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The French-British film centers around aging Anthony (Anthony Hopkins), an Englishman who "has his ways," as his daughter Anne (Olivia Colman) says. As Anthony develops dementia and his condition worsens, Anne finds it difficult to balance her life with caring for her father. The film traces how the two of them go about their lives together and how the disease progresses. The Father is told in a jumbled manner because our perspective of the film is as Anthony would see it: All out of order. Anne's husband Paul (Rufus Sewell) and another man who Anthony thinks is her husband, a woman, and several caretakers all appear and disappear throughout the film. Even the settings shift, and you're never really sure where you are. Director Florian Zeller and his crew design both Anne and Anthony's apartments to look relatively similar which enhances that perspective of disorientation.

Anthony Hopkins has always played cerebral roles, so this more emotional one is unique in his repertoire. He sheds tears, flies into fits of rage, and immerses himself in the character of a strong-willed man slowly losing his grip on what's happening. The last scene is especially poignant and hard-hitting; no spoilers, though! Olivia Colman's portrayal of Anne is one that many who have dealt with a relative suffering from a progressive mental illness will identify with. It's incredibly realistic, and, at times, you forget that she's an actress playing a character. Anne herself is layered, especially in how she copes with Anthony's dementia, first keeping her emotions bundled up, escalating to emotional breakdowns, and eventually to some scary fantasies. Colman deals with these feelings beautifully, immersing herself much like Hopkins does. Director Florian Zeller isn't actually a director by profession; he's a playwright, and this film was adapted from his play Le P�re. He's a master storyteller, and you couldn't tell this is his first gig as a director. His attention to detail (especially with sets, something I'm sure he took from his career in playwriting), combined with his personal experiences (his grandmother was diagnosed with dementia when Zeller was 12) make this film an earnest yet unsettling project.

The Father cries out to its viewers to enjoy life while they have their senses and to show compassion toward those who have begun to lose (or have already lost) a clear view of the world. It's a sobering portrait of mental illness and yet an empowering film for those coping with their individual struggles. There is some profanity, slight violence (Paul slaps Anthony), and Anthony and Anne's father-daughter relationship gets a bit abusive at times.

I give The Father 4 out of 5 stars and recommend it for ages 13 to 18, plus adults; younger kids could watch the film if they feel comfortable with themes like mental illness. The Father releases on-demand on March 12, 2021.

By Eshaan M., KIDS FIRST! Film Critic, age 14

The Father is an excellent depiction of the reality for many elderly people. This film offers insight into the minds of those that suffer from dementia and how they think. We see how this illness affects not only the patient, but their loved ones.

The Father follows Anthony (Anthony Hopkins), an elder suffering from dementia. The motion picture shows how his mind plays tricks on him. He forgets names easily and he sees his daughter differently, as in with a different face. He also imagines people are there that do not exist. All the while, his daughter Anne (Olivia Colman) struggles to find her father the perfect caretaker.

This film really is an eye-opener to the reality of dementia. Not only is Anthony forgetful, but his attitude changes rapidly in the blink of an eye. In one scene, he is all happy and jazzy as he converses with a young woman, and then he is angry and demands that he doesn't need a caretaker. He believes that he can outlive his own daughter and even talks about what he would say at her funeral. In another scene, he even forgets his name and calls out for his mother. This film is perfect for the loved ones of dementia patients. The movie offers the perspective, ideas, and confusion the victims go through. It also serves as a guide by showing how Anne deals with her father's outbursts and how her love stands strong to always help him. Not once does she give up on her father, insisting he deserves the best care.

The moral of this film is that love conquers all, even the impossible. With the decline of Anthony's mental health, he always has family by his side. Anne always does what is best for her father, including finding the best caretaker in London. Once Anthony is in a home, his nurse has the patience and love to answer his questions, comfort him and put his needs first. There are warnings that go along with its PG-13 rating. Mild profanity is sprinkled throughout the film, along with realistic depictions of mental illness.

I give The Father 5 out of 5 stars and recommend it for ages 17 to 18, plus adults. It premieres on Netflix, Amazon Prime and Hulu February 26, 2021.

By Heather S., KIDS FIRST! Film Critic, age 15

The Father is practically a psychological horror movie, depicting the decaying psyche of an old man, battered by dementia. Yes, The Father tends to be pretty grim, but its excellent lead performance from Oscar-winner Anthony Hopkins and the film's structural fluidity set it apart from similarly bleak dramas about the deteriorating mental functions of a senior citizen.

The story follows Anthony (Anthony Hopkins) who, at first glance, is an ordinary elderly man in the waning years of his life, pacing around his apartment, awaiting his daughter's arrival (Olivia Colman) to discuss her new living arrangements. This all serves as a prelude to the mental and emotional fireworks to follow. From there, everything becomes a lot less concrete. Faces of loved ones morph; the layout of Anthony's apartment shifts; Anne gains a husband; and Anthony is introduced to an in-home care person who bears a striking resemblance to his youngest daughter who may or may not be dead. As dementia wreaks havoc on his brain and mind, Anthony's only attachment to reality becomes a watch he keeps misplacing, an almost perfect metaphor for Anthony's spiraling-out-of-control sense of reality.

The Father commits itself to depicting dementia through often surreal ripples in the consciousness of its protagonist. The first sign that things are amiss in Anthony's flat is a quite alarming moment and so, so well-executed. What happens is a slight, but perceptible alteration to what we've been told by Anthony's daughter about why she's come to see her father, that becomes a dire sign for what's to come. A miniscule shift in our perception of events, as filtered through Anthony, balloons into far more concerning and substantial lapses in memory that we witness through Anthony's point of view.

Anthony Hopkins' performance is a consistently surprising lead performance, representative of a film that is just as unpredictable. He doesn't play it too big, even in the very erratic and sporadic launches between an almost effortless effervescence and the prickly, defensive edge that comes to the surface whenever his self-sufficiency comes into question. Hopkins not only has to channel a frequently changing demeanor, but also a changing frame of mind. He goes from distant--resigned in his cloud of seemingly eternal confusion--to "in-your-face," saying truly cruel things to his daughter to finding himself reduced to tears, calling out for his mother. Hopkins' performance stays in line even in its frequent transformations in his mind and mood. Everything feels of a piece with that character and what we know about him. And he is just as compelling when he putters down a hallway as when he explodes at his daughter, the person who cares for him most.

I give The Father 3 out of 5 stars and recommend it for ages 11 to 18 for some language. You can see The Father in theaters March 12, 2021, and it will be available on Video On Demand platforms starting March 26th.

By Benjamin P., KIDS FIRST! Film Critic, age 15
Juror Recommended Age: 13-18 Suggested Retail Price: $ Media:

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