KIDS FIRST! Jury Blog

John James Audubon was one of the most remarkable men of early America. A contemporary of Lewis & Clark and Davey Crockett, he explored the American frontier in search of “the feathered tribes” he loved and studied. A self-taught artist and ornithologist, he left a legacy of art and science that made him famous in his lifetime and endures to this day. His portrait hangs in the White House, his statue stands over the entrance to the American Museum of Natural History, and his name was adopted by the nation’s first conservation organization. The program, filmed in locations where Audubon painted, brings to life his timeless paintings with dazzling footage of the living birds he immortalized and celebrates visually the natural world he described in his writings. Interviews reveal the man, explore his art and put his groundbreaking work in modern perspective. KIDS FIRST! Juror, Eli B. comments, “Audubon is such a great film about the life and contributions of John James Audubon. His struggle and journey as a Haitian immigrant to the United States of America is inspiring. The paintings he created forever immortalized the subjects (some of which are now extinct) and the research he did ultimately led to our nation’s first conservation organization.” See her full review below.

Audubon
By Elizabeth B., KIDS FIRST! Adult Juror

This documentary gives an in-depth history of the life of John James Audubon. There are many examples of his beautiful works of art, maps charting his journey from Haiti to America and excerpts from the journals he kept throughout his life. This DVD offers a great way to teach anyone about John James Audubon. The art and story telling is not only beautiful and interesting, but important scientifically and in regards to American history.

The film flows well with great detail and historical accuracy. The material is easily understood and, after scientific elaborations, often a more simplified explanation is given. John James Audubon was a man of incredible talent and fortitude. He faced many challenges such as childhood abandonment, adult poverty and immigration during the 1800s. The film wonderfully details not only his countless contributions to art, science and conservation, but the challenges he faced and surpassed are an equally important part of his story. This film will prompt many questions regarding many topics! Throughout it, Audubon’s travels are documented on a virtual map. The map brings about questions regarding geography, immigration, cultural differences, animal species of North America and many other topics that appeal to many age groups.

The film has great visual appeal. It is filmed in locations where Audubon painted and, throughout it, these works are shown in all their glory. Selections of Audubon’s original journal entries are seen for the first time in this film as well. The cover of the DVD and the CD have iconic Audubon images titled “Wild Turkey” and “The Great Horned Owl”. This offers the option of viewing the 90 minute theatrical version or the 60 minute broadcast version. English subtitles are available. Scene selection is not available, but you can pause, rewind or fast forward as necessary.

Audubon is such a great film about the life and contributions of John James Audubon. His struggle and journey as a Haitian immigrant to the United States of America is inspiring. The paintings he created forever immortalized the subjects (some of which are now extinct) and the research he did ultimately led to our nation’s first conservation organization. This film will prompt many questions regarding many topics including birds, painting, hiking and travel, American history in the early 1800s and more. The message of this film is in its detailed historical look at the life and contributions of John James Audubon to art, science and Conservation.

I give this 5 out of 5 stars and recommend it to ages 8 to 18, plus adults. Audubon will be available on DVD June 20, 2017.  Reviewed by Eli B., KIDS FIRST! Juror.

Sometimes things are not always what they seem, especially in the small suburban town where the Carpenter family lives. Single suburban mother Susan Carpenter works as a waitress at a diner, alongside feisty family friend Sheila. Her younger son Peter is a playful 8-year-old. Taking care of everyone and everything in his own unique way is Susan’s older son Henry, age 11. Protector to his adoring younger brother and tireless supporter of his often self-doubting mother – and, through investments, of the family as a whole – Henry blazes through the days like a comet. Susan discovers that the family next door, which includes Henry’s kind classmate Christina, has a dangerous secret – and that Henry has devised a surprising plan to help. As his brainstormed rescue plan for Christina takes shape in thrilling ways, Susan finds herself at the center of it. KIDS FIRST! Film Critic Willie J. comments, “However, I was pleasantly surprised by this under-the-radar film and am sure general audiences will as well. The Book of Henry is an emotionally affecting film with a few fine messages about parenthood and altruism.” See his full review below.

