KIDS FIRST! Jury Blog

Roman J. Israel, Esq. is a dramatic thriller set in the underbelly of the overburdened Los Angeles criminal court system. Denzel Washington stars as Roman Israel, a driven, idealistic defense attorney who, through a tumultuous series of events, finds himself in a crisis that leads to extreme action. Colin Farrell costars as the monied, cutthroat lawyer who recruits Roman to his firm. KIDS FIRST! Juror, Juanita L. comments, “I love Denzel Washington as an actor, director and man.  Denzel once again shows his excellent acting skills portraying a civil rights attorney who has worked behind the scenes for more than three decades.” See her full review below.

Roman J. Israel, Esq.
Reviewed by Juanita Seon Leary, KIDS FIRST!  Adult Juror

As Roman J. Israel, Esq., Denzel Washington is outstanding. His law partner, William Henry Jackson had more of a stomach for the grinding inequality of the justice system and served as the face of the firm, while Roman kept to himself.

Jackson becomes ill and eventually dies. His family follows his wishes and, to dissolve the firm, brings in a slick, well-dressed, high-price attorney George (Colin Farrell) to do the job. George is an interesting character and Farrell is plays the part well. First I thought George was the antagonist – a soulless, greedy lawyer who only cared about his retainer. However, George sees something in Roman and offers him a job at his large law practice. Roman resists at first, but money troubles make him reconsider.

Roman is brilliant and quite possibly has Aspergers syndrome (it is not entirely clear about this.) He has an encyclopedic knowledge of the law, but isn’t so good at interacting with other people. He also seems to be trapped in the 70s, unaware of how his familiarity of the culture has changed. We see many examples of his inability to interact with people. In one courtroom scene he disagrees with the plea options for a young offender and he voices his displeasure.  The judge declares him in contempt and fines him.

One of my favorite scenes is when Roman shows up at a non-profit agency that fights for legal rights of the underprivileged as he offers his services to Maya (Carmen Ejogo). She is inspired and moved by his commitment and informs him that everyone volunteers. They develop a friendship and Roman appears as a guest speaker. It becomes clear to Roman that the justice system and the people have changed. And, it ignites his passion to make a change.

The message of this film is about one man’s ferocious commitment to a greater good, to lost causes and to connecting to what he believed in at the beginning. A fighter for those who cannot fight for themselves, he is unique, a lawyer who believes in the law and his clients.

The film contains violence, strong language, drinking, drug use and sexuality. This could be an interesting film for mature teens interested in legal drama. I recommend this film for ages 16 to 18 as well as adults. I give it 5 out of 5 stars! Roman Israel, Esq. opens in theaters November 22, 2017. Go see it and find out more about this unique lawyer.

The Geena Davis Institute on Gender in Media is the only research based non-profit working with the entertainment and media community to improve gender diversity in children’s media including more positive role models, equality of opportunity and diverse representation on screen.

On November 6, 2017 at the newly built SAG/AFTRA – Robin Williams Center in New York City, an inspiring group of six strong, diverse women from the film, television and sports world spoke about their personal careers and life journeys, looking for the strong women parts and opportunities.

Led by Madeline Di Nonno, CEO, Geena Davis Institute on Gender in Media, the panelists included: Gabrielle Carteris, President, SAG-AFTRA; Swin Cash, Athlete/Sports Analyst; Megan Boone, Actor; Alysia Reiner, Actor and Activist; Maggie Siff – Actor and Producer. The women first spoke of choice and pivotal moments in their careers and in life, then about having a voice and power. Here are some highlights and take aways reported by each of the women.

Gabrielle Carteris, widely known for her role as Andrea, a studious newspaper editor in Beverly Hills, 90210 says that role was a transformational opportunity that changed her life.  It gave her great courage.  She still receives comments about this role, which had an incredible impact on her life and reflected society. As the president of Sag-AFTRA, she never imagined herself in this position, yet felt prepared having worked with Ken Howard, the prior President.  She believes being of service is the highest calling and also believes in paying it forward and using power for the good. This was a pivotal moment for her – exciting and frightening at the same time.

