Jury Coordination and Notes

Archive for the 'Jury Updates' Category

Director’s Close Up: The Storytellers: Writers and Directors

Monday, February 11th, 2019

By Gerry Orz, KIDS FIRST! Film Critic, age 16

While the first week of Director’s Close Up featured the beautiful web of relationships between actor and director, the second week takes a look at much earlier process in a film’s production: the writer and director. The event included Jane Anderson (writer, The Wife, Olive Kitteridge) and Billy Ray (writer, Captain Philips, co-writer, The Hunger Games) as well as moderation by Robin Swicord (writer/director, Wakefield, writer, The Curious Case of Benjamin Button).  All three have both directing and writing experience and shared with the audience on how to best form a strong partnership between two of the most conflicted roles in the film industry.

Most known is the tension that exists between the writer and the director. Billy compared it to a track race. He related the writer to be the first on the track. You write your script and you finish the lap around the track and then hand it off to the next runner. The next runner starts running their lap and the success of the game falls in their hands instead of yours. A film shares many similarities – the writer runs first, the director runs second. This act of trusting another with a developed piece of art such as a script can lead to great conflict and tension or a great success.

Billy and Jane also shared strategies they use such as encouraging the director they’re working with to help them with parts of the script in order to build a solid foundation of trust. They also explained that, at the end of it though, the writer must give the reins of control over to the director and let them fly with the film themselves.

Both Billy and Jane shared their experiences with this. On Captain Philips, director Paul Greengrass and Billy had many different arguments and fights. Billy explained that he originally wished for the Captain’s wife to be part of the story. Paul disagreed and also wished for the Pentagon to have a side story, as they attempt to organize a rescue, much to Billy’s protest. Billy explained that it was Tom Hanks (Captain Philips) who told them both that the story should never leave the ship that Philips was on. This led to the Captain Philips we know today. 

Jane had her own experiences with writing and directing. Her script for The Wife took fourteen years for her to make and involved many rewrites and defeats. The film failed again and again in being produced, due to the simple fact that it has a female protagonist and the male characters of the story are secondary to her. Finally in 2018, we are able to see this incredible story. She said there were many troubles along the way, with many directors wanting her to change it to be more masculine with a male lead, but she was able to persevere. Robin shared her own stories and tips. She recommended to the audience to go outside their comfort zones and attempt to write something they would be fearful to direct.

Jane Anderson, Billy Ray, Robin Swicord  

The art of writing holds many challenges and all three shared tips in the craft. Billy related writing to marble. His analogy was that writing is like a block of granite. You start with the entire world in your screenplay, that is the granite, and chip away everything that is not the story. You are left with a beautiful statue that is your film. They also explained the challenges of an ending. Jane, Billy and Robin all discussed how, at times, the ending must be so perfect that it is sometimes necessary to go back and change earlier parts of the film to make the ending flow just right. Jane explained how the climax scene for The Wife took many rewrites and redesigns to get right, while Billy explained how the climax scenes in Captain Philips were one of the rare cases where both him and the director had no arguments, fights or disagreements. Jane also shared an important note to those who write and direct their own films. She said that many director/writers will write their scripts as directors, where they get immersed into the shot design, set design, actors and the many details a director has to deal with. She recommended that you write a script as a writer only, and you direct a script as a director only. Then, the story is completed preserved in the writing process and is held to the highest importance. 

The art of writing has many challenges and is one of the most under-looked places in the film industry. For every incredible motion picture ever made, there is a 120 page script that took weeks to years to write and polish. All three shared how the creator of this blueprint and the director who develops the blueprint are at times in conflict, but their goal never differs –  to tell an incredible story. Billy, at the beginning of the panel, said it best, “It’s okay to disagree about the how, as long as you’re not disagreeing about the what.”