The Book of Henry
Willie Jones, KIDS FIRST! Film Critic, Age 18

I had no expectations going into this movie. I knew I like the director, the leading actress and it has an interesting premise. However, I was pleasantly surprised by this under-the-radar film and am sure general audiences will as well. The Book of Henry is an emotionally affecting film with a few fine messages about parenthood and altruism.

The movie actually surprised me. Perhaps it’s because I had no prior knowledge about it, but the twist (I don’t think it’s supposed to be a twist per se) in the movie is reminiscent of Psycho, in that the seeming protagonist has an interesting cinematic journey. That provides the basis of our catharsis. It’s actually very solid writing. We become invested in this character who has a charm and wit about him that’s irresistibly likable and we fall for him. We become invested in his relationships with his mother, his little brother and his neighbor. The plot is already in motion and then the twist happens.

After this twist, the true protagonist comes to the forefront and we become invested in her because we feel for her and root for her cause. The only issue – her cause happens to be literally unbelievable and predictably improbable. However, we find ourselves nearly believing it. I mean, there’s a sequence that’s utterly Hitchcockian, when there’s cross editing between two separate scenes. One scene is used as the musical background for the other and the tension is palpable. It’s reminiscent of the concert scene in The Man Who Knew Too Much. It all comes to a satisfying ending that we all knew was coming and yet, isn’t any less smile inducing.

The performances are very good. Naomi Watts is one of our generation’s most consistent actors and the youngsters Jacob Tremblay and  Jaeden Lieberher hold their weight and then some. However the score and direction deserve a lot of credit. The film is very well paced and switches between tones so seamlessly. Never are we pulled out of the film because it gets boring or it goes too quickly or it switches between genres.

A lot of reviews are bashing the film. Don’t get me wrong, it has its flaws. The foundation of the character is never told and is a glaring hole. A few plot elements are improbable, definitely. However, those are forgivable in the grand scheme. This film has charm and intrigue. I believe it’ll go down as one of those films where critics and general audiences just don’t agree. With that said, I give this movie 3 out of 5 stars and recommend it for ages 10 to 18. It can be seen at a local theater when it opens June 16, 2017.

No longer your average boy-next-door, Holden Layfield weaves audiences through his harrowing tale in this film set in the early 1990s. After succumbing to a secret battle with mental illness, Holden evolves from a beloved, small town Georgia football player to a lost, self-medicating prophet. KIDS FIRST! Film Critic Samantha M. comments, “I don’t remember the last time I laughed and cried within minutes of each other…This film helped my heart grow bigger and make me more empathetic towards others.” See her full review.

Holden On
By Samantha Marcus, KIDS FIRST! Film Critic, Age 17

This exceptional film brought out all of my emotions, which is why it is one of my new favorites. I don’t remember the last time I laughed and cried within minutes of each other. I’m glad I was able to express my emotions, because that is what makes me relate to a film. This film helped my heart grow bigger and make me more empathetic towards others.

Based on a true story, Holden On is about a 17-year-old boy named Holden Layfield, who lives in a small town in Georgia and is a star athlete. Playing football like a professional, Layfield receives multiple college scholarships and is ready to begin a new chapter in his life. But, he has a big secret: he is battling a mental illness. Over a two year period, Layfield tries to keep his illness to himself and transforms from a fantastic football player to a prophet who believes he can save the world.

Matthew Fahey portrays Holden in a remarkable fashion. He acts very humble, which illustrates how kind-hearted Holden truly is. However, because of his humility, it is difficult for Holden’s family to decipher his thoughts. Fahey makes you believe that Holden is completely fine and, because he isn’t, it makes the plot even more intriguing. Steve Ellis’ portrayal of Zinte, Holden’s best friend, is humorous. Zinte truly cares about Holden and it is evident through their five year friendship. Ellis characterizes Zinte as comical, joking around with him to cheer him up. But, he is unaware of Holden’s issue. These lead actors left me on the edge of my seat for the entire film.

 I love the music in this film because which is from the 80s, opening with “It’s the End of the World” by R.E.M. The film is set in the 90s, but the music is from an older era and includes bands such as Suzie Rose and Tommy McCarthy. My favorite parts of the film are when Holden is in a situation and the camera shifts towards his point of view. For example, Holden tackles another team player on the football field before the game begins. The camera cuts to Holden’s thoughts, displaying a visual of what is going on in his brain. I enjoyed how Holden narrates his thoughts when this occurs, because I could empathize more with him.  

