Quality Children's Entertainment Family Movie Reviews

A Leisurely, Luminous Portrait Of Love, Culture And Cuisine, The Taste Of Things Is A Feast For The Eyes

February 8th, 2024

The relationship between Eugenie, an esteemed cook, and Dodin, the gourmet she has been working for over the last 20 years. Growing fonder of one another, their bond turns into a romance and gives rise to delicious dishes that impress even the world’s most illustrious chefs. When Dodin is faced with Eugenie’s reluctance to commit to him, he decides to start cooking for her.

KIDS FIRST! Film Critic Eshaan M. comments, “A leisurely, luminous portrait of love, culture and cuisine, The Taste of Things is a feast for the eyes. It’s all about partnership through a shared passion, conveying feelings through fewer words and baked Alaska.” See his full review below.

The Taste of Things
By Eshaan M., KIDS FIRST! Film Critic, age 17

A leisurely, luminous portrait of love, culture and cuisine, The Taste of Things is a feast for the eyes. It’s all about partnership through a shared passion, conveying feelings through fewer words and baked Alaska. With such deep themes and beautiful visuals, no wonder it’s France’s selection for this year’s Academy Awards.

The Taste of Things is a tough movie to summarize. It’s about so much more than its plot… but here goes. The film takes place entirely in a 19th century French manor, mostly in its warmly-lit, wood-accented kitchen and centers on the bonds between the characters. Dodin Bouffant (Benoit Magimel), an esteemed gourmet partly based on real-life gastronome Jean Brillat-Savarin, oversees the meal, helps with the cooking and visits with his group of friends. His partner in the kitchen, Eugenie (Juliette Binoche), beams as she whips up dozens of French culinary marvels. They have two assistants, who seem more like daughters, the teen Violette (Galatea Bellugi) and her niece Pauline (Bonnie Chagneau-Ravoire). This scene unfolds each day for years. The film follows Dodin’s and Eugenie’s romance as it evolves from unspoken partnership to marriage to separation by illness, as well as how the younger members of the kitchen grow.

Director Tran Anh Hung opens The Taste of Things with a 38-minute long tracking-shot scene of the characters preparing an intricate meal with zero technology (it is the 1880s, after all), relishing every step of the way. I found it so satisfying to watch that I didn’t pay any heed to its length, though this may not be the case for some viewers, as the only lines said are “Put the veal in the oven” and a couple directions like this. I actually enjoyed getting to know the characters by watching what they do and observing their body language. There’s many more scenes like this one, none 38 minutes long, though. The film does have a bit of a languid pace, which takes some getting used to and might not suit some viewers’ taste (pun intended). The few events that happen outside the kitchen happen either in the bedroom, in the living room or the adjacent garden. On another note, Dodin and Eugenie’s relationship is a centerpiece of this film, and Magimel and Binoche as Dodin and Eugenie spellbind with their subtle yet powerful acting and palpable bond. Dodin has proposed to Eugénie a number of times over their 20 years together, to no avail. She says marriage is not right for them, because their bond is one of mutual respect and tenderness. The openness with which they discuss love is rare in modern films, as is their clarity on the matter — truly a mature romance. Additionally, the interactions between Binoche and Chagneau-Ravoire as Pauline are a delight to watch. Pauline’s passion for food is shown in a scene where she names each of the two dozen items in a dish and when she nearly cries after tasting a baked Alaska; Eugenie sees herself in the young girl and takes her under her wing. Jonathan Ricquebourg’s mouth-watering and skillful cinematography — tracking people as if walking beside them, sometimes peering into pots, and sitting at the same table as Dodin’s “suite” of friends — along with Tran Anh Huang’s careful direction adds an indescribable realism to the film. It’s a film that will make you hunger for more.

The Taste of Things is a film about indulgence — in food, in love, in family. It also shows viewers that truly powerful relationships are those that transcend labels and that are bound by shared love for one another and, in this case, a shared passion. It shows viewers that food is inextricably tied to love, life and joy. Be forewarned that the film does contain scenes with partial nudity and smoking.

I give The Taste of Things 4 out of 5 stars and recommend it for ages 12 to 18, plus adults. The Taste of Things releases on February 9, 2024 in theaters and is an Oscar nominee. 

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Argylle * Very Exciting Action Film With Lots Of Plot Twists

February 2nd, 2024

A reclusive author who writes espionage novels about a secret agent and a global spy syndicate realizes the plot of the new book she’s writing starts to mirror real-world events, in real time.

