Doctor Noize – 1-2-3-4-5-6-7 A Song * More Than A Children’s Song, A Sly, Joyous Tutorial Of Songbuilding
November 6th, 2025Doctor Noize’s latest song and music video 
is all about how to write a song! Watch the pure joy kids get from learning about song structure featuring the world’s coolest orchestras. The music, lyrics and orchestration by Doctor Noize Recording are performed by Doctor Noize, Anton Schwartz, the Colorado Children’s Chorale and the City Of Prague Philharmonic Orchestra. The single is off of his upcoming retrospective album Positive Energy! 1-2-3-4-5-6-7 A Song is shared alongside a purely warm fuzzy nostalgia music video by acclaimed director Sidney Cullinan and features footage from 15+ years of Doctor Noize shows and recordings. Doctor Noize confides, “This video is like a big love letter to the people I have had the privilege of recording and performing for and with.”
KIDS FIRST! Film Critic Ilana O. comments, “1-2-3-4-5-6-7 A Song is an educational and engaging music video that breaks down the basic fundamentals of music theory to a simpler level. The video has great production value due to the featured collaborations and rich layers of instrumentation that allow for the song to be lighthearted and upbeat!” Zoe C. adds, “I especially love how Dr. Noise invites children into the music through the large choruses. While his voice guides the verses, the children’s voices unite in the choruses highlighting the collaboration and creativity coming together.” KIDS FIRST! Music Critic, John Wood, adds, “On the surface this is a children’s song — bright, bouncy, fun for car-rides. But peel back the confetti and you’ll discover it’s far more: a sly, joyous tutorial in how songs are built, disguised in the kind of melody that has kids tapping their feet and adults nodding along with satisfaction.” See their full reviews below.
Doctor Noize – 1-2-3-4-5-6-7 A Song A Song
By Ilana O., KIDS FIRST! Film Critic, age 18
1-2-3-4-5-6-7 A Song is an educational and engaging music video that breaks down the basic fundamentals of music theory to a simpler level. The video has great production value due to the featured collaborations and rich layers of instrumentation that allow for the song to be lighthearted and upbeat!
Although the target audience may not all be musically-inclined, the song acts as a gateway to inspire a new generation of young, aspiring artists who don’t know where to begin. It reviews integral aspects of music theory, such as the bridge, chorus, verse, and similar. Due to its repetitive nature, and easy-to-remember lyrics, it acts as an effective tool for young ones to grasp what comprises the music they listen to. Besides this, the video features nostalgic clips that fans may recognize from Doctor Noize’s earlier music career, to the present.
Doctor Noize, who is the lead singer, delivers an amusing, pitch-perfect performance while infusing educational value into the music.
His collaboration with the Colorado Children’s Chorale and the City Of Prague Philharmonic Orchestra are what make his music feel complete, as it contributes to the climax of the song. At the beginning, the song starts off bare, and then as it progresses, there is more buildup in the instrumentation and vocals from the choir. The saxophone, which is the most soloistic, adds elements of jazz, creating variety among the range of sounds that are heard. From a technical standpoint, the video execution is also well done, as it contains a unique element of contrasting effects, based on the way it was edited.
In other words, the structure of the video constantly alternates between Doctor Noize’s past and present career, portraying juxtaposition. Whenever clips from his past performances are shown, they are followed by clips from the present-day that depict him reflecting upon the glory days of the past while singing in an empty theatre. To older viewers who grew up with his music, this subtle nuance is what makes it far from being a simple song about music theory. Instead, it is more like a love-letter to the fans.
The song conveys the message of how music is universal in a sense. This is seen through the clips that alternate between different performance venues, containing young audience members from all over becoming united with his tunes. Also, it proves that if you understand the structure of what makes up a song, the listening experience is more fulfilling.
I give 1-2-3-4-5-6-7 A Song 4.0 out of 5 stars and recommend it for ages 5 to 12. 1,2,3,4,5,6,7 A Song is available on all major music platforms now.
1-2-3-4-5-6-7 A Song
By Zoë C., KIDS FIRST! Film Critic, age 17
1-2-3-4-5-6-7 A Song, written by Doctor Noize, cleverly teaches children how to write a song by turning the process into music itself. It’s an immersive and educational, yet incredibly fun track that celebrates the beauty and joy of songwriting and what it means to compose a song.
Doctor Noize breaks down the structure of songwriting, describing when verses and choruses appear by crafting a song around this formula.
What makes this song stand out is its warmth and creativity. The orchestral arrangement, paired with a chorus of children’s voices, creates a sense of inclusivity and excitement. As someone who has written songs before, I found this approach not only adorable but also inspiring. It gives young listeners a chance to see how songwriting works while feeling like they’re part of the process.