The message of this film is that you are not alone, even if you’re battling mental illness. Talk to your friends, family or a professional about your feelings, because there is someone who is always willing to help. Mental illness is common and not many people are aware of the help available to those who are suffering. That a movie has been created to address the issue touches my heart.  

Be forewarned that Holden resorts to drugs to cope with his illness yet, this film has such an impactful message that I wish every kid could see it. We can all help those who are dealing with mental illness. I give this film 5 out of 5 stars and recommend it to ages 16 to 18 as well as adults. Go to Iamholdenon.org to read about the nationwide movement supporting treating mental illness through artistic expression. Also, catch this film when it comes out June 7, 2017. It is one that you don’t want to miss.

A young Englishman plots revenge against his mysterious, beautiful cousin, believing that she murdered his guardian. But his feelings become complicated as he finds himself falling under the beguiling spell of her charms. KIDS FIRST! Juror Juanita L. comments, “The detail and beauty of the 19^th century in the settings of the house and grounds captivated me. The suspense and mystery of finding out just who Rachel (Rachel Weisz) is and what will happen with Phillip (Sam Claflin) kept me on edge of my seat.” See her full review below.

My Cousin Rachel
By Juanita Seon Leary, KIDS FIRST! Adult Juror

I like this film for several reasons. The detail and beauty of the 19^th century in the settings of the house and grounds captivated me. The suspense and mystery of finding out just who Rachel (Rachel Weisz) is and what will happen with Phillip (Sam Claflin) kept me on edge of my seat. Expect candles, beds with draperies, bonnets, bumpy wagon rides and scything — as well as a modern-minded female character who may or may not be up to no good in pursuit of money.

My Cousin Rachel, adapted from a book set in the 19^th Century and written in 1951 by Daphne du Maurier, is a combination of suspense, passion and some psychological glimpses of men and women in often intriguing and obsessive relationships. The story is about a rather naïve young bachelor who struggles to decide if his deceased guardian’s charming widow is the woman of his dreams or a cold-blooded killer and gold-digger seeking an inheritance. Among those disturbed by Phillip’s sudden obsession with Rachel is Louise (Holliday Grainger), his confidante since childhood who has long harbored her own unrequited crush on him.

There a moment of sexual violence when Phillip holds Rachel’s arms, demanding her to “kiss me!” and she forcefully tells him to stop and let her go. He briefly chokes her. We also see the couple having sex with their clothes on.

I recommend it for ages 14 to 18 as well as some adults. I give this film 4 out of 5 stars.  It opens nationwide June 9, 2017 so, be sure to go check it out and discover for yourself the mystery of Rachel!

I was catapulted back in time watching the classic rockumentary Monterey Pop.  In celebration of its 50^th Anniversary, D. A. Pennebaker, the original director supervised, restored and re-mastered this amazing documentary with vibrant color and sound.   Ushering in the 1967 Summer of Love, he captures the beginning of a new era of rock n’ roll music as well as a counterculture life style. This was just the beginning of the big concert formats.

Legendary performances introduce us to Jimi Hendrix, Janis Joplin and Otis Redding along with a diverse cast of more known artists at that time – Simon and Garfunkel, The Mamas & The Papas, The Who, Jefferson Airplane, Hugh Masekela and Ravi Shankar.

We observe behind the scenes’ preparations, hear concerns about crowd size, expecting 50 to 55,000 (a small number compared to the legendary Woodstock Festival of 500,000).  We must remember that this concert set a precedence for what was to come, including other charitable music events such as Live Aid and Farm Aid.

I was a teenager in the 60s and remember seeing the original film when it came out in 1968. Legendary moments of Jimi Hendrix lighting his guitar on fire and Pete Townshend destroying his are captured along with the facial expressions of an audience in amazement, shock and awe!  Janis Joplin’s performance is mesmerizing in both her stage presence and her voice.  Mama Cass’s reaction to her performance is captured in posterity and lives on. This was just the beginning of my concert going years and I enjoyed reminiscing and singing long with classic songs like “Feeling Groovy” by Simon and Garfunkel and “Today” by Jefferson Airplane among others.