KIDS FIRST! Film Critic Miguel C. comments, “Argylle is a very exciting action film with a lot of plot twists. The high quality sound effects and background music are spectacular and terrific acting.” Rayce S. adds, “Argylle has some funny moments and some good action scenes, but for the majority of the movie the dialogue falls flat. The VFX look like they were rushed, and the star studded cast is not used to their full potential.” Sydney wraps it up with, “I like the detailed spy movie Argylle because it has an involving plot that put me on the edge of my seat while watching it. It starts off slowly, but then the storyline kicks up. This movie is well-produced, with smooth camerawork and appealing characters, but does have a smattering of unnecessary bits and pieces.” See their full reviews below.

Argylle
By Miguel C., KIDS FIRST! Film Critic, age 14 

Argylle is a very exciting action film with a lot of plot twists. The high quality sound effects and background music are spectacular and terrific acting. 

The storyline follows a writer Elly Conway (Bryce Dallas Howard), who is seen at a reading for her new book, Argylle 4. At the reading we meet the key characters including Lagrange (Dua Lipa) and Aidan Wilde (Sam Rockwell) who is revealed to be a spy.  After it is revealed that Elly has been writing about a super secret spy mission, things begin to get heated.

(from left) Elly Conway (Bryce Dallas Howard) and Aidan (Sam Rockwell) in Argylle, directed by Matthew Vaughn.

Kudos to director Matthew Vaughn for delivering such an exciting film. The special effects really stand out, especially the sound effects which make it seem almost as if I was there. I also enjoyed the background music throughout the film. The music by Lorne Balfe creates suspenseful moments that kept me engaged with the movie. The best scene has to be when Aiden has to fight against the undercover spies on the train. We get to see how Elly interacts with the whole situation and, of course, there is amazing fight choreography. We notice how Argylle (Henry Cavill) is always alongside Elly and Aiden, but not in a way you might expect. Over the course of the film Elly is searching for the ending of her fifth book, but the plot completely changes throughout the movie. 

The film’s message is to always remember who you are and this film delivers this message in a suspenseful way. It’s important to note that this film contains a lot of fighting, blood and crazy action scenes.

I give Argylle 4 out of 5 stars and recommend it for ages 12 to 18, plus adults. It releases in theaters February 2, 2024. 

Argylle
By Sydney S., KIDS FIRST! Film Critic, age 13

(from left) Wyatt (John Cena) and Argylle (Henry Cavill) in Argylle, directed by Matthew Vaughn.

I like the detailed spy movie Argylle because it has an involving plot that put me on the edge of my seat while watching it. It starts off slowly, but then the storyline kicks up. This movie is well-produced, with smooth camerawork and appealing characters, but does have a smattering of unnecessary bits and pieces.

Argylle follows an author named Elly Conway (Bryce Dallas Howard) who is famous for her secret agent novels. Just as she is about to release her next book, Elly notices that the characters and scenes in her books are coming to life. If her stories are coming to life, Elly is in grave danger.

The main characters are Elly Conway, Aiden (Sam Rockwell), Argylle (Henry Cavill), Wyatt (John Cena), Ruth (Catherine O’Hara), Director Ritter (Bryan Cranston) and Alfie (Samuel L. Jackson). All of the actors are quite wonderful at portraying their characters. For instance, Elly Conway’s character dramatically shifts intentions and the actor, Bryce Dallas Howard, is quick to change from evil to the hero.

(from left) Argylle (Henry Cavill), Lagrange (Dua Lipa) and Wyatt (John Cena) in Argylle, directed by Matthew Vaughn.

Aiden is a hilarious character, especially when he fights the bad guys. He’s nonchalant and chill about taking out 20 people. Additionally, the camerawork is great because it shows many different perspectives, which make the scenes more exciting and suspenseful, but also helps the audience feel like they’re in the film. This is prominent during the fight scenes – and note that there are a lot of them. Some are unnecessary, especially during the long two and a half hour movie. The first half is slow and doesn’t have a lot of action, but the second half is action-packed. The storyline is well-written, filled with many surprises that shocked me. It is based on the real author, Elly Conway, whose identity is unknown. There are clues that hint about Elly’s true identity, and you’ll just have to wait to find out. I particularly enjoyed the dancing scenes with Elly and Aiden. They are hilarious because they’re ballroom dancing and shooting people at the same time. This is just one example of the many quirky things of the movie.