I especially love how Dr. Noise invites children into the music through the large choruses. While his voice guides the verses, the children’s voices unite in the choruses highlighting the collaboration and creativity coming together.
The simplicity of the chords and the clarity of the message make it both accessible and empowering. It leaves a blank canvas for kids to fill with their own stories and melodies, encouraging imagination and self-expression. The tone of the song is joyful and uplifting, filled with an energy that makes learning feel effortless. Even though it’s written for children, there’s a sophistication in how Dr. Noise blends education with entertainment. The melody sticks in your head, but so does the message: anyone can create music if they’re willing to try.
All this makes 1-2-3-4-5-6-7 A Song a charming and meaningful piece that transforms music education into a joyful, creative experience. It’s a perfect introduction to songwriting for young listeners, and a reminder that music is something everyone can create. That message, presented with such positivity, can inspire not just children but anyone who’s ever doubted their creativity.
I give 1-2-3-4-5-6-7 A Song 5 out of 5 stars and would recommend it for ages 5 to 12. It is available now on streaming music platforms so check it out.
1-2-3-4-5-6-7 A Song
By John Wood, KIDS FIRST! Music Critic
1-2-3-4-5-6-7 A Song showcases a clinic in bringing together a variety of disciplines to accomplish an artist retrospective wrapped up in a teachable song moment. When you are given practical tools to write your own songs, I would imagine follow up workshops would be a blast.
On the surface this is a children’s song — bright, bouncy, fun for car-rides. But peel back the confetti and you’ll discover it’s far more: a sly, joyous tutorial in how songs are built, disguised in the kind of melody that has kids tapping their feet and adults nodding along with satisfaction.
What sets this apart? First, the scale — Doctor Noize doesn’t shy away from orchestral ambition: the participation of the City of Prague Philharmonic Orchestra, the Colorado Children’s Chorale and jazz saxophonist Anton Schwartz add texture, depth and a genuine “big stage” feel. Trust me, when you hear the swell of the strings and then the children’s chorus jump in—you realize this isn’t kids’ music cut from the usual cloth.
Yet, Doctor Noize balances it with approachability. The concept is smart, but inclusive: counting one through seven becomes a map of song-sections (verse, chorus, bridge, etc.). Kids pick up the rhythm; parents pick up the structure, and everyone leaves humming something they didn’t know they’d learned. It’s sneak-syllabus: art plus edutainment without the scare-quotes. This seasoned artist definitely knows his audience and leads the proceedings like a pied piper maestro.
Production-wise this is crisp, exuberant, and lively. You hear the energy of the children’s voices, the richness of the orchestra, and just enough jazz flourishes to keep it fresh. The key change? The hook? The moment when everything clicks? It’s there, and it’s satisfying. The structure is sound, no pun intended, because he outlines from 1 to 7 the structure of writing a song.
And then there’s the birthday release angle: dropping such a song on the artist’s own birthday (October 30) gives it a little extra sparkle — like a party you’re invited to whether you know it or not.
If I were to pick a minor note — in the sea of children’s music, ambitious cross-genre pieces still run the risk of “too big” for little ears — so my guess is the song’s success will lean heavily on how the arrangements support repetition and accessibility. But in this case, Doctor Noize seems more than up for the job.
Verdict: “1-2-3-4-5-6-7 A Song” isn’t just another counting tune — it’s a milestone in kids’ music; it’s intelligent, fun, and fully produced. It’s the kind of song that makes you want to press replay in the car, let the chorus buzz through the house, and maybe, just maybe, you find yourself tapping along, picking up something you didn’t know you were learning. I highly recommend this. It is a music video retrospective of the artist’s career through music and song.
I give 1-2-3-4-5-6-7 A Song 5 out of 5 stars and recommend it for ages 5 to 12.
Just in time for Halloween comes the perfect story that offers a heartfelt twist on the Frankenstein legend. High above the little town of Grubbers Nubbin, in a castle laboratory, the maddest of all mad professors brings monstrous creations to (almost) life… and then promptly forgets all about them. So, who runs the castle? Who keeps the monsters in line, so the townsfolk don’t form an angry mob? That job falls to Stitch Head – the professor’s very first creation. He does it all, unnoticed and unthanked. But when a ramshackle freak show rolls into town, its sly owner, Fulbert Freakfinder, comes knocking, offering Stitch Head fame, fortune… and maybe even love. A whimsical tale Stitch Head offers a comedy adventure for monsters of every age.
Stitch Head is such a great movie! It’s super funny; the characters are awesome, and I love its message.
he Professor never really notices Stitch Head, which makes him feel unloved. A new creation called Creature (Joel Fry) comes along and calls Stitch Head his “bestest of best friends.” When a circus called “Are You Ready for Monsters” comes to town and tries to scare people, things get wild.