Two performances really stuck out to me. Otis Redding’s “Try a Little Tenderness” captured in a silhouetted camera shot, engaged the audience to sing along with him and the amazing close of the film and concert featuring Ravi Shankar, who introduced us to the sitar, the tabla and Indian ragas.  It was in this close that the director truly captured the audience’s reaction in a meditative state to a different style of music. As I looked at the audience, I related to the counter-culture clothing, hats and painted flower-power faces. The standing ovation of appreciation at the conclusion is quite remarkable and inspiring.

I give this film 5 out of 5 stars and highly recommend it to baby boomers to reminisce as well as the generations that followed from age 8 to 18 and beyond. This film allows you to witness and enjoy a remarkable and classic time in music and the beginning of a new consciousness. It opens in New York on June 14, in Los Angeles on June 15 and across the country on the weekend of June 16, alongside a new celebration of the festival in Monterey, California!

Last month, while visiting a college, I came upon a film on TCM called The Best Years Of Our Lives.   It’s a post WWII film about the difficulties soldiers faced in acclimating back into society after being in combat. Directed by William Wyler, it was released in 1946 and stars Myrna Loy, Fredric March and Dana Andrews. While watching the film, I had an epiphany that older movies flow much better than many current films. There isn’t any rush to change scenes, which allows the viewer to better comprehend what they’re watching. The pace also gives the actors and directors more breadth. I was really able to appreciate the humor of Myrna Loy.

This weekend, I watched Casablanca for the third time (one of my mother’s favorite films). Released in 1942, it is directed by Michael Curtiz and stars Humphrey Bogart, Ingrid Bergman and Paul Henreid. Casablanca is a WWII film taking place in French Morocco.  What I really love about this film and other old movies is that they have amazing close-ups, which allow the viewer to appreciate the beauty and uniqueness of the stars’ faces. In this film, they show close-ups of Humphrey Bogart and Ingrid Bergman that are heavenly.  Casablanca reveals the ambiguous complexity of right and wrong, unlike most movies of today. It shows the flat out truth of life, that there are no easy answers.

I also screened North By Northwest, which I’ve seen on DVD and at Film Forum. Directed by Alfred Hitchcock, it stars Cary Grant, Angie Dickinson and James Mason. It is a thriller/ adventure film made in 1959 about a clueless advertising executive who is mistaken for an American spy. The most extraordinary aspect of this film is that everything is shot on location, without any special effects or CGI. The iconic crop duster and Mount Rushmore scenes are done on location. This creates a real sense of verisimilitude, whereby the viewer feels as if it’s happening to them.

While I used to have a prejudice against old movies. Now, I am gaining an appreciation for them and starting to slowly move away from all the typical Hollywood blockbusters.

Samuel L. Jackson recently spoke about how British black actors have recently been heavily cast in roles that he feels would have benefited more had they been filled by American black actors. He was referring to actors such as David Oyelowo, Chiwetel Ejiofor, Naomie Harris and Daniel Kaluuya. Jackson stated that while these actors are doing fine jobs, the roles of Martin Luther King or Chris Washington could have been more judiciously played by American black actor. Let’s evaluate this.

As of late, yes, black Brits have been coming to the U.S. and taking roles in American films. They give stellar performances as Americans and create memorable cinema. Is that bad? Not necessarily so. After all, they’re still within a minority and represent an underrepresented community. Their country of origin shouldn’t matter. However, there is a reason behind their recent surge in Hollywood.

Denzel Washington and Samuel L. Jackson are noted thespians. They’ve been trained and have experience on the stage and that translates in their screen performances. The problem is that, they’re beginning to be a part of a minority. The likes of Ejiofor and Oyelowo are trained in England, a very theatrical country. Film is still secondary to theater there and so, actors in Britain get classical theatrical training. For the most part, thespians still garner more respect than film actors (excluding Jack Nicholson). Having theater experience is essential to be respected as an actor and Americans increasingly ignoring that. They start in film and never venture into theater until after they’re established such as Jake Gyllenhaal or Leonardo DiCaprio.