The film’s message is to trust yourself and don’t ignore your gut feelings. Elly keeps seeing Argylle in the mirror instead of her reflection, which has a deeper meaning. Elly wants to shut “him” out, but Argylle is trying to warn her of the dangers ahead. In actuality, Argylle is her voice because she created him. It’s a good reminder to always listen to yourself. Be aware that there is foul language, violence, gun usage, and murder in the film.

I give Argylle 4.5 out of 5 stars and recommend it for ages 12 to 18, plus adults. Argylle releases in theaters February 2, 2024.

Argylle
By Rayce S., KIDS FIRST! Film Critic, age 14

(from left) Lagrange (Dua Lipa) and Argylle (Henry Cavill) in Argylle, directed by Matthew Vaughn.

Argylle has some funny moments and some good action scenes, but for the majority of the movie the dialogue falls flat. The VFX look like they were rushed, and the star studded cast is not used to their full potential which is disappointing. 

The story follows an introverted novelist who writes about a secret agent and a global spy syndicate—and she discovers that the plot of her latest work is mirroring actual events in real time.

Argylle
is a movie that starts off bland in the beginning then teases you with some enjoyable moments that don’t pay off. The main character Elly Conway (Bryce Dallas Howard) was not that interesting, and I became more interested in Argylle (Henry Cavil). However, the biggest disappointment of the film is its dialogue. In the theater I found myself wanting to leave after hearing one-liners over and over that for me just didn’t land well. And the poor visual effects kept stopping my immersion into the film. Toward the climax it becomes distracting and the final action scene looks fake, mainly in the background. I do have to give this film credit for having a lot of twists and turns—until halfway through the film I was engaged. All of the shocking twists kept me wanting more. Argylle might secretly be a work of genius simply based on its ending credits scene, which I won’t spoil.

(from left) Lagrange (Dua Lipa) and Argylle (Henry Cavill) in Argylle, directed by Matthew Vaughn.

The theme of Argylle is remembering who you are, and it is best represented by Elly Conway as she embarks on a journey through her old books to find parts of herself. I quite liked this aspect of the film because it really gives us a chance to know more about Elly Conway.


Overall, I give Argylle 2 out of 5 stars, and I recommend it for ages 12 to 18.  This film releases in theaters February 2, 2024. 

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Masters Of The Air: The Kind Of Masterpiece Viewers Expect From  Steven Spielberg And Tom Hanks

January 26th, 2024

An Apple Original Series from Steven Spielberg, Tom Hanks, and Gary Goetzman – the producers of Band of Brothers and The Pacific. During World War II, airmen risk their lives with the 100th Bomb Group, a brotherhood forged by courage, loss, and triumph. Masters of the Air is based on the 2007 book Masters of the Air: America’s Bomber Boys Who Fought the Air War Against Nazi Germany by Donald L. Miller and follows the actions of the 100th Bomb Group, a Boeing B-17 Flying Fortress heavy bomber unit in the Eighth Air Force in eastern England during World War II. The series serves as a companion to Band of Brothers (2001) and The Pacific (2010). It is the first series to be produced by Apple Studios, in cooperation with Playtone, and Amblin Television.

KIDS FIRST! Film Critic Eshaan M. comments, “Masters of the Air is exactly the kind of masterpiece viewers expect from the dynamic duo of Steven Spielberg and Tom Hanks. Perfect for fans of war dramas, Masters of the Air has the rich plotline and sky-high production quality to not only entertain, but even educate its viewers.”

Masters of the Air
by Eshaan M., KIDS FIRST! Film Critic, age 17

Masters of the Air is exactly the kind of masterpiece viewers expect from the dynamic duo of Steven Spielberg and Tom Hanks. Perfect for fans of war dramas, Masters of the Air has the rich plotline and sky-high production quality to not only entertain, but even educate its viewers; it’s a shame that the pacing lets the magnificent series down slightly.

Adapted from Donald L. Miller’s book of the same name, Masters of the Air presents in nine episodes the story of eleven men who, in a plane called the “Flying Fortress,” battle flocks of German fighters. These men were a part of the 100th Bombardment Group of the US Army Air Forces in World War II, nicknamed the “Bloody Hundredth,” due to the heavy losses they suffered over the course of their campaigns. They embark on a scintillating journey as they work to destroy Hitler’s Third Reich. It’s truly a momentous story.

