sachs, the young woman who left the fashion world for a career in journalism. After twenty years, she is reunited with Miranda Priestly (Meryl Streep) and Nigel (Stanley Tucci) who are still leading the fashion world at Runway and Emily Charlton (Emily Blunt) who is now at Dior. The fashion world is striving to remain relevant in a world rapidly changing with online content and AI.

The Devil Wears Prada 2 has a powerful storyline about how different business industries like fashion and journalism try to stay relevant and have to adjust to the changing needs of the world. Fashion is still the main aspect of the movie and the costumes are absolutely gorgeous. It is a lot more body positive than the first film and it is really funny when Miranda tries to make unacceptable comments and her assistant tries to stop her. I love when it features montages of everyone's outfits while they are in Italy. The storyline has a lot of suspense and conflict. Each of the actors brings life to the characters, making it really easy for viewers to become invested emotionally when things are difficult and wanting to celebrate with them when things go well. My favorite part is when Nigel gives his speech. I love this part because he has worked so hard for his recognition as a major contributor to Runway. The actors also bring a lot of humor to their characters, which makes the film really enjoyable to watch and each character is easy to relate to.

I love that the same messages from the first film remain true in this one. First of all, hard work, perseverance, and patience are valued traits. Also, the themes of being true to yourself and the value of friendship are still important. I like that the sequel also emphasizes how important it is to remain flexible and open to new opportunities in our fast-paced world. Parents should be advised there are some alcohol references and profanity.

The Devil Wears Prada 2 gets 5 out of 5 stars from me and I recommend it for ages 12 to 18, plus adults. The Devil Wears Prada 2 releases in theaters on May 1, 2026.

The storyline follows a neurodivergent teenage boy who has a fixation on birds as he navigates school bullying at the same time he's dealing with his first crush.

This three minute animated film is compellingly created. The animation is simple but deeply reflective on the storyline. Helen Mavourneen Farrell delivers a narration that is wonderfully clear and articulate. However, the delivery feels a bit formal; a more relaxed, conversational approach would help younger viewers connect more deeply with the story. The protagonist, Darwin, is neurodivergent and has a fixation on birds. His bedroom is papered with images portraying birds' migratory patterns. We see him at school where the students speak and their heads are turned into the heads of the birds that they are most like - a clever way to portray their personalities. It's quite interesting how the animation, which is starkly drawn two dimensional, manages to portray various types of birds and their personalities. We observe how Darwin is beat up by the other students at school and when his parents meet with the teacher (a crow), they say, "He's such a strange bird." And the parents walk out with Darwin in tow. To address how to attract his crush, Birdie, he reaches for a book called, The Love Life Of Birds, and heads out to the school dance. His performance on the dance floor doesn't attract Birdie but it does attract a whole other group of girls who join him and dance all night and, in the end Darwin found his flock. What I enjoyed most are the various depictions of different personalities as different types of birds. This is such a clever device to use. My favorite scene is at the dance when Darwin is joined by the flock of girls on the dance floor.

The film's message is about finding your flock.

This short film offers a visual representation of a cross-generational bond formed by Kaufman, a grieving 80-year-old musician (Bruce Vilanch), and Enam, a selectively mute third-grader (Parker Allana Hughes). Writer Edward Jordon draws a profound parallel with a real case in nature: a whale that emits a sound at a frequency of 52 Hertz, which no other animal in the ocean can hear, earning it the title of "the world's loneliest whale." A magical pen and journal enables Kaufman and Enam to communicate, until young Enam summons the courage to utter the one word that lifts the weight of the world off his tiny shoulders.

This film is less of a structured story than it is a metamorphic experience. The connection between Enam and Kaufman is visually developed using a blend of reality, thoughts, and abstract imagery. Produced and animated by two-time Oscar nominee Bill Plympton, the animation is truly a work of art--detailed and expressive in a way that allows the depth of the characters' feelings to shine through. The line between the metaphorical marine world and the real world is often intentionally blurred, creating beautiful moments like the characters riding on the back of the whale.

The original musical score is an incredible masterpiece that mirrors the inner landscapes of the characters. Featuring work by Broadway conductor Charles Czarnecki and Grammy-winning cellist Zuill Bailey, much of the film's beauty and intensity comes from the music itself. I especially loved the scene transitions using a school of fish that starts out completely gray and becomes an increasingly vibrant rainbow each time they cross the screen.

As the story evolves, we learn it features an LGBTQ+ theme. Beautifully, the creators are donating a portion of the film's proceeds to The Trevor Project, an organization dedicated to suicide prevention and crisis intervention for LGBTQ+ young people.

The film's message is that sometimes lending someone a listening ear can make more of a difference than any words. People tend to enter our lives right when we need them.

I give Whale 52 - Suite for Man, Boy, and Whale 5 out of 5 stars and recommend it for ages 8 to 18, plus adults.

The story centers on Jihua, an accomplished young basketball player revered by his friends. When their only basketball pops, everything changes. Learning of an upcoming sheep-herding tournament where the grand prize is a new basketball, Jihua competes and wins. However, when the prized ball is lost, he undertakes a brave journey to retrieve it, making new friends and discovering what he truly values along the way. The dialogue is in Chinese with English subtitles.