Swin Cash got recognition from playing basketball and, in the eighth grade got a modeling opportunity.  She focused on academics, majored in drama and theater and continued to play in sports. She was the first girl and first African American to be in the WNBA when it was started twenty plus years ago. She reached out to Robin Roberts as a mentor, when Robin was at ESPN, to help her make choices with her career. Currently she is the female lead on We Need to Talk a CBS Sports Network first-ever, nationally televised all female, weekly sports show. She rose from humble beginnings, inspired by her grandmother who owned her own home and encouraged her to create wealth. Service is an important part of her life as founder of both Swin Cash Enterprises LLC and Cash Building Blocks, LP, an urban development company that renovates and offers affordable homes for low-income families.  An Olympic medal winner in 2004, she feels her service to help women and underprivileged kids is essential.

Maggie Siff, grew up in an acting, academic and artistic family, went to Bronx High School of Science and then to Bryn Mawr College.  She got her MFA at NYU and started her career in theater.  Her first big break, in her 30s, was the role of Rachel on Madmen, never imagining a role in film and television. She didn’t think she belonged there. She auditioned many times for this iconic role, which she thought read like an amazing film script or play. In its 1958 setting, Rachel was an unusual character for that time, as the female head of a department store.  She connected to this character, claiming it was very familiar. The other point she made is that the writer’s room on this program had more female and diverse writers which made a great difference in character portrayal. Currently, she plays a powerful in-house performance coach and therapist to the head of a hedge fund company on Billionaire.  She claims women appreciate her in this professional role, committed to both her job and family. She uses Tony Robbins as her inspiration to step into her “biggest self.”

Alysia Reiner struggled in her 20s and 30s with her acting career and wondered if she should stay or go. It took a long time to get a part and her advice is to live your life and find your joy, while you are in that struggle. Early on, she did a one-woman show portraying Virginia Woolf at the Edenborough Festival.  She went through a period of grief and loss when her father died of cancer in ten days and was inspired to do a grief counseling film as a way of coping.  As an activist, she believes in art as science and has a deep respect for all women in all fields that create change and make a difference. She loves working on an all women crew for the freedom it provides. Orange is the New Black, the show she currently works on, has a 90% male crew, which gives it quite a different feel.  She is a strong advocate to be in service, and works for the women’s prison association in Tulsa, Oklahoma to aid incarcerated women.

Megan Boone studied theater and struggled socially as a young woman. She was bullied while a student at Florida State Theater.  She studied with Jane Alexander and Ed Sherin, and in an impulse exercise with them, she decided to stick with acting. Her struggles led to an audition on Blacklist for the role of Liz Keene. She knew this was her part.  Megan is working on a sustainable business degree, as she is concerned with our natural environment.  As an advocate for policy change, inspired by Corey Booker and Kristen Gillebrand, she works for solutions in the public/private sector.

The panel stressed the importance of service in these most difficult times we live in and how we need to continue the fight for gender, race and the natural world.

By Terry Solowey

Nana, Reviewed by Terry Solowey

I have seen many films and documentaries about the Holocaust. However, as a first generation American Jew, this film touched me deeply and left an impact on me like no other. The story is narrated and directed by Serena Dykman, granddaughter of Maryla Michalowski-Dynamant who is her nana.

Two years ago, a NYU film student, Serena, 22 years old, was in her hometown of Brussels, Belgium at the time of the bombing of the Jewish Museum prior to the Charlie Hebdo terrorist attacks in Paris. She had been traveling with her grandmother’s memoirs for a while and couldn’t bring herself to read them. The attacks were the impetus to read her nana’s memoirs and make this incredible documentary about the life of her grandmother growing up in Poland, the onset of WWII, her plight in Auschwitz and post-war.

Nana, a survivor and Polish Jew, dedicated her life to talk about her experiences.  As a fighter and activist against intolerance, and the importance of liberty and democracy, she tirelessly spoke to students at schools, to journalists and to government officials. She led many groups to Auschwitz to show them her living quarters and fiercely told them about what she endured. Her strength, courage and tenacity impressed me deeply. In talking about such adversity, her sense of humor, “How do you like my apartment?” stopped my tears with a light moment of laughter.  Her mission: to never forget.