Both Band of Brothers and The Pacific, the films that Masters of Air is linked with (it provides the Air Force narrative to supplement their stories of terrestrial and naval warfare) are well-known for their incredible visuals and CGI. Masters of Air is no different; the midair combat is almost dizzyingly realistic, the sets are stunningly crafted, and every character’s look is intricately pieced together. The series warrants a theater experience, which viewers unfortunately won’t get.

These amazing VFX are thanks to the high production budget of the film — between $200 million and $250 million. The series also has some incredible talent behind it, though; Austin Butler, who plays Major Gale Cleven, and Barry Keoghan, who plays Lt. Curtis Biddick, headline Masters of the Air, and their brotherhood and bond is palpable. Their storyline becomes especially strong after an unfortunate turn of events when they’re taken as prisoners of war. The only knock on Masters of the Air is its pacing; every episode feels lengthy, but the first two episodes are especially rough. It was tough to sit and wait for the plot to get moving, though there are combat scenes after the first half-hour of episode 1. I suppose it took me some time to get used to Cary Joji Fukunaga’s style of direction, though he ensures that every part of each scene he films has not a hair out of place, which is commendable.

Masters of the Air is a lesson in patriotism, courage and resilience. The men of the show stick together even when death is at their doorstep — not just for their own pride or sanity, but more importantly, for their country.

I give Masters of the Air 4 out of 5 stars and recommend it for ages 12 to 18, plus adults. The first two episodes of this miniseries will release on Apple TV+ on January 26, 2024. New episodes will be released the following Fridays through March 15.

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Mean Girls * Back In A Stunningly Entertaining Modern Day Adaptation For A New Generation Of Fans  

January 12th, 2024

Cady Heron is a hit with the Plastics, an A-list girl clique at her new school. But everything changes when she makes the mistake of falling for Aaron Samuels, the ex-boyfriend of alpha Plastic Regina George.

KIDS FIRST! Film Critic Tiana S. comments, “Get in losers! The iconic Mean Girls is back in its new modern day adaptation for a new generation of fans to enjoy. As a brilliant combination of the 2004 movie and the Broadway musical, this film is stunning, entertaining and the perfect movie to start the New Year!” Sydney S. adds, “I like the musical remake film Mean Girls because of its interesting plot and enjoyable characters. It’s very relatable for teenagers and hilariously entertaining to watch.” Valerie R. wraps it up with, “Do you have what it takes to be on top of the social food chain? Join the clique, the Plastics, and get ready to watch the reimagined, iconic 2004 Mean Girls movie this winter with friends and family!” See their full reviews below.

Mean Girls (2024)
By Tiana S, KIDS FIRST! Film Critic, age 13

Get in losers! The iconic Mean Girls is back in its new modern day adaptation for a new generation of fans to enjoy. As a brilliant combination of the 2004 movie and the Broadway musical, this film is stunning, entertaining and the perfect movie to start the New Year! 

Mean Girls borrows the same storyline as the original film, with plenty of plot twists. The film is presented as a story narrated by Janice (Auli’i Cravalho) and Damien (Jaquel Spivey). It follows Cady Heron (Angourie Rice), a new student at North Shore High School who moved to the US from Kenya. She makes friends with Janice and Damien, and eventually crosses paths with Regina George (Reneé Rapp), Gretchen Weiners (Bebe Wood) and Karen Shetty (Avantika), also known as “The Plastics.” When Cady is sent to spy on The Plastics by Janice and Damien, it sets off a series of chain reactions including drama, betrayal, and getting hit by a bus.

Fans of both the original Mean Girls movie and the Mean Girls Broadway musical will not be disappointed. My favorite song was “Someone Gets Hurt” sung by Renee Rapp. From her gorgeous vocals and the beautiful scenery, this performance is so mesmerizing that it could have been a stand-alone music video. I love that they include other songs from the Broadway show like “Apex Predator” and “Revenge Party” as well as new ones. I also love the special cameo appearances and newly discovered facts about the original characters; both of which really add depth to the film. I love how the movie includes things like social media and other references to things unavailable in 2004. I watched this film in theaters and there were so many places where I just wanted to pause or rewind it because they were so mind blowing. This is a movie I would love to see again!

The film’s message is to be yourself and not get caught up with the wrong people. Cady was so fed up of “living the life” with The Plastics that she betrays her true friends and loses the smart and sweet girl she originally was. Parents should be aware that there is foul language as well as suggestive topics and special effects that are so realistic they will make you gasp.

I give Mean Girls 5 out of 5 stars and recommend it for ages 12 to18, plus adults. Be sure to watch after the credits for a very short post credits scene. Be sure to check out Mean Girls in theaters now!