This film offers a beautiful window into rural Chinese culture. The traditional attire is deeply tied to the mountain region, and as a new schoolteacher meets with the community, the audience gets to learn their unique stories. We see the authentic reality of their daily lives: cooking over open fires, weaving fabric on simple looms, tending to sheep, and playing music on simple flutes. The cinematography is gorgeous, showcasing majestic eagles soaring over sprawling vistas. A particularly moving scene features a mother sheep giving birth, highlighting Jihua's deep connection to his herd.

The child actors deliver incredibly believable performances, especially Yuanjian Wu as Jihua. While the entire cast is amazing, Jihua's fiercely loyal little brother stands out (though uncredited); their mutual care and supportive bond are heartwarming to watch. Set in a remote area untouched by the tech-infiltrated lives of modern cities, the film captures a simpler lifestyle focused on family and community well-being. The stunning background music beautifully reflects their heritage, and hearing the children join together at the end to sing a song taught by Jihua's late father is absolutely wonderful.

The film's message is that the true value of an object lies in the experiences and lessons you take away from it.

While model rocketry may not be a universally gripping topic, the documentary presents it in an accessible and focused way. For viewers with even a passing familiarity with the hobby, there are moments of recognition that add a quiet layer of enjoyment -- the kind of "I know what they're talking about" connection that helps make a niche subject feel more immediate.

The film does not overstay its welcome, and its strength lies in its efficiency. It captures the preparation, competition, and family dynamic with enough detail to be engaging, while remaining compact and easy to follow.

You, Me & Tuscany follows Anna (Halle Bailey), a young woman who feels stuck in life after giving up her dream to become a chef. When an unexpected opportunity brings her to a villa in Italy, she impulsively travels to Tuscany in hopes to raise her spirits. There, she meets Michael (Reg� Jean Page), and the two quickly find themselves drawn together. However, she has a complicated relationship intertwined in a lie that is blocking her path.

One performance that stands out to me is Halle Bailey, who plays the role of Anna, the young woman trying to find her way to a happy life. Bailey uses so much heart and emotion to truly connect with her character and the audience. She perfectly captures Anna's uncertainty, hope, and determination, and uses her expressions and delivery to create a genuine feeling, especially in the scenes where she questions her choices and her future. Bailey brings a softness and sincerity to Anna, allowing for the audience to find themselves in her. Another performance that impressed me is Reg� Jean Page, who plays Michael. He brings a calmness and confidence to his character, drawing the audience in. His character, Michael, is charming and thoughtful, which counter-balances Anna's crazy, lost feeling. Page brings a deeper meaning to the romantic moments in the film, creating a chemistry between him and Bailey that is authentic and heartfelt.

The film's message is that sometimes, life's unexpected turns can lead you to exactly where you need to be. The film shows that growth comes from taking risks and stepping outside of your comfort zone.

I give You, Me & Tuscany 4 out of 5 stars and recommend it for ages 12 to 18, plus adults. You, Me & Tuscany releases in theatres on April 10, 2026.

By Juliana S., KIDS FIRST! Film Critic, age 17

If you want to embark on an indulgent Italian vacation from the comfort of your home, look no further than You, Me & Tuscany. This delightful film is full of heart, charming comedy and plenty of delicious food-so get ready to go on the journey of a lifetime!

You, Me & Tuscany follows Anna (Halle Bailey), an aspiring chef determined to step back into her life after a year of avoiding it due to the death of her mother. On a whim-and despite the warning of her best friend Claire (Aziza Scott)-Anna follows a handsome stranger, Matteo (Lorenzo de Moor) all the way to Tuscany, Italy, but her plan quickly unravels when his family finds her staying in their empty villa and becomes convinced that she and Matteo are engaged to be married. Tempted by the prospect of once again belonging to a loving family, Anna plays along...until Matteo's cousin Michael (Reg�-Jean Page) enters the picture, capturing her heart and threatening to topple the new life Anna has built for herself.

This film offers a perfect balance of laughter and drama, achieved largely through the actors' performances. Despite the fact that the events taking place are highly absurd--people climbing out windows and falling off the sides of villas, inviting themselves to stay in strangers' homes, committing all kinds of hilarious atrocities that would never fly in real life-the actors are incredibly grounded and complex, displaying true, layered emotions ranging from pain to elation, surprise to incredulousness. Paired with beautiful scenery and authentic Tuscan delicacies (no props are used; even the food shown is real!), they paint a picture that made me want to pack my bags, fly to Italy and take part in their elaborate illusion. The characters each has a unique factor that drew me in; Michael's, in his allure; Anna's, in her undying optimism; even Claire's in her persistent offering of opinions, no matter how many times her advice is ignored. Older viewers will also appreciate the film's many references to other beloved movies like Under the Tuscan Sun.

This film is a testament to spontaneity. Sometimes, you need to send your brain on vacation and follow your heart, because it will take you places you couldn't have imagined. The most interesting journeys take place when we put aside practicality, jump in headfirst and chase those dreams as fast as we can! The film is also a reminder not to take small things for granted, especially our families. As bothersome as they can sometimes be, not everyone is fortunate enough to have one, and at the end of the day, their love and support will carry us through life's twists and turns. Note that the film contains swearing, drinking and mild sexual references.