There are so many touching moments in this film that make a powerful impression. In one interview, she passionately talks about “the magnificent gift of fifty years of life” that she was given after the Holocaust, compelling her to talk for those who didn’t make it, exclaiming, “I had to speak out” to those who denied the Holocaust. “I had to let young people know what can happen if we support regimes like Hitler’s and others.”

In one of her talks, she was asked by a group of young people why Hitler chose to exterminate Jews and she replied, “Hitler didn’t confide in me.” The audience explodes with laughter as her wry sense of humor cuts the tension. In another scene, she talks about the need to look at the history of anti-Semitism and why it happened. She believes Hitler was manic depressive and mentally ill. “Why did the Germans who were not mentally ill vote for him? This is where we have to look for the why.”

This inspirational film is a must see. A story within a story, there are so many authentic personal stories including her memoir writer collaborator, recorder of survivor testimonies, Jewish history teacher and educational project designer among those who knew her well. Ms. Dykman’s footage is complemented by the archival footage that turned up unexpectedly.

In witnessing the three generations of women, nana left her daughter Alice and her granddaughter Serena a legacy to carry on. They do it with a strength and courage in the spirit of their nana. In today’s world, with the rise of anti-Semitism and racism, it is more relevant than ever.

I give this film 5 out of 5 stars and highly recommend it to 10 to 18 year olds as well as adults. It is in French with English subtitles. You can see NANA at film festivals across the United States. For more information, visit www:nanafilm.com.

Young Thurgood Marshall faces one of his greatest challenges while working as a lawyer for the NAACP. Marshall travels to conservative Connecticut when wealthy socialite Eleanor Strubing accuses black chauffeur Joseph Spell of sexual assault and attempted murder. He soon teams up with Sam Friedman, a local Jewish lawyer who’s never handled a criminal case. Together, the two men build a defense while contending with racist and anti-Semitic views from those who deem Spell to be guilty. KIDS FIRST! Reviewer Juanita L. comments, “For me, this film brought back my experience as a young person who lived in Virginia and experienced the separate but equal in my education.”  See her full review below.

Marshall
By Juanita L., KIDS FIRST!  Adult Juror

I enjoyed watching and experiencing Marshall.  The 1940s legal thriller is the story about a dozen years before young Thurgood Marshall challenged segregation’s separate but equal premise in Brown v. Board of Education.  For me, this film brought back my experience as a young person who lived in Virginia and experienced the separate but equal in my education.

Chadwick Boseman captures the essence of Thurgood Marshall’s spirit. He brings the confidence, intelligence, cockiness as well as the charm and humor of Thurgood. It is an exciting performance from Hollywood’s go-to-guy for playing important Black Americans.

There are many parts that I enjoyed. When Marshall meets Sam Friedman (Josh Gad), we see his cockiness from the moment he steps off the train in Bridgeport, CT., ordering his white co-counsel, Sam Friedman, to carry his bags. Another enjoyable scene is the Harlem night club with Marshall and his friends, Langston Hughes and Zora Neale Hurston.

The cinematography is outstanding. One scene when Marshall and Friedman are in the men’s room, it looks as if they are in the mirror together, however you can see them individually.  With its excellent role models and strong messages about courage, teamwork and tolerance, this film is a great movie for teens and families. You can expect to see fist fights and beatings, with bloody wounds and bruises. There’s also a flashback to a suggested rape, with violent acts against a woman. There is a mild sex scene which includes kissing, however there is no nudity. Language includes several uses of the “N” word as well as “kike.” Characters drink alcohol and there is background smoking.

This film celebrates standing up and courageously risking your own safety to fight against popular opinion and against difficult odds.  The movie is about tolerance in a way that’s more matter-of-fact than self-righteous. Characters work together in an effective way.

I recommend this film for ages 14 to 18 as well as adults and give it 5 out of 5 stars. Marshall opens Friday, October 13, 2017 in theaters across the country. Be entertained while learning about American history and a very powerful and influential man.

An exploration of the relationship between jazz trumpeter Lee Morgan and his common-law wife Helen, who was implicated in his murder in 1972. KIDS FIRST! Juror, Terry S. comments, “This haunting documentary about the life of a great jazz trumpeter Lee Morgan and his wife Helen is one I will not soon forget. ” See her full review below.