Welcome to the super creepy and awesome world of Stitch Head. Created by the Mad Professor, Stitch Head and other monsters live in a castle where lots of monster mayhem takes place. This movie was a blast to watch.
The action, the comedy and most importantly the monsters are just so funny, gross and cool. It`s the monsters that make this movie so amazing because they add so much comedy into the film. My favourite character is Fulbert the money hungry director because he’s so funny; when he tries to convince Stitch Head to join the circus and when he sees Stitch Head’s real face. The animation, by David Nasser, is phenomenal; it is smooth and very fun to watch.
The story, by Dietmar Kremer, kept me hooked the entire time and got me thinking about the message of this movie. The music, by Nick Urata, helps to give this movie life in so many different ways, just like at the circus. The big chase scene made me think I was in the movie.
Stitch Head is a movie filled with (almost) life, inspiration, and music. I predict that fans of the Stitch Head books will love this lively animation, and newcomers will certainly want to read more about him. Stitch Head is touching to watch and made for an all-around fun and inspirational family watching experience at my house — from the characters to the message.
One day, Fulbert Freakfinder (Seth Usdenov), a circus-owner in need of a new act, shows up at the castle and is impressed with his appearance. He tells Stitch Head that people will love him. From there, Stitch Head has to decide whether to stay at the castle and house the monsters or go live out what could be a new chapter for him.
Stitch Head is always worrying about the approval of the Professor and thinking that he truly needs him there to help. The monsters, though, see him as someone who is brave and could protect them. Stitch Head stays so worried about being loved by the Professor and others; in a way, he holds himself back and does not allow himself just to be free and content with who he is.
The Herdmans are absolutely the worst kids in the history of the world. They lie, they steal, they bully…and now they’ve hijacked the town Christmas pageant. The Best Christmas Pageant Ever follows six siblings who sneak into church searching for snacks and walk away with the lead roles in the town pageant. Grace is directing the performance for the very first time, but she and her daughter Beth and husband Bob are in over their heads, especially against a town that wants them to kick the Herdmans out. But the play’s mischievous stars might unwittingly teach a community the true meaning of Christmas.
The Best Christmas Pageant Ever is an energetic and fun family movie. The emotional depth of the characters and the heart-warming themes are what truly drew me in and kept my attention.
The movie has tremendous emotional depth. The cast really connects with each other in a very realistic and fun way. Their effortless chemistry with each other leads to both comedic and touching scenes. I love when Imogene (Beatrice Schneider) plays Mary in the pageant and she cries on cue while she is holding a baby Jesus doll. Her believability made me teary eyed. Another favorite scene is when Gladys (Kynlee Heiman) plays the Angel of the Lord, and she excitedly and loudly tells the shepherds to find baby Jesus. It is a great comedic release. The Herdman kids’ realistic struggles from neglect and bad behavior modeling really comes through, as we see them act out so much. It is so heartwarming when Beth‘s dad, Bob (Pete Holmes), brings them a whole ham for Christmas as a positive gesture. The costumes are also noteworthy and match each character quite well. One of my favorite outfits is Gladys’s detailed angel costume. I also like Beth’s blue turtleneck sweater and Imogene’s unique style, like her jean jacket.
The Best Christmas Pageant Ever manages to perfectly mix comedic and heartwarming moments. It is an incredible watch – it’s unique compared to other Christmas movies and the cast’s performance is outstanding. The production is executed perfectly, making it an ideal movie to watch during the holiday season.
The story is told incredibly well, with a mix of narration and live events. I became invested easily, and feel that the narration allows for added context to scenes that need it. It’s a very unique Christmas movie in that, rather than focusing on the protagonist, it tells the story from the perspective of others. This makes for great plot development, as the audience doesn’t automatically know everything about these characters, just how Beth sees them. The movie offers a range of tones, from extremely funny to extremely sad or heartwarming. The humor is amazing; I found myself laughing aloud multiple times. There’s many well-placed gags, partially thanks to the narration. However, the movie is also heartbreaking at times, and I found myself tearing up during the last couple minutes. These features are both heavily helped by the great performances from the cast, with the standout being Beatrice Schneider as Imogene Herdman. Her acting is outstanding and really allowed me to feel bad for Imogene, who I disliked in the beginning. She shows a huge range, both comedically and dramatically. My favorite part is its message and how the characters develop. Discovering why the Herdman kids behave the way they do, over the course of the film, is heartbreaking and watching them overcome it when no one else believed in them is so satisfying.
The Chosen Adventures is a 14-episode animated series following nine-year-old Abby and her best friend Joshua as they navigate life in the ancient city of Capernaum. When the children encounter a wise craftsman and teacher, Jesus of Nazareth, he changes the way they see the world. And did we mention that she has a talking sheep?
The Chosen Adventures is one of the most adorable series I have ever watched with a charming and unique animation style, characters that are full of humor, and lessons that even adults can learn from. They all add up to make an absolutely wonderful show.