I give You, Me & Tuscany 5 out of 5 stars and recommend it for ages 12 to 18, plus adults. The movie releases to theaters April 10, 2026.

This visually striking film follows Hamlet (Riz Ahmed) who is returning home after the unexpected death of his father, and finds that his mother, Queen Gertrude (Sheeba Chaddha), is preparing to marry his uncle Claudius (Art Malik). While struggling with his grief, Hamlet meets the ghost of his father, who reveals that his death wasn't actually an accident, but he was murdered by Claudius. As he tries to discover the truth, he starts questioning who he can trust, and he begins to plot his revenge.

I highly recommend this film! The classic story is reimagined within a South Asian family living in modern-day London, which makes it feel fresh and culturally resonant. Every scene feels alive, with engaging performances that make it impossible to look away for even a second. Riz Ahmed is the perfect actor to play Hamlet, as he has the ability to portray the character's complexity. He shows both his grief after losing his father and his suspicion and growing revenge against Claudius in an impactful way through his subtle body language and chilling dialogue delivery. Additionally, Sheeba Chaddha's gentle portrayal of Gertrude captures her vulnerability and weakness, so it contrasts nicely with Hamlet's intensity. Art Malik is also well-suited for Claudius, as he brings an authoritative presence on the outside, but extremely tense on the inside, which makes his performance convincing and natural. I especially love how the film incorporates many lines from the original play, like the famous line "To be, or not to be, that is the question" - they are woven beautifully into the story. Even though the film is set in modern times, these classic lines feel natural and meaningful without feeling out of place. The film also captures the business of London at night, using the loud sounds of traffic and the city, which creates a strong contrast with the timeless, poetic tone of Shakespeare's language.

The film's message is that when someone is consumed by grief and betrayal, they can lose control of their thoughts and actions, leading to serious consequences. It's a reminder that if powerful emotions aren't controlled, they can affect not only one person, but everyone around them.

I give Hamlet 5 out of 5 stars and recommend it for ages 12 to 18, plus adults. It will be released in theaters on April 10, 2026.

The documentary displays Amy Goodman's fearless qualities, detailing earlier works, such as the freeing of former prisoner, Mooreese Bickham and her news coverage on Indonesia's occupation in East Timor. Having faced arrests at protests, dangerous situations in foreign countries and mixed public sentiments about her work, she remains unwavering. Ultimately, this shapes the momentum of her career, inspiring her to start Democracy Now! which is famed for giving a voice to the voiceless while combating under coverage bias in the media. The show features guests like activist Ken Sara Wewa and prisoner Mumia Abu Jamal. In recent years, she continues to make an unapologetic approach to journalism while remaining consistent with her mission of promoting freedom of the press.

The main guests in the documentary are Amy Goodman, joined by colleagues, Jeremy Scahill, Juan Gonzalez and Sharif Abdel Koudouss. Filmmakers Tia Lessen and Carl Deal, create a coherent documentary, setting the tone for the kind of journalism that Goodman engages in. From the get-go, they make it clear that Goodman is not afraid to ask the hard questions regarding pressing issues, by showing clips of her confronting politicians, soldiers and police. This creates a raw tension, allowing the audience to feel immersed in these high-stakes situations. The use of high-quality archival footage and interview clips are seamlessly woven into the film, adding to its intensity. For example, her heated phone call with former president Bill Clinton, criticism of Shell Oil's exploitation of Oogoni land and inclusion of prison commentaries on her show portray her as one who is not afraid to push the envelope. In addition, the film explores her Jewish roots and Goodman's father who impressed upon her the significance of social justice. However, this could be expanded upon in more detail. The pacing is moderate, and is easier to digest as it moves from one major event to the other. More so, the commentary of her and her colleagues feels balanced, although it falls short of other outside perspectives.

The film urges viewers to understand the significance of independent journalism amidst the struggle to uphold integrity.

The storyline is about the life and artistic journey of Marcel Pagnol (Laurent Lafitte), a young boy who grew up in the south of France and eventually becomes a famous writer and filmmaker. The movie moves between Marcel's life as a child and an adult, and it explores how his childhood memories contribute to his writing. Along the way, the movie introduces the audience to some of the significant events and people in Marcel's life, which contribute to his creativity and passion in his work. The movie explores how Marcel learns to see the world in his unique way and how this leads to his meaningful art.

One of the things that makes this film so captivating is the voice acting. Someone who caught my attention is Laurent Lafitte, who voices the adult version of the main character, Marcel Pagnol. Lafitte truly embodies his character, bringing a sense of reflection and wisdom to Pagnol, especially when he reminisces about his life and youth. His delivery is subtle yet powerful, which allows for the audience to connect with Marcel's inner thoughts. Another person who caught my attention is G�raldine Pailhas, who plays the role of Marcel's mother, Augustine Pagnol. She adds emotional depth through her performance and a sense of understanding to the film, which helps the audience to truly connect with the family. Her character brings warmth and sincerity to the story. This makes the personal, small moments feel genuine and impactful.

The film's message is about appreciating the small moments in life and how important it is to remember them. The film suggests that one's past experiences, even the quiet ones, can shape who people become and inspire something impactful. It also highlights how storytelling can preserve those moments.