Images courtesy of Getty Images and Film Independent

Director’s Close UP: Nicole Holofcener: The Land of Stellar Performances

Thursday, January 31st, 2019

Film Independent’s 2019 Director’s Close-Up Series began this week with one of everyone’s favorite indie auteurs, Nicole Holofcener. It is often said that a director’s job is 90% complete in the casting room. Hear from both sides of the camera as Nicole, her long-time casting director Jeanne McCarthy and actor Thomas Mann discuss the art of casting and directing actors, and what it takes to bring memorable and believable characters to life. Panelists: Nicole Holofcener (writer/director; The Land of Steady HabitsEnough Said); Jeanne McCarthy (casting director; The Land of Steady HabitsPrivate Life); Thomas Mann (actor; The Land of Steady HabitsMe and Earl and the Dying Girl); Moderated by Karyn Kusama (director; DestroyerThe Invitation)

Director’s Close Up 2019 – January 30th
By Gerry O., KIDS FIRST! Film Critic, Age 16

The annual Film Independent’s 2019 Directors Close-Up began on January 30, eventfully with a deep and compelling discussion on the relationships between the director, casting director and writer. The panel included director Nicole Holofcener, casting director Jeanne McCarthy and actor Thomas Mann. All three have proven themselves over and again in the film industry as talented creators with a true love for cinema. Moderated by Karyn Kusama (director of Destroyer and The Invitation), the first night left every audience member with a fresh new perspective in the acting world of movies.

The evening began with Nicole and Jeanne discussing the role of a casting director. Some very interesting conversations emerged, mainly about finding the right person for the role. Nicole shared her many experiences of attempting to decide which person she felt was best for her stories and Jeanne shared her perspective in the casting director role of trying to find who she thought not only would be best suited for the part, but best suited for Nicole as well. It seems booking a role in a film does not simply come from the performance of a person, but their relationship with the director as well.

Nicole shared many examples of how she makes sure an actor and she can get along before ever stepping onto a film set. She discussed the necessity of meeting with the actors she is considering, in order to make sure that she will be able to work with them for lengthy periods of time and under heavy stress. Both Karyn and Nicole made it clear that an actor can be incredible at acting, but a character in a film will always reflect the chemistry of the actor and director, no matter the talent of either. Another point Nicole noted was the sad case where an actor does not make the performance needed. She stated that, after a certain amount of takes for a scene, she realized that she will never get the performance she wants and must just figure out how to make the best of it in the post room. Of course at times, the process may fail and an actor must be replaced. “It’s painful, but I do it,” Nicole said solemnly.

Thomas shared many experiences from the third angle, that of the actor themselves. Thomas and Nicole shared their experiences with rehearsals. For Nicole, she enjoys the fact that, not only does the time allow for her to build a stronger bond with the actors, but also time to understand different ways of running the scene and how the actors approach their characters. Thomas had a slightly different benefit, building a relationship with fellow actors. Thomas brought up the point that, very often the first shooting day can include very emotional scenes and it can be difficult to deliver a natural performance if the scenes are with actors who have never met each other. The rehearsals allow them to build their relationships in order to deliver a natural performance.

Of course, once on set, the relationship does not end there. The actual film must be made and the art of directing actors came up many times in the evening. Nicole honestly shared her many mistakes when she was starting out as a director. She often would give lines and lines of back story to an actor, explaining every detail, every reasoning for emotion and every single aspect of that character. She realized an actor doesn’t need all this. They need simple commands. Thomas also backed that up. While many first-time directors go the route of too many details, they both explained that, in reality, an actor simply needs to hear very basic instructions such as “do it again louder,” instead of the deep reasons why this actor in this specific moment must say that line louder.

The event held a much larger range of insight, advice and proverbs that enriched the mysterious process of choosing and working with an actor. Thomas also discussed the unique situation of being in a supporting role of a film, when you come in as the filming is already in progress and leave before the production is wrapped. Thomas explained that it creates an interesting challenge when the actor must hit the ground running and be prepared to handle the already established energy of the crew who have been there since the first day. This event lasted a couple of hours, but the panelists truly she a light into the hidden relationship between acting, casting and directing. This was another successful and memorable event hosted by Film Independent!

Luzia: A Waking Dream Of Mexico – A Spectacular Extravaganza That Will Bring You To Your Feet.