When these thespians come to the U.S., they’re cheaper than American black film actors, have more respected training and can speak with impeccable American accents. Why wouldn’t they be hired? And why does that create a rift within the entertainment community? It should inspire American black actors to seek more theatrical training. And while Sam Jackson meant no harm with his statement, there’s a rather large debate over whether or not Hollywood should keep hiring black actors from overseas and not support more American black actors. All I can say is: it’s a business. A very cutthroat business, that’s all about survival of the fittest. If a group of actors comes into Hollywood better trained, does that mean another group of actors should complain about their roles being taken away? No. It means they should sharpen their skills and advance their training.

So before this becomes a bigger issue than it should, let’s just acknowledge that, what matters in the end is good cinema. So whether Martin Luther King’s story is told by a Brit or American, as long as it’s told well, it doesn’t matter. Movies are about stories and the imagination. Those don’t see color or nationality.

The Philadelphia Environment Film Festival, the first of its kind in the city of Brotherly Love played Earth Day Weekend, April 21 through 23, 2017 at the historic Prince Theater in downtown Philadelphia. The festival opened on Friday night, honoring Fisher Stevens, director of the critically acclaimed climate change documentary, Before the Flood and closed on Sunday with James Cameron’s classic award-winning film, Avatar. The festival showcased dozens of new shorts and features from international and domestic filmmakers celebrating the anniversary of the birth of the modern environmental movement, Earth Day.

Despite the rainy day and the March for Science rally, film, environmental and art enthusiasts of all ages attended the festival.  Festival founders Debra Wolf Goldstein and Alexandra Drobac Diagne said “We are extremely passionate about combining powerful moving imagery on the silver screen with educational and inspirational knowledge about the current state and future of the beautiful planet we all call home.”

My favorite part of the festival was viewing the Youth Block of Films and having the opportunity to interview the award-winning young filmmaker Dylan D’Haeze and his mother Dawn D’Haeze. Dylan’s film, Plastic is Forever was featured at the festival. Here is an excerpt of my interview with filmmaker Dylan D’Haeze and his mother and producer, Dawn D’Haeze.

Juanita: Welcome Dylan and Dawn D’Haeze to KIDS FIRST! Thank you for the opportunity to talk with me and share with our KIDS FIRST! audience points about your wonderful documentary Plastic is Forever.  Congratulations on being the youngest winning filmmaker at San Francisco Ocean Film Festival and winner of its 2017 Environmental Award. Dylan, what sparked your interest in plastic pollution?

Dylan: Thank you, Juanita. I am home schooled and it started as a project for school and, as I researched and answered the questions about plastics I became concerned about how plastic can damage the earth.

Juanita: Why did you did decide to create this documentary?

Dylan:  I made this documentary because I’ve learned about plastic pollution and how it’s affecting the planet in a very bad way. As a kid, it scares me and I feel powerless. So, I decided to make a documentary about plastic pollution and teach kids how they can help solve the problem.

Juanita: Do you have a favorite filmmaker of director?

Dylan:  Yes, my favorite director is Kip Anderson, director of Conspiracy: The Sustainability Secret.

Juanita: What challenges did you face in bringing your son’s ideas to life?

Dawn:   Our biggest challenge was getting interviews. People were reluctant because they did not know us. However, as we continued it got better.

Juanita: Describe how you felt when you went to the beach in Hawaii.

Dawn:   The beach we shot is a two-hour drive from the city. The road is very rough and very rocky.

Dylan: The beach is covered with plastic and they had a clean-up before we visited. So much plastic, it has in the past reached almost 10 feet high. The broken pieces are becoming part of the beach. It was awful.

Juanita: What is your next step to realize your goal of showing kids they are not powerless and that their daily actions affect our future?

Dylan:  This documentary is one in a series of films I’m making called Kids Can Save The Planet. The next film will be about climate change and I’m really looking forward to start filming again soon!

Juanita: Dylan and Dawn, thank you very much for speaking with me today. I want to mention that Dylan’s film, Plastic is Forever is playing now at KIDS FIRST! Film Festivals nationwide so, be sure to check with your local festival to see if it is playing there. We look forward to your continuing series, Kids Can Save The Planet and wish you the best in your filmmaking endeavors. It’s heart-warming to see a young person such as yourself tackling this important issue.               