I give A Magnificent Life 4 out of 5 stars and recommend it for ages 12 to 18, plus adults. A Magnificent Life releases in theaters on March 27, 2026.

By Juliana S., KIDS FIRST! Film Critic, age 17

I am a big fan of A Magnificent Life, which chronicles the story of Marcel Pagnol, a decorated French writer, whose story resonates with me because it evokes strong emotions of joy and sadness. What stood out most is how the film showcases moments from Pagnol's early life, specifically when his mother, his biggest supporter, wrote a poem to him from her deathbed, encouraging him to keep writing poetry and nurture his creativity and imagination. Her belief and unconditional love helped shape the successful storyteller he would become.

This animated biographical film follows Marcel Pagnol (Laurent Lafitte), a celebrated writer, playwright and filmmaker in 1950s Paris who is asked to write a memoir for the magazine ELLE. At 61 years old, Marcel struggles to remember important moments from his life until his younger self, Little Marcel (Noa Staes), appears and helps him revisit his childhood in Marseille. Together they relive the memories that shaped his dreams of becoming a writer, even when others doubted him.

I highly recommend this film! The animation is stunning, since it is hand-drawn and there are many intricate details, such as the small ruffles in the rugs and the tiny patterns in the wallpaper of Pagnol's Parisian apartment in the 1950s. Additionally, the clips from the real movies Pagnol made alongside the animated scenes of his life are seamlessly integrated. The story moves smoothly between Marcel's present life and the memories from his past without feeling rushed or confusing. The voice acting brings the characters to life, especially the two Marcels - the older Marcel is extremely thoughtful, and the younger Marcel is curious and energetic. Watching Marcel grow from a curious child in Marseille into a determined storyteller in Paris is inspiring, especially when he chooses to follow his dreams instead of the safer career his father wanted for him. Some moments are funny while others are very touching, which makes the story feel emotional without ever becoming too heavy.

The film's message is about staying true to yourself and doing what you love, which can lead to great things, just like Marcel, who followed his passion for writing stories, plays, and films and eventually became successful.

I give A Magnificent Life 5 out of 5 stars and recommend it for ages 12 to 18, plus adults. It will be released in theaters on March 27, 2026.

This insightful film tells the story of Benjamin Franklin (John Paul Sneed) and George Whitefield's (Jonathan Blair) unexpected 30-year-long friendship. It details the up's and down's of both of their lives, how they continuously were intertwined, and the important impact they left on each other. And most significantly, the lasting legacy their trail-blazing approach left on American history when they ignited an awakening of its people.

This film shines in its visual aspects and definitely kept my attention. The lighting is spectacular and made me feel like I was experiencing and seeing history with new eyes. The realistic costumes reflect the late 1700s style accurately. The transitions between scenes are very well put together and are satisfying to watch. The movie really comes to life as the sets look accurate to the time period. When I was watching it, I was completely invested! The cast's performance is truly amazing and definitely makes this movie breathtaking. George Whitfield, played by Jonathan Blair, is one of the most enjoyable to watch. The way he expresses his character's emotions is effortless and very believable. The relationship between Benjamin Franklin and George Whitefield unfolds with care and attention. They go from not knowing each other and being wary of each other to becoming best friends for many years. I love the way we see how they influence each other to be better and make a lasting impact, and how Benjamin Franklin learned from Whitefield and contributed to history in his own way.

The film's message is that if you persevere you can overcome anything life throws at you. Don't let others decide your limits and do what you can to help others despite push back and negative feedback.

I give A Great Awakening 5 out of 5 stars and recommend it for ages 12 to 18, plus adults. It releases in theaters April 3, 2026.

With Bowser (Jack Black) now being contained and shrunken comes a new threat: Bowser Jr. (Benny Safdie), who is determined to liberate his father and restore their dominance. When they learn that Princess Rosalina (Brie Larson) has been captured in order to power Bowser Jr.'s plans, Mario (Chris Pratt), Luigi (Charlie Day), Toad (Keegan-Michael Key), Princess Peach (Anya Taylor-Joy) and their new friend Yoshi (Donald Glover) travel to space to save the universe.

As with the first Super Mario Bros. movie, fans of the franchise and Nintendo in general will enjoy the iconic songs, lovable characters and niche set details. Having played Super Mario Galaxy, the game this movie is based on, I loved seeing the different planets the Super Mario crew travels to, as well as the creative liberties this movie takes with their destinations. One drawback for using the idea of planet-hopping as the plot is that the story feels somewhat rushed. The crew never stays in one place too long and because of this, the audience misses out on the potential for some deeper bonding moments. However, the action-packed fight scenes, iconic Easter Eggs, comedic sequences and beautiful animation make up for this. As expected, Bowser, played by Jack Black, is as funny as ever. Some of my favorite scenes of this movie are his interactions with his son as they make up for lost time. The performances from the rest of the original cast are strong, but I especially like the newer characters. Glen Powell, as Fox McCloud, the aviator fox from an alternate universe, is sure to be a new fan favorite, thanks to his loyalty and courageousness. Donald Glover, although he doesn't have many lines as Yoshi, has such an endearing personality. Something that really stood out to me is the animation because, although the style seems simple and cartoonish, this movie is visually stunning. Not only are the scenes of the galaxy and different planets beautiful, but the animators pay attention to all of the little details - the freckles on Mario's face, the grooves of cardboard, the pills on worn out fabric - and watching this movie on the big screen amplified this.

