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The relationship between Eugenie, an esteemed cook, and Dodin, the gourmet she has been working for over the last 20 years. Growing fonder of one another, their bond turns into a romance and gives rise to delicious dishes that impress even the world’s most illustrious chefs. When Dodin is faced with Eugenie’s reluctance to commit to him, he decides to start cooking for her.

KIDS FIRST! Film Critic Eshaan M. comments, “A leisurely, luminous portrait of love, culture and cuisine, The Taste of Things is a feast for the eyes. It’s all about partnership through a shared passion, conveying feelings through fewer words and baked Alaska.” See his full review below.

The Taste of Things
By Eshaan M., KIDS FIRST! Film Critic, age 17

A leisurely, luminous portrait of love, culture and cuisine, The Taste of Things is a feast for the eyes. It’s all about partnership through a shared passion, conveying feelings through fewer words and baked Alaska. With such deep themes and beautiful visuals, no wonder it’s France’s selection for this year’s Academy Awards.

The Taste of Things is a tough movie to summarize. It’s about so much more than its plot… but here goes. The film takes place entirely in a 19th century French manor, mostly in its warmly-lit, wood-accented kitchen and centers on the bonds between the characters. Dodin Bouffant (Benoit Magimel), an esteemed gourmet partly based on real-life gastronome Jean Brillat-Savarin, oversees the meal, helps with the cooking and visits with his group of friends. His partner in the kitchen, Eugenie (Juliette Binoche), beams as she whips up dozens of French culinary marvels. They have two assistants, who seem more like daughters, the teen Violette (Galatea Bellugi) and her niece Pauline (Bonnie Chagneau-Ravoire). This scene unfolds each day for years. The film follows Dodin’s and Eugenie’s romance as it evolves from unspoken partnership to marriage to separation by illness, as well as how the younger members of the kitchen grow.

Director Tran Anh Hung opens The Taste of Things with a 38-minute long tracking-shot scene of the characters preparing an intricate meal with zero technology (it is the 1880s, after all), relishing every step of the way. I found it so satisfying to watch that I didn’t pay any heed to its length, though this may not be the case for some viewers, as the only lines said are “Put the veal in the oven” and a couple directions like this. I actually enjoyed getting to know the characters by watching what they do and observing their body language. There’s many more scenes like this one, none 38 minutes long, though. The film does have a bit of a languid pace, which takes some getting used to and might not suit some viewers’ taste (pun intended). The few events that happen outside the kitchen happen either in the bedroom, in the living room or the adjacent garden. On another note, Dodin and Eugenie’s relationship is a centerpiece of this film, and Magimel and Binoche as Dodin and Eugenie spellbind with their subtle yet powerful acting and palpable bond. Dodin has proposed to Eugénie a number of times over their 20 years together, to no avail. She says marriage is not right for them, because their bond is one of mutual respect and tenderness. The openness with which they discuss love is rare in modern films, as is their clarity on the matter — truly a mature romance. Additionally, the interactions between Binoche and Chagneau-Ravoire as Pauline are a delight to watch. Pauline’s passion for food is shown in a scene where she names each of the two dozen items in a dish and when she nearly cries after tasting a baked Alaska; Eugenie sees herself in the young girl and takes her under her wing. Jonathan Ricquebourg’s mouth-watering and skillful cinematography — tracking people as if walking beside them, sometimes peering into pots, and sitting at the same table as Dodin’s “suite” of friends — along with Tran Anh Huang’s careful direction adds an indescribable realism to the film. It’s a film that will make you hunger for more.

The Taste of Things is a film about indulgence — in food, in love, in family. It also shows viewers that truly powerful relationships are those that transcend labels and that are bound by shared love for one another and, in this case, a shared passion. It shows viewers that food is inextricably tied to love, life and joy. Be forewarned that the film does contain scenes with partial nudity and smoking.

I give The Taste of Things 4 out of 5 stars and recommend it for ages 12 to 18, plus adults. The Taste of Things releases on February 9, 2024 in theaters and is an Oscar nominee. 

A reclusive author who writes espionage novels about a secret agent and a global spy syndicate realizes the plot of the new book she’s writing starts to mirror real-world events, in real time.

KIDS FIRST! Film Critic Miguel C. comments, “Argylle is a very exciting action film with a lot of plot twists. The high quality sound effects and background music are spectacular and terrific acting.” Rayce S. adds, “Argylle has some funny moments and some good action scenes, but for the majority of the movie the dialogue falls flat. The VFX look like they were rushed, and the star studded cast is not used to their full potential.” Sydney wraps it up with, “I like the detailed spy movie Argylle because it has an involving plot that put me on the edge of my seat while watching it. It starts off slowly, but then the storyline kicks up. This movie is well-produced, with smooth camerawork and appealing characters, but does have a smattering of unnecessary bits and pieces.” See their full reviews below.

Argylle
By Miguel C., KIDS FIRST! Film Critic, age 14 

Argylle is a very exciting action film with a lot of plot twists. The high quality sound effects and background music are spectacular and terrific acting. 