From December through February is the time of year I love best because there are so many substantial films out in theatres, be they Hollywood, Indie or Foreign films. This year especially has brought us so many terrific movies such as Manchester by the Sea, La La Land, Moonlight, Lion and 20th Century Women. All of these films have been nominated for Best Picture, except 20th Century Women, which was my favorite film of the year.

I was fascinated with all the catchy, get me up dance numbers in La La Land. I thought it captured the essence of the beginning of a relationship, when two people first fall in love. Lion is so emotionally harrowing, but captivating at the same time. Dev Patel portrays grown up Saroo so well and has justly been nominated for Best Supporting Actor for his role in it. Manchester by the Sea is a spectacular, but serious, family film that is very relatable because of its teen protagonist. This film is the flat-out truth about how horrible or exciting life can really be. It doesn’t pull any punches. It just tells an honest story about a dysfunctional family. 20th Century Women is a hip, pop and lock sort of punk rock movie that young teens will love. I am very surprised that it was not nominated for Best Picture.

Out of the nine Best Picture nominations, I have only seen three. I plan to see many more over the next few weeks before the Oscars. I meant to see Moonlight for the past two months, but the subject matter seems so intense. I also look forward to seeing Hidden Figures. The trailer makes it seem like an important feminist take on the moon landing. Everybody seems to love Arrival, but I usually don’t enjoy alien movies. This one sounds rather interesting, since it’s about a linguist trying to decipher the Alien language.

I have seen three out of the five films up for Best Animated Feature: Kubo and the Two Strings, The Red Turtle and Zootopia. The two that I haven’t seen are Moana and My Life as a Zucchini. My Life as a Zucchini is a great “title.” It’s the premiere film this year at the New York International Children’s Film Festival, so I will probably see it there. I believe Kubo is the most creative and enchanting film up for the award. Can’t wait to see who wins the Oscars for all of these. Until then, I’ll just keep judging and guessing.

Fences is the story about an African-American father struggling with race relations in the United States while trying to raise his family in the 1950s and coming to terms with the events of his life. KIDS FIRST! juror Juanita Seon Leary comments, “Adapted from the stage play by August Wilson (who also writes the screenplay), it lives up to its award- winning status.” See her full review below.

Fences,
By Juanita Seon Leary, KIDS FIRST! Adult Juror                       

I saw Fences as a play with James Earl Jones years ago and was very anxious and looking forward to seeing the filmed version. Adapted from the stage play by August Wilson (who also writes the screenplay), it lives up to its award- winning status. I am a fan of both Denzel Washington and Viola Davis who star in this film.

Throughout the film, we see life through the eyes of Troy (Denzel Washington) an African American man struggling with issues of race and economics and all the events of his life.  He lives with his family in Pittsburgh, Pennsylvania in the 1950s.

Fences opens with Troy and Bono (Steven Henderson) riding on the garbage truck. As they work, they talk about the inequality of their jobs.  Troy questions why “a black man cannot drive the truck”? He asks the question to his supervisor who is a white man and is facing possible firing. so it is thought. Troy and Bono arrive at Troy’s house and we begin to learn about a fence.  It is Friday and payday. We see Troy and Bono sharing a bottle of liquor.  Troy tells stories and his wife Rose (Viola Davis) sits on porch and interacts to keep Troy honest. We learn about Troy’s past, his excellent skills in baseball, time he served in jail and how he met Rose.

The film has excellent scenes that let us feel and see the streets of Pittsburgh. The main center of action is the backyard. There is a baseball on a string and Troy’s baseball bat.  Rose asks Troy to build her a fence. At one point, Bono speaks to Troy about fences.  “Fences are built to keep something or someone out or to keep something or someone in.” He lets Troy know that Rose wants to keep him and their son Cory (Jovan Adepo) inside.  In Fences, we see the relationship and interaction of a father with his sons. His older son, Lyons (Russell Hornsby) comes by on paydays to ask for a loan and his younger son Cory wants to play football to attend college. 

Fences is excellent and has many lessons and messages. Because of the language and suggestive references, I recommend it for ages 14 to 18 and believe that many adults will enjoy it also. I give it 5 out of 5 stars.  It opens on December 25, 2016 so be sure to check it out.