The Super Mario Galaxy Movie highlights the importance and power of family, friendship and working together. Messages about selflessness, growth, and acceptance are also present.

I give The Super Mario Bros. Movie 3.5 out of 5 stars and recommend it for ages 8 to 18, plus adults. Players of any Mario games will particularly enjoy this. It comes out in theaters on April 1, 2026.

The film is led by a young boy, Mohsen (Katherine Clavelo), who frequently finds himself in sticky situations due to his desire to prove himself heroic. One afternoon, Mohsen happens upon Tigy (R�mulo Bernal), the world's last Malayan tiger, who is hiding from a group of greedy, cold-blooded hunters in search of the "Forest Heart" and its promise of immortality. Much to Tigy's dismay, Mohsen follows him into the wilderness, where he discovers a threatened group of animals and embarks on his biggest operation yet: saving their home from destruction.

Certain events in Extinction: Animals Unite! seemed to contradict established facts; for example, Tigy cannot seem to decide whether he wants to stay with Mohsen in the city or return to his home in the jungle. He enjoys himself at times and demands to leave at others, even making the long journey back to Mohsen's house after Mohsen catapults him far away from it-only to beg to be escorted back to the jungle, where he knows that the very hunters he was running from still reside. Towards the end of the film, it is unclear which forest animals support Mohsen's efforts and which believe he is "a traitor." Thankfully, the film's pace slows in its second half, making it less confusing than the hectic first. The animation deserves mention as well; it showcases beautiful artwork of forests, bridges and night skies. And it's impossible not to fall in love with the characters. Mohsen believes in his abilities wholeheartedly, sometimes comically overestimating them, and is so determined to help others that I had to root for him. Even the cantankerous Tigy is amusing in his weariness.

This film reminds us that sometimes, you need to follow your instincts and take the risk. Mohsen doesn't stop to contemplate the infinite what-ifs of his decisions; he dives in and faces his challenges head-on. If you are passionate about something, don't let fear be the loudest voice in the room-even if you don't have a whole jungle cheering you on, believe in yourself, get out there and make it happen!

I give Extinction: Animals Unite! 3.5 out of 5 stars and recommend it for ages 5 to 8. The movie releases on VOD April 3, 2026.

By Ruhi K., KIDS FIRST! Film Critic, Age 17

To my surprise, Extinction: Animals Unite! has great comedic presence and is a terrific animated film. In just the first scenes, I realized that this film isn't just for kids.

The storyline follows a young boy, Mohsen (Katherine Clavelo), who loves to play hero, but after meeting an endangered Malayan tiger nicknamed Tigy (Romulo Bernal), Mohsen's child-like world turns into a real hero story as he teams up with the other wilderness animals to save Tigy's forest before it is lost forever.

In the beginning of the movie, Mohsen's family is having a picnic when a group of poachers appear, led by Extinguisher Alex (actor) - they are hunting Tigy and other forest animals. Mohsen is able to hide Tigy but bigger issues need to be addressed. We see how Mohsen loves to help, but after multiple attempts of trying to help others fail, Mohsen's help slowly turns to hurt. After involuntarily demolishing his dad's construction project, Mohsen gets his first taste of resent from another person, which there will plenty more of. I have to say, the background music is the unsung hero of this film; not only does music set the tone perfectly, but the music is beautiful all by itself. When Mohsen gives himself a secret identity as Nimble Kid, this is heartwarming, a little humorous, and highlights Mohsen's kid-like personality. I love the characters Mr. Orders (actor) and Ranger Graham (actor). These two unintentionally and intentionally support and help Mohsen on his journey to save the forest. Speaking of the forest, The Heart of the Forest (actor) is my favorite character. Her gracefulness and clarity are unmatched. I also like the ending when Extinguisher Alex turns over a new a leaf.

The film's message is to always offer help, but when denied, move on. Forcing help on someone who doesn't want it is not helping.

I give Extinction: Animals Unite! 4 out of 5 stars and recommend it for ages 8 to 12, plus adults. It is available on VOD beginning April 3, 2026. So, keep your eyes open for that!

By Ashton P., KIDS FIRST! Film Critic, age 13

Extinction: Animals Unite! uses comedy, action, and strong relationship dynamics to create a heartfelt animated film. This movie is a perfect fit for kids and families who enjoy action films along with a good laugh.

This storyline follows a young boy who possesses superpowers that he uses to save the animals of the forest. He primarily focuses on saving the last member of a tiger species from scary forest hunters who want many species of animals to become extinct. With just one remaining tiger, the hunters spend their efforts on tracking him down throughout the film. The young boy and the tiger must work together along with other animals to save themselves and each other.