I Called Him Morgan
By Terry S., KIDS FIRST! Juror

This haunting documentary about the life of a great jazz trumpeter Lee Morgan and his wife Helen is one I will not soon forget. Swedish filmmaker Kasper Collin weaves the tale of their lives and their relationship through interviews with his friends and fellow musicians including saxophonist Wayne Shorter. He caps it off with an interview with Helen a month before her death in 1996.  Through extraordinary black and white archival photographs, rare TV performances and an amazing soundtrack of Lee’s music, we are transported to the NYC jazz scene from the 50s to the 70s.

As a music aficionado, I was aware of jazz greats Dizzy Gillespie and Art Blakey, but not of Lee Morgan.  The footage of his trumpet playing with these masters really drew me in.  As one friend said in the film, “Lee really knew how to tell a story musically.”  His was an exceptional talent as a young teenager of 17.

However, his addiction to heroin took him out and it wasn’t until he met Helen, that he got back on his feet to play. Through her care, inspiration and love, she managed his career and uplifted him back to compose and play music and eventually form his own band, The Lee Morgan Quartet.

Lee had years of success playing not only clubs in the East but also on the West Coast.  Some of my favorite parts of the documentary include footage on a TV show called “Soul”, where he dedicates a piece to the activist Angela Davis entitled “Angela”, and another TV show hosted by Steve Allen, a talk show host popular at the time. The other favorite part was with the jazz mobile workshop where he worked with young people on musical arrangements and gave them a chance to play and learn from him.  

The twist and turns of Lee and Helen’s life together end tragically when Lee plays at a popular club called Slugs, down in the East Village of NYC.  On a snowy night in February 1972, his life is cut short at the young age of 33 by the woman who had brought him back to life. Following an altercation between sets, Morgan’s common law wife Helen Moore, shot him.

I give this film 4 out of 5 stars and recommend it to ages 13 to 18 as well as adult jazz lovers.  You can catch I Called Him Morgan on DVD and Blu-ray beginning October 31, 2017.

In the wake of the sexual revolution and the rise of the women’s movement, the 1973 tennis match between women’s world champion Billie Jean King (Emma Stone) and ex-men’s-champ and serial hustler Bobby Riggs (Steve Carell) was billed as the BATTLE OF THE SEXES and became one of the most watched televised sports events of all time, reaching 90 million viewers around the world. As the rivalry between King and Riggs kicked into high gear, off-court each was fighting more personal and complex battles. The fiercely private King was not only championing for equality, but also struggling to come to terms with her own sexuality, as her friendship with Marilyn Barnett (Andrea Riseborough) developed. And Riggs, one of the first self-made media-age celebrities, wrestled with his gambling demons, at the expense of his family and wife Priscilla (Elisabeth Shue). Together, Billie and Bobby served up a cultural spectacle that resonated far beyond the tennis court, sparking discussions in bedrooms. KIDS FIRST! Film Critic Willie J. comments, “The directing is swift, well paced and well filmed. Kudos to the cinematographer who really has a wonderful grasp on stillness to promote an essential moment and exerts great uses of soft and hard focus to portray dramatic moments and internalize character feelings.” See his full review below.

Battle of the Sexes
Willie J., KIDS FIRST! Film Critic, age 18

The themes presented in this film are still relevant and have merit. With that said, I want to add that ever since Ibsen wrote “A Doll’s House,” it’s very rare to get a film (or play for that matter) that is charged with the theme of gender equality and presents it in a way that truly resonates. What do I mean? In films that aim to give a message or present an issues, such as when the writer wants to say something about the relevant society, more often than not, the writer portrays those characters in simple categorizations of good and bad. That may work in a superhero film, but in a piece of realism, where character development and relationships are key elements to the storytelling, simple good and bad just won’t do. That’s my issue with this film. The screenplay simplifies a few integral characters too much, in favor of hoisting up its protagonist.