Saturday, February 24th, 2018

Luzia: A Waking Dream of Mexico takes you to an imaginary Mexico, like in a waking dream, where light (“luz” in Spanish) quenches the spirit and rain (“lluvia”) soothes the soul. With a surrealistic series of grand visual surprises and breathtaking acrobatic performances, Luzia cleverly brings to the stage multiple places, faces and sounds of Mexico taken from both tradition and modernity. KIDS FIRST! Juror Harold W. comments, “You will find yourself gasping, laughing and thrilling with joy as  you explore the themes and mythology of Mexico.” Lily L. adds, “Like a see saw, up and down, more people go from one swing to another. Their tricks are stunning. I really loved this performance and recommend that you should go to Cirque du Soleil every year.” See their full reviews below.

Cirque Du Soleil brings Luzia to Southern California
by Harold W., KIDS FIRST! Juror

Cirque Du Soleil brings the emotion and soul of Mexico’s spirit and culture to life in its newest surreal production, Luzia – A Waking Dream of Mexico. The show continued its tour this week, with a stop in Costa Mesa, California.

Your whole family will be engaged in this two and half hour escape into a wonderland of energy, movement, sound and color that takes you through more than a dozen scenarios of music, dance, comedy and gravity defying acrobatics. You will find yourself gasping, laughing and thrilling with joy as  you explore the themes and mythology of Mexico.

A comedic opening welcomes you to an unmatched plane flight that reveals a plunging sky diver unhooked from his harness and brought to earth.  The scene flows into a simple opening of plumaged dancers and mini-gardeners, pierced by the soulful music of a single Spanish guitar solo into a musical flocking of dancing robots, prancing colorful, acrobatic birds and a crescendo of sound that stirs you in your seat.

The walkway comes to life as acrobat after acrobat tumbles through the air, stabbing their bodies through the smallest hoops and landing in flips and motion in a colorful array. The stage clears and the moving animals arrive. Multi-person puppets and agile puppeteers bring us a parade of horses, dragons, snakes and beetles that entertain us as the whole stage is converted into a beach.

Enter the Strong Man. A powerfully built muscle man begins to balance himself on his hands in an ever-growing construction of skinny balance poles. First one length and two hands. Then two lengths and one hand. Then three lengths…four…five…six…until he is holding himself 30 feet above the stage on spindly poles with one powerful arm.

The music and songs blast through the tent in powerful sound to underscore the energy of the performances. The colors and themes provide a new appreciation for the culture and community of our neighbors to the south.  And the show continues. Dancers fly up and through the air at the hands of their partners.  A basic looking hoop dancer moves in circles that grow into fantastic energy and speed. A simple hanging rope turns into a flight of fancy by the talent of a woman flying through the air. A pair of soccer balls defy the laws of gravity under the footwork of their handlers. Spectacular water effects  create images and forms in sheets of droplets as they fall to the floor of the stage. Acrobats twist on balance poles as they stretch their muscles in parallel motions to the floor.  Trapeze artists take flight. Large tiger puppets bond with a spectacular aerialist as they present a surprise feature through the floor of the stage. A juggler’s fantastic speed creates a blur of pins charging through the air. A contortionist‘s body defies the rules of anatomy and bones.

And More.  All of this is wrapped up in a spectacular finale that brings you to your feet. Don’t miss this experience. My children, grandchildren and I all enjoyed it very, very much. Luzia is playing at the OC Fair & Event Center through March 25, 2018; in Washington DC at Tysons II April 12 – May 13; In Boston June 27 – July 29. For further information, go to:  https://www.cirquedusoleil.com/luzia

Luzia : Cirque du Soleil
By Lily Leffler, KIDS FIRST! Reporter, age 10

Cirque du Soleil’s performances all have unique strengths. The shows have been performing for 34 years. Each year they have a different theme. This year’s show is called Luzia and is inspired by Mexico.

It opens with birds coming in with robots while a band plays. Swordfish and dancers come onto the stage. The mini robots get out their maracas and the music becomes upbeat. Now the show.

Soon after that, birds flip through the air – in and out of hoops. In the third scene a woman is thrown, caught and passed by three men. This flexible woman is wonderful. Another woman descends from the ceiling on a rope. She gently wraps herself in the rope and a younger girl spins and twirls in a hoop underneath. They set up the stage while we are distracted by a silent and mysterious game. Then, a pole climber stacks sticks, climbing slowly and conquering the stacked sticks as he goes up and down in handstands.