Extinction: Animals Unite! has top-notch comedy moments that keep me engaged and entertained. While the story itself is not inherently funny, subtle elements of the dialogue or animation provide laughs in the midst of chaos. Additionally, the relationship dynamics are extremely strong, especially for an animated film. There are a few specific relationships that show ongoing development. The young boy and the tiger's friendship, central to the storyline, is a sweet and heartfelt journey. The relationship between the young boy and his father, which seems strained at first, is both relatable to many viewers and effective in communicating the film's assertion, despite not being a major storyline. Although the character depth and relationship dynamics are strong, the plot as a whole is not exceptionally engaging. Some aspects of the story seem predictable. However, with the cute characters and friendships as well as the consistent action and comedy, viewers are bound to have a positive experience.

The film's message is that working together to help others and forming friendships always benefits us in the end. The young boy begins the film struggling to save every animal all by himself, which proves to be an impossible task. However, once he teams up with the tiger, they not only strengthen their friendship with each other, but they form bonds with other animals in the forest. Once they are cooperating they can effectively protect each other and save countless species from extinction. Be aware that there is some violence, including animated gun shots, explosions, and weapon use.

I give Extinction: Animals Unite! 4 out of 5 stars and recommend it for ages 5 to 12. You can view Extinction: Animals Unite! on video on demand and streaming beginning April 3, 2026.

Narrated by Lucy Payworth (Vanessa Libby), as an adult, as she reminisces about her childhood friend Everett (Nathaniel Ruth) who has a birthday party where he invites his toys, but no people, but secretly wishes for friends. All the same, he has quite the magical party, including meeting a magical bunny with horns -- a jackalope, which he would like to catch for Lucy Payworth (Ripley Dresser).

This fantasy story takes place in the early 1950s, beginning in Everett's backyard with its wide expanse of lawn where the birthday party takes place and a wooded area behind it where the jackalope mysteriously escapes to. Then, we see him inside his hose and at Lucy's which are decorated in 1940 d�cor from the furniture to the curtains. Everett and Lucy have one thing in common, they have both seen the jackalope, and they both like to do the bunny hop! The costumes also are time compliant; my favorite being Everett's argyle sweater and bowtie. The background music is extraordinary; it is an original score by Andres Soto and well suited to each scene. The visual effects are used sparingly, but are strong. I.e. When Everett chases the jackalope into the woods and it disappears in a wispy cloud. The special effects at the end when Everett finds the jackalope again and it is the size of a moose are quite striking! The camera work and audio recording are well done; so is the editing. My favorite part is the ending when grown up Everett and Luc are dancing together in the old house. Again, the scene is accompanied with beautiful music. The film is dedicated to Robert Parati (1927-2017), whom we don't know anything about but presume he made a huge impact on Ben Tobin's life.

The film is about the magic in the world, which is sometimes just slightly out of reach, but you can grasp it if you keep at it.

The story unfolds on Clara's 17th birthday. In an effort to keep her occupied while he and her stepmother coordinate a secret surprise party, Clara's father insists on maintaining their normal routine by taking her to an abandoned parking lot for a driving lesson. However, under the surface of an ordinary birthday, tension quickly boils over. The high emotional stakes of the milestone day lead to a raw, authentic argument behind the wheel. Ultimately, the conflict gives way to mutual understanding and reconciliation, leading--et voil�--to the heartwarming surprise celebration.

The film serves as a beautiful, comforting reminder of the patience required to maintain family bonds through difficult transitions. It gently illustrates that even when parental efforts feel misguided or frustrating, they are often rooted in a deep desire to love and support.

The storyline follows a group of Boys & Girls Club students getting ready to put on a talent show when they discover that many items are missing. A singer is missing her microphone, and multiple performers are missing props and costume items. The crew sets out to discover what happened to those objects before the talent show starts.

The story revolves around a talent show and the missing props. The camera work, audio recording and editing are pretty good. The lighting could use some improvement, but it's entirely watchable. There's a good blend of long shots, closeups and medium shots. The acting is good enough to move the plot along, but we don't really get to know the characters or the events surrounding the story. The film takes place in a high school - in the auditorium and the classrooms where they rehearse. The writing stands out in this film with its witty dialogue. The comedy is my favorite part; it is some clever comedic writing. The end credits take up two minutes of the 8 minute film, which is unusual, but in this case, gives us more insight into the cast and crew, plus it has great music playing in the background. It is obvious that all the talent involved, from kid wrangler to director, to gaffer, to actors to the brown dog at the end, have all worked very hard to create this. I completely recommend it for a student film festival.

The film's message is that even animals always want to be surrounded by people and things they love.

The documentary flows seamlessly and features outstanding camerawork. The thrilling close-ups of the adaptive bikers racing down the tracks are eye-opening, beautifully capturing the pure joy on their faces. Seeing how hard Greg, Allie, and the other riders work to overcome daily challenges and lead full, adventurous lives is utterly awe-inspiring.

The film also highlights the immense heart of the community. In one touching moment, Greg helps a non-disabled young man learn to ride an adaptive bike. Created by Richmond Mountain Trails, the film is directed by award-winning outdoor filmmakers Ben Knight (a former National Geographic Adventurer of the Year nominee) and Berne Broudy. Together, they expand our horizons by showing these riders flying down the trails.

This powerful film reminds us that we can accomplish amazing things, and even find a second family, when we work hard toward a common goal.

Advisory Note: Please be aware that the film contains a single instance of profanity; Greg Durso uses the "F" word once near the beginning of the movie.