Mean Girl
By Sydney S., KIDS FIRST! Film Critic, ages 1l

I like the musical remake film Mean Girls because of its interesting plot and enjoyable characters. It’s very relatable for teenagers and hilariously entertaining to watch.<p>The film follows Cady who moves to a new town where a notorious popular clique runs the local high school. She becomes close with them to spy on them for her other friends and get closer to a guy. In the process, her acting isn’t as fake anymore.

The main characters are Cady Heron (Angourie Rice), Janis ‘Imi’ike (Auli’i Cravalho), Regina George (Reneé Rapp), Damian Hubbard (Jaquel Spivey), Karen Shetty (Avantika), Gretchen Wieners (Bebe Wood) and Aaron Samuels (Christopher Briney). The casting is perfect in the film. The actors are not only wonderful, but they portray the characters in the original movie. They all have different and unique personalities. Mean Girls has many musical numbers. The characters randomly break out into song, which is a bit cheesy at some points, but it makes it stand apart from the original movie. The camerawork is magnificent because it captures the whole setting of the kids at school and their personal interactions. The lighting really stand out during the musical numbers where it enhances the contrast between the singer and the rest of the cast. When Regina is singing, she is illuminated while the rest of the cast is standing still, unlit and frozen. I applaud the producer, Tina Fey, who also plays Ms. Norbury. Speaking of a previous cast member, there is a special cameo appearance of the original Cady Heron by Lindsay Lohan. I recommend watching the original Mean Girls (2004) because there are many iconic scenes that are included in this film. The inclusion of those scenes makes me appreciate the movie even more. My favorite part of the film is its humor. There is a lot of it and it made me laugh a lot while watching it. Important to mention is that the humor is all based on things that today’s teens can relate to. The term “text slang” is used as well as other new and trending concepts and words.

The film’s message is to be yourself and don’t pretend to be someone you’re not. Cady wants to become like Regina, but she learns that her true self is what makes her special. This film has foul language and the use of many inappropriate terms.

I give Mean Girls 4.5 out of 5 stars and recommend it for ages 12 to 18, plus adults. Mean Girls releases in theaters January 12, 202

Mean Girls
By Valerie R., KIDS FIRST! Film Critic , age 10

Do you have what it takes to be on top of the social food chain? Join the clique, the Plastics, and get ready to watch the reimagined, iconic 2004 Mean Girls movie this winter with friends and family!

Cady (Angourie Rice) is the new kid at North Shore High, where she befriends Janice (Auli’i Cravalho) and Damian (Jaquel Spivey).  Regina George (Renee Rapp), Karen (Avantika Vandanapu) and Gretchen (Bebe Wood) take Cady in as one of the Plastics. When Cady falls for Regina’s ex she finds herself in her cross hairs and, while being part of the Plastics, Cady betrays her true friends Janice and Damian. Through the film, Cady realizes that she was wrong and that should just be herself and make it up to Janice and Damian. She learns that everyone is special and should be recognized for that.

What I enjoy the most about this film are the stunning show tunes. I love the catchy rhythm and voices of the actors! My favorite song is “Someone Gets Hurt.” I also really like the costume designs. The costumes have a modern Y2K style, which Gen Z teens can relate to. Another thing worth mentioning is the cast. Each actor plays their character perfectly and has their own spin on the classic characters. For example, Bebe Wood allows the audience to feel the emotions of Gretchen on a deeper level. When Regina bosses her around, Gretchen gets fed up with having to deal with Regina to the point that she doesn’t let Regina sit with them at lunch when she breaks one of the Plastics rules. Kudos to the casting director. I really love how this film reimagines the original Mean Girls. I love how they keep the iconic lines and songs in this film. Lastly I love the set designs, especially those during the musical numbers that are bright and on theme.

The film’s message is to focus on yourself and be nice because everyone in this world just wants to coexist. This film teaches us that we are special in our own way and we should not try to be someone we are not. We should not have to change who we are just to fit in. Please be advised that there is harsh language and other age-inappropriate content in this film.

I give Mean Girls 5 out of 5 stars and recommend it for ages 12 to 18, plus adults. Mean Girls is available in theaters now.

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Remember that Your Donation is Tax Deductible. As the year comes to a close this is a way for you to decide how your hard earned money will be spent.