The performers do wonderful soccer tricks in the rain inside the tent. In the eighth scene, a woman sings a lovely Spanish song while water falls from the ceiling in different patterns and shapes. Then, pole dancers flipped on poles, spinning and spinning. More amazing tricks happen all the time. Most of the performers come out with a tall, long swing. A man goes around on the swing like a gymnast. A man on a thin rope swings in the air, water dripping from his hair and his feat. A man starts to juggle with three pins that go up at least ten feet in the air. Then he has four and then five pins. This man is amazing. Six pins quickly zoom into the room. The juggler drops down to three pins and goes into the crowd. A contortionist literally bends in half. There are not enough words to explain him.

Like a see saw, up and down, more people go from one swing to another. Their tricks are stunning. I really loved this performance and recommend that you should go to Cirque du Soleil every year.

 

 

 

SAG-AFTRA – Power Of Portrayal – Inspiring Performances Driving Social Change

Sunday, November 12th, 2017

The Geena Davis Institute on Gender in Media is the only research based non-profit working with the entertainment and media community to improve gender diversity in children’s media including more positive role models, equality of opportunity and diverse representation on screen.

On November 6, 2017 at the newly built SAG/AFTRA – Robin Williams Center in New York City, an inspiring group of six strong, diverse women from the film, television and sports world spoke about their personal careers and life journeys, looking for the strong women parts and opportunities.

Led by Madeline Di Nonno, CEO, Geena Davis Institute on Gender in Media, the panelists included: Gabrielle Carteris, President, SAG-AFTRA; Swin Cash, Athlete/Sports Analyst; Megan Boone, Actor; Alysia Reiner, Actor and Activist; Maggie Siff – Actor and Producer. The women first spoke of choice and pivotal moments in their careers and in life, then about having a voice and power. Here are some highlights and take aways reported by each of the women.

Gabrielle Carteris, widely known for her role as Andrea, a studious newspaper editor in Beverly Hills, 90210 says that role was a transformational opportunity that changed her life.  It gave her great courage.  She still receives comments about this role, which had an incredible impact on her life and reflected society. As the president of Sag-AFTRA, she never imagined herself in this position, yet felt prepared having worked with Ken Howard, the prior President.  She believes being of service is the highest calling and also believes in paying it forward and using power for the good. This was a pivotal moment for her – exciting and frightening at the same time.

Swin Cash got recognition from playing basketball and, in the eighth grade got a modeling opportunity.  She focused on academics, majored in drama and theater and continued to play in sports. She was the first girl and first African American to be in the WNBA when it was started twenty plus years ago. She reached out to Robin Roberts as a mentor, when Robin was at ESPN, to help her make choices with her career. Currently she is the female lead on We Need to Talk a CBS Sports Network first-ever, nationally televised all female, weekly sports show. She rose from humble beginnings, inspired by her grandmother who owned her own home and encouraged her to create wealth. Service is an important part of her life as founder of both Swin Cash Enterprises LLC and Cash Building Blocks, LP, an urban development company that renovates and offers affordable homes for low-income families.  An Olympic medal winner in 2004, she feels her service to help women and underprivileged kids is essential.

Maggie Siff, grew up in an acting, academic and artistic family, went to Bronx High School of Science and then to Bryn Mawr College.  She got her MFA at NYU and started her career in theater.  Her first big break, in her 30s, was the role of Rachel on Madmen, never imagining a role in film and television. She didn’t think she belonged there. She auditioned many times for this iconic role, which she thought read like an amazing film script or play. In its 1958 setting, Rachel was an unusual character for that time, as the female head of a department store.  She connected to this character, claiming it was very familiar. The other point she made is that the writer’s room on this program had more female and diverse writers which made a great difference in character portrayal. Currently, she plays a powerful in-house performance coach and therapist to the head of a hedge fund company on Billionaire.  She claims women appreciate her in this professional role, committed to both her job and family. She uses Tony Robbins as her inspiration to step into her “biggest self.”

