Jury Coordination and Notes

Archive for January, 2019

Director’s Close UP: Nicole Holofcener: The Land of Stellar Performances

Thursday, January 31st, 2019

Film Independent’s 2019 Director’s Close-Up Series began this week with one of everyone’s favorite indie auteurs, Nicole Holofcener. It is often said that a director’s job is 90% complete in the casting room. Hear from both sides of the camera as Nicole, her long-time casting director Jeanne McCarthy and actor Thomas Mann discuss the art of casting and directing actors, and what it takes to bring memorable and believable characters to life. Panelists: Nicole Holofcener (writer/director; The Land of Steady HabitsEnough Said); Jeanne McCarthy (casting director; The Land of Steady HabitsPrivate Life); Thomas Mann (actor; The Land of Steady HabitsMe and Earl and the Dying Girl); Moderated by Karyn Kusama (director; DestroyerThe Invitation)

Director’s Close Up 2019 – January 30th
By Gerry O., KIDS FIRST! Film Critic, Age 16

The annual Film Independent’s 2019 Directors Close-Up began on January 30, eventfully with a deep and compelling discussion on the relationships between the director, casting director and writer. The panel included director Nicole Holofcener, casting director Jeanne McCarthy and actor Thomas Mann. All three have proven themselves over and again in the film industry as talented creators with a true love for cinema. Moderated by Karyn Kusama (director of Destroyer and The Invitation), the first night left every audience member with a fresh new perspective in the acting world of movies.

The evening began with Nicole and Jeanne discussing the role of a casting director. Some very interesting conversations emerged, mainly about finding the right person for the role. Nicole shared her many experiences of attempting to decide which person she felt was best for her stories and Jeanne shared her perspective in the casting director role of trying to find who she thought not only would be best suited for the part, but best suited for Nicole as well. It seems booking a role in a film does not simply come from the performance of a person, but their relationship with the director as well.

Nicole shared many examples of how she makes sure an actor and she can get along before ever stepping onto a film set. She discussed the necessity of meeting with the actors she is considering, in order to make sure that she will be able to work with them for lengthy periods of time and under heavy stress. Both Karyn and Nicole made it clear that an actor can be incredible at acting, but a character in a film will always reflect the chemistry of the actor and director, no matter the talent of either. Another point Nicole noted was the sad case where an actor does not make the performance needed. She stated that, after a certain amount of takes for a scene, she realized that she will never get the performance she wants and must just figure out how to make the best of it in the post room. Of course at times, the process may fail and an actor must be replaced. “It’s painful, but I do it,” Nicole said solemnly.

Thomas shared many experiences from the third angle, that of the actor themselves. Thomas and Nicole shared their experiences with rehearsals. For Nicole, she enjoys the fact that, not only does the time allow for her to build a stronger bond with the actors, but also time to understand different ways of running the scene and how the actors approach their characters. Thomas had a slightly different benefit, building a relationship with fellow actors. Thomas brought up the point that, very often the first shooting day can include very emotional scenes and it can be difficult to deliver a natural performance if the scenes are with actors who have never met each other. The rehearsals allow them to build their relationships in order to deliver a natural performance.

Of course, once on set, the relationship does not end there. The actual film must be made and the art of directing actors came up many times in the evening. Nicole honestly shared her many mistakes when she was starting out as a director. She often would give lines and lines of back story to an actor, explaining every detail, every reasoning for emotion and every single aspect of that character. She realized an actor doesn’t need all this. They need simple commands. Thomas also backed that up. While many first-time directors go the route of too many details, they both explained that, in reality, an actor simply needs to hear very basic instructions such as “do it again louder,” instead of the deep reasons why this actor in this specific moment must say that line louder.

The event held a much larger range of insight, advice and proverbs that enriched the mysterious process of choosing and working with an actor. Thomas also discussed the unique situation of being in a supporting role of a film, when you come in as the filming is already in progress and leave before the production is wrapped. Thomas explained that it creates an interesting challenge when the actor must hit the ground running and be prepared to handle the already established energy of the crew who have been there since the first day. This event lasted a couple of hours, but the panelists truly she a light into the hidden relationship between acting, casting and directing. This was another successful and memorable event hosted by Film Independent!

