Film Independent: Future Filmmakers by Gerry Orz, KIDS FIRST! Film Critic, age 17
Friday, August 30th, 2019
Recently I attended Film Independent’s Future Filmmaker’s Program where they screened twelve excellent short films of all genres and styles made by filmmakers in middle school and high school. Film Independent’s event showcased the true creativity and expression that exists in kids of all ages and proved most of all that knowing the technicality of filmmaking does not make an excellent film – a vision does.
In modern cinema, we push for VFX, complicated sets and high resolution. Sadly, for youth filmmakers like me, and the ones premiered at Future Filmmakers, such extravagance exists merely as a pipe dream. Those cameras stray far outside any reasonable budget, as does any hope of professional Pixar animation or Marvel VFX.
In a way, this makes films produced by children and teens all the more exciting. We lack the discipline and rules that have become enlisted in the larger overarching film industry, and it shows beautifully. Artists all over have been animating in the most incredibly unique mediums, with Old Man Planet directed by Jessee Quales a prime example where he combines stop motion and drawn animation that enticed me far more than many other recent animated feature films. Both Cannibal Cat, directed by Andrew Martin and The Princess and the P.D., directed by Lacey Brauer demonstrate the pure storytelling ability of animation, where the rules of our world fade away and we can create imaginative new ones for whomever we please.
The event also visualized a common theme that may lead to becoming a defining theme in the next generation of cinema – identity. The massive majority of youth films shown in this screening dealt with identity in some form or another with Durian, directed by Caitlyn Phu, discussing cultural identity in a very visual way where she tells the story of Clara Chu, an Asian teenager struggling to determine if she recognizes herself as Asian or American. The T is not Silent takes identity on in the LGBT context where director Clara Siliezar interviews transgender teenagers in San Diego about discovering their gender identity.
Most importantly, in all these short films, the filmmakers show that this generation dares to show things that no other generation had dared show. This is Not a PSA, directed by Delana Lewis discusses African American culture; Brujería, directed by Vivian Muñoz discusses the taboo nature of receiving mental healthcare in Mexican culture. Many more demonstrate the bravery of this generation of filmmakers to go into the world and show the most unspoken aspects of our society.
Finally, and most importantly, the next generation of filmmakers shows a willingness to create – no matter what limits they have. Many filmmakers at the event discussed the difficulties of working, either completely alone or with very small crews. They used small DSLR cameras or simple point and shoot cameras. Dyad, directed by Riley Thomas Stewart shows this most of all. The film takes place on a scorched desert world and Stewart filmed most of the story in a real desert, in order to capture the decayed quiet world he wished to create.
The commitment from these 12 creators should be an inspiration to anyone interested in telling stories, as cinema does not require money, knowledge or experience. It merely requires time and passion.
Dr. Don Shirley is a world-class African-American pianist who’s about to embark on a concert tour in the Deep South in 1962. In need of a driver and protection, Shirley recruits Tony Lip, a tough-talking bouncer from an Italian-American neighborhood in the Bronx. Despite their differences, the two men soon develop an unexpected bond while confronting racism and danger in an era of segregation. KIDS FIRST! Reviewer Kimbirly O. comments, “American History is often not pretty. When it comes to Green Book, it is purely ugly and lovingly told. From the stereotypical Italian-American neighborhood of the Bronx in New York, to the Deep South during the 60s, this film is based on a true story of unlikely friends. See her full review below.
Tony “Lip”, not Tony the Lip, mind you, is a family man. He, like his father before him, is a hard-working proud Italian man, who lives in the same neighborhood as the generations who came before him. He is married (his wife is played by Linda Cardellini)) and they have two sons. He prides himself on being a “bullshit artist.” When he loses his job, he is recruited to serve as the driver to a renowned pianist, who just so happens to be African-American. Dr. Shirley, on the other hand, is estranged from his family and searching. The two men are cast perfectly and bring the best both offer and then some. There are some very touching scenes within this film.
cial stereotypes prevalent throughout the film, instead I will focus on the unlikely friendship, which continued throughout the lives of both men. This film is based on a true story. It is co-written by Nick Vallelonga (Tony’s son), Bryan Currie and Peter Farrelly, who is best known for films written with his brother Bobby and more sophomoric in nature (i.e. Dumb and Dumber). Peter Farrelly also directs the film.
I give this film 4.5 out of 5 stars and recommend it for ages 12 to 18, as well as adults. There is a LOT of smoking, I mean SO MUCH SMOKING. It takes place in the 60s and everyone seems to smoke. There is also a lot of drinking in the film. Racism is prevalent throughout as it takes place in the Deep South where people were referred to as “colored” and segregated. There is also a brief scene, which intimates a sexual encounter between two men, although there is no true nudity. This film opens in theaters nationwide November 16, 2018. See it! Stay for the credits.