Alysia Reiner struggled in her 20s and 30s with her acting career and wondered if she should stay or go. It took a long time to get a part and her advice is to live your life and find your joy, while you are in that struggle. Early on, she did a one-woman show portraying Virginia Woolf at the Edenborough Festival.  She went through a period of grief and loss when her father died of cancer in ten days and was inspired to do a grief counseling film as a way of coping.  As an activist, she believes in art as science and has a deep respect for all women in all fields that create change and make a difference. She loves working on an all women crew for the freedom it provides. Orange is the New Black, the show she currently works on, has a 90% male crew, which gives it quite a different feel.  She is a strong advocate to be in service, and works for the women’s prison association in Tulsa, Oklahoma to aid incarcerated women.

Megan Boone studied theater and struggled socially as a young woman. She was bullied while a student at Florida State Theater.  She studied with Jane Alexander and Ed Sherin, and in an impulse exercise with them, she decided to stick with acting. Her struggles led to an audition on Blacklist for the role of Liz Keene. She knew this was her part.  Megan is working on a sustainable business degree, as she is concerned with our natural environment.  As an advocate for policy change, inspired by Corey Booker and Kristen Gillebrand, she works for solutions in the public/private sector.

The panel stressed the importance of service in these most difficult times we live in and how we need to continue the fight for gender, race and the natural world.

By Terry Solowey

Camp Cool Kids – Perfect Summer Family Movie

Wednesday, July 12th, 2017

Camp Cool Kids
By Morgan B., KIDS FIRST! Film Critic, Age 12

Camp Cool Kids is a perfect movie for the whole family! Summer is the best time of the year for kids. We are out of school and the best kids’ movies play. I love that while I watched Camp Cool Kids, I came up with quite a few ideas on what to do for entertainment this summer. I can go outside and have fun with my family and friends. This is one of the many fun, eye-catching things that makes Camp Cool Kids so enjoyable.

I love that it includes all different kinds of sports such as swimming, rock climbing, paintball and archery. Every sport has its own scene and that is something that I really enjoyed. I was able to get a glimpse of each sport and see how they are played at summer camp. I have to say that my favorite scene would be where all the boys have a paintball war. It is hilarious and I couldn’t stop laughing.

Camp Cool Kids is somewhat religious based. They mention David and Goliath and other Bible stories. Grandpa Norman (Michael Gross) tells David’s tale and how he took on Goliath all by himself. His faith in God is what helped him through that journey.  The storyline is somewhat quirky and, although it’s not new, it does have a few twists and turns along with a new perspective. Spencer (Connor Rosen), my favorite character, is a shy, honest, goodhearted kid that wants to stay at home and be with his family during the summer. Grandpa Norman (Michael Gross) says it is time for Spencer to go to summer camp and make new friends. His older brother Dean (Sean Ryan Fox), the handsome, cool kid who seems like he has it all, goes to summer camp to make friends and meet girls. Shy Spencer goes a long way from home and off to Camp Cool Kids for the summer, against his wishes. Spencer meets many new friends that he will remember forever such as the adorable Tater (Jacob T. Phillips), his lovable twin Tot (Jordan A. Phillips), the man whose has got the fire, nickname Firefly (Tyree Brown) and the quirky, always-there-for-you kind of friend, Little John (Juliocesar Chavez).

Spencer also makes a new enemy as well, Zach (Logan Shroyer), the cute but not-so-kind villain. Zach and Dean become friends and amuse themselves by pulling a prank or two on the younger boys including Spencer, his brother. There are lots of pranks and silly fun in this adventure.

I recommend this for ages 7 to 18. Kids will love the idea of summer camp and will want to try some of the events. Adults will have memory flashbacks. It is full lessons, humor and heartfelt moments. I give this 4 ½ out of 5 swimming campers’ fun tale.

The Resilient Heart – A Must See If You Have Been Touched by Heart Disease

Friday, July 7th, 2017

The Resilient Heart explores the keys to preventing heart disease on a worldwide scale. At the film’s core is the story of Dr. Valentín Fuster, a world-renowned cardiovascular scientist, and Director of Mount Sinai Heart and Physician-in-Chief at The Mount Sinai Hospital. Through his exploration of the heart at the molecular level, Dr. Fuster discovers that the real answer to defeating chronic disease lies in a much larger place: early education. By highlighting scientific contributions ranging from basic science to translational research, the film addresses the improvement of clinical and surgical care efforts to promote lifestyles that prevent or slow the progression of heart disease. Ultimately, it shows how the intersection of science, medicine, research, education and compassion bring about changes that are not only important but also replicable by physicians and patients throughout the world . The film follows Dr. Fuster and his team as they travel to Eldoret (Kenya), Bogota and more. If you or someone you know has ever been touched by a heart disease, you really must see this film. 