To get this out of the way, the performances are fantastic. Emma Stone and Steve Carell lead the cast well, and the cast doesn’t have a weak link in it. In particular, a lot of credit has to be given to Steve Carell. He took a character that was underwritten and perhaps even misrepresented and makes him sympathetic and someone to root for. Andrea Riseborough also delivers a very affecting performance and really gives us some great scene work with Emma Stone.

The directing is swift, well paced and well filmed. Kudos to the cinematographer who really has a wonderful grasp on stillness to promote an essential moment and exerts great uses of soft and hard focus to portray dramatic moments and internalize character feelings. The editing also deserves a shout out for some wonderful pacing and really effectively switching between the grainy, 70s like cinematography and more clear cinematography.

Now, back to the screenplay. What made and still makes “A Doll’s House” the ultimate gender-equality script is that every character can be sympathized with. We learn more about the human condition and evils of society, rather than placing blame and anger on individual groups. There are only two men that can be rooted for without hesitation and that’s our protagonist’s husband and father. Every other guy is completely unlikable and has no arc, and Steve Carell’s character can be questioned. Carell’s character, who is a vital part of this story, isn’t written very well or thoroughly. It’s always hard to have two protagonists in a film, especially at a reasonable and well paced time. Carell’s character is both an antagonist and protagonist or, at least attempts to be so. Carell’s character opposes Emma Stone’s. It’s a man versus women ordeal and their tennis match is the crisis and climax of the film. But, here’s the issue. Carell’s character is NOT the antagonist. It’s society! So why is Carell’s character’s standing within the realm of the film so questionable? Why doesn’t he get his own arc? Every major character in “A Doll’s House” takes a journey. That’s what makes us empathize with them and come away disliking their society, and not the products of that society. The same would work with this film. But instead, there is a co-protagonist / antagonist that is not written for people to care about or even empathize with. He gets no arc, no change. He’s unaffected. He may as well have been a smaller part.

Why is this an issue? Because Emma Stone’s character is a catalyst. She’s the driving force and vehicle used within the film to represent the affects of an unjust era and to showcase the positive effects that a change in this society would have. Unfortunately, because Carell’s character and the real antagonists (the sexists who sit atop the societal ladder) don’t change, because we only see them as unlikable, this story turns into something simple and ultimately unfulfilling. Stone’s character merely wins the battle within the film and we come away knowing that and are momentarily happy. However, that soon goes away, which makes this entertaining dramedy perhaps a little forgettable. Had the writing been more substantial and caring to all its characters, and forgiving to all its characters and condemned society instead, we’d come away with a more profound understanding of where issues lie and are issued from. That’s a memorable film. I suppose the cinematic world is still chasing Ibsen.

I give this film 3 out of 5 stars for its entertainment value and performances and recommend it for ages 13 to 18. It is playing in theaters now so go check it out.

I enjoyed watching the drama/biography Rebel in the Rye, directed by Danny Small which examines the life of J.D. Salinger, best known for his novel, Catcher in the Rye. This book was very controversial when it first came out and, although I didn’t read it at the time, this film has inspired me to do so. More on that is yet to come!

The film shows Salinger’s determination, arrogance, humor and underlying inspiration. J.D. Salinger not only has inner conflicts, but he has a major conflict with his dad Sol Salinger (Victor Garber). This film stirred my curiosity so much that I downloaded the book Catcher in the Rye into my audible library. The film also inspired me to seriously begin writing a book.

In the film, we see a young, smart-mouth J.D. Salinger (Nicholas Hoult) as he experiences the horrors of World War II. The combat scenes are not graphically displayed, but Salinger experiences many people killed, including a good friend. He also sees a concentration camp and he is a victim of a mugging.

Strong characters include Whit Burnett (Kevin Spacey), as Jerry’s tough mentor. You can see that he really believes in Salinger and pushes him to “find his voice.” Another character who stands out is Hope Davis as Salinger’s mother. The scene when she receives a copy of his novel is very moving. One of the funniest moments in the film comes when Salinger asked Little, Brown and Company to not send him any reviews of his book. In classic comedic fashion, the very next scene shows Salinger seen reading the reviews at home. I enjoyed seeing the secluded place where Salinger pursued his writing. It is very lovely and peaceful.