I really enjoyed the style of animation in this series. It has sort of a clay-like look to it, with the scenery and characters faithfully crafted to match the setting of an ancient middle eastern fishing village. Important individuals like Abby and Joshua are easy to spot in a crowd, thanks to unique outfits and traits, and this helps make the story easy to follow. However, sometimes the characters are a bit difficult to understand when they are speaking. My favorite scene is when Abby returns home from the most terrible day, and is wondering why God would give her a day in which nearly everything has gone wrong. While her Eema teaches her that, even though we might not understand all things, we should still trust God because He does know, a bird named Pigeon (Yvonne Orji) shares the good things that came from Abby’s misfortunes, even though Abby didn’t see them at the time.
Speaking of Pigeon, my favorite character is her best friend, Sheep (Paul Walter Hauser). Honestly, the best word to describe Sheep is… satirical. Despite his big, soft, and fluffy physical appearance, his words are often razor sharp. Yes, he does love Abby and her family very much, but he is never without a comment, remark, or some other form of general sarcasm that keeps everyone laughing, and reminds them to not take life too seriously.
I like The Chosen Adventures. It has great graphics, amazing voice actors, and it teaches valuable faith-based lessons. I also like its fun and wacky nature.
The animation, supervised by Denis Couchon, really makes this show. The details of the faces and the characters’ movements are wonderful. Lots of details are put into the nature and animal shots, which make them look very real. I love how every now and then we see a huge splash of color. This series teaches some faith-based lessons like the love of God and even non-faith-based lessons like friendship. The show takes us through fun adventures that I found enjoyable and think other kids will also. It definitely has a wacky feeling to it – showing stories not only from a human perspective, but also the animals’ perspective, such as from Sheep and Pigeon. The interactions between Sheep and Pigeon add a hilarious feeling to the show. Romy Fay voices Abby perfectly; it’s almost as if she and Abby are literally the same person. Jonathan Roumie plays Jesus perfectly just as he did in The Chosen.
My favorite part is when Joshua overcomes his fear of heights and climbs a ladder – it is very heartwarming. While everyone in the show does not understand Sheep, the viewers and other animals can.
Grow is a tale of pumpkins, sabotage, and unlikely family bonds. A no-nonsense farmer living in the self-proclaimed ‘Pumpkin Capital of the World’ takes in her estranged niece Charlie. Charlie decides to enter the local pumpkin growing competition where she and the other pumpkin growers face fierce competition, sabotage and a genetically engineered rival. As she nurtures her pumpkin ‘Peter’ and watches him grow, so does her bond with the townsfolk, farm and her new way of life.
“It’s better to do the right thing than the easy thing.” Grow is a heartwarming story about a little girl’s dream to win a pumpkin-growing contest. With awesome tales of love, laughter, and the power of persistence, Grow encases Halloween magic with some sweet family elements to make it a blast for all ages.
While Halloween is often celebrated with a bunch of horror films and stories, Grow is a story about family connection and a sweet Halloween film for all ages. Grow is filled to the brim with great actors, like SAG-nominated Golda Roshuevul (Bridgerton), Nick Frost, who will play Rubeus Hagrid in the upcoming Harry Potter TV series, and Jeremy Swift (Higgins in Ted Lasso). It also includes new faces, like up-and-comer Priya-Rose Brookwell, who I predict we will see a lot more of after her first starring role here. As Charlie, she is a perfect example of persistence. She really thinks she will win, even in the face of countless unknowns.
The humor in this film is outstanding, with hilarious moments and awesome nods to other movies, like when a gruesomely stabbed pumpkin ends up in the owner’s bed in a nod to The Godfather. The set and costume designers have created bright, fun costumes and larger-than-life pumpkins that add vibrancy to the neutral background of the town and farm. Hats off to Director John McPhail for a non-scary Halloween movie that families can enjoy.
This film is phenomenal. It is wonderful in every aspect, from the setting to the writing and the acting. I love the setting because it made me feel as if I was really there. It is filmed in Scotland. The actors are phenomenal – my favorite character is Dianah Little because of how much patience she has no matter what happens. The background music enhances the film extremely well. It made me feel things I would not have felt otherwise. Going into the film I had very high expectations for it and it fulfilled all that I thought it would be.
The film is also directed very well, particularly by how relationships are shown between Charlie and Dianah Little. When they are separated, they do not feel whole. They have a very deep connection to each other. Polly’s and Dianah’s relationship is also worth noticing. They both are from the Little family, but Polly is popular and Dianah knows how to work hard. Many siblings will relate to this as we see one of them in the spotlight while the other works behind the scenes, without being noticed. We also see Charlie break a promise to her friends, family, and herself. She knows what she must do, but the question is, will she do it?