December 28th, 2023

As the year comes to an end, remember that your donation is tax deductible; so, rather than send your hard earned dollars to the government, you can decide how to make a difference in the lives of children nationwide. How can we tell you how much your support means for KIDS FIRST! It really makes a difference because without your support, we would not have a program. We still have just a bit over $3,000 to raise, so please keep spreading the word – we are so close now!

Launched in 2012, KIDS FIRST! Film Critics is the only program that teaching tweens and teens to become entertainment reporters. Their reviews and interviews are shared reviews with other kids, teachers, parents and grandparents. At the same time, they are developing lifelong skills in writing, presentation and on-camera appearances. We are teaching a community of young creatives build skills and develop relationships in the entertainment industry and beyond.

Our alumni have shared how their experience as KIDS FIRST! reporters affected them in college and as young professionals. Check out Keefer Carteen‘s story below. Keefer was a member of our team from 2013 to 2021, is a 2022 college graduate and now fully employed in the entertainment business.

If you were to make a “statement of support” about what you gained from your KIDS FIRST! experience, something that you would like to tell potential benefactors or media industry professionals, what would that look like?

I learned how to express my passion for films in a clear and concise way through my video reviews. As a writer, they pushed me to analyze what makes a good film and how media influences our youth. KIDS FIRST! gave me a voice when I felt my opinion as a kid didn’t matter.

My time at KIDS FIRST! was the most influential period of my life. I joined when I was 13 with a speech impediment and no experience in the film industry. Thankfully, Ranny Levy took me under her wing. From exciting private screenings to unforgettable red carpet events, KIDS FIRST! gave me opportunities that I could only dream of. Under the tutelage of Ranny Levy, I learned how to be a professional presenter and a conscientious writer. My education at KIDS FIRST! was intensive but never patronizing because Ranny sees the limitless potential in children and pushes them to be the best they can be. 

What are you currently doing related to school, film, media and/or the entertainment business?

I recently earned my BA in Practical Filmmaking at MET Film School in Ealing, London. Still residing in London, I’m pursuing a career as a director/writer/producer. I’ve worked on feature films, high end commercials and award winning short films. My most recent accomplishment was being a Production Manager for the Short Film Last Call Starring Tom Holland and Lindsay Duncan which premiered at Tribeca Film Festival.  With every project I still use the same communication skills that KIDS FIRST! equipped me with. 

Can you share one or more memories of your experience as a KIDS FIRST! Film Critic that you fondly remember and something that affected your life – in terms of your college experience, your professional work or just your own self esteem?

My fondest memory in my life was because of KIDS FIRST! Mel Brooks is my comedy hero and when he was presented his AFI Life Achievement award, it was Ranny Levy that gave me the chance to interview my hero. On the red carpet Mr. Brooks came forward and shook my hand. His warm smile and energetic nature overwhelmed me. I was able to ask him one question about why he wanted to be a filmmaker. He listed off the comedy legends that inspired him; Marx Brothers, Ritz Brothers, etc. and he said “Comedy, that’s the way to go kid! To this day I keep that memory in my heart. Writing this made me very nostalgic. I truly miss you. 

Cruising memory lane, here’s one of my favorite reviews of Keefer’s:

At KIDS FIRST!, we strive to give the young people we work with the best possible experience as we introduce them not just the latest films, but to key players in the entertainment business. And, as much as they benefit from this, they also impact millions of people who read and watch their reviews and interviews as well – making them more conscientious media users.

Additionally, their help in curating films for our KIDS FIRST! Film Festivals has reached new heights this year as live film festivals return and virtual ones remain robust. This fall we programmed for 5 festivals – 3 in the US, one in Pakistan and one in Ukraine. The Ukraine event was particularly uplifting as educators there wanted to provide positive activities for kids who are living in a country that is at war. We couldn’t do this work without the valuable contribution of our young reporters as festival jurors.

That’s why we are asking you to continue to support KIDS FIRST! with a donation of any amount you are comfortable with. Our goal is to raise $15,000 with this campaign. Every penny will go to support the KIDS FIRST! program so we can share their authentic film reviews with the world and positively affect the way kids and families absorb media.

Here’s a story from Harmony: https://www.kidsfirst.org/about-us/KFFC.Bio.HarmonyMakhfi.html

And one more from Samantha: https://www.kidsfirst.org/about-us/KFFC.Bio.SamanthaMarcus.html

You can donate here: https://fnd.us/kidsfirst?ref=sh_bCo1e4 or, you can mail us a check.

Thank you in advance for your generosity,

Ranny and the KIDS FIRST! team

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