The Resilient Heart
By Samantha Marcus, KIDS FIRST! Film Critic, Age 17 

This inspirational film kept me glued to the edge of my seat. I didn’t know that heart disease is the number one killer in society today. It fascinates me that there are incredible individuals in this world such as Dr. Valentin Fuster who want to make a difference in the lives of others, especially with a disease that is so common.  

In this documentary promoting worldwide heart health, we see cardiologist Valentin Fuster working with doctors around the globe to help individuals realize that behavior is the key to combating heart disease. Traveling to countries like Kenya, Colombia and Grenada, Fuster works with both children and adults to help facilitate healthy behavior, through group therapy sessions, classroom instruction and community volunteering. 

Valentin Fuster has the biggest heart. He flies to other countries once a week to help people. He gets up at 4:30 every morning, works 7 days a week and works with kids for 15 years to help them understand the benefits of a healthy lifestyle. I wish I could meet him, because I would love to thank him for all of the incredible work he has done for kids and adults around the world.  

I really admire that the film is not based in a single geographical location. It is fascinating to see different cultures and compare them, and see how heart disease affects poor countries, which most people are not aware of. The fact that I was able to see how different areas of the world need so much help from future generations motivates me to follow in Fuster’s footsteps – first starting in my own community, then making my impact even bigger. 

My favorite part of this film is when Dr. Fuster talks about his motivation and says that if he died tomorrow, he would be okay with it, because he has helped so many people. This is rewarding to him. The message of this film is that we have the power to keep our hearts healthy. You can start focusing on heart health at any age and, although we can’t necessarily cure heart disease, we can prevent it by exercising, eating right and avoiding incredible amounts of stress. I give this film 5 out of 5 stars and recommend it to kids ages 12 to 18. Adults would love it too. No age is too young to begin taking care of your heart. You can watch this film on Amazon now! This is the documentary of a lifetime.

 

Megan Leavey – Explores the emotional bond between a human and an animal

Friday, June 9th, 2017

I really enjoyed this film. It explores the emotional bond between a human and an animal.

The film is based on the true story of marine corporal who forms a unique bond with a bomb-sniffing dog. Megan Leavey (Kate Mara) enlists to get away from what seems to be a hopeless civilian life. She is an aimless young woman with a deadbeat mom, Jackie (Edie Falco). Megan struggles to fit in as a Marine and, after a disciplinary hearing due to misappropriate behavior, is caught urinating outside of the Provost office after a night of drinking. She is assigned to clean up the K-9 unit under the command of Gunny Martin (Common).  Gunny Martin is a commander who uses tough love while being a mentor.

My favorite scene in the movie is when Megan finds out that she will get a dog to train and it turns out to be a can.  It seems that newbies practice training a dog with a can. It is a bit humorous but shows Megan’s determination to get a real dog. Megan bonds with an aggressive German shepherd name Rex and is given the opportunity to train him. Megan and Rex end up completing more than 100 missions, but an IED explosion injures them both and puts their fate in jeopardy.

Megan Leavey has lots of wartime violence, strong language and intense themes including trauma and grief. It also shows the strength of women and their accomplishments while not focusing on the brutality of war. This is an inspiring film that I believe is most suited for ages 13 to 18 as well as some adults. I give this film 5 out of 5 stars.  It opens nationwide June 9, 2017 so, be sure to go see it and learn what happens to Megan and Rex.

The Mummy – Adventure, Action, Fantasy and Horror Combined

Thursday, June 8th, 2017

Though safely entombed in a crypt deep beneath the unforgiving desert, an ancient princess, whose destiny was unjustly taken from her, is awakened in our current day bringing with her malevolence grown over millennia, and terrors that defy human comprehension. KIDS FIRST! Juror Juanita L. comments, “The story is not a new – disturbing an ancient evil which comes back to wreak havoc on everyone. However, the visuals are very exciting and explosive with a hint of suspense.” See her full review below.