The clever symbolism of the closet monster provides a profound theme that will deeply resonate with anyone who has been affected by physical or emotional child abuse. The film's pacing is excellent, taking place in a quiet suburban neighborhood where the boys live in adjacent houses and comfort each other through their facing bedroom windows.

The technical elements are well-executed. Powerful close-ups of the children's faces provide immediate insight into their heavy emotions, while the suspenseful background music perfectly drives the action. Both of the young lead actors deliver exceptionally strong, emotionally mature performances. Their depth helps clarify the narrative's underlying metaphor and makes the story feel incredibly raw and resonant.

The director truly stands out here, taking a simple surface-level concept and transforming it into a complex, meaningful allegory. The film's message is that close friends who support each other through even the most unimaginably difficult times are incredibly valuable.

I give Our Monsters 4 out of 5 stars and recommend it for ages 12 to 18.

The story follows a boy who is afraid of the shadows and sounds at night. His imagination keeps him from falling asleep. He sees creepy crawling insects, ferocious creatures and haunting ghosts. He becomes scared and hides under his covers. However, in the morning, when he wakes up, his room that was terrifying last night, is much more peaceful and bright. He is no longer afraid when the sun rises.

The plot is very relatable. Most everyone was once afraid of the shadows and objects in their room at night when they were young. The story develops in a logical way. The film is AI generated, and the characters and backgrounds have a harmonized art style, so everything blends in well. Sometimes, the art style of the boy shifts a little, but mostly his appearance is consistent. The story primarily focuses on one character, the boy and I commend the filmmaker for his look. He is an ordinary boy with a simple design. But his imagination gives him a sense of identity and importance. The location is in the boy's bedroom. It is dark and scary because of the dim light from the pale moon. We see shadows and insects in his room which typically show up at night. All these critters are well designed and just scary enough for the story, but not over the top so that viewers will freak out when they watch the film. The sound effects add to the rhyming words and creepy setting. I like the ticking of the clock and the sound of the child breathing; both make the theme more realistic. My favorite part is a scene towards the end when scary and slender sheep turning into cute fluffy sheep. It really helps us understand that those things that are scary at night aren't so scary in the morning.

The film's message is that the same things may seem different in different settings and times. It is our imagination that changes what we see and if we learn to control what we think, we can overcome anything.

The film carries inspiring messages about collaboration, kindness, family, and finding your sanctuary. Ultimately, it reveals the power of creative spaces to help young people discover their voices, build community, and grow.

I give A Place Called Home 5 out of 5 stars and recommend it for ages 8 to 12, plus adults.

The film develops logically. While the genie element is pure fantasy, Avery's insecurity and self-doubt are highly relatable for young audiences who are discovering who they are and who their true friends are.

The camerawork is very impressive, using drones to capture striking overhead shots, such as following Avery as she runs away from the house. The young cast portrays their characters wonderfully with impressive emotional depth, especially in a scene where Avery gets hurt. The costumes and minimal makeup stay true to their age group, while the genie's intricate teal-and-gold outfit perfectly sets her apart.

The technical elements are well-crafted. The music plays an excellent supporting role, starting with a mystical, optimistic theme during the title sequence and ending with an upbeat credit song. The special effects--featuring a glowing lamp, red smoke, and a fun sequence where Sunny morphs into human form--keep the magic alive.

The work of writer and director Kasha Fauscett stands out the most. Known for training young performers, her expertise shines through as she gives this talented youth cast a chance to star in a film with so much potential.

The film's message is that having true friends by your side can help you achieve anything; through friendship, Sunny learns about selflessness and sacrifice.

Advisory Note: Be aware that there is one bloody scene that takes place toward the end after Avery takes a fall.

I give Sunny 4 out of 5 stars and recommend it for ages 8 to 12.

Set in 1987, the film accurately captures the era's aesthetic through its costumes, language, and location. While the theme of grief is relatable, the narrative quickly shifts into more fictional, mythical elements. The plot can be somewhat undeveloped and difficult to follow when new details about Richard emerge, but its uniqueness keeps the audience engaged.

The technical execution of this college student made film has some drawbacks. The camerawork is steady and follows the action well, but it suffers from poor lighting in both interior and exterior shots. Additionally, the young actors portray their characters well, though their enunciation occasionally lags, making dialogue hard to understand. The background music fits the mood for the most part, though it becomes slightly distracting during intense scenes.

Sixteen-year-old Sophia Lassi stands out for her incredible hard work, serving as the film's writer, director, producer, and main antagonist. My favorite scene is when the friends meet KK, a new character whose distinct appearance, body language, and energy bring a fresh dynamic to the screen.

The film's message is that in true friendship, loyalty never dies.

Advisory Note: This film contains profanity, mild acts of violence, risky youth behavior, the appearance of alcohol use, and a mention of pills.

I give Necronomicon 3.5 out of 5 stars and recommend it for ages 12 to 18. It is a great fit for venues specializing in student films or audiences who enjoy magic and mystery.

Directed, written, and narrated by a middle school student, the documentary explains how the Neolithic Revolution laid the foundation for modern civilization while inadvertently introducing social inequality. The filmmaker deserves tremendous credit for tackling a complex topic, logically mapping out how humanity transitioned from hunter-gatherers to permanent farming societies. The script highlights key historical milestones, such as the cultivation of wheat and barley in ancient Mesopotamia, and millet and rice in ancient China.