The storyline follows a writer Elly Conway (Bryce Dallas Howard), who is seen at a reading for her new book, Argylle 4. At the reading we meet the key characters including Lagrange (Dua Lipa) and Aidan Wilde (Sam Rockwell) who is revealed to be a spy.  After it is revealed that Elly has been writing about a super secret spy mission, things begin to get heated.

Kudos to director Matthew Vaughn for delivering such an exciting film. The special effects really stand out, especially the sound effects which make it seem almost as if I was there. I also enjoyed the background music throughout the film. The music by Lorne Balfe creates suspenseful moments that kept me engaged with the movie. The best scene has to be when Aiden has to fight against the undercover spies on the train. We get to see how Elly interacts with the whole situation and, of course, there is amazing fight choreography. We notice how Argylle (Henry Cavill) is always alongside Elly and Aiden, but not in a way you might expect. Over the course of the film Elly is searching for the ending of her fifth book, but the plot completely changes throughout the movie. 

The film’s message is to always remember who you are and this film delivers this message in a suspenseful way. It’s important to note that this film contains a lot of fighting, blood and crazy action scenes.

I give Argylle 4 out of 5 stars and recommend it for ages 12 to 18, plus adults. It releases in theaters February 2, 2024. 

Argylle
By Sydney S., KIDS FIRST! Film Critic, age 13

I like the detailed spy movie Argylle because it has an involving plot that put me on the edge of my seat while watching it. It starts off slowly, but then the storyline kicks up. This movie is well-produced, with smooth camerawork and appealing characters, but does have a smattering of unnecessary bits and pieces.

Argylle follows an author named Elly Conway (Bryce Dallas Howard) who is famous for her secret agent novels. Just as she is about to release her next book, Elly notices that the characters and scenes in her books are coming to life. If her stories are coming to life, Elly is in grave danger.

The main characters are Elly Conway, Aiden (Sam Rockwell), Argylle (Henry Cavill), Wyatt (John Cena), Ruth (Catherine O’Hara), Director Ritter (Bryan Cranston) and Alfie (Samuel L. Jackson). All of the actors are quite wonderful at portraying their characters. For instance, Elly Conway’s character dramatically shifts intentions and the actor, Bryce Dallas Howard, is quick to change from evil to the hero.

Aiden is a hilarious character, especially when he fights the bad guys. He’s nonchalant and chill about taking out 20 people. Additionally, the camerawork is great because it shows many different perspectives, which make the scenes more exciting and suspenseful, but also helps the audience feel like they’re in the film. This is prominent during the fight scenes – and note that there are a lot of them. Some are unnecessary, especially during the long two and a half hour movie. The first half is slow and doesn’t have a lot of action, but the second half is action-packed. The storyline is well-written, filled with many surprises that shocked me. It is based on the real author, Elly Conway, whose identity is unknown. There are clues that hint about Elly’s true identity, and you’ll just have to wait to find out. I particularly enjoyed the dancing scenes with Elly and Aiden. They are hilarious because they’re ballroom dancing and shooting people at the same time. This is just one example of the many quirky things of the movie.

The film’s message is to trust yourself and don’t ignore your gut feelings. Elly keeps seeing Argylle in the mirror instead of her reflection, which has a deeper meaning. Elly wants to shut “him” out, but Argylle is trying to warn her of the dangers ahead. In actuality, Argylle is her voice because she created him. It’s a good reminder to always listen to yourself. Be aware that there is foul language, violence, gun usage, and murder in the film.

I give Argylle 4.5 out of 5 stars and recommend it for ages 12 to 18, plus adults. Argylle releases in theaters February 2, 2024.

Argylle
By Rayce S., KIDS FIRST! Film Critic, age 14

Argylle has some funny moments and some good action scenes, but for the majority of the movie the dialogue falls flat. The VFX look like they were rushed, and the star studded cast is not used to their full potential which is disappointing. 

The story follows an introverted novelist who writes about a secret agent and a global spy syndicate—and she discovers that the plot of her latest work is mirroring actual events in real time.

Argylle is a movie that starts off bland in the beginning then teases you with some enjoyable moments that don’t pay off. The main character Elly Conway (Bryce Dallas Howard) was not that interesting, and I became more interested in Argylle (Henry Cavil). However, the biggest disappointment of the film is its dialogue. In the theater I found myself wanting to leave after hearing one-liners over and over that for me just didn’t land well. And the poor visual effects kept stopping my immersion into the film. Toward the climax it becomes distracting and the final action scene looks fake, mainly in the background. I do have to give this film credit for having a lot of twists and turns—until halfway through the film I was engaged. All of the shocking twists kept me wanting more. Argylle might secretly be a work of genius simply based on its ending credits scene, which I won’t spoil.

The theme of Argylle is remembering who you are, and it is best represented by Elly Conway as she embarks on a journey through her old books to find parts of herself. I quite liked this aspect of the film because it really gives us a chance to know more about Elly Conway.

Overall, I give Argylle 2 out of 5 stars, and I recommend it for ages 12 to 18.  This film releases in theaters February 2, 2024.