The Mummy
By Juanita Seon Leary, KIDS FIRST! Adult Juror

I enjoyed watching this updated version of the classic 1932 film, wearing 3D glasses and starring one of my favorite actors, Tom Cruise. The film combines adventure and action with a sprinkling of fantasy and horror.

Nick Morton (Tom Cruise), along with his partner Chris Vale (Jake Johnson) are soldiers of fortune who steal timeless artifacts from ancient sites and sell them to the highest bidders. While in the Middle East, the duo accidently uncover Ahmanet (Sofia Boutella), an ancient princess awakened from her crypt beneath the desert after thousands of years. She uses her powers which evolve throughout the film to bring her revenge and furious rampage to the streets of London. 

The story is not a new – disturbing an ancient evil which comes back to wreak havoc on everyone. However, the visuals are very exciting and explosive with a hint of suspense. My favorite scene is when Ahmanet is held captive by chains, ropes and other devices to keep her from escaping. It shows her strength and power and, is the first time we’ve seen The Mummy as a woman.

You can expect strong, very loud fantasy action and violence with some blood spatters, guns and shooting, stabbings, fighting and punching, crashes and explosions, jump scares, zombies and a lab full of gross things. There are several mildly suggestive sexual references as well, including partly naked and somewhat obscured male and female bodies, kissing, a couple in bed together and other sensuality.

I recommend it for ages 13 to18 as well as some adults. I give this film 5 out of 5 stars.  It opens nationwide June 9, 2017 so, be sure to go see it and enjoy the action!

 

 

 

 

 

 

 

Finding Oscar – A Reflection on a Horrific Story from Not That Long Ago by Gerry O.

Thursday, May 4th, 2017

Finding Oscar tells the heartfelt story of the small village of Dos Erres and it makes you feel inspired and outraged at the same time. There were many horrific events humanity witnessed in the last century – many wars, and lots of innocent people suffered. One event in Dos Erres, Guatemala was a terrible genocide that killed the entire village.

Finding Oscar is a documentary that reflects on historical events and educates people, especially the younger generation. The story that Finding Oscar delves into may seem unrealistic until the viewer realizes that these events really happened and that families were broken apart and young lives were cut short. The events were devastating and the tone of the film reflects that.

In the 1980s, Guatemala was in the midst of a horrendous civil war. In October 1982, the rebels, or guerrillas, attacked a convoy near a small farm village called Dos Erres. A special ops team of the Guatemalan government, very similar to the special ops of US, called Kaibiles, dressed as rebels and infiltrated the village, thinking there were weapons there. They divided the men into one building and women and children into another. Throughout the night, they tormented the entire population of the small village, especially the women and children. In the morning, the Kaibiles killed almost every person in the village, including the children. Only a few kids survived the entire massacre by accident. Two of them were then raised by the soldiers who killed their families.

In parallel, the documentary tells the story of people attempting to bring people responsible for committing the war crimes to justice. To do so and prove their involvement, they must find witnesses of the event, both the surviving kids and the soldiers who participated in the genocide. On top of that, the film looks into the neglectfulness of not only the Guatemalan government, but also the United Sates, which supported the Guatemalan government during the civil war, despite having intelligence about the Dos Erres Massacre and many others similar to it.

Finding Oscar takes a very complex situation and dissects it perfectly. Ryan Suffern (director, producer and co-writer) really tells this story in a masterful way. One aspect I absolutely love has to do with the story. Despite being filmed in the modern world, it talks about the events that happened in chronological order. Finding Oscar doesn’t look at the information as a documentary, but instead tells a story about people who either were connected to this tragedy or feel passionate about uncovering the truth and f inding justice. It begins with explaining the civil war and its causes. It goes on to explain the massacre and its immediate results. Another part that really adds to the effect of the story is the camerawork.

The scene I found the most impactful in this film has to be when one of the survivors gets reunited with his father more than thirty years later. At this point, the boy is grown and has a family of his own. His father, however, thought that the boy and the rest of his family, including eight children, had died in the genocide. The father realizes that he not only has a son and daughter in law, but grandkids as well. The scene is beautiful and so powerful that the entire audience cries.