The Lightning Thief: The Percy Jackson Musical – The Electrifying Off-Broadway Musical Heads Out On Tour

Friday, January 25th, 2019

The Lightning Thief: The Percy Jackson Musical – The Electrifying Off-Broadway Musical Heads Out On Tour. Lightning struck Off-Broadway theater Lucille Lortel’s stage in the form of The Lightning Thief: The Percy Jackson Musical in early 2017. The updated hit musical garnered three Drama Desk Award nominations including Outstanding Musical and now brings its action, magic and music to a theater near you on a mammoth US tour beginning last fall. Based on the cult-classic Young Adult novel by acclaimed fantasy author Rick Riordan (which also spawned a feature film), the production may be aimed at a younger audience, but its self-aware humour, ubpeat pop rock score and satisfying special effects make it perfect for older mortals too.

Life is tough enough when you’re going though puberty, but Percy Jackson’s not only facing teendom with ADHD and dyslexia, he’s just discovered he’s a demi-god, son of the God Of the Sea Poseidon. In this epic coming of age tale, Greek myths are very much real! When Jackson’s human mom is kidnapped and the lightning bolt of Zeus is stolen by malevolent forces, the wonderkid and his newfound friends go on a quest to set the world to rights.

KIDS FIRST! Adult Juror Juanita Seon Leary comments, “I am a fan of musicals and this production is an excellent adaptation. It takes place in present day, starting out in Camp Half-Blood in Long Island, NY and moves to several places as it develops.” See her full review below.  

The Lightning Thief: The Percy Jackson Musical
Juanita Seon Leary, KIDS FIRST! Adult Juror     

The Lightning Thief: The Percy Jackson Musical opened at the Merriam Theater on Tuesday, January 22, 2019 and I was thrilled with the production. This musical is based on the books written by Joe Tracz and adapted by Rick Riordan.

I am a fan of musicals and this production is an excellent adaptation. It takes place in present day, starting out in Camp Half-Blood in Long Island, NY and moves to several places as it develops.

The story follows a young man, Percy Jackson (Chris McCarrell), who finds out that he is half human and half god.  He struggles with being expelled from six schools in one year. Percy feels as if he cannot do anything right. After he learns that his father is Posiedon, one of the Twelve Olympians in ancient Greek religion and mythology, god of the Sea and other waters and of earthquakes and horses, Percy sets out to right a wrong caused by a war between the gods.

I enjoyed watching Percy Jackson as he joins the other half-bloods (children with one human parent and the other a god) in their quest. It was exhilarating to watch the cast of young actors work together to to prove that Percy did not steal the lightning bolt. 

One of my favorite scenes is when Percy and his friends Annabeth (Kristin Stokes) Grover (Jorrell Javier) set out on their quest and, while traveling on a bus that is bombed by the gods to deter them, confetti of gold strips of paper fly out into the audience. I received several bursts of confetti which was fun and exciting.

All the cast members are excellent singers, dances and actors. The sets and stage props are magnificent and well-constructed. This show has messages of friendship, never giving up and appreciating your life.

The Lightning Thief:The Percy Jackson Musical is now playing at the Merriam Theater in Philadelphia, PA Through Sunday, January 27, 2019. I recommend it is for ages 8 to 18, as well as adults and give it 5 out of 5 stars. For a complete list of dates and locations through July, 2019 go to: http://www.lightningthiefmusical.com/ – home

ADDITIONAL INFORMATION: CAST AND CREATIVE

CAST
Chris McCarrell as Percy Jackson
Kirstin Stokes as Annabeth
Sarah Beth Pfeifer as Clarice
James Hayden Rodriguez as Luke
Jorrel Javier as Grover and Mr. D
Ryan Knowles as Chiron
Jalynn Steel as Sally

Understudies
Izzy Figueroa
Sam Leicht
T. Shyvonne Stewart.

CREATIVE
Book by Joe Tracz
Music and lyrics by Rob Rokicki
Directed by Stephen Brackett
Choreography by Patrick McCollum
Set design by Lee Savage
Costume design by Sydney Maresca
Sound design by Ryan Rumery
Lighting design by David Lander
Fight direction by Rod Kinter
Orchestrations by Wiley Deweese and Rob Rikicki

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