You should know that there are scenes of drinking, partying and smoking (common during this era), mild profanity and mild sensuality. I recommend this film for ages 13 to 18 as well as adults. I give it an enthusiastic 5 out 5 Stars. I plan to see it again.  This film comes out on September 15, 2017 so be sure to check it out.

Reviewed by Juanita S.L, KIDS FIRST! Adult Juror

Babies, Puppies, Children, Humor, and Villains all have one thing in common – they all make a terrific film! The animation is colorful and has lots of details. The storyline is cute, silly, original and fun for the whole family.

In the story, Tim wants all of his parents’ love for himself because he was an only child for so long and he is new to the idea of sharing love with his new baby brother. I can relate, since my sister was not thrilled about my arrival. It took her a while to adjust to sharing our parents. Now we are best friends forever. This leads to the lesson that there is enough love for everyone and we can always share. The issues of feeling like you are being replaced and not sharing love with others are two major lessons every brother or sister learns at some point in their life. These are huge and valuable lessons to learn when you are young or about ready to have a new sibling themselves. Plus, a brother or sister means you have a best friend for life.

Each actor is very unique with individual personalities and quirks. Tim (Miles Bakshi) is my favorite character for he reminds me of many people that I know. His transformation warmed my heart and made me all giddy inside. Boss Baby (Alec Baldwin) is the Baby that you want in charge. I love the way that he is so commanding yet kind and silly whenever you talk to him. He is the man with a plan. He knows what to do when you are in trouble and has an adorable little hand to help you on your journey. Francis Francis (Steve Buscemi) is the evil mastermind that you call when you want something that is adorable to the eye, but when you see it up close his plan is just down right diabolical. Dad (Jimmy Kimmel) and Mom (Lisa Kudrow) are the perfect parents when it comes to sharing love with two adorable young men.

The animation is very bold and detailed. I love how each and every detail is addressed in the animation. The animation keeps you interested since there is so much to see and so little time. My favorite scene is was when Tim and The Boss Baby pretend to be pirates and come up with fun pirate sayings and acting as silly kids. I love this moment because there is so much joy and excitement to it. I wanted to jump into the screen and get into the action myself. When Tim teaches Boss Baby how to be a pirate, I laughed and found that I was learning how to act like a pirate too. The way that Tim and Boss Baby make a team of scaly wags is perfect. I wouldn’t have it any other way.

The Boss Baby has many references to films and people that I adore that made me laugh and make the movie relatable to a broad audience. They touch on Mary Poppins, Evil Knievel (I know about him from my Grandfather as they were neighbors and grew up in Butte, Montana together), Pirates of the Caribbean and a bit of Star Wars.

I recommend this film for ages 6 to 18 and give it 5 out of 5 baby giggling stars. The Boss Baby comes out on DVD July 25, 2017 so, go check it out. By Morgan B., KIDS FIRST! Film Critic, age 12

Camp Cool Kids
By Morgan B., KIDS FIRST! Film Critic, Age 12

Camp Cool Kids is a perfect movie for the whole family! Summer is the best time of the year for kids. We are out of school and the best kids’ movies play. I love that while I watched Camp Cool Kids, I came up with quite a few ideas on what to do for entertainment this summer. I can go outside and have fun with my family and friends. This is one of the many fun, eye-catching things that makes Camp Cool Kids so enjoyable.

I love that it includes all different kinds of sports such as swimming, rock climbing, paintball and archery. Every sport has its own scene and that is something that I really enjoyed. I was able to get a glimpse of each sport and see how they are played at summer camp. I have to say that my favorite scene would be where all the boys have a paintball war. It is hilarious and I couldn’t stop laughing.

Camp Cool Kids is somewhat religious based. They mention David and Goliath and other Bible stories. Grandpa Norman (Michael Gross) tells David’s tale and how he took on Goliath all by himself. His faith in God is what helped him through that journey.  The storyline is somewhat quirky and, although it’s not new, it does have a few twists and turns along with a new perspective. Spencer (Connor Rosen), my favorite character, is a shy, honest, goodhearted kid that wants to stay at home and be with his family during the summer. Grandpa Norman (Michael Gross) says it is time for Spencer to go to summer camp and make new friends. His older brother Dean (Sean Ryan Fox), the handsome, cool kid who seems like he has it all, goes to summer camp to make friends and meet girls. Shy Spencer goes a long way from home and off to Camp Cool Kids for the summer, against his wishes. Spencer meets many new friends that he will remember forever such as the adorable Tater (Jacob T. Phillips), his lovable twin Tot (Jordan A. Phillips), the man whose has got the fire, nickname Firefly (Tyree Brown) and the quirky, always-there-for-you kind of friend, Little John (Juliocesar Chavez).

Spencer also makes a new enemy as well, Zach (Logan Shroyer), the cute but not-so-kind villain. Zach and Dean become friends and amuse themselves by pulling a prank or two on the younger boys including Spencer, his brother. There are lots of pranks and silly fun in this adventure.

I recommend this for ages 7 to 18. Kids will love the idea of summer camp and will want to try some of the events. Adults will have memory flashbacks. It is full lessons, humor and heartfelt moments. I give this 4 ½ out of 5 swimming campers’ fun tale.

John James Audubon was one of the most remarkable men of early America. A contemporary of Lewis & Clark and Davey Crockett, he explored the American frontier in search of “the feathered tribes” he loved and studied. A self-taught artist and ornithologist, he left a legacy of art and science that made him famous in his lifetime and endures to this day. His portrait hangs in the White House, his statue stands over the entrance to the American Museum of Natural History, and his name was adopted by the nation’s first conservation organization. The program, filmed in locations where Audubon painted, brings to life his timeless paintings with dazzling footage of the living birds he immortalized and celebrates visually the natural world he described in his writings. Interviews reveal the man, explore his art and put his groundbreaking work in modern perspective. KIDS FIRST! Juror, Eli B. comments, “Audubon is such a great film about the life and contributions of John James Audubon. His struggle and journey as a Haitian immigrant to the United States of America is inspiring. The paintings he created forever immortalized the subjects (some of which are now extinct) and the research he did ultimately led to our nation’s first conservation organization.” See her full review below.

Audubon
By Elizabeth B., KIDS FIRST! Adult Juror

This documentary gives an in-depth history of the life of John James Audubon. There are many examples of his beautiful works of art, maps charting his journey from Haiti to America and excerpts from the journals he kept throughout his life. This DVD offers a great way to teach anyone about John James Audubon. The art and story telling is not only beautiful and interesting, but important scientifically and in regards to American history.

The film flows well with great detail and historical accuracy. The material is easily understood and, after scientific elaborations, often a more simplified explanation is given. John James Audubon was a man of incredible talent and fortitude. He faced many challenges such as childhood abandonment, adult poverty and immigration during the 1800s. The film wonderfully details not only his countless contributions to art, science and conservation, but the challenges he faced and surpassed are an equally important part of his story. This film will prompt many questions regarding many topics! Throughout it, Audubon’s travels are documented on a virtual map. The map brings about questions regarding geography, immigration, cultural differences, animal species of North America and many other topics that appeal to many age groups.

The film has great visual appeal. It is filmed in locations where Audubon painted and, throughout it, these works are shown in all their glory. Selections of Audubon’s original journal entries are seen for the first time in this film as well. The cover of the DVD and the CD have iconic Audubon images titled “Wild Turkey” and “The Great Horned Owl”. This offers the option of viewing the 90 minute theatrical version or the 60 minute broadcast version. English subtitles are available. Scene selection is not available, but you can pause, rewind or fast forward as necessary.

Audubon is such a great film about the life and contributions of John James Audubon. His struggle and journey as a Haitian immigrant to the United States of America is inspiring. The paintings he created forever immortalized the subjects (some of which are now extinct) and the research he did ultimately led to our nation’s first conservation organization. This film will prompt many questions regarding many topics including birds, painting, hiking and travel, American history in the early 1800s and more. The message of this film is in its detailed historical look at the life and contributions of John James Audubon to art, science and Conservation.

I give this 5 out of 5 stars and recommend it to ages 8 to 18, plus adults. Audubon will be available on DVD June 20, 2017.  Reviewed by Eli B., KIDS FIRST! Juror.