All Clara wants is a key – a one-of-a-kind key that will unlock a box that holds a priceless gift from her late mother. A golden thread, presented to her at godfather Drosselmeyer’s annual holiday party, leads her to the coveted key-which promptly disappears into a strange and mysterious parallel world. It’s there that Clara encounters a soldier named Phillip, a gang of mice and the regents who preside over three Realms: Land of Snowflakes, Land of Flowers, and Land of Sweets. Clara and Phillip must brave the ominous Fourth Realm, home to the tyrant Mother Ginger, to retrieve Clara’s key and hopefully return harmony to the unstable world. Kimbirly O., KIDS FIRST! Juror comments, “From the beginning of the film, your senses will be ALIVE! Every set looks edible with color and life. Truly, this live-action Disney film is a breath of fresh air.” See her full review below.
and mysterious parallel world. From one world to the next, Land of Snowflakes, Land of Flowers and Land of Sweets, Clara and a soldier she meets named Phillip (Jayden Fowora-Knight) must brave the ominous Fourth Realm, home to the tyrant Mother Ginger (Helen Mirren), to retrieve Clara’s key.
5 stars and recommend it for ages 4 to 18, as well as adults. You should know this film deals with the death of a parent. It opens in theaters nationwide November 2, 2018. Look for it! You’ll be glad you did.
From award-winning filmmaker Dan Habib comes Intelligent Lives, a catalyst to transform the label of intellectual disability from a life sentence of isolation into a life of possibility for the most systematically segregated people in America. Intelligent Lives stars three pioneering young American adults with intellectual disabilities – Micah, Naieer, and Naomie – who challenge perceptions of intelligence as they navigate high school, college, and the workforce. Academy Award-winning actor and narrator Chris Cooper contextualizes the lives of these central characters through the emotional personal story of his son Jesse, as the film unpacks the shameful and ongoing track record of intelligence testing in the U.S. Intelligent Lives challenges what it means to be intelligent, and points to a future in which people of all abilities can fully participate in higher education, meaningful employment and intimate relationships.
of determination to contribute to society regardless of the label of “intellectual disability”. We follow three young adults through their personal journeys to make a life for themselves. They had me rooting for them throughout the entire film. I admire their chutzpah and determination.
bility once known as “mentally retarded” into a life of possibility. We watch Naieer, Micah and Naomie as they work through high school, college and the workforce to accomplish their goals. Micah, born in 1984, is determined to succeed. He goes to Syracuse University and graduates with a certificate from the school of education to become a teaching assistant. He gives us a new outlook and perspective on someone with an IQ of 40, being quite savvy with social media. He is a constant reminder not to underestimate what people can do. After college, he learns to live on his own and becomes close with a fellow classmate, Meghan and helps her to advocate for herself.
Naieer, born in 1999, has a great talent for art, takes general education in inclusion classes, and is a great basketball player at a public high school in Massachusetts. Through the Art for Cultural Inclusion show, he creates six wonderful paintings. Naomie is 25, loves to sing and dance at her church in Rhode Island with her hip-hop producer brother, and works toward and gets her first paying job through a job training program at a hair salon.
per and his wife Marianne as they share the connection to the film and tell us about their son Jesse, whose intelligence has been questioned because he has cerebral palsy. Jesse however, became a high school honor student and a poet, before his death at age 17.
The Adventure Continues…The arrival of the super powerful Meicoomon starts a countdown to the real world’s collapse. The DigiDestined are cast out of the Digital World, and even after returning to the real world, are driven away by people, due to their partnerships with the Digimon. Meanwhile, a cruel fate appears imminent for Kari, who has a more honest and sensitive spirit than anyone. KIDS FIRST! Adult Juror Kimbirly M. comments, “With the well-known Japanese anime style, Digimon-tri has sharp-edge graphics and action sequences that draw the viewers in.” See the rest of her review below.
This is a continuation of the popular Digimon-tri series. The storyline, generally about dark forces taking over, flows well. There are no lagging sequences that would bore the viewer. One becomes empathetic with the protagonist Kari and even the evil force overtaking Meicoomon. The vocabulary and concepts are appropriate for its intended age group and could further enhance vocabulary and concepts that the viewer may not understand. It portrays pro-
social models such as when Kari feels that she might be responsible for a specific situation and one of the others reassures her that this definitely isn’t the case. This entire series is very good at displaying consequences of both negative and positive behaviors. There are also good models of problem solving such as when a Digimon character decides on an action and another vehemently opposes it. The rest of the group has to come to a general consensus to make a final determination.
s. Life has complicated challenges, but you can overcome them. You should be aware that there are two things that make this more appropriate for older viewers. First, a character pulls out a gun, but there is no blast. And second, we see a powerful being shaped like a naked woman, although there are no graphic features. For that reason, I recommend it for ages 10 to 18, as well as young adults and give it 4 out of 5 stars. I would raise the highest age to 25 if I could, because it is so thought-provoking and intelligent. The DVD allows you to select specific scenes and has a bonus feature interview. Reviewed by Kimberly M., KIDS FIRST! Adult Reviewer