The message and the story of Finding Oscar are important, but it has many mature elements. I recommend this to ages 13 to 18. The dark aspects of the genocide are rather impactful and unsuitable for younger children. However, I believe this is one of the films that everyone should watch so history doesn’t repeat itself. It is scary to think that these events took place in 1980s – not that long ago. I give this film 5 out of 5 stars for its inspirational story and superb cinematography that add to the power of the plot.

As Women’s History Month 2017 Comes To An End By Brianna Hope Beaton

Sunday, April 2nd, 2017

I believe that all people are important for various reasons. However, since March is Women’s History Month and International Women’s Day was on March 8th, the importance of woman is near and dear to my heart. Instead of focusing on one person or even one group of people, I want to focus on the historical progression of woman’s rights in America.

In 1769, women had limited property rights. The colonies declared that women could not own property in their own name or keep any of their own earnings. Years later, in 1848, the first woman’s rights convention was held. Hundreds of activists gathered in New York, to work out a plan to obtain women’s suffrage nationwide. Well-known participants signed the Declaration of Sentiments and Resolutions, modeled after the Declaration of Independence. It called for equal treatment of both genders under the law and voting rights for women.

In 1869, the racial equality problem pared with the arguments and disagreements over Amendments 13 to 15, dividing into two woman’s organizations – the National Woman Suffrage Association and the American Woman Suffrage Association. The two came back together in 1890 to form the National American Women’s Suffrage Association. In the same year, the territory of Wyoming passed the first law that give women, over the age of 21, the right to vote. After Wyoming joined the Union, it established itself as the first state to allow a woman the right to vote. In 1872, Congress required federal equal pay for equal work. However, this law was unfortunately not extended to the majority of female employees working for private companies until the adoption of the Equal Pay Act in 1963. Also in 1872, Victoria Woodhull claimed the title for being the first woman to be nominated for president, but ironically no woman was allowed to vote. Woman are reminded of this fact when, later in the year, Susan B. Anthony was arrested for trying to vote and was convicted of “unlawful voting.”

About 30 years later, in 1903, The Women’s Trade Union League was established, unifying women that worked and promoting better pay and working conditions. Nearly twenty years later, in 1920, the 19th amendment was ratified and women were finally able to vote!!!!! In 1963, the Equal Pay act became a federal law for all woman. In 1967, civil rights protections were extended to women. President Lyndon B. Johnson issued Executive Order 11375, which expanded the affirmative action policies of 1965 to cover discrimination based on sex.

A few years later, in 1972, Congress passed, Title IX of the Education Amendments, which required schools receiving federal funds to offer equal admission to educational programs for all genders. This law is credited with the fiery growth of sports for women and girls at the high school, collegiate and professional levels. The law took effect in 1976 after withstanding repeated court challenges. In 1973, the Supreme Court established the abortion right. In and after Roe v. Wade, the Supreme Court determined that a woman has the constitutional right to choose whether to have an abortion or carry her pregnancy to term. In the same year, the women-only branches of the U.S. Military eliminated. Women became intergraded into all branches of the U.S Military. Five years after that, in 1978, employment discrimination against pregnant women was banned. The Pregnancy Discrimination Act ensures that employment discrimination on account of pregnancy is treated as unlawful sex-based discrimination. And last but not least, in 2009 the Lilly Ledbetter Fair Pay Act was signed into law. The new law changed Title VII of the Civil Rights Act of 1964, which stated that discrimination complaints must be brought within 180 days of the discriminatory act.

As you can see, woman’s rights have come a long way. It’s good to know and understand the trials and tribulations that those who came before you had to go through for you in order to do the things that you, as a woman can do today. I hope you enjoyed your International Woman’s Month and celebrated how far we have come.

“I do not wish them [women] to have power over men; but over themselves.”
Mary Wollstonecraft, A Vindication of the Rights of Woman

Kid movie news & Free DVDs:
Join KIDS FIRST! on Twitter Join KIDS FIRST! on YouTube Join KIDS FIRST! on Instagram Join KIDS FIRST! on Facebook Join KIDS FIRST! on Pinterest
Loading Search...