The story takes place on book report day, and the students are noticeably bored listening to their peers. The entire dynamic changes when a student finishes her presentation and shrieks upon discovering that the class hamster is missing! What begins as a complete disruption evolves into a full-out hunt to find their beloved pet. The students put aside their petty annoyances and collaborate to find the culprit, with one student providing the key evidence that solves the mystery. Through this shared mission, they develop a new understanding of each other and themselves.

What's most impressive about this short film--which was created by middle school students--is the mid-way plot twist that shifts the narrative from a dry classroom scene into an engaging detective mystery. The production values are quite good, with steady camerawork, clear audio, and sharp editing. The opening montage is a highlight; it provides a clever, engaging backstory for each of the characters and is excellently executed.

The film is set in the present day, and the student wardrobe is typical for kids today. However, the teacher's outfit feels a bit risqu� for a school setting, featuring an off-the-shoulder sweater when most teachers wear more conservative clothing. My favorite part of the film is when the class finally uncovers who took the hamster and learns the deeper story behind the "thief."

The film's message centers on the importance of collaboration, proving that we can accomplish so much more when we work together toward a common goal.

The storyline begins when a boy writes a note and puts it in the bottle and releases it into the ocean. This bottle is discovered and rediscovered time and again, as it travels across the world. The story is told without very little dialogue and the movements of the people and places relay the story as the bottle travels from India to Africa, Japan to Hungary, Chile to Israel and more. It gives us an overview of how people are alike and different.

This is a very heart warming story about how we are all connected. As the bottle travels around the world, people pick it up, study it, take their time to add a note to it and, eventually it returns to the original boy, now a grown man. The animation is a bit inconsistent - sometimes the same person is animated differently. In the African dance scene, people blend together or disappear entirely. I really like the scene where the boy wakes up in bed. There are many characters in this film; each of them writes a message that gets put into the bottle. I like how the bottle travels to different places and shows people of different ethnicities discovering it. Since this takes place around the world notes are left in many different languages. I love the inclusion of music and dancing, which beautifully tie the film together. I like the act of kindness when the boy gives a man on the street some food and how kindness is repeated as the bottle travels the world. I love the inclusion of the lighthouse in the story; the boy's journey begins and ends there - with him as the lighthouse keeper. I also like how the locations are included in the end credits. My favorite part is at the end when the messages are all taken out of the bottle and we see what every person wrote. The film's message is that everybody has a different story to tell and that we are all connected in some way.

The storylines follows an elephant who escapes from the circus at the behest of a flea secretly living in his ear and meets up with a dog who encourages him to get his act together and return to his native habitat in Africa.p>Wonderful animation and lovely story. I love the scenes with the rain in particular, they're outstanding. And I love the relationship between the dog and the elephant.

The story follows a shut-in boy, a local misfit boy, and a girl who is a long term hospitalized patient. The misfit, Kanta, watches the shut in, Shoya, and vice versa. One day, some local troublemakers bully him and, miraculously, Shoya comes to his rescue The girl, Hitomi, observes it all from her hospital room and comes down to the street where she meets up with Shoya and they are joined by Santa. They form a pact with each other and agree to meet there every afternoon, which changes the life story for each of them.

This took me a while to get into, but once I did, I could relate to it. I was once shut in as a child for almost a year due to an illness and that experienced changed my life forever. These three kids represent misfits of many different kinds and their solution - to bond with each other and help each other deal with their problems, is solid. The film is well made, with good camera work, audio recording, editing and acting. I particularly enjoyed the song at the end.

Narrated by Lucy Payworth (Vanessa Libby), as an adult, as she reminisces about her childhood friend Everett (Nathaniel Ruth) who has a birthday party where he invites his toys, but no people, but secretly wishes for friends. All the same, he has quite the magical party, including meeting a magical bunny with horns -- a jackalope, which he would like to catch for Lucy Payworth (Ripley Dresser).

This fantasy story takes place in the early 1950s, beginning in Everett's backyard with its wide expanse of lawn where the birthday party takes place and a wooded area behind it where the jackalope mysteriously escapes to. Then, we see him inside his hose and at Lucy's which are decorated in 1940 decor from the furniture to the curtains. Everett and Lucy have one thing in common, they have both seen the jackalope, and they both like to do the bunny hop! The costumes also are time compliant; my favorite being Everett's argyle sweater and bowtie. The background music is extraordinary; it is an original score by Andres Soto and well suited to each scene. The visual effects are used sparingly, but are strong. I.e. When Everett chases the jackalope into the woods and it disappears in a wispy cloud. The special effects at the end when Everett finds the jackalope again and it is the size of a moose are quite striking! The camera work and audio recording are well done; so is the editing. My favorite part is the ending when grown up Everett and Luc are dancing together in the old house. Again, the scene is accompanied with beautiful music. The film is dedicated to Robert Parati (1927-2017), whom we don't know anything about but presume he made a huge impact on Ben Tobin's life.

The film is about the magic in the world, which is sometimes just slightly out of reach, but you can grasp it if